Presto

Issue: 1925 2020

April 11, 1925.
PRESTO
Recognition
Precedes
Success
SEEBURG
APPRECIATIVE LETTERS
ABOUT LESTER PIANOS
Two Remarkably Conclusive Indorsements
from Noted Professional and from Public
School Director in Philadelphia.
Testimonials from professional musicians to piano
manufacturers, when really genuine expressions of
appreciation and unsolicited, are of incalculable value
to dealer and public as well as to the piano itself.
Such a testimonial is one recently received by the
Lester Piano Co., Philadelphia, from Adolph Vogel,
cellist of the famous Philadelphia orchestra, conduc-
tor of the Main Line Orchestra, and managing direc-
tor of the Main Line School of Music at Ardmore, a
fashionable Philadelphia suburb. Mr. Vogel is an
accomplished musician, having a particularly fine
DEALERS
HAVE DISCOVERED
THE KEY TO
POSITIVE
PROFITS
There are many styles
in the
COMPLETE
SEEBURG LINE
to interest you
RELIABLE REPRE-
SENTATION INVITED
WRITE
J. P. SEEBURG
PIANO CO.
"Leaders in the
Automatic Field"
1508-1514 Dayton St.
CHICAGO
ADOLPH VOGEL.
ear for tone, as those who have heard him play can
testify. So it means a great deal to get a letter like
this from him:
Ardmore, Pa., February 26. 1926.
Mr. George Miller, President,
F. A. North Company,
1306 Chestnut Street, Philadelphia.
Aly Dear Mr. Miller: I have wanted for sonic time
past to write you to try and tell you how pleased we
are with the Lester pianos in use in the Main Line
School of Music. Ardmore, Pa..
I feel the biggest test for any piano comes in a
music school. The instruments here are subject to
the efforts of beginners and the most advanced pupils.
I find the tone and balance of your pianos are good as
anyone can ask, and also am pleased to state the
pianos are doing all you promised when same were
purchased.
If I can assist you in any way, I will be only too
glad to do so, for our satisfaction in use of the Lester
pianos has justified that.
Wishing you all kinds of success, 1 am
Very truly yours,
ADOLPH VOGLL.
Another letter regarding Lester pianos, written
March 18, touches upon a point mentioned by Mr.
Vogel when he said the Lester pianos purchased by
his school "are doing all you promised." This letter
is from Charles H. Grakelow, Director of Public
Welfare of the City of Philadelphia and Exalted
Ruler of Philadelphia Lodge No. 2, B. P. O. Elks,
which has just completed a new $4,000,000 club house
in the Quaker City, which is acknowledged the larg-
est and finest fraternal building of this character.
They wanted the best pianos they could buy, in keep-
ing with the high quality of the building, its decora-
tions and furnishings. After the keenest kind of
competition, the Lester was chosen. Seven pianos in
all were purchased, five Lester Grands and two Les-
ter uprights. Here is the letter Exalted Ruler Grake-
low wrote about them:
Philadelphia, March 18, 1925.
F. A. North Company,
1306 Chestnut Street,
Philadelphia, Pa.
Gentlemen: Permit me at this time to express to
you our deep appreciation for the very wonderful
manner in which you have taken care of our order
for one Concert Grand, four (4) small grands and
two (2) upright pianos which have been installed in
the new Elks' Home, Broad street at Vine.
Your desire to please and the perfect instruments
received combine to make the entire transaction a
most happy one and it is especially appropriate that a
Philadelphia product should be found in this build-
ing, the latest contribution, architecturally speaking,
to Philadelphia.
Wishing you the success you so richly deserve,
would ask that you believe me to be
Appreciatively yours,
CHARLES "H. GRAKELOW.
It is no wonder, with letters like these coming in,
that Lester dealers are pleased with their sales. They
indicate what every manufacturer and every merchant
is striving for—the customers' satisfaction with the
product they make or sell. It is a great asset for the
Lester Piano Co. and for every Lester dealer.
REACTION OF NERVOUS
SYSTEM TO MUSIC TOLD
A. G. Gulbransen Describes Interesting Re-
sults of a Series of Psychological Tests
with Music as a Motive Power.
That music obtains the quickest reaction in the
human nervous system of any art was disclosed by a
series of psychological tests recently made in Chicago
and which were related by A. G. Gulbransen, presi-
dent of the Gulbransen Co., in an address at an edu-
cational conference.
"Blood pressure test was used on a group of junior
high school boy and girl students," said Mr. Gulbran-
sen. "Music shot the average blood pressure up ten
degrees in ten seconds, when a stirring piece was
played. Exhibition of a series of reproductions of
paintings by the old masters produced no effect. In
literature a recitation from Shakespeare also was
witho.it result and an exhibition of casts of classic
sculpture caused the pressure to fall. Fighting and
love scenes in moving pictures cause a rise of pres-
sure of five degrees in two minutes.
"In the music test the needles on the dials of the
pressure registers swayed almost at the will of the
player at the piano. Various rolls were played. A
Registering piano was used on account of its facility
of interpretation, expression and accentuation of the
melodic notes. The Toreador's Song from the opera
'Carmen' produced instant reaction, Schubert's 'Rose-
monde' got a milder result and 'Berceuse' lulled all
the pulses to calm. The Star-Spangled Banner
brought all to their feet as the first notes struck and
average pressure rose from seven to fifteen degrees.
"Change of position had some effect in this as well
as the fact that the subjects of the test were Boy
Scouts and Camp Fire Girls, and trained to react to
patriotic stimulus, it was said by medical men who
were making the test as a study of the therapeutic
use of music as a tonic and nerve stimulant."
PROMINENT LAWYER QUEST
OF CHICAGO PIANO CLUB
Chailes E. Erbstein, Owner of Station WTAS, Tells
Members Radio Helps Music Business.
The Piano Ckib of Chicago at the weekly luncheon
on Monday of this week had as honored guest
Charles E. Erbstein, lawyer and one of the most in-
teresting men in Chicago, with a reputation in his
profession extending from coast to coast. He is a
man whom all admire.
Mr. Erbstein considers that radio helps the music
business generally and especially that of sheet music
and pianos.
i\lr. Erbstein's latest service to Chicago and Illi-
nois was in behalf of the tornado sufferers through
his popular broadcasting station WTAS. This sta-
tion is generally accepted as the most popular radio
station in Chicago. Ben Duval and Axel Christensen,
club members, perform there.
KRAKAUER IN RECITAL.
Miss Helen Pulialita, pianist, was a special attrac-
tion at the Alhambra Theater, Milwaukee, last week,
and drew many listeners who had become familiar
with her playing over radios from the civic broadcast-
ing station, WCKY. For her recitals at the Alham-
bra Miss Puliafita used a Krakauer Bros, grand pro-
vided by the music department of the Boston Store.
FEATURES MIESSNER WAY.
The Saturday afternoon event in Lyon & Healy
Hall, Chicago, last week, was a recital by the piano
pupils of Mrs. Allen H. Center, Oak Park, who uses'
the new Miessner Melody method of instruction,
created by W. Otto Miessner, well-known composer
and author who formerly was a resident of Oak Park.
CHARGE IN OWATONNA, MINN.
A. E. Monson, of Minneapolis, Minn., recently
bought the store of the R. H. Bach Music Co. at
Owatonna, Minn. Mr. Monson has been engaged in
the music business for several years and formerly
was manager of the Stone Piano Co., Minneapolis.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
presto
THE AMERICAN MUSIC TRADE WEEKLY.
Published Every Saturday at 417 South Dearborn
Street, Chicago, Illinois.
C. A. DANIELL and FRANK D. ABBOTT
- Editors
Telephones, Local and Long Distance, Harrison 234
Private Phones to all Departments. Cable Address (Com-
mercial Cable Co.'s Code), "PRESTO," Chicago.
Entered as second-class matter Jan. 29, 1896, at the
Post Office, Chicago, Illinois, under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign, $4.
Payable in advance. No extra charge
„ in United . . States
. . . .
possessions, Cuba and Mexico. Rates for advertising on
application.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cities are the best occasional corre-
spondents, and their assistance is invited.
Forms close at noon every Thursday. News mat-
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before
Tuesday, five p. m., to insure preferred position. Full
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current
week, to insure classification, must not be later than
Wednesday noon.
Address all communications for the editorial or business
d e p a r t m e n t s to P R E S T O PUBLISHING
Dearborn Street, Chicago, III.
CO., 417 South
SATURDAY, APRIL 11, 1925.
PIANO PALACES
Last week's announcement of the new
Aeolian Building, to go up on Fifth avenue,
New York, gives emphasis to the remarkable
series of piano trade palaces which have of
late been added to the imposing structures in
the comparatively new business section of that
city. It is safe to say that no other industry
can boast of a finer array of skyscrapers de-
signed, from architect's desk to the last detail,
for the purposes of a special line of industry.
Selling pianos is, as is so often said, just
like all other lines of trade in its essential fea-
tures. But in the detail of its performance,
making and selling pianos is not just like all
other kinds of business. To successfully manu-
facture fine pianos, or any other musical in-
struments, requires special skill of scientific
nature. It demands even more, for it calls
for a close intimacy with what is going-on
within the range of both trade and industry,
without much reference to what other lines are
doing. In other words, the connection be-
tween pianos and other lines is not close, and
the ties are not intimate.
And in the retail piano trade there is a dif-
ference, in that the selling of the instrument
is more largely a matter of personal acquaint-
ance and "follow-up" on the part of the mer-
chant and his salesmen. It is only necessary
for the general store, or house in almost any
line, to have a good general standing. The
man at the head of the business may not be
even known by sight. His name is all that
concerns the public so long as the goods are
right and the methods of the store attractive
to the people. With the piano the name of
the instrument is the center of the store's in-
fluence.
The piano business, in the larger cities,
stands forth conspicuously by reason of the
artistic impressiveness of the warerooms of
the manufacturer. In New York the new Stein-
way Hall, the new Chickering Building, the
Aeolian Building, and the splendid ware-
rooms of such houses as Story & Clark, Soh-
mer & Co., American Piano Co., Hardman,
Peck & Co., and a dozen more in the Piano
Row of the metropolis, are of incalculable
value to the entire trade and industry to the
points most remote. They are towering ad-
vertisements of the power and progress of
music in its material development, no less than
artistic. The great New York structures, sup-
plemented by others in Chicago, Cincinnati,
St. Louis, Los Angeles and San Francisco,
present inescapable proof that the piano has
kept pace with other things and that, as an in-
dustry and trade, the making and selling of
musical instruments is not lacking in substan-
tial results and in the accumulation of the
largeness of modern times. They are the evi-
dence indisputable that the dullards in the
business are wrong and that there is nothing
the matter with the business, even it there is
really something the matter with some of its
malcontents themselves.
PRICE LEVELS
April 11, 1925.
their part to correct that habit. They should
consider that prices are never "too high" if
the piano is a fine one bearing a name that, is
at once recognized. Think "Steinway," for
instance, and the price becomes a matter of
no consideration to people who understand.
And so with other pianos the makers of which
have been consistent in promoting the merits
of their instruments and in protecting their
good will by keeping the names their pianos
bear conspicuously before the trade and pub-
lic. The low price argument is never powerful
except in selling indifferent instruments to a
cheap class of prospects.
It is understood that Mr. Geo. P. Bent's in-
vitation is not to be so construed that any
youthful derelicts or ancient cripples wearing
false white whiskers or imitation bald heads
will be admitted to his dinner.
Everything
must be genuine but teeth, toupees and tem-
peraments.
* * *
The New York piano manufacturers do not
seem over-enthusiastic about making exhibits
at the Drake during the June convention. But
there will be enough of them to make it
interesting.
As long as the notion exists that prices are
high there is the expectation that prices will
soon be lower. Therefore, in piano selling it
is especially foolish for salesmen to refer to
high price conditions at all.
But it is very common to hear piano sales-
men start their sales discussions with some
statement concerning the "high cost of things"
or some apology for the price they are asking.
Waiting is the normal condition of the day—
From the Files of Presto
of all days. In the piano trade the urge of
actual necessity seldom exists. In some lines
(April 11, 1895.)
Do you ever find anything important in the other
of business there is always the pressing need
that you have not already read in Presto?
of the things offered for sale. The people papers
Teacher—"How do you spell piano, my young
must have food and clothing. Consequently friend?" Pupil (sotto voce)—"That's an easy one";
S-O-H-M-E-R; Teacher—"Correct; go to the
the market reports possess vital interest to (aloud):
head of the class."
the merchants who deal in such essential com-
The story of a curious lawsuit comes from Lon-
modities. Not in the piano trade. You will don. It was an action brought by a fond father
against the London College of Music to recover fees
never see price quotations in this connection which had been paid for testing the pianistic abilities
of his daughter.
except in the advertising columns.
We believe that the first case of cremation touch-
It is not uncommon to hear piano men— ing the piano trade is that of the late Mr. C. C.
especially manufacturers—say that the trade Colby, whose remains were incinerated at Pittsburgh
today. He was a man of advanced ideas and this is
papers would be read with more avidity if they in accordance with his express desire.
An exclusive piano and allied trades exposition
could publish something like t the market re-
would be a success in this country. Why doesn't
ports in the daily newspapers. But there is some enterprising individual try it? The host of
no such feature possible. The purpose of the dealers who would attend would make it pay the
management, and the good to the participating man-
trade paper is in no way speculative. It is ufacturers would be very considerable.
"I've come," he says, "to say a word
to suggest to the merchants what to sell and
About our Upright Grands,
how to sell it, and to put the manufacturers
Their tone is finest ever heard"—
And thus his tale expands;
in touch with the men who are in constant
And ere again he turns about
touch with the buying public.
He proves how nerve will win,
For soon the worn out "Square" goes out—
There is no absolute law of price fluctua-
The new UJpright goes in!
tion in the piano that is any nearer than the
changing cost of materials and labor. And
to prognosticate prices on that basis is im-
20 YEARS AGO THIS WEEK
possible. That problem is for the individual
manufacturer and dealer. And for the latter
(From Presto, April 13, 1905.)
there is only one way by which to predicate
A well-known manufacturer in the East believes
his selling prices. That is the amount he must that
in time the square piano will again come into
pay for his goods, or his instruments. The vogue. He says that he thinks lie already sees in-
dication of this return to the "full round corners"
fluctuation in cost of supplies and labor is a and
the plinthe mouldings and the "carved legs" in
matter, and a complicated one, for the manu- the rage for small grands.
"*
The second regular meeting for 1905 of the New
facturer to adjust.
York Piano Manufacturers' Association took place
Consequently it is a big mistake for the Wednesday evening at the Murray Hill Hotel.
piano dealer to discuss the cost of his instru- There was the customary dinner previous to the
meeting. At the subsequent meeting there was an
ments in their making. The retail prospect interesting discussion of topics of interest to the
can have little interest in what the separate trade.
Boston was alive with piano men on Tuesday of
supplies cost. His concern is in the completed this week. It was the occasion of the convention of
Chickering representatives, and the dealers came
instrument, and to confuse his mind with the from
all parts of the country. From the far west
details of construction cost is not good sales- were such men as Hy Filers of 'Frisco, Carl Hoff-
mann of Kansas City, D. S. Johnston of Tacoma,
manship.
and a lot more.
As a matter of fact, the piano is never "too
A piano man in Cincinnati had been induced by a
salesman to take on another piano. As
high priced." It has been sold below value for traveling
they were about to close a contract the traveler said:
a good many years. Competition has gradu- "I've talked so long I'm thirsty as a red herring.
Let's go out and get a drink." He hadn't figured
ally hammered down the prices and the profits. out
his customer correctly, for the latter recon-
It is wisdom on the part of the salesmen to do sidered after taking the "nip" and no sale was made.
30 YEARS AGO IN THE TRADE
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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