Presto

Issue: 1923 1933

PRESTO
8
THE AMERICAN MUSIC TRADE WEEKLY
Published Every Saturday at 407 South Dearborn
Street, Old Colony Building, Chicago, 111.
C. A. D A N I E L L and F R A N K D. A B B O T T

-
Editors
Telephones, Local and Long Distance, Harrison 234.
Private Phones to all Departments. Cable Address (Com-
mercial Cable Co.'s Code), " P R E S T O , " Chicago.
Entered as second-class matter Jan. 29. 1896, at the
Post Office, Chicago, Illinois, under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign, $4.
Payable in advance. No extra charge in United States
possessions, Cuba and Mexico. Rates for advertising on
application.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cities are the best occasional corre-
spondents, and their assistance is invited.
Forms close at noon every Thursday. News mat-
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before
Tuesday, five p. m., to insure preferred position. Full
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current
week, to insure classification, must not be later than
Wednesday noon.
Address all communications for the editorial or business
departments to PRESTO PUBLISHING CO., 407 So.
Dearborn Street, Chicago, III.
SATURDAY, AUGUST 11, 1923.
AT THIS TIME
In New York the piano manufacturers
chorus the same complaint, and about the
only one. It is that they can't, by any method
of speeding up, fully supply their customers.
Orders are coming in as almost never before.
And this applies to the finer grades of instru-
ments as well as to the commercial class.
If you say to any manager of factory or
wareroom that perhaps one cause of the in-
tense activity may be due in part to the drop-
ping out of some of the long established in-
dustries, attention will be called to the num-
ber of new ones which have started up, and
which are already shipping to the limit of their
capacity. There have been times when the
New York piano factories have been just as
busy as now. But they have never produced
as many instruments at anything like the av-
erage cost to dealers and public. Which shows
that it is not a question of price that regulates
demand in this business. As a matter of fact,
as this trade paper has often said, a better
price will help to build trade more surely than
the lowest prices will do it.
It may be said that it is to a degree be-
cause of the slaughter of prices that the de-
mand for pianos exceeds the supply. We
don't believe it. Of course, there is a class
of trade that is influenced in the way im-
plied. But it is not the kind of trade that
keeps the manufacturers' and merchants'
financial heads above water. There has never
been a great group of wealthy piano manu-
facturers. The number of rich piano dealers
would not muster much of an army. Why not ?
Foolish to ask and more foolish to essay
an answer. The cheap piano industries are
not the substantial ones. There is not today
a single great factory devoted to the very
low-priced piano that has been in existence
for a quarter-century. Call over the list and
see. We have had a lot of them, from the
day of J. P. Hale to the present time. But
from the great New England Piano Co. to the
energetic piano makers of the present day, the
attempt to build fortunes upon the cheapest
possible piano product has not been either a
good instrument or a permanent success.
Pianos can not be sold at prices of popular
furniture with any degree of success to the
seller. A piano sold to the dealers on a mar-
gin of profit based solely upon quantity pro-
duction will, in time, be sold at retail for a
correspondingly small price. '\And in Iboth
transactions there will be no appreciable profit.
The manufacturer will multiply his overhead
and his financial risks, while the dealer will
exhaust his prospect list and in the end find
himself about where he started, or worse.
This is an old lesson. It is a preachment as
old as this trade paper—and that is older than
most of the piano industries. It may be re-
peated, but it will never convince a certain
kind of live men in business who must have
their own experiences and make or lose their
own fortunes. But there are others who will
give some heed to it, and who are making
some money out of their efforts and instru-
ments. And they will take advantage of such
times as the present for the making of more
money than ever before.
A CLEAN INDUSTRY
August 11, 1923
record. And that was not the fault of the
phonographs, but of penny-grasping politicians
in search of their commissions.
It is a clean business. Every time a piano
merchant delivers an instrument he performs
more than an act of business. 'He spreads
cheer, and helps to drive away the glooms,
and adds to the buoyancy of the spirits.
Mr. Wilson concludes that "our civilization
can not survive materially unless it be re-
deemed spiritually." If music is the only art
that defies defilement, as every poet and phil-
osopher tells us, then the man who sells the
things of music may congratulate himself. He
is a savior of our civilization. And, further-
more, as we all know, he not infrequently
makes sacrifices in its cause. He is one of
the business men who delivers the goods to
his neighbor's door and proves his trust by
waiting two or three years for payment for
his property. That is the "development of
moral integrity worthy of sacrifice" for which
Mr. Wilson is looking.
PROMPT ON THE JOB FOR
FIFTEEN THOUSAND DAYS
So Reckoned by Fred D. Weld Making Estey Organs
Speaking of the heartlessness of many
for 51 Years.
leaders in industry, in their relations with
Fred
D.
Weld,
of
the reed board department of the
workers subject to their dictates, former Estey Organ Co., Brattleboro,
V t , has been working
President Wilson wants to know why such for the company for 51 years and he states "in all
"offenses" can not be removed and business that time no one ever told me to rush a job through."
It is an interesting story, that shows the thorough-
be made "more honorable and cleanly." The ness
of the construction methods of this three-quar-
challenge often seems a fair one, and the ters of a century old industry.
"I remember well the first day I came to work
problem presented is one which has worried
the Esteys, more than half a century ago. From
thinkers for a long time and will probably with
that time to this my name has never been off the
continue to worry them for some time to Estey pay roll," said Mr. Weld. "In my time I have
served four generations of the House of Estey—
come.
Jacob Estey, the founder; his son, Julius; his two
But there is one line of business in which grandsons, and now his three great-grandsons. The
there has never been any noticeable degree management has changed, but the Estey policy has
of the spoils methods to which the former never varied one bit. The purpose has always been
to build the best organs it is possible to produce.
President refers. The piano industry has been Everyone and everything here works to that end.
a clean one from the first. In it there has Nothing else matters.
"They tell me that fifty-one years is a long time to
been only a little of even the discord between
stick with one company. But the days have passed
employer and employed which has marked so pleasantly that it doesn't seem like a long time to
most other lines. Bitter quarrels have sel- me. In all the years I have been here, not once have
dom marred the makings of the strings of 1 been rushed, even in the busiest seasons. Not
have I been told to 'let it go at that' or pushed
music, and usually the men in this branch of once
beyond the point where I can put the best that's in
the world's progress have displayed little or me into my work.
"And that is just why I have hung my hat and coat
none of the disposition to grab off a bigger
on the same old peg for more than fifteen thousand
share of the first-fruits than they are en- mornings!"
titled to.
Perhaps there are some people who will say NEW INCORPORATIONS
that the attitude of the men of music, in the
IN MUSIC GOODS TRADE
respect referred to, has been too clearly em-
phasized. That the aggression of the oper-
Secure Charters in Various
ators in some other lines might prove help- New and Old Concerns Places.
ful if adopted by the men who make the in-
The Grimes Radio Engineering Company, Man-
struments of harmony the means of their hattan, New York; $25,000; R. L. Bradford, C. A.
commercial existence. However that may be, Curtis and P. M. Payne.
The J. Schwartz Music Company, Manhattan;
it remains true that the business of making
$50,000; J. Schwartz, B. H. Schwartz and S. M.
and selling the things of music does not fall Schwartz.
within the limitations of Mr. Wilson's arraign-
The Radio Cabinet Company, Brooklyn, N. J.;
$10,000; J. E. Davis and H. Hirsch.
ment.
Joseph Weilcr, 121 N. Fifth street, Quincy, 111.;
Even in the social scandals, which so fre- $120,000, divided as follows: Charles Weiler, $56,000;
quently serve to enliven the daily newspapers, Alice Weiler, $49,900; Lenorc Weiler, $10,000; and
W. P. Martinde, $100. Pianos, talking machines and
it is seldom that the name of a music man jewelry.
appears in the headlines. The recent excep-
Walthall Music Co., San Antonio, Tex.; $100,000;
tion of Mr. Maxwell, who was charged with L. E. Walthall, M. W. Lemann and J. E. Merchant.
American Music Sales Co., Wilmington, Del.;
the "poison pen" habit, turned out to be unfair to The
deal in talking machines; $50,000.
to the sheet music publisher, in that it was
Mason Music Co.. Inc., San Antonio, Tex.; $20,000;
unduly exaggerated, if not wholly a fabrica- G. W. Parish, L. E. Robinson and J. W. Mason.
South Side Music Store, 3121 South State street,
tion. And in politics the industry of music Chicago;
$10,000; Edward Williams and others.
has equally clean hands. It has contributed
Reed & A wan Music Publishing Co., New York
congressmen, governors and mayors who have City, $10,000; W. Wynman, C. Holtzman.
served their constituents well. But there has
A line of musical instruments will be carried by
never been a suggestion of anything worse
the Heard-Bell Furniture Co., Atlana, Ga., which will
than an overcharge for phonographs in the open this week.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
August 11, 1923
REMARKS FROM THE SIDE LINES
By HENRY McMULLAN.
A Kansas City piano tuner claims he has invented
a machine for measuring the degree of sweetness and
melody in the tone of a piano. The uses of the
machine will be limited, however. There are thou-
sands and thousands of pianos made every year
whose tone would jar a seismograph.
* * *
Jazz music chances to have a certain significance
in that it marks the flowering of blatancy throughout
the world. War is the flower of discontent; soviet-
ism, however, repugnant to long-established modes
of government, originated in an effort to repudiate
smug tyranny; a fight among small boys on a street
corner can be traced to the continued hectoring of
the school bully. Jazz is lively and inspiriting, a
welcome reaction from the tedious pounding of a
piano out of tune next door by the child pupil.
* * *
According to an irate missionary, American rag-
time music is being arranged to suit native Chinese
instruments and American smut songs are being
translated in large quantities for sale in China. At
last we are about to get even for chop suey.
* * *
Only a trifling example of defect in construction at
the factory, but oh, what a ruction it raised! For want
of a nail the shoe was lost; for want of a shoe the horse
was lost; for want of a horse the rider was lost; for
want of the rider, who happened to be the general,
the battle was lost and the enemy took the country.
Deductively then, each piano must leave the factory
as nearly perfect as is possible.
* * *
George Bernard Shaw says that all Americans
gleefully evade their taxes. That's too sweeping. It
must be admitted though, that those flowery and im-
aginative mail order house adsmiths should be forced
to take out a poet's license.
* * *
The repair man in his manipulation of old mate-
rial sometimes runs across a rare instrument that has
been silent for years. Such an accidental find may be
a mere rarity of occurrence, as distinct from rarity
of quality, but when men like Mr. Bartholomee, of
Chicago, run across a real good old instrument they
never receive what it is worth when they part with it.
* * *
Thanks to the good Saint Gasolinus, country roads
are now in a good condition resulting from paving
them with something besides good intentions.
* * *
Looking ahead sometimes the road seems straight
and uninteresting enough. Nothing in sight prom-
ises anything. So we are inclined to feel when slowly
but surely an attractive curve comes into view, with
rich fields in the foreground and an attractive town
in the distance. It is just so in the piano business.
No customers in and a meager list to call upon. But
our business car is pushing on, until we add to our
quota of prospects and approach some very busy
times.
* * *
Sometimes a good pianist fools the newspaper car-
toonists by wearing his hair short.
* * *
There is plenty of room at the top so far in piano
building, although the roof-garden seems to be
crowded with master singers.
A little wild bird sometimes at my ear
Sings his own verses very clear;
Others sing louder that I do not hear.
For singing loudly is not singing well;
But ever by the song that's soft and low
The master singer's voice is plain to tell.
Few have it and yet all are masters now,
And each of them can trill out what he calls
His ballads, canzonets and madrigals.
The world with masters is so covered o'er,
There is no room for pupils any more.
* * *
To those who are sufficiently accomplished to suc-
cessfully practice it, a little camouflage now and then
may serve good purposes. In a selling talk an adroit
turning away from the direct subject diverts the pros-
pect from asking an entangling question, and then the
salesman can return to quality, price and terms and
close the deal with reasonable dispatch.
* * *
Piano making is an art. If it be of the essence of
artistic creation that the artist should conceal his
process, it is no less of the essence of esthetic enjoy-
ment that it should remain so concealed. Does this
not explain why every artistic piano is even better
than its forerunner?
* * *
Advertising in print sometimes shows the inequal-
ity between our powers of perception and our powers
of expression. Wholesale piano advertising is a de-
partment of activity requiring the judgment of ex-
perience rather than silky phrasing of hyperbolical
phantasmagoria. The writer must know his goods,
his market, his country, its crops, its financial con-
dition by sections, and the general trend of the trade
in various localities. And these are only a few of
the things that he must know.
* * *
The piano's lesson is articulate for all to hear and
understand. The dominant note is often hard to de-
cide upon, like that in the voice of a good friend who
has come on a long journey for a visit after many
years. But like the voice of that friend its tones are
very pleasant and soothing.
* * *
There is little sense in facing life with a solemn-
owlishness so complete that the great seriousness
sticks out of every lineament of the countenance.
No good piano man will do that. Leave that sort of
a face to some political editorial writer on a Ken-
tucky daily paper; to the gangs that talk politics in
front of the hotels in Indiana; to the soap-box ora-
tors of New York; to the legislator in Illinois with
the one-track brain; to the Michigan preacher who
wants sumptuary laws passed regulating the length
of women's skirts and making face-cream taboo.
* * *
Trust a man when you find a firm basis of thought
underlying his every act. "Why I trust nobody,"
said an acquaintance. And that explains why that
acquaintance is holding a secondary place in his little
world. A man who exerts his faculties in a chosen
line of work with a certain spirit of freedom, with a
certain breadth of understanding, will find all of his
friends rallying to him simply because he has trusted
them.
* * *
Success must never go without its qualifying adjec-
tive. Manufacturing companies jealously guard the
qualifying adjectives that are constantly used to de-
scribe their products, whether they be patented medi-
cines, airplanes or pianos. The American spirit is
shown in the use of apt adjectives. The long era of
muscular power has passed, and the era of mechani-
cal power has brought with it a new kind of civiliza-
tion.
* * *
The dull man is made so not by the nature, but by
the degree of his immersion in a single business.
Therefore the necessity of regular vacations. In the
United States, which is a hot country during June,
July and August, the majority of the vacations are
planned for part of those months. But any month
is suitable for a vacation. After the employe has
thought of little else for several days, it is just as
well to let him start on a vacation, for he will not
be worth much until "he gets it out of his system."
He may sigh for the mountains or the ocean; or he
may not be much of a traveler and will therefore be
content with a short trip to enjoy the quiet beauty
that is everywhere about him; beauty of sky and
plain and river, of field and forest, of ravine and wild
flowers, of butterflies and shining beetles, of sights
and sounds and perfumes that transport him far from
the grimy maw, grinding noises and poisonous va-
pors of the city.
SALT LAKE CITY ACTIVITIES.
The Glen Bros.-Roberts Piano Co., Salt Lake City,
Utah, will spend about $500,000 in the remodeling,
decorating and furnishing the Blackman-Griffin
building, which will be the new home of the com-
pany, about September 1. It is part of the expan-
sion plans of the enterprising Utah company, which
recently increased its capital by filing amendment to
its incorporation charter. The new capitalization is
for 150 shares of 8 per cent cumulative sinking fund
first preferred at $100 par value and 3,500 shares of
common stock without designated par value.
A CONTINUOUS SHOW.
There is now under construction in Chicago the
largest furniture exposition building in the world,
one solid block square, 16 stories high, to cost
approximately $8,000,000.00. Furniture is Chicago's
fourth industry. At the present time there are five
large furniture exposition buildings, which are used
exclusively to display furniture for the benefit of the
furniture dealers from all over the United States to
select their stocks for the coming season.
NEWMAN BROS. PIANOS
SOUGHT BY DEALERS
High Grade Workmanship Is Slogan of Chi-
cago Factory, Where Every Department
Is Busy.
Newman Bros. Company, 815 N. Dix St., has a
policy in its business which dealers will under-
stand. There is never a rush in the construction of
any piano, no matter how urgent may be the call.
At present orders are very urgent for the high-grade
instrument of the Newman Bros. Co.
Every part of the mechanism of the Newman Bros.
Co. instruments gets careful attention, no matter how
apparently insignificant the part may be.
The effort to put the very best material and work-
manship in every piano put on the market has not
only increased the sales but has won over a great
L. M. NEWMAN.
many friends. This has become very noticeable in
the last few months as quite a number of dealers
who are new to the Newman Bros. Co. have made
special inquiries about the line.
"A strong argument with the Newman Bros. Co.'s
dealer is that all Newman Bros, instruments are built
up to a standard and not down to a price," said
L. M. Newman, president of the company, this week.
"Each instrument is most carefully and individually
built and nothing is rushed through. Just now we
are busy in every department but dealers may be
assured they will be as proud of the instruments
shipped at this time as of the ones received by them
in a less hurried time."
TRADE MISSIONARY WORK
FOR SOUTH AMERICA
Comprehensive Scheme Advocated by Department of
Commerce in Special Report.
Practical trade "missionary work"' is needed in
South America today, according to the Department
of Commerce, which advocates the placing of Ameri-
can manufactures in the schools of that country, for,
it maintains, the scholars of today will be the buyers
of tomorrow.
The Latin-American field is large, its resources are
great, says the Commerce Bureau, and the constant
increase in the development of these natural resources
is augmenting the purchasing power of the people.
This is not the time for American firms to stand idle
because immediate sales do not promise large prof-
its; this is the time for missionary work—and then
more missionary work.
"Too often American firms have subordinated the
development of a permanent market to immediate
sales, and too often American exporters have failed
to fit their sales policy and methods to the buying
psychology of the Latin-American, which demands a
gradual building of interest, desire and confidence
rather than a sales argument based primarily on at-
tracting attention and stimulating interest," says the
report.
BRANCH DISCONTINUED.
PICNIC ADJOURNED.
This week marks the last week for the Oak Hill
branch store oi the well known Summers & Son
Music Co. Excessive high rent is given as the rea-
son of the discontinuing for the present of the local
store. Mr. Summers has conducted a music store
there for years.
"Owing to the lack of responses and the fact that
so many of our members will be away during the
middle of August we will not hold the picnic on Aug-
ust 15th, as previously announced," is the announce-
men of The Piano Club of Chicago, in a letter to
members signed by J. T. Bristol, president,
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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