Presto

Issue: 1923 1931

PRESTO
July 28, 1923
The
Dominant
Line
J. P. SEEBURG PIANO GO.
A full and complete
line of better coin
operated pianos and
orchestrions.
14 Styles
from the smallest to the largest
14 Styles
from the largest to the smallest
Sold on a protected
territory system that
will interest you.
Write for Details
J. P. SEEBURG PIANO CO.
1510 Dayton Street
CHICAGO
STATUS OF RADIO
IN MUSIC TRADE
In Which Mr. Fegen, Presenting No Refuta-
tion of Comments in a Presto Article, Re-
affirms That Nothing Can Stop Radio
From Getting Into Music Trade.
Chicago, July 18th, 1923.
Editor Presto:—Your editorial comment on my
"come back" to a recent utterance of Mr. Schaad,
of the Aeolian Company, is quite interesting for its
candor, its sincerity of purpose, and its devotion to a
mutual friend, the piano. I should expect you, as a
dyed-in-the-wool piano man, to write as you did.
Having been brought up in the piano business I
feel as you do, that nothing on the market today will
displace the piano, and I have never said or intimated
anything to the contrary. After all, it is a friendly
exchange of ideas that has been started, which may
shed some light to help the music merchant decide
the question of whether or not radio is something he
should espouse as an incident to his regular business.
Radio and the Piano.
If I have correctly analyzed your comments, the
central idea is that radio does not measure up to the
piano as a musical instrument. I grant that you are
right in the sense that you describe the nature of
both articles. You state that radio "will never so far
conflict with the instruments of music as to seriously
interfere with the sale of pianos." In the main I
conform with this view. It is fair to state, however,
that within the last year owing to the immense tide
of radio advertising there were no doubt many who,
choosing between the piano and radio, preferred the
latter. These same people, however, will buy a pjano
sooner or later.
For the time being radio, as admitted by many
music merchants, has interfered with the piano and
talking machine business. There is so much about
radio to appeal to the average individual that it has
proven itself a comparatively "easy seller," and one
may safely say that sooner or later no home will be
without it. It will take its place with the piano and
talking machine. Now that it is just entering its
vogue, pianos and talking machines offer more sales
resistance for obvious reasons.
I had hoped that aside from indulging yourself in
a generalization on radio you would advert to the
cardinal idea of my observations. Mr. Schaad stated,
in part: "If the situation became severe enough the
entire phonograph industry would unite in righting
any menace that radio would develop. They might
even bring the matter to the attention of the authori-
ties in Washington, because, of course, no industry
can be allowed to put another industry out of busi-
ness."
Mr. Schaad's Point of View.
To which I replied in substance, that should things
come to that pass, I could not see where recourse
could be had of either Federal or State Government.
I also stated that the public would be the sole judge
of whether the talking machine or the radio would
prevail, if that issue really arose. Confining yourself
to the subject matter brought up for debate, what is
your view? Do you think Mr. Schaad is right in
what he says?
One of your confreres—a trade paper man with
well ballasted judgment and broad experience, whose
opinion on trade subjects I highly respect, wrote to
me as follows on the selfsame question:
"Your position, of course, is impregnable. The
radio is not going to put any other instrument or
any other business out of business, except insofar
as the natural law of selection on the part of the
public causes the public to turn to the radio to the
exclusion of certain other instruments or businesses.
No one can deny the right of manufacturers of radio
receiving sets to endeavor to sell all of them that
it is possible for the public to purchase.
"If the radio supplants other music instruments,
that is certainly not the funeral of the radio people.
It is, of course, very foolish for the music trade to
attempt to kill the radio on the theory that its growth
will stunt the growth of the musical instrument busi-
ness. One might as well say that the automobile
dealers should endeavor to kill the sale of the Durant-
Star automobile on the ground that it might hurt
the sale of Ford. Personally I do not believe that
the radio is going to hurt the musical instrument
business. But if I am wrong in this, it is all the
more reason why music dealers should handle the
radio."
Is Talking Machine Threatened?
Of course, it was your privilege to make editorial
comment upon any collateral consideration that the
discussion might suggest. Your views on radio are
interesting, but time and space do not permit com-
menting upon them. But whether I agree or dis-
agree with you makes no difference so far as con-
cerns the heart and core of my reply to Mr. Schaad.
I rather regret that Mr. Schaad even thinks there
is a possibility of radio interfering with the talking
machine business. By reason of the difference in
nature of both, there should be no clashing of inter-
est. A statement, however, such as Mr. Schaad's,
especially coming from him, is in my judgment apt to
have the effect of instilling a feeling of hostility
towards radio in the breast of the music merchant,
whose business perhaps has fallen off in the last year,
and who is well aware of the sudden and pronounced
popularity of radio.
If radio is cutting into the talking machine and
piano business for the time being, the wise thing for
the music merchant is not to shortcircuit his efforts
in behalf of piano and talking machines. He should
continue resolutely in the sale of both, but at the
same time hold out a hand of welcome to radio. A
Radio Department properly conducted is quite a
profitable undertaking.
N. E. FEGEN.
BALDWIN REPRODUCING
PIANOS ARE DESCRIBED
Handsome Folder of Baldwin Piano Co. Effectively
Used by Dealers.
A new folder of the Baldwin Piano Co., Cincinnati,
is devoted to the Baldwin reproducing piano and is
designed for distribution to the public by the dealers.
The Baldwin Welte-Mignon (Licensee) reproducing
piano is pictured on the outside page of the folder
and also shown in fine halftones are:
The Baldwin reproducing grand, Style R; Baldwin
reproducing grand, Style M; the Ellington, Hamil-
ton, and Howard reproducing grands and the Bald-
win Ellington and Hamilton upright reproducing
pianos.
"There is a Baldwin reproducing piano to meet
your requirements," is the announcement directed to
the prospective buyers. This is added:
"A Baldwin reproducing piano in your living-room
will bring to you the music of the immortals, inter-
preted by the great pianists of past and present gen-
erations.
"Imagine the delight of having in your home the
unforgetable genius of Paderewski, DePachmann,
Hofmann and Greig, ready, with a host of others, to
entertain your guests at your command."
NEW TRAVELER FOR THE
UNITED PIANO CORPORATION
J. E. Corrigan and Orville P. Settle Now Actively
Representing Fine Line.
Joseph McMann, who is re-entering the retail piano
business in Susquehanna, Pa., has been given the
representation of the line of the United Piano Cor-
poration, New York, including the Celco reproducing
medium which Mr. McMann will feature in a partic-
ularly strong way. The account was opened by J. E.
Corrigan, traveler for the United Piano Corporation
in New York, Pennsylvania and Michigan states.
Another new traveler of the United Piano Corpora-
tion is Orville P. Settle, who will travel in New
England.
Among new accounts opened by Mr.
Settle are: Lord & Co., Lawrence, Mass., Emerson
pianos; L. G. Bedell, Lewiston, Me., Lindeman &
Sons; Frank Blanchard, Watervillc, Me., both Emer-
son and Lindeman & Sons lines.
"JUMBO" MODEL SELLS WELL.
The R. S. Howard "Jumbo Model" is one of the
excellent sellers of the Howard-Stowers Co., 132nd
street and Brown place, New York. It is four feet
nine inches high and is made in both upright and
playerpiano models and has a very massive case. It
is furnished in mahogany and walnut and has not
only been found to be much in demand in the domes-
tic trade, but very popular with the Latin-Americans.
The case design of this instrument is somewhat un-
usual, its sides being curved while the pilasters are
round, giving a very substantial look to the
instrument.
NATIONALIZED PIANOS.
Pianos in Russia are nationalized, according to a
statement by B. B. Krassin, head of the department
for musical research attached to the Commissariat
for Education of the Soviet Government. Krassin
recently told an American correspondent that a mu-
sical society has been formed which leases pianos
to their users. Students are given a 50 per cent re-
duction in the rates and gifted students pay only a
nominal fee. With the proceeds derived from the
renting of the pianos the society has established a
piano factory, where new instruments now are being
made.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
THE AMERICAN MUSIC TRADE WEEKLY
Published Every Saturday at 407 South Dearborn
Street, Old Colony Building, Chicago, 111.
C. A. DANIELL and FRANK D. ABBOTT -
- Editors
Telephones. Local and Long Distance, Harrison 234.
Private Phones to all Departments. Cable Address (Com-
mercial Cable Co.'s Code), "PRESTO," Chicago.
Entered as second-class matter Jan. 29, 1896, at the
Post Office, Chicago, Illinois, under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign, $4.
Payable in advance. No extra charge in United States
possessions, Cuba and Mexico. Rates for advertising on
application.
of the pianos whose faded fall-boards bear oth-
er names than their own. For it is not cus-
tomary with many manufacturers to have a
consecutive system of numbering their "legiti-
mate" offspring and a special series for the
other kind.
So that the plan of discovering the serial
numbers, for purposes of fixing a basis upon
which to judge the approximate values of
trade-ins, doesn't seem to be a very safe one
for either the manufacturer, the trader, the
tradee or even the poor old piano itself.
RADIO AND MUSIC
July 28, 1923
cost of labor is equalized. And if this applies
to countries where import taxes favor the
foreign industries, it must suggest still greater
opportunities for American manufacturers in
the independent republics to the south of us.
There is an immense field for the sale of
American musical instruments in the Spanish-
speaking countries of Brazil, Peru, Argen-
tina and neighboring states. They have never
been well solicited. The most primitive meth-
ods of promotion have usually been adopted
by our piano industries.
It has been repeatedly said that even the
descriptive literature, as catalogues, form let-
ters, etc., have been in English. More often
acknowledgments of trial orders and requests
for prices and other details, are answered in
the regulation Americanese, which is often
even offensive to South American business
men. Exaggeration, and the incisive flippancy
of the average "correspondent" have been
permitted, and the suave, sugar-coated phrase-
ology of the Castillians does not seem to be
understood by many of our export managers.
But the few American piano industries
which have made serious effort to reach out
for business to the south of us know that it
is to be had. And as the facilities of produc-
tion increase, and the need of a still broader
market becomes more keenly felt, the in-
dustries which began in time to pave the way
for it will have an immense advantage over
their competitors.
Mr. Fegen's interesting article in this issue
is presented with no respect to the customary
advertising charges. The gentleman writes
so well, and is so thoroughly posted in piano
matters, that he could not write without say-
Forms clcse at noon every Thursday. News mat- ing something. But if he really thinks that
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before the dealers must sell radio devic&s, has it
Tuesday, five p. m., to insure preferred position. Full never occurred to him that the dealers should
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current be given the opportunity to know where to
week, to insure classification, must not be later than get the best devices, the finest cabinets and
Wednesday noon.
the most profitable equipment ?
Address all communications for the editorial or business
And where does Mr. Fegen think the radio
departments to PRESTO PUBLISHING CO., 407 So.
Dearborn Street, Chicago, III.
industries can best reach the attention of the
music dealer? He is doing it successfully in
SATURDAY, JULY 28, 1923.
his communications to the trade press. Seem-
ing to grow red in the face over what Mr.
THE SERIAL NUMBERS
Schaad said isn't a poor plan, if the trade
The latest enterprise of the energetic man- papers will print the verbal explosions—as
agement of the Music Industries Chamber of Presto does, and will. But to announce the
Commerce materializes in a research of the radio in a class of publications that do not
past productiveness of the piano manufactur- reach the music trade, and still permit the
ers, with a view to fixing the present values music dealers to remain in darkness is hardly
of old instruments. We do not see how the the best possible plan.
The American music trade papers have In Anticipation of Entertaining Number Club Mem-
effort is going to help much. If the manufac-
bers Flocked to I. A. C.
been
in the field for from about forty to about
turers accede to the request for statistics in
Captain Patrick Henry was program chairman of
the form of serial numbers—as no doubt most ten years. So they are old, as some lives are
the day at the Monday luncheon this week at the
aged,
in
wisdom
and
experience.
Presto
is
of them will—the numbers indicating approxi-
Piano Club of Chicago. It was "Piano Day" at the
mately the time which has elapsed since the 49 years old this summer. Could any publi- club and the fiat from the president, J. T. Bristol,
pianos were finished can not be a dependable cation, coming out every week for so long, be was: "Every piano man in the club must show up
under penalty of being fired from both his job 2nd
criterion of values. This is plain to anyone without what is termed "circulation" and in- the club for lack of interest in the thing that he takes
fluence? No more than a man could live half money for selling. We have talked a lot during our
familiar with the piano industry and trade.
lifetime about pianos. Next Monday we are going
The condition of an old piano doesn't de- as long without circulation of the blood.
to have the piano talk back to us.''
If
the
radio
people
want
the
music
trade
pend altogether upon its age, any more than
Under the guidance of Edythe Baker of the
does the probable longevity of men's lives, they must let the trade papers in this line "Dancing Girl," now playing at the Colonial, the
if as much. It is a matter of record that many know it. And we know of one American Mu- members were enabled to have a little intimate con-
versation with the piano. Miss Baker did more than
pianos, from reputable cheap manufacturers, sic Trade Weekly which can, alone, awaken make the piano talk. She made it converse. She
have outlived the products of high-class in- so much interest among piano dealers, and proved a wonder at it. No wonder she is the hit of
dustries. Still more, is it common observation small goods merchants in this line, as to prove the piece at the Colonial.
Mr. Henry picked a big number and a big attend-
that instruments from the same factories dif- all that Mr. Fegen says on the subject. Any- ance showed appreciation to Miss Baker not only for
fer in the matter of endurance, or at least in thing that fits the music store at all, will s'ell coming to entertain, but also for what she is doing for
in a music store. We knew a music dealer the good of the business in her entertaining piano act.
the depreciation of time.
Deep Stuff: "The man who follows another is al-
The reasons are obvious enough. The new once who put in a line of Japanese china and ways behind."—Harry Schoenwald.
piano leaves the factory in fine condition. Its made it win right alongside the sheet music
AMERICAN EXPORTERS CAUTIONED.
future depends upon the kind of people who and the bass drums.
Many American exporters to Colombia are still
may adopt the piano after it leaves the par-
selling to firms of doubtful financial standing and ex-
ental home, or if not the kind of people,
tending credit where it is not warranted, says .Com-
GOOD FISHING GROUNDS
then the purposes to which it may be put. Or
merce Reports. Extreme caution and carcful^credit
A significant cartoon recently appeared in a investigation are advisable, particularly pending a
there may be, as is often the case, some hid-
general improvement in the market. It should be
den or unknown defect somewhere, just as daily newspaper, designed to inspire Ameri- remembered
that a consular invoice is proof of own-
with the human family. The backbone, or can manufacturers to seek export trade south- ership in Colombia and that, consequently, a con-
iron plate, may somewhere have a weak spot; ward instead of over the water eastward. The signee with a consular invoice showing him to be
may be able to obtain shipments without the
the lungs, or soundboard, may somewhere de- picture showed American Business fishing in such
inclosed bill of lading. Although consignment to
velop a defect; the more delicate nervous sys- European waters without a haul while big banks is not popular in Colombia, it is the safest
tem, or action mechanism, may prove inade- fish were leaping from the industrial streams method of shipping and is a wise precaution when
there is any doubt as to the reliability of the
quate or receive shell shock—any of the pos- of South American trade.
customer.
The old-world industries are having a hard
sibilities are there to offset the probabilities
of durability and resistance to time and wear. time to find an outlet for what they can make.
BRAMBACH USED IN CONCERT.
There are old pianos whose value can not The surprising statement is made that certain
The Paul Whiteman S. S. Leviathan Orchestra
be disputed. There are comparatively new American musical instruments are being sold gave a concert on July 13th in the warerooms of
Sedgwick & Casey, Inc., of Hartford, Conn., using
ones whose worth is problematical. It isn't in British dependencies for less than similar a Brambach Baby Grand. An enthusiastic audience
a question of the serial numbers. The manu- articles of London production. It is perhaps of 500 music lovers attended the concert and were
facturers whose stencil output has been liberal one of the results of the improved methods surprised and pleased by the quality and volume of
the Brambach tone, "a revelation," as many of them
must have lapses in the serial numbers which of manufacture in this country, coupled with told Geo. K. Morehouse, the manager of the piano
may create much uncertainty as to the age the greater productiveness, by which higher department of Sedgwick & Casey, Inc.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cit.es are the best occasional corre-
spondents, and their assistance is invited.
EDYTHE BAKER MAKES
PIANO CONVERSE AT LUNCHEON
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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