Presto

Issue: 1923 1951

PRESTO
December 15, 1923.
ALWAYS
AN
ASSET
EVOLUTION OF
THE PIANO BENCH
The Story of a Great Industry, Accessory to
the Piano, from Its Beginning to the
Fiftieth Anniversary of Its
Progressive Career.
PERCY TONK'S REVIEW
How Adjustable Stool Had Its First Suggestion and
Other Points of Progress Told in
"Tonk Topics."
The latest number of "Tonk Topics," the snappy
little magazine put forth by the Tonk Bench Manu-
facturing Company, Chicago, possesses unusual in-
terest of historic kind. The publication is edited by
President Percy A. Tonk and the number celebrates
the fiftieth anniversary of the famous house which,
There is a fine sketch of the "problems of fifty
years ago," at which time "the total population of
the entire United States was only about 40 million,
as compared to the 110 million who now inhabit the
same area."
"It was through Julius Bauer, founder of the Julius
Bauer & Co. firm (an uncle) that Max Tonk became
interested in the manufacture of musical goods. Ju-
lius Bauer & Co. is the oldest firm now in ex-
istence, engaged in the piano business in Chicago.
There were several of the Tonk Brothers working
for the Bauer firm at the time, all of whom, in later
years, became engaged in business for themselves.
"The firm of Tonk Bros. Co., of which Charles
J. Tonk was the head, is still doing business in Chi-
cago under the same style, but is now successfully
conducted by his widow, Mrs. Sarah H. Tonk.
Five Tonk Brothers.
"There were five Tonk boys, of which two are
still among the living: William Tonk, founder of
William Tonk & Bro., Inc., New York, and Albert E.
Tonk, who is domiciled in Sunny California, but not
associated with the industry.
"During the period of the Civil War, Max Tonk
associated himself with the Bauer concern, assisting
in the manufacture of drums for the army. It was
while so engaged that he conceived the idea and rec-
ognized the opportunity offered for the manufacture
of pianos and organ stools."
Not the least interesting of the features of the
story is the picture of the four Tonk brothers which
is reproduced in connection with this article. It is
COIN OPERATED
PIANOS and
ORCHESTRIONS
Are dominant in the auto-
matic field because they
are genuine music makers
and because they bring
real profit to the dealer
who handles them.
SEEBURG In struments
because of their popular-
ity, pay for themselves in
a short time and then,
because of their durabil-
ity, become steady money
makers for the dealer.
If you are interested,
and we know you are,
write for the booklet
" Don't Take Our
Word for It", which
will convince you of
the success that many
other dealers are having.
j. p. SEEBURG
PIANO CO.
Factory
1508-16 Dayton St.
Offices
1510 Dayton St
CHICAGO, ILL.
that "When Mr. Bauer remarked that somebody ought
to make an adjustable stool Max Tonk carried out his
idea.
"This stool was made of a beer keg, some pipe and
pipe fittings. It is the original organ stool.
"We are indebted for this information to Adam
Schneider, Dean of the Chicago Piano Industry, now
associated with Julius Bauer & Co."
First Adjustable Stool.
The evolution of the
piano bench has never
been the subject of re-
search. The beginning of
most music lovers, but the
essential article to its use
has not been made the
theme of any writer's pen,
until Percy Tonk made it
the subject of his review
of the industry of which
he is the head. As an item
of curious interest to the
trade, the accompanying
cut of the original practical
suggestion of the first re-
volving adjustable organ
or piano stool is timely and
quaint.
PERCY A. TONK.
for half a century, has been producing piano stools,
benches and similar supplies of high grade character.
As a leading, feature, of especial appropriateness to
the occasion, Tonk Topics presents a review of the
business beginning with the founding in 1873—a time
when Chicago was just recovering from the great
fire, and when the piano business was, at its best, a
comparatively small one. And the story of the Tonk
progress is one of splendid courage and correct busi-
ness principles, wholly characteristic of the name of
Tonk.
50 Years of Harmony.
It is a name that has been associated with nearly
every branch of the music business, from the im-
portation of small goods to the manufacture of mu-
sic benches and the production of fine pianos. It
has represented an industrious family bearing the
name—three brothers, and now the second genera-
tion in both New York and Chicago—making pianos
and piano supplies, respectively.
To return to Tonk Topics and its historic recital
of the progress of one branch of the Tonk family,
nothing better were possible than to make extracts
from the story of "Fifty Years of Harmony." It
begins with the statement that "like most of the vig-
orous business men in the middle west in those days,
Mr. Tonk had unquestioned faith in the growth of
Chicago and believed that the trend of development
was towards the west.
"Piano dealers were fewer in number than today,
even in proportion to the limited population, and the
transportation difficulties were far greater than they
are today."
Following the life of Max Tonk to the time of his
death, in 1914, at the age of 62, the story tells of the
steady growth of the business and describes the de-
velopment of the piano stool to the artistic Tonk
bench of today. An interesting item is the picture of
the first adjustable organ stool of which it is told
THE BROTHERS TONK.
From left to right, the brothers are: William, head of
the New York Piano industry of William Tonk & Bros.,
Inc.; Charles, until his death head of Tonk Bros. Co.,
Chicago; Albert E., and Max, seated at the right.
a picture of permanent interest, and is, without doubt,
a rare one in the annals of the Tonk family. In Tonk
Topics it is explained that the picture "shows the
four Tonk brothers and, incidentally, a library table,
the hand carving of which is the handiwork of Max
Tonk. There are many specimens of wood carving
by him to be found among the relatives."
We believe that dealers generally will want copies
of the Tonk Topics containing the history of fifty
years of successful business effort.
TUNER OPENS STORE.
A music store has been opened by Henry S. Horn-
beck in the Leavitt building on Peconia avenue, River-
head, N. Y. A complete line of pianos, players and
small goods is handled by Mr. Hornbeck, who is an
expert on tuning and repairs.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
presto
THE AMERICAN MUSIC TRADE WEEKLY.
Published Every Saturday at 417 South Dearborn
Street, Chicago, Illinois.
C. A. DANIELL and FRANK D. ABBOTT -
- Editors
Telephones, Local and Long Distance, Harrison 234.
Private Phones to all Departments. Cable Address (Com-
mercial Cable Co.'s Code), "PRESTO," Chicago.
Entered as second-class matter Jan. 29. 1896, at the
Post Office, Chicago, Illinois, under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign, $4.
Payable in advance. No extra charge in United States
possessions, Cuba and Mexico. Rates for advertising on
application.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cities are the best occasional corre--
spondents, and their assistance is invited.
Forms close at noon every Thursday. News mat-
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before
Tuesday, five p. m., to insure preferred position. Full
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current
week, to insure classification, must not be later than
Wednesday noon.
Address all communications for the editorial or business
departments to PRESTO PUBLISHING CO., 417 South
Dearborn Street, Chicago, III.
SATURDAY, DECEMBER 15, 1923.
407 TO 417.
The offices of Presto Publishing Co. have been re-
moved just one door south of former location on
South Dearborn street, Chicago, The new number
is 417 South Dearborn street, and only change of the
0 to 1 is required to have it correct. Presto has been
within fifty feet of its present location for nearly
thirty-five years. In its new and larger quarters it
will be better than ever equipped to meet the require-
ments of a steadily increasing business. Remember
to change your records to—
PRESTO PUBLISHING CO.,
417 South Dearborn Street, Chicago.
A GREAT INDUSTRY
What would any of the early day piano man-
ufacturers have said had they been told that
within a half-century, from the time of their
activities there would be individual factories
turning- out approximately one hundred com-
pleted instruments a day? They would have
laughed incredulously and said that the possi-
bilities of so great productiveness would not
be attained in a hundred years or more.
In the latter seventies an eastern piano in-
dustry startled the trade by announcing that
its output had so greatly grown that the an-
nual productiveness approached 5,000 instru-
ments a year—or the year in which the al-
most incredible claim was made. Five thou-
sand pianos from a single industry seemed at
that time something like a fairy tale. But
to dispose of so large an output the manufac-
turers resorted to selling systems theretofore
unknown and not often heard of since then.
One of the plans was to exact that every
customer should contract for a fixed number
of instruments, to be delivered at stated in-
tervals, upon rigid terms of settlements. If
the agency could not comply with the terms
the piano was withdrawn from the agency and
given to some more accommodating rival.
And in that way the disposition of the, at the
time, great output was guaranteed in advance.
Nothing new in all that as history has since
shaped the piano industry, but the announce-
ment of the top-notch in numbers of the
earlier days created an impression. Today we
know that big industries turn out 10,000, or
15,000, or even 25,000 instruments yearly and
we do not utter surprise or ask what they do
with them. In some cases, as that of the H.
C. Bay Company, whose announcement ap-
pears elsewhere this week, we know that the
productiveness is great in response to a great
demand.
And if we wonder at the piano industry that
turns out approximately 500 instruments ev-
ery week, or even more than that, we marvel
much more at the courage and efficiency of
the man who controls so forceful an industry,
and so calmly and unostentatiously guides its
far-reaching destinies.
GERMANY LET IN
The clear-cut message of President Cool-
idge adds courage to the commercial inter-
ests of the country. All thinking business
men have read it and enjoyed the crisp con-
clusions which characterize its literary style,
without waste of a word. And, following the
President's cheerful forecast, came the new
treaty with Germany by which relations with
the people of foremost traditional music cul-
ture are fully resumed.
To be sure, it has been very long since Ger-
man pianos played a part in the American
trade. But small goods and supplies, as well
as creative genius from Germany, have con-
tributed steadily and at times richly. And
yet France has for very many years had a
greater influence upon the American piano
than any other foreign nation. For, while
German industry was sending over the accor-
deons and harmonicas, and certain small sup-
plies, the French actions of Herrburger-
Schwander remained the only important piano
parts imported for a long time.
In earlier days the case was different, and
Germany sent over not only many completed
pianos, but a large share of the supplies, both
wood and metal. The genius of the late Al-
fred Dolge rendered the importation of Ger-
man felts unnecessary,,and the exigencies of
the war brought into being the kind of indus-
try that makes it easily possible to employ
American made piano pins and steel wire.
So that today the renewal of trade with
Germany may not mean much to the Amer-
ican piano industry. It will, no doubt, cause
a rush of cheap and toy-like small instru-
ments, and in time it may be expected that the
marvelously low working conditions in the
unhappy land of Bach and Beethoven will im-
pel a renewed effort to send across specimens
of the larger instruments. There is no threat-
ened menace in that to our American pianos.
Our established instruments are so superior
to anything produced abroad that there can
be no "foreign invasion" in this business. And
methods of American piano manufacture have
at last become so far standardized and ex-
pedited that, great as the demand promises to
be, the supply may equally be adequate.
GOOD AS WE MAKE IT
December IS, 1923.
the store. That way is, of course, by local
advertising. The urge may be stimulated by
price allurement, or by the presentation of
novelty and utility. The piano dealer has all
of that, and he has another system of per-
sonal solicitation. He has the "prospects"
waiting, very often for the reminder as put
by the eloquent and energetic salesman.
That is one of the advantages of the piano
trade. It is a line of merchandise in which
the slogan, "business is as good as we make
it," can be successfully applied, because the
outside salesman can actually make business.
And the largely successful piano dealers know
how to do it. They know that, aside from
foodstuffs and other absolute essentials to
life, people are apt to be negligent. They will
postpone investment in even the things they
realize are almost indispensable to home hap-
piness. And pianos belong right there.
The average human being is seldom sure
that he knows what he wants. Until some
crisis arises he will not take time to investi-
gate the things to which his attention may
have been many times drawn. Today is al-
ways his busy day. He goes right on sup-
posing that such an investment as the piano
implies must mean a considerable hole in his
cash surplus. The educational influence of
the piano salesman is all that is needed.
So that "business is as good as we make
it" seems to have been coined for the piano
trade. If every piano dealer and salesman
who has had reason to complain, will make
a personal application of the newspaper
slogan results will change the trade tempera-
ture very quickly. It will be just a case of
getting out and making business good in
places where it has been indifferent or even
very poor. All of this has been said before in
other w r ords, perhaps, in the American Music
Trade w r eekly. But it can not be said too of-
ten as long as business is not as good as we
can make it.
LINKS PREMIER DEALER
WITH NATIONAL MESSAGES
Advertisement of Premier Grand Piano Corporation
in Mid-Week Pictorial Effective for Sales.
On December 6 the New York Times Mid-Week
Pictorial featured a full page Premier Grand Piano
Corporation advertisement of the series which has
been inserted in this national weekly since March this
year. It is the equal in strength and effectiveness
of the displays printed before. These Premier con-
sumer advertisements have produced wide interest
and have been the means of creating substantial busi-
ness besides.
The typical co-operation of the Premier Grand
Piano Corporation with the nation-wide chain of Pre-
mier dealers is consistently adhered to in this adver-
tisement, as in all others of this series, by directly
identifying these .distributors with the advertising
messages to the consumer.
A STRONG CABLE POSTER.
The alert publicity department of The Cable Com-
pany, Chicago, has furnished its dealers with one of
the most forceful posters, or "hangers," in trade his-
tory. It is a giant reproduction of the double page
spread which recently appeared in Presto. The pos-
ter features the straight upright, and gives emphasis
to the Cable Midget. Dealers will find the big illus-
trated sheet line for framing and hanging on the
wareroom walls. It will also make an eye-catching
feature of the window display. It is mailed in strong
tubes which protect it in delivery.
Some of the large city newspapers have
been running as a sort of slogan, the line "bus-^
iness is as good as we make it." It is one of
the suggestions that especially fits the piano
trade. For there are few lines of business
PLANS OF H. P. MAUS.
The H. P. Maus Piano House, Lima, Ohio, is to
that can be "made" in any such sense as that
be reorganized and the business expanded according
of selling pianos.
to the announcement of H. P. Maus, its president,
Most lines of trade are wholly dependent this week. An ambitious sales plan has been formu-
upon the public demand. The merchants must lated by Mr. Maus, who says his plans for the piano
will not be hindered by his activities for the
await the coming of their customers, and house
Page Organ Co., which is now proceeding on a
there is but one way to draw the buyers to steady basis employing forty workers.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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