23
PRESTO
April 19, 1924.
MAY LIST OF U. S. ROLLS
Extensive Line of Word Rolls and Library
Edition Music Announced by the United
States Music Company.
The following word rolls, foreign rolls and library
edition rolls appear in the advance May list of the
United States Music Company, Chicago, the name
ot the pianist being printed in parentheses:
Word Rolls: After All, fox-trot, Herscher and
Coogan (Eubic Jones). Chicago Blues, a twentieth
century chant, Biese, Altiere and Williams (Eubie
Jones). Come Back and Get Your Bananas, fox-
trot, Cook and Shoemaker (Eubie Jones). Daddy's
Wonderful Pal, waltz, Freedman, Nelson and Link.
Dear Little Boy of Mine, ballad, -Brennan and Ball
(Robert Billings). Dimples, fox-trot, Kern and
Hearon (Eubie Jones). Dreams, waltz, Zeph Fitz-
gerald (Harold Wansborough). Forget-Me-Not, fox-
trot, Hanbury, Conrad and Gillens (Tom Brake).
From One Till Two, fox-trot, Bard and Hoover
(Horace Prell). Holding Hands, fox-trot, Pascoe
and Dulmage (Tom Blake). Home in Pasadena, fox-
trot, Clarke, Leslie and Warren (Tom Blake). Hoo-
Doo Blues, fox-trot, Hall, Geise and O'Hara (Harry
Geise). I Can't Find a Name, fox-trot, Jack Snyder
(Eubie Jones). If You Don't, I Know Who Will,
fox-trot, Williams, Smith and Brymn (Eubie Jones).
If You Sheik on Your Mamma, fox-trot, Chris
Smith (Eubie Jones). I Love You, waltz marimba,
G. Watson. It Ain't Gonna Rain No Mo', novelty
fox-trot, Wendell Hall (Eubie Jones). It's Men Like
You Make Girls Like Me! waltz, Austead and Well-
ing. It's Not the First Time You Left Me, fox-trot,
Bennett and Jerome (Horace Prell). Josephine, fox-
trot, Creamer and Brown (Eubie Jones). Lazy, fox-
trot, Irving Berlin (Horace Prell). Let Me Call You
Sweetheart, waltz, Whitson and Friedman. Little
Jessie James, fox-trot, Thompson and Archer (Eubie
Jones). Little Moth, Keep Away from the Flame,
waltz, Costello and Von Tilzer. Lonely Little Wall-
flow'r, fox-trot, Kahn and Simons (Axel Christensen).
Love of My Dreams, waltz (Axel Christensen). Love's
First Kiss, Ballad, Lockton and Forster (Robert Bill-
ings). Mama's Gone, Good-Bye, fox-trot, Bocage and
Piron (Eubie Jones). Mean Papa, Turn in Your
Key, blues, De Voll and Miller (Eubie Jones). Me
No Speak-a Good English, comic song, Pease, Nelson
and Schenck (Horace Prell). My Sweetheart, fox-
trot, Kahn, Conley and Rodemich (Tom Blake). "No"
Means "Yes/' fox-trot, Thompson and Archer (Eubie
Jones). Old Time Hits—Waltz Medley No. 1—(1)
In the Sweet Bye and Bye; (2) All Aboard for
Blanket Bay; (3) She's Only a Bird in a Gilded Cage;
(4) A Mansion of Aching Hearts. Rub Off Your
Wrinkles with a Smile, fox-trot, Austead and Knowtz.
Say It Again, fox-trot, Friedlander and Conrad (Rob-
ert Billings). She Wouldn't Do (What I Asked Her
To), fox-trot, Gottlieb, Boutelje and Burt (Tom
THE
Bl LGER
ONE MAN
LOADQF?
Blake). Song of Love, waltz, Schubert, Berte and
Romberg (Harold Wansborough). Swanee River
Rose, waltz, Davis and Braverman. Until Tomor-
row (Hasta Mariana), ballad, Gillespie Hegbom Van
Alstyne (Robert Billings). Up the Country Blues,
Thomas and Wallace (Tom Blake). Virginia, Don't
Go Too Far! fox-trot, De Sylva and Gershwin (Carl
Over). What'll I Do, waltz, Irving Berlin (Harold
Wansborough). Where the Lazy Daisies Grow, fox-
trot, Cliff Friend (Tom Blake). Wonderful Girl of
Today, waltz, Grossman and White (Harold Wans-
borough). You Were Meant for Me, fox-trot, Sissle
and Blake (Robert Billings). You're in Love with
Every One, waltz, Dixon and Henderson.
Foreign Word Rolls—(1) Sis Shoin Farfallen, (2)
Simches Torah Chusid, Hebrew, M. Leibovitz.
Tateniu Mameniu, Hebrew, Rosenthal and Rumshi-
sky. Assassino; Italian, L. Tutela. A Trento E
Trieste, Italian, P. Tesio. For' 'O Cunvento, Italian,
Gaizo and Montagna. La Santa Pasqua—(1) Regina
Coeli, (2) Le Palme, (3) Tantum Ergo, V. Micari.
Miserere (II' Trovatore), Italian, G. Verdi. Hiszpan-
ska Dziewica, Polish, wale, E. Krotochwil. Moje
Sloneczko, Polish, Slowa-A Neuberg.
Foreign Rolls (music only)—Vesala Chasa, polka,
Bohemian. Wrcbelek, Polka, Polish.
Library Edition—Word Rolls—I Hear You Calling
Me, ballad, Harford and Marshall (Robert Billings).
In the Garden of Tomorrow, ballad, Graffe and
Deppen (Robert Billings). Mother of My Heart,
ballad, Montanye and Grey (Roger Le Mar) s . The
Song of Songs, ballad, Lucas and Moya (Robert Bill-
ings). The Sweetest Story Ever Told, ballad, R. M.
Stults (Roger Le Mar). What a Friend We Have in
Mother, ballad, Chas. E. Roat (Robert Billings).
Whispering Hope, ballad, Alice Hawthorne (Roger
Le Mar).
Library Edition (music only)—Bowl of Pansies,
Jules Reynard (Cora Mel Hatton). By the Brook,
Au Bord D'un Ruisseau, R. de Boisdeffre. Florence,
Valse de Concert, Op. 12, E. Liebling. Lorley (Cora
Mel Hatton Seeling). Nocturne, Op. 9, No. 1,
Chopin (Ivan Petrikoff). Nocturne F Sharp Major,
Op. 15, No. 2, Fr. Chopin (Cora Mel Hatton). Noc-
turne D Flat Major, Op. 27, No. 2, Fr. Chopin (Ivan
Petrikoff). Nola, Felix Arndt (Cora Mel Hatton).
Polonaise Militaire, Fr. Chopin (Cora Mel Hatton).
Rondo Capricciso, Mendelssohn (Ivan Petrikoff).
Scarf Dance, C. Chaminade (Cora Mel Hatton).
Sparklets, Walter E. Miles (Cora Mel Hatton). Valse
Brilliante, Op. 34, No. 1, Chopin (Cora Mel Hatton).
EXPANDS OHIO BUSINESS.
E. E. Krone, Bryan, O., is planning to enlarge his
music shop and expand his business. Mr. Krone,
who has been in the Edison phonograph and record
business for 14 years exclusively, now plans to carry
other lines of musical instruments. He will also in-
stall rest rooms and otherwise remodel the building.
Mr. Krone will continue his phonograph repair
business.
BI L G E R JR.
' TRUCK I
SUBSIDIES TO CUSTOMERS
Evils of the Custom in Musical Merchandise
Trade Are Grievous and Conducive to
Disastrous Results.
The granting of subsidies to professional musicians
is a custom the National Musical Merchandise Asso-
tiation would eradicate. It is a custom of many
phases which include the direct subsidy, favors for
musicians such as extra work on instruments, ab-
normal allowances for used instruments taken in ex-
change, that is, "traded-in"; special terms of credit,
subscriptions to or payments of advertising or other
expenses of musical enterprises or organizations are
typical indirect subsidies.
All subsidies are not direct and the granting of
subsidies has been by no means confined to promi-
nent professional musicians, according to a statement
by the association which says: "A secret special dis-
count to an influential member of the village band is
no different in effect from the payment of a large sal-
ary to an artist of international reputation. He may
be any person whose ownership or advocacy of a
particular make of band instrument for some special
reason adds to the reputation of that instrument in
the community.
"Even when no subsidy is involved, the granting of
excessive allowances for used instruments taken in
exchange is against public interest. It constitutes
price discrimination, and is unfair to customers who
have no instruments to exchange or who trade in
their instruments at a fair valuation. Over allow-
ances are conducive to the development of misleading
and improper trade practices, such as quoting ficti-
ciously highly prices and making false reductions on
new instruments when no used instrument is taken in
exchange. Furthermore, a consistent policy of grant-
ing over allowances on used instruments leads in-
evitably to either business failure or to a regular pol-
icy of over pricing of new instruments to the conse-
quent detriment of the buying public. The evil of
granting over allowances is frequently promoted by
ignorance of the real value of the instrument taken
in exchange."
PORTLAND MANAGER TRANSFERRED.
T. G. Towner, who installed the musical merchan-
dise department of The Sherman, Clay & Co., Port-
land, Ore., branch last fall and since that time has
been the manager of the department has been trans-
ferred to the Sacramento branch of the firm and his
place has been filled by the appointment of Walter
A. McDonnell, who was formerly with the Seattle
branch of the firm.
An Estey luminous stop organ, planned along the
most advanced lines, has been installed in the Ma-
sonic Temple, Manitowoc, Wis., by Lyon & Healy,
Chicago.
COVERS
THAT
PROTECT
MOV
S I L L TOF?
ING
Gf?AN D PIANOS
LIMED AHO PADDED
Remember Bilger's System Moves Grands or Uprights
START RIGHT—ALWAYS RIGHT
25 year* boiled down
'
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Company
Manufacturers of
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Oregon, Illinois
To make sure of the beat—test it.
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