Presto

Issue: 1923 1953

PRESTO
AN ADVENTUROUS
CUSTOMER QUEST
Veteran Traveler Recalls Calvin Lee, Old
Organ Man of the Ozarks, the Search
for Whom Happily Ended
Before It Began.
BUMPED INTO CUSTOMER
A Literal Instance Which Shows Every Day Is a
Lucky One if Events Happen Right and at
Proper Time.
Some of the piano travelers' customers are in-
herited, some are made by the cold, unemotional re-
cital of irrefutable facts about good instruments;
some are blarneyed into line in psychological mo-
ments, some are decoyed into interest in the piano
line by unconventional but honest methods, and one
I know was literally bumped into under unusual cir-
cumstances.
If you corner one of the real veterans of the road
you can start him on the reminiscent conversation by
a discreet lead. Most of them, even though their
heads are hoary and moustaches grizzled, live too
much in the present to become retrospective. They
keep pace so well with new conditions that they sug-
gest immortality.
But in a mollifying mood in a cozy hotel lobby in
Des Moines last week a suggestive remark led an old
boy to unreel about the various ways in which he had
built up his list of customers and what he said
brought back to my memory the day I bumped into
Calvin Lee, the old organ man of the Ozarks.
Recalls Calvin Lee.
Calvin Lee was a singing teacher with Camden,
Miller, Morgan and Laclede counties, Missouri, as
his field of operation. In a natural way he saw the
opportunities for organ sales and in time became an
important distributor. Even if it were commonplace
my first meeting with him would have been impor-
tant. He became my biggest customer for organs.
I had heard about him from a St. Louis shoe
traveler whose territory was identical with that of the
old organ man. He directed me to go to Lebanon
in Laclede county and there trust to luck in finding
him in any of the four counties. The directions were
vague, but I was young enough to be allured by the
adventurous feature in the circumstances.
Lesson in Contracts.
Lebanon was organ territory in those days. Today
it is in the reproducing piano class. Sleek piano
travelers who shave every day and preserve the
trouser crease as a duty to society know the Lebanon
of today; a city of well-dressed people, comfortable
homes, graded streets, canning industries, modern
stores, ice cream parlors, movie shows with pipe
organs, automobiles and other evidences of the pres-
ent year of grace. But Lebanon in 1883 was a burg
of another aspect.
The trip from St. Louis was uneventful. I recall
I had the same old rabbit's foot luck in a game of
draw in the smoker and gleefully remember how I
filled a pair of queeus, and—but that's another story.
When I hopped off the train at Lebanon, Medicine
Hat, or wherever the blizzards come from, was de-
livering a ripsnorter that has since that day pro-
vided a historic fact, for I—remember—well—saga
spinners of the Laclede Hotel. In that favored re-
gion of mild winters and glorious falls that day in
1883 is remembered as something anomalous and
irregular.
A Head-on Collision.
I dodged for the shelter of the station, which
loomed darkly but invitingly at the side of the track.
The door resisted my efforts to push it open. I
ducked my head to save my face from the pin-pointed
sleet and ran around the building to try the door on
the other side. It was then I bumped into another
frantic unfortunate humping in the opposite direction.
Bang! Swoosh! We were sloshing in a mix-up in
the sleety drift that covered the ground.
With shame I admit I launched a fusilade of warm
language which brought a counterfire of torrid words
that sizzled in the frigid atmosphere. But I believe
the recording angel made his fountain pen purposely
splutter to make the entries indistinct. There are
occasions when the free and unlimited coinage of cuss
words are justifiable. When I got to my feet my
irascibility had vanished. I found a happy coinci-
dence in the feelings of the bumpee when I explained
and apologized.
The Happy Denouement.
In the shelter of the station we laughed over our
experiences in the head-on collision. I gave him my
name and he told me his. The cussing antagonist of
a few minutes before was none other than Calvin L.
Lee, the man I had set out from St. Louis to find,
with four big Missouri counties as the hunting
ground. I had bumped into a good customer and a
friend even after the era of the organ had come to
an end in that section.
M. D. S
ii assured the dealer who takes advantage of
THE BALDWIN CO-OPERATION P U N
which offers every opportunity to represent
under the most favorable conditions a com-
plete line of high grade pianos, players and
reproducers.
%%t JBaUrtm'n fJtano Company
Incorporate
tovmrtuLM
omi
Energy of Music Merchants in Freely Advertising
Brings Satisfactory Results.
The Pittsburgh, Pa., music trade generally is sat-
isfied with the amount of Christmas piano sales ac-
complished. The sales for the week before Christ-
mas were very cheering in their number and in the
character of the instruments chosen. As much as
$6,000,000 in Christmas Savings Fund checks were
distributed by the city banks, and a considerable
amount of that money was invested in first piano
payments by thrifty ones.
Of course the music dealers employed the adver-
tising means provided by the newspapers and show
windows in music houses were more suggestive of the
buying purpose than usual. The Sunday newspapers
all through December were used to good purpose
by the music houses, in creating and fostering the
desire to own a piano or player.
A great many small grands were sold in Pitts-
burgh for Christmas gifts. This pleasant fact was
the result of the grand propaganda which was such
a prominent feature of pre-Christmas advertising.
F. D. Hastings is the proprietor of The Music Box
recently opened at 150 Asylum street, Hartford,
Conn.
Restrictions in Imports of Pianos to Be Removed,
Is Stated.
The U. S. Trade Commissioner in London has fur-
nished an interesting report to the Commerce Depart-
ment about conditions governing the British market.
The report says that American manufacturers and
exporters of pianos need have no hesitancy in enter-
ing the British market since the British government
has no intention of attempting to restrict imports of
such articles.
At the present time imports into England of pianos,
although somewhat lower than during the pre-war
years 1909-13, are holding up better than are imports
of other classes of commodities. The average monthly
value of piano imports during the present year was
£41,395, as compared with £46,856 in 1922, and a
pre-war average of £48,250, according to figures
gleaned from official sources in England. In 1919
the average monthly imports of pianos were valued
at £1,986, being low due to the fact that Germany
was not open to trade.
In dealing with the question of luxury restriction,
the British Government has found it very difficult to
draw the line between luxuries and essential goods.
Pianos are considered an element in education and
are necessaries. Further, many of the commodities
that are imported are also articles of export and the
freight and insurance from the imports help to pay
the cost of exporting British goods.
The railroads of the United States during the first
ten months this year handled the greatest freight
traffic in their history, according to reports of the
Bureau of Railway Economics. The traffic for that
period amounted to 386,027,840,000 net ton miles, an
increase of 2 2/5 per cent over the corresponding
period in 1920, which marked the previous high rec-
ord and which amounted to 377,025,000,000 miles.
Compared with the first -ten months last year the
total for the same period in 1923 was an increase of
84,495,485,000, or 28 per cent.
The Beppe, Marcellus and Edouard Jfules Plaoo
manufactured by the
HEPPE PIANO COMPANY , «
are the only pianos In the world with
Three Sounding Boards.
Patented In the United States, Great Britain,
Prance, Germany and Canada.
Liberal arrangements to responsible agents only.
Main Office, 1117 Chestnut St.
PHILADELPHIA. PA.
I
= tester 1
Grand Piano
| One of the old, reli-
= able m a k e s . For
terms and territory
1 write.
[
Lester Piano Co.
1
1306 Chestnut St.
Philadelphia
^4HB
i
i
—— m > m
~ri 7^p
MRS. C. C. MULLEN CONVALESCENT.
SUCCESS
muuo
PITTSBURGH DEALERS ENJOY
GOOD CHRISTMAS TRADE
U. S. TRADE COMMISSION
SENDS GOOD REPORT
YEAR'S FREIGHT TRAFFIC.
Ciackraati Factories of The Baldwin Piano Company
December 29, 1923.
BAN FlANCMCO
Mrs. C. C. Mullen, secretary and treasurer of the
Henricks Piano Co., Pittsburgh, Pa., who recently
underwent an operation for appendicitis, is on the
high road to recovery. The Piano Merchants' Asso-
ciation of Pittsburgh, with which organization the
Henricks Piano Co. is affiliated, sent a bouquet of
flowers to Mrs. Mullen while she was a patient at the
Presbyterian Hospital, together with a card express-
ing the hope for her speedy return to her accus-
tomed post.
Widener's Cushman Music Store, Hartford, Conn.,
celebrated its sevetnh anniversary recently by con-
ducting a special sale, which was highly successful
When in doubt refer to
PRESTO BUYERS GUIDE
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
December 29, 1923.
PRESTO
ALWAYS
AN
ASSET
COIN OPERATED
PIANOS and
ORCHESTRIONS
Are dominant in the auto-
matic field because they
are genuine music makers
and because they bring
real profit to the dealer
who handles them.
SEEBURG In struments
because of their popular-
ity, pay for themselves in
a short time and then,
because of their durabil-
ity, become steady money
makers for the dealer.
If you are interested,
and we know you are,
write for the booklet
" Don't Take Our
Word for It", which
will convince you of
the success that many
other dealers are having.
J. P. SEEBURG
PIANO CO.
Factory
1508-16 Dayton St.
Offices
1510 Diyton St.
CHICAGO, ILL.
WHERE DOUBTS ARE DISPELLED
Under This Head Presto Will Answer Any Question Pertaining to Pianos, or
Other Subjects of Direct Interest to the Trade and Musical Public
Inquiries must bear the signature and address of
writer in order to receive attention. Answers thought
to be of general trade interest will be Published. If an
answer is not of general interest it will be mailed pro-
vided stamp is inclosed.
ROLL CUTTING MACHINES.
Middletown, O., December 11, 1923.
Editor Presto: I wish the address of roll (music)
cutting machine makers, as we anticipate operating
this kind of business. We are musicians and music
writers and will handle our own products and others.
We are acquainted with roll playing, as we played for
rolls in Cincinnati at the Vocalstyle plant, and our
work is excellent as to musical composition and ex-
ecution of individualistic playing of our arrangements.
We know the machine worked by hand called
"Leabarjan," made at Hamilton, O., but we want the
kind of machine that is used by large commercial
firms—that cuts while playing the playerpiano.
RANDALL & STONE
Among the best known of the industries which give
attention to that line of work are those of H. M.
Salyer, 460 Abington avenue, Bloomfield, N. J., and
P. J. Meahl, Summit, N. J.
There have been many efforts to establish music
roll industries which have turned out disastrously. It
is a very complicated industry and one in which
profit can only be made by a proportionately great
amount of effort. You probably have noticed that
the Q R S Music Co. and the United States Music
Co., of Chicago, are spending many thousands of
dollars in publicity. Of course, if it is your purpose
to try a general music roll industry, such as the Vocal-
style, you must do as the other do, and that will
mean the employment of large capital.
* * *
TO BROADCAST SONG.
Altoona, Pa., December 12, 1923.
Editor Presto: Will you let me know how I can
get my song broadcasted? I will be thankful to hear
from you soon.
A. J. HUNT.
In our opinion about the best way would be to
write to the National Association of Broadcasters,
1265 Broadway, New York City. Send two copies
of the song which you would like to have broad-
casted. Write a letter explaining your wishes and
when your song reaches them they will try it out. If
it meets with the approval of the critics in charge
they will send to you a perpetual release, which
would affect only royalties upon the broadcasting
stations.
* * *
REPRODUCO ORGANS.
Danville, 111., December 15, 1923.
Editor Presto: Will you kindly advise us who
handles the "Reproduco" organ; also advise us if
there is a distributor for this organ in Chicago.
T. W. HOPKINS.
The Reproduco organ is made by the Operators
Piano Co. of Chicago, which industry must be known
to you.
Of course, we need not say that the productions of
the Operators Piano Co. are first class and in every
way reliable. Their office and factory address is
16-22 South Peoria street, Chicago.
* * *
RECORD EXCHANGES.
Port Arthur, Texas, December 12, 1923.
Will you please give me some phonograph record
exchange dealer. I once had some business with a
concern of Chicago called Rich-Tone Record Ex-
change. I would like to have their present address
if obtainable, and if not please give me some other
company you know to be reliable.
B. L. TATUM.
We can find no such concern as the Rich-Tone
Record Exchange. It may have existed and discon-
tinued business. If you can let us have the former
street address, we may be able to help you.
It is quite likely the Piano Repair Shop, 425 South
W'abash avenue, Chicago, may be able to tell you all
about record exchanges.
* * *
WIND INSTRUMENTS.
Loraa Linda, Calif., December 17, 1923.
Editor Presto: Will you kindly give me the names
and addresses of manufacturers who wholesale wind
instruments aside from Conn; the same for string
instruments, and also trademark phonographs, if there
are such?
O. J. GRAF.
Among the largest manufacturers of wind instru-
ments are the following:
Lyon & Healy, Chicago; Carl Fischer, New York
and Chicago; Wurlitzer Co., Cincinnati or Chicago;
Martin Band Instrument Co., Elkhart, Ind.; C Bruno
& Son, Inc., New York City.
There are, of course, many more and a very com-
plete list appears in Presto Trade Lists Number 3.
Among the largest manufacturers of trademark
phonographs is the Perkins Phonograph Co., 831
North Wood street, and the Columbia Cabinet Co.,
400 West Erie street, both of Chicago.
* * *
DON'T INVEST.
Great Falls, Mont., December 13, 1923.
Editor Presto: Will you please tell me if the
American Music Pub. Co. is a reliable house?
They wanted me to work for them in mailing
music and circulars, and I want to know, before I
invest anything, something about them, and the music
house here referred me to you.
MRS. W. H. GRATE.
We fail to find any such music publishing house
in Chicago. Possibly it is located somewhere else,
and if you have any of their circulars perhaps you
will mail one to us.
As a rule we distinctly advise against investments
of any kind in such enterprises. A thorough investi-
gation should be made first because there have been
almost numberless enterprises purporting to be music
publishers which have proven either fraudulent, or
nearly so. However, we know nothing at all abou,^
the concern of which you ask.
y ~-
* * #
.
UNTRUTHFUL "KNOCKING."
Denison, Iowa, December 22, 1923
Editor Presto: We bought a Gulbransen player-
piano recently from the Fastje Music House in Deni-
son, Iowa., which they represented to us as a high-
grade instrument, etc.
Now another dealer, Mr. Claussen, of Kiron, tells
vis that he never heard of Gulbransen, that it is not
listed in piano books and that it is a cheap grade
player, and that Fastje charged us too much. Will
you please advise us who is telling us the truth?
MARVIN HOLLANDER.
The attempt to make you dissatisfied with a Gul-
bransen player was wholly unjustifiable, unfair 3nd
reprehensible.
The instrument which you purchased is one of the
most famous and, without doubt, one of the best
manufactured. The Gulbransen-Dickinson Co. is not
only one of the largest and most responsible of the
musical instrument industries, but it is one of the
most perfectly equipped and skillfully conducted in
the world.
In short, you may be perfectly certain that the in-
dividual who attempted to disparage the Gulbransen
playerpiano is not worthy of credence. He should
be discouraged, for his action was very unfair and
unbusinesslike—unworthy of any man engaged in the
piano business.
The price which you say you bought the instru-
ment for is a very low one considering the charac-
ter of the Gulbransen playerpiano. Furthermore, the
Gulbransen is a "nationally priced" instrument, the
price is clearly advertised and invariably fixed.
You will find the Gulbransen player analyzed in
"Presto Buyers' Guide" for 1924, on pages 46 and
152.
*
*

PORTABLE REED ORGANS.
Phoenix, Ariz., December 19, 1923.
Editor Presto: Please inform me who makes the
small portable, collapsible reed organs. I have your
"Presto Muyer's Guide," but the organ proposition
is not in it.
J. W. DAWSON..
While there are several makers of portable reed
instruments in this country, by far the best collapsible
organ is made by the A. L. White Mfg. Co., 215
Englewood avenue, Chicago. These instruments are
used by revivalists, chapels, etc., and have a ver-y
large export trade. They are thoroughly reliable in
every way.
NEW PEORIA INCORPORATION.
Incorporation papers were recently filed for the
Daniel Miller Co., Peoria, 111., to manufacture and
deal in musical instruments. A capitalization of
$50,000 was given. The company will operate at
116-A South Adams street. The officers are W. C.
Leavitt, L. E. Sutherland and Ren L. Thurman. Gal-
braith & Sutherland, located in the Lehmann build-
ing, are correspondents.
MOVES TO PERMANENT QUARTERS.
The Morgan Music Co., which has been located for
several months at the corner of Sixteenth street and
West Cherry, Herrin, 111., has moved into permanent
quarters in the Raddle building. This structure was
practically burned down a year ago and has been re-
built into a modern building.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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