Presto

Issue: 1924 1969

PRESTO
20
April 19, 1924.
SMALL GOODS, SUPPLIES AND RADIO
PREPARE FOR MOVING SEASON
Piano Movers Supply Company, Lancaster, Pa., Pre-
sents Fine Line of Commodities for Piano Dealer.
The purposes of the Bilger Onc-Man Loader made
and sold by the Piano Movers Supply Company, Lan-
caster, Pa., are clearly shown in the effective adver-
tising matter of the company. It is part of the Bil-
ger's system of moving grand and upright pianos, a
system which embodies the experiences, experiments
and improvements of twenty-six years.
Among the commodities handled by the Piano
Movers Supply Company are the Bilger Steel Cable
Hoist, a one-man hoist that has been proved in ef-
fectiveness by many satisfied dealers in all sections of
the country; the Bilger Loader, steel sill for moving
grand pianos, self-lifting trucks, and Bilger covers
and hood covers lined and padded with a view to pro-
vide protection for the piano finish. The Bilger
goods represent 100 per cent efficiency in perform-
GENNETT RECORD NOVELTY
Two Old County Quadrilles with Calls Among New
Numbers Issued This Week.
Among the new Gennett records issued this week
by the Starr Piano Co., Richmond, Ind., are two old
country dances, famous quadrilles of a bygone day.
Record No. 5401 has "Party Quadrille" with calls, in-
troducing '"White Cockade," "Jordan," "The Girl I
Left Behind Me," "Pop Goes the Weasel/' "Yankee
Doodle," and on the reverse side Circle Waltz with
calls, introducing "Little Annie Roonie," "Two Little
Girls in Blue," "The Sidewalks of New York," "The
Good Old Summer Time." The Barnstormers made
these records, and the manufacturers say:
"For those who love the memories of the olden
days and others who joy in the knowledge of times
past Gennett Record 5401 of old country dances will
be an inspiration. To its music you may dance the
olden steps as perfectly as our grandfathers and
grandmothers did, you will hear the calls, and know
the stately courtesies of the past. This will provide
house entertainment and indeed entertainment of a
most fascinating kind for any social gathering afford-
ing amusement and pleasure as well as genuinely
healthful exercise for young and old.
"The new Gennett record is a specially designed re-
cording adapted to permit of the greatest possible en-
joyment of the old form of dancing and we have
used calls and music best adapted to quadrilles and
square dancing in general. Success in dancing an
olden time dance requires knowledge on the part of
every participant and with our instructions you will
have no difficulty in quickly learning the steps."
Other dance records arc: "You'll Find There Isn't
Loving Like My Kind (fox-trot) (Conzelman-Rode-
mich), Bob Tamm's Million Dollar Riverview Or-
chestra, and I'm in a Fool's Paradise (fox-trot) (Con-
zelman-Simon), Joic Lichter's Strand Symphonists,
on No. 5409.
No. 5408 has Fidgety Feet (one-step) (Edwards-
Shiclds-La Rocca) and Jazz Me Blues (fox-trot)
(Tom Dclaney), Wolverine Orchestra.
The new foreign records issued this week are:
Spanish in No. S-5384—Ojos De Juventud (Youth-
ful Eyes) (Arturo Tolentino), Orquesta Texana, and
Vals Diamantino (Diamond Waltzer) (D. Trippcpi),
Los Musicos Ciajeros.
Italian, No. 1-5389—'A Tazza 'E Cafe' (Capalda &
Fassone) (One Cup of Coffee) and Napulc E 'Na
Canzona (Mario & De Cristofaro) (All Naples Is a
Song), G. De Laurentis.
German, No. 2541—Freundschafts Walzer and Am
Ufer Des Meeres (Walzer), Metropol Schrammel
Quartette.
WORLD'S SMALLEST FIDDLE.
Perfect in every detail, and so small it will lie within
a space covered by two half crowns laid side by side,
London now boasts of having the smallest fiddle in
the world, according to the Philadelphia Record. It
was made by the well-known violinist, B. Vander-
neulen, and is exquisitely constructed as to scale.
The exact measurements are: Violin body, 1 11/16
inches; violin, over all, 25/£ inches; bow, 3 9/16 inches.
WESSELL, NICKEL & GROSS
Manufacturers of
PIANO ACTIONS
HIGHEST GRADE
ONE GRADE ONLY
The Wessell, Nickel & Gross action is a
guarantee of the grade of the instrument
in which it is found.
FACTORIES:
4SthSt., IWIAT*. &W46 Mr\I/
V H D r
IN H W
I U K K
OFFICE:
457 W . 45th
str^t
Comstock, Cheney & Co.
WARM TRIBUTE TO Q R S ROLLS
Merit in Q R S Music Co.'s Product Theme of
Letter from Iowa Firm.
The following tribute to Q R S quality was re-
ccived by the Q R S Music Company, following a
visit of Russell Robinson, who records exclusively
for the Q R S Music Company, and Al Bernard,
famous record star, who broadcasted over the radio
as "The Dixie Stars." The last paragraph of the
letter from the L. A. Murray Company (Quality
Musical Merchandise), Davenport, Iowa, tells a story
of achievement that is not accidental:
Mr. Earl Holland,
The Q R S Music Company,
Chicago, 111.
Dear Sir:
Have wanted, for several days, to write you, and
tell you how thoroughly delighted we have been
with the Bernard-Robinson Concert, which was put
on in our store during their broadcasting engagement
here.
Both these artists have won the friendliest feeling of
the Davenport public by virtue of their winning per-
sonality, genial attitude and capable artistry in their
respective lines.
Also we wish to compliment you on having as your
representative Mr. Stanley, who showed such an en-
thusiastic and co-operative spirit.
Until Mr. Stanley's visit, we did not realize that
there could be such a difference in player rolls, and
inasmuch as the best is not too good for our trade,
we shall in the future recommend Q R S rolls.
Yours very truly,
L. A. MURRAY CO.
L. A. Murray.
BUYS TALKING MACHINE STOCK.
The stock of talking machines and records of the
bankrupt Van Wickle Piano Co., Washington, D. C,
was purchased by Charles Schwartz & Son, 708 Sev-
enth street, N. Y., and hereafter the company will
handle the Victor lines carried by the Van Wicklc
Piano Co.
TRUCKS
That Are Labor Savers
Your equipment is not complete without our TRUCKS for handling
Pianos and Talking Machines.
Sill Trucks and End Trucks
for Pianos
With the LEA TALKING MACHINE TRUCK, one man can
handle the Edison Chippendale, Victor No. 17, Cheney No. 6 Queen
Anne, and other large makes, from show-room to any apartment
floor.
Atk for Circular
Ivory Cutters and Manufacturers
MADE ONLY BY
Piano Keys, Actions and Hammers
SELF-LIFTING PIANO TRUCK CO.
FINDLAY, OHIO
IVORY AND COMPOSITION-COVERED ORGAN KEYS
The only Company Furnishing the Keys, Actions, Hammers and Brackets Complete
Telegraph and R. R. Station: Essex, Conn.
Office and Factories: Ivory ton, Conn.
THE O S. KELLY CO.
Manufacturers
of
High
Grade
PIANO PLATES
SPRINGFIELD
-
-
OHIO
JULIUS BRECKWOLDT & SON, ING.
Manufacturers of
and
Tupper Lake
Piano B a c k s , Boards ( Bridges, Bars,
Traplevers and Mouldings
SOLE AGENTS FOR RUDOLF GIESE WIRE
WESTERN REPRESENTATIVE:
CENTRAL STEEL & WIRE CO.,
119-127 N. Peorla Street,
J. BRECKWOLDT, Pres.
Chicago, 111.
W. A. BRECKWOLDT, Sec. & Treas.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
21
PRESTO
April 19, 1924.
COINOLAS
FOR
RESTAURANTS, CAFES and
A M U S E M E N T CENTERS
Style C-2
FROM THE BIGGEST
ORCHESTRION
RADIO MUSIC DETERRENT?
Critic Derides Gloomy Views of Musical At-
traction Promoter and Cites Similar Fears
About Phonograph When Introduced.
Edward Moore, music critic of the Chicago Tribune,
asks: "What is the cause of the present musical
slump?" and proceeds to say: "Anyone who finds
the correct answer to this question, also the way to
obviate it, has a secret readily salable on the open
market for about as much money as he cares to ask."
The critic admits there is a slump in attendance at
musical attractions, while theatrical ventures with
merit are not complaining. "Evidently, then, it is not
a bad season for entertainment generally," he argues.
Promoters, managers and artists have different views
of the causes, Mr. Moore says, "but they all join
hands and gravely declare the radio has wrecked
everything." Mr. Moore continues:
"As this is the one item on which* there is any
agreement, it is worth investigating. When you
come to investigate, however, there is strangely little
evidence, plenty of opinion, but a small amount of
proof. Within a comparatively short time two oper-
atic managers and one orchestral manager have told
me the same thing in almost the same language.
They have said that if they permitted a performance
of theirs to be broadcast, people all over Cook
County and the surrounding neighborhood would put
on their ear pieces and not come to the hall, leaving
an expensive performance with no income.
"It can be conceded that radio fans would not pay
money for tickets if they could hear without paying,
but whether they would come at all is something of
a Scotch verdict, not proven. Offhand one would say
that, deprived of this particular operatic or orchestral
performance, they would tune in on St. Louis or
Pittsburgh or make an attempt at picking Los
Angeles out of the air to find out what is doing there.
At any rate they have not been coming to the opera
house and the concert hall. That, too, is undeniable.
"On its face the radio question as applied to concert
patronage has a striking resemblance to the talking
machine question, and one's memory does not have
to go back so many years to recall that precisely the
same arguments were used for these devices. At
that time heads wagged in the market places, declar-
ing the records would ruin the concert business for
ever and aye.
"But it worked out in precisely the reverse form.
W r ith little respect for predictions, the record busi-
ness and the concert business began to increase to-
gether. Recitals spread as they had never spread
before. Even in this unprosperous season now wan-
ing the recital artists who have drawn the big audi-
TUNERS"
enecs have without exception been the ones whose
records have had the big sales.
'"Then the psychologists began to evolve their
theories. They discovered that records were educa-
tional. They learned that whereas in former times
anyone able to whistle an operatic aria was regarded
as a queer person who spent much money in the
strange expense of going to the opera, now people
were learning to whistle them on every side, having
learned them from the records; also that a certain per-
centage of those who took their music from the rec-
ords had a new impulse, that of going to the opera
house to find out how beautiful the music was when
done in a big way; finally, that hearing a singer on
a record was quite likely to arouse a desire to get a
close-up sight of that singer.
"Records have more than revitalized the business
of giving opera, concerts, and recitals. They have re-
made the industry. Tt is now the day of the radio."
REMINGTON OFFICIALS ON TRIAL
Officers of Defunct Phonograph Company Before
Urrted States District Court on Fraud Charges.
Memories of the defunct Remington Phonograph
Company were revived last week with the opening
of the trial of six of its officers and directors on
charges of fraud and misrepresentation in the sale of
the company's $1,000,000 capital stock. There is
every indication that the case, opened in the United
States District Court in Philadelphia, will take sev-
eral weeks before it goes to the jury.
The defendants placed on trial are: Philo C. Rem-
ington, president; James S. Holmes, vice president,
director and general manager; Marc B. Thomas,
treasurer and secretary; Robert W. Dunlop, director;
Lyndon D. Wood, stock sales manager, and Morris
Pomerantz, salesman.
The company was organized in 1919 and failed in
1921. It had an original capital of 100,000 shares at
a par value of $10 but this was later increased to
200,000 shares of no par value.
AMERICAN PHONOGRAPHS IN CHILE.
Phonographs and talking machines have now
reached a stage of popularity in Chile where homes
of the better class are not considered complete with-
out them as a means of entertainment, writes Rollo S.
Smith, secretary to Commercial Attache, Santiago.
The Chileans are fond of good music and the mod-
ern craze for dancing has also taken a strong hold on
them. The Chilean people, even in the metropolis of
Santiago, arc not given to frequenting public places
of amusement after dinner in the evening, and prefer
to devote the later hours to home life. It is these
hours spent in the home that have contributed most
toward making the phonograph popular.
A music goods department has been added by the
Frick Furniture Co., Evansville, Ind.
Here are
BASS STRINGS
Special attention given to the needs of th« tuner and
tb« dealer
OTTO R. TREFZ, Jr.
2110 Fail-mount Avenue
PHILADELPHIA, PA.
LEATHER
FOR
PLAYERS
ORGANS
PIANOS
PNEUMATIC LEATHERS A SPECIALTY
Packing, Valves, All Special Tr.nned
Bellows Leather
Tiny Coinola
THE SMALLEST
KEYLESS
T. L. LUTKINS,Inc.
40 Spruce Street
NEW YORK
Established 1867
Strauch Bros.
All Well-poste 1 Piano Dealers, Sales-
men, and the Piano Buying Public
recognize the * x\ne of this name on a
Piano Action.
For more than £ 5 years it has been associ-
ated with the bust products of the Piano
industry. It ha j always represented
Quality and Merit
When a Piano Action bears the name of
Strauch Bros, U is an additional guarantee
of the quality of the instrument containing it.
STRAUCH BROS.,Inc.
Piano Actior>; Hammer* and Repairs
327 to 347 Walnut Ave., at 141et Street
NEW YORK
Manufactured by
The Operators Piano Co.
715-721 N. Kedzie Ave.
CHICAGO
FAIRBANKS
THE FAIRBANKS CO., Springfield, Ohio
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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