Presto

Issue: 1923 1919

PRESTO
24
victimized and exploited by the consumers. Here is
the real hold-up, when broadcasters have to supply
extensive programs free of charge. Why do they do
it? Well, they do it, of course, to popularize radio
and sell more receiving- sets; but sooner or later the
public will be sold up, and then they will have to
stop. It would be more sensible to spend the time
and. ingenuity now devoted to beating the authors
out of their royalties to thinking up methods for mak-
ing the consumer pay for a service which he would
undoubtedly be willing to pay for if there were any
way to keep him from getting it free.
In England an attempt has been made to supply
revenue by making the owners of receiving sets take
out an annual license at small cost. Unfortunately,
dealers seem to be willing to sell sets to anybody,
licensed or not, and the broadcasting companies have
devised no means of preventing a man from listening
this year on last year's license.
$229,319 were exported from the United States. For
the corresponding period ending February 28, 1922,
the ligures were $167,300.
J. E. Mathews, Eureka, Cal., is remodeling his
music store.
COMPOSER WINS $1,000.
P. Marinus Paulsen won the $1,000 prize offered
by Balaban & Katz, Chicago motion picture theater
owners, for the best brief native work in symphonic
form. His Oriental Suite was chosen this week as
the best of a group of five works, which, in turn,
had been culled from ninety by the reading commit-
tee.
The five compositions heard yesterday were
selected by a committee of readers comprising Rich-
ard Hageman, Adolf Weidig and Nathaniel Finston,
conductor of the Chicago Theater Symphony Orches-
tra. The lesson for the American composer which
the contest seems to point may be stated briefly
according to Glenn Dillard Guinn, music critic of
the Herald and Examiner. The first requisite of
Americanism in music is modernism. Music cannot
be characteristic of America if expressed in the idiom
of the last generation.
May 5, 1928
FOR SYSTEM IN
PLAYER SALES
Thomas J. Mercer of Gulbransen-Dickinson
Co. Fublicity Force Makes Selling Player-
pianos His Convention Theme
in Dallas This Week.
One of the must interesting and instructive ad-
dresses given before the Texas Music Merchants'
Association at the convention this week was that
of Thomas J. Mercer, sales manager of the Gulbran-
sen-Dickinson Co.. Chicago. His subject was "Mer-
chandising playerpianos" and in telling of the possi-
bilities he said: "There are 20,000,000 homes in the
United States. The entire piano industry averages
less than 300,01)0 units of production per year—grands,
uprights, playerpianos, reproducing pianos—pianos
of all manner and kind, value and description."
.It was a good text from which Mr. Mercer de-
A Few Items Interesting to People in Sheet Music
veloped his subject.
Department Are Printed.
BAR GERMAN FOLK SONGS.
Other important facts disclosed by Mr. Mercer
An irate reader writes to the Chicago Herald and
were that the "nothing down, little-a-month and
The Scap Song Shop was recently opened at 504
East Houston street, San Antonio, Tex. A full line Examiner commenting on the absence of German ignorant-of-his-playerpiano-subject" kind of dealer is
folk songs in the annual folk song festival in Chicago getting fewer every day and that the type of dealer
of popular songs is carried.
David Jacobs carries a line of sheet music in a last Sunday. The program is made up of the folk who knows his line and sells it according to the funda-
new store recently opened at 1020 Walnut street, songs of Italy, Russia, Lithuania, France, Bohemia, mentals of wise merchandising is becoming more
Alsace-Lorraine and Switzerland.
There is not a general. Continuing Mr. Mercer said in part:
Philadelphia.
It has been my privilege in connection with my
The Madison Music Shoppe is the name of a new German folk song on the list, he points out, and
work with the Gu bransen Company to watch the
sheet music store at 15410 Madison avenue, Lake- asks: "What is the matter with the men and women
responsible for the conduct of this festival and of this development of the better brand of sales work with
wood, O.
great many merchants. One case 1 have in mind
The Taylor Music Shop was recently opened at association; don't they know that the war is over? a I want
to tell you about.
Or are they ignorant of the wealth of folk songs
224 S. Wabash avenue, Chicago.
One thing that interested him early in his investi-
Stanley & Shaw is a new firm carrying sheet music that have made Germany one of the great music- gations was that the player sales didn't produce much
loving nations of the world?"
at 108 E. Fifth street, Sedalia, Mo.
in the form of more business. There has been some
The Kelley Music Co., Inc., Fairmont, W. Va., is
players sold but they didn't seem to stir up enough
public interest to bring more people in to buying play-
DULUTH'S MUSIC FESTIVAL.
increasing the space in its sheet music department.
"Nobles of the Mystic Shrine" is the title of a new
Duluth, Minn., will hold a Spring Music Festival ers. He decided to root out the cause of the inactivity
himself. He sorted out the names of about twenty-
march by John Philip Sousa. It will be played by on May 22, 23 and 24, and the local music merchants
odd people who haJ bought players from the firm
massed bands at the annual convention of the A. A. are taking an active part in the preparations. It is and
he went out aiul called on all of them.
O. N. M. S. in Washington, D. C, in June.
to be Duluth's first civic music festival, and particular
In practical y ever}- instance he found that the
During the eight months ending February 28, 1923, efforts are being made by all those interested to make people did not know what they had. Their knowl-
sheet music and bound music books to the value of it a good precedent for future events of the kind.
edge of player operation consisted of putting a roll
in, setting the tempo, throwing the lever over and
pumping for dear life. There wasn't much music
to reward their efforts. He also found that a good
many of the players were out of regulation and the
NEW YORK
CHICAGO
pianos out of tune. Not much chance there for musi-
433 Fifth Ave.
Republic Bldg.
cal enjoyment.
Manufacturers of the
When he had convinced himself of the reason why
the player business was not taking on speed, he did
two things. He sent out the best tuner and adjust-
ment man in the shop, put those instruments in the
pink of condition. Then he followed up personally
The Official Piano of the Metropolitan Opera Co.
with a few s'mple tuneful rolls and taught some one in
Owning and Operating the Autotone Co. makers of the
Ovning and Operating E.G. Harrington & Co.,Est.1871,makers of the
each family how to get the best possible results out of
tlie player.
The Hardman Autotone
The Harrington Autotone
(Supreme A mong Moderately Priced Instruments)
Starts Organizing.
The
Hensel
Piano
The
Standard
Piano
The Autotone The Playotone The Standard Player-Piano
And meantime he started in on the sales organiza-
tion, taking each salesman through an individual
course of player work, simplifying demonstration and
putting more stress on teaching the customer how
to play and how to understand music rolls. For he
had grasped the idea that the customer was not par-
ticularly interested in what the salesman could do
with the player but what he or she could do with
it That is what the customer buys a player for.
Then things began to happen in that business—just
as they always will happen in any business where a
practical idea takes hold and an organized effort
of NEW YORK
is put forth to make it work.
The twenty-odd player owners that the merchant
AFFILIATED COMPANIES
himself had taught how to use their players became
the nucleus of a growing public interest that soon
began to manifest itself. They took pride in their
player skill, they took delight in showing what they
r
could do and in getting their friends interested. And,
from that time on no customer was ever permitted
to leave the store after signing up for a player with-
out the salesman teaching him how to use that player,
how to get the melody out; second how to use the
feet and hands to bring them out and make the play-
Upright and Grand Pianos
ing sound like music.
Teach them to play, gentlemen, teach them to play
Player Pianos
well. It is the best kind of work you can do. And
see that the players arc kept in first class condition—
Reproducing Pianos
in adjustment and in tune.
That has long been one of the weaknesses of the
Auto De Luxe Player Adions
piano business. Salesmen have dodged the question
SHEET MUSIC TRADE NOTES
HARDMAN, PECK & GO. Cstf
HARDMAN PIANO
AUTOTONE CSJKS3
THE
HARRINGTON PIANO
LERINDUST
anufctcturing for the trade
Standard Player Adions
Art De Luxe Reproducing Actions
Parts and Accessories
Wholesale Chicago Office and Service "Departments
San Francisco Office
462 Vhetan building
KOHLER INDUSTRIES
1222 KIMBALL B U I L D I N G
CHICAGO
WILLIAMS
PIANOS
The policy of the Williams House is and always
hati been to depend upon excellence of product
instead of alluring price. Such a policy doe* not
attract bargain hunters. It does, however, win the
hearty approval and support of a very desirable
and substantial patronage.
M.ker. of Willi.m. Piano.,
E p w o r t h pi.no. - n d Organ.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
25
P R E S T O
May 5, 1923
COINOLAS
FOR
RESTAURANTS, CAFES and
A M U S E M E N T CENTERS
Style SO
FROM THE BIGGEST
ORCHESTRION
of upkeep. They haven't had the nerve to tell the
customer in a common sense way that a piano and
a player require attention if the best musical results
are desired.
This, of course, is getting to be ancient stuff. Hun-
dreds of dealers are now telling customers the simple
truth about the upkeep of their instruments, and are
se'ling tuning contracts along with the instrument—
not free tunings, but tuning contracts, that get the
customer into the habit of paying for upkeep. And
these dealers are running service departments that
pay for themselves and yield a profit, besides insur-
ing the customer's continued satisfaction with their
'nstruments.
The Opportunity.
It is estimated that there are between two and
three million good pianos and playerpianos now in
service in the homes of America. Estimating only
$5.00 per year per minimum expense of upkeep, the
p'ano dealers and tuners of America have in sight
from $10,000,000 to $15,000,000 annually in service
revenue as the reward of a little common sense in
salesmanship.
Getting back to the main subject of selling a player-
piano by the instruction of teaching method. It is
surprising how this system applied in a straight for-
ward way puts the salesman in what the advertising
agencies call the dominant pos'tion on such simple
matters as price, terms and trade in valuation.
Speaking of prices, the piano business generally is
getting so well sold on the idea of one-price that it
isn't much use to argue that point except to say that
one-price is the greatest time and energy saver that
has ever come into the piano business. I could cite
you so many examples to p^ove this that it would be
tiresome to gentlemen who are already convinced
of the benefits of one price operation as a time-saver
and the basis of sounder, safer financing through the
banks and otherwise
Competition.
One of the hardest mouthfuls for some piano sales-
men to masticate is the trade-in, especially on com-
petitive deals. They will let the prospect bamboozle
them into a scare and then it is all off with common
sense. The prospect is holding an auction of an old
piano. The salesmen are the bidders, and they get
to going stronger sometimes that the old piano goes
to one or the other at about twice what a good new
piano can be bought for.
I don't know whether you are much afflicted by the
allowance fever here in Texas, but if you are, for
your own sake be as shrewd in placing values on them
as you are in buying new pianos from your manu-
facturers. Get the old second hands on a basis that
w'll enable you to turn them at a profit without jock-
eying the books to make them show a profit.
Better salesmanship means better salesmen aiul
more of them. Take a young man get him imbued
with enthusiasm over what can be done musical'y
with a player-piano, don't hand a dead prospect list
on him at the start, give him some live ones, spend
a little time with him each day going over his story
of how he handled each situation, coach him and
encourage him •through the first few weeks of can-
vassing, put him on a fair compensation basis and you
will have done something to relieve the famine for
salesmen.
Speaks of Prices.
From what we read, hear and see, this is going to
be the best year the music business had had since the
war time flurry. It may lack some of the froth of
1919 and 1920 but it has more promise of real sub-
stance in every section of the country. With demand
at the present time taxing the physical resources of
the piano factories of the country, it does not seem
within the bounds of possibility for the combined pro-
ductive and storage facilities of the piano factories
to shoulder the extra burden of the heavy fall demand.
Knowing something of the condition that exists in
the industry all the way from Boston to the Missis-
sippi I would not consider any duty done here today
if I did not call this situation to your attention and
urge you to time your purchases and shipments for
fall well in advance. It is better to have a surplus
in July and August than a lot of unfilled orders in
December.
FIRE IN FOSTORIA STORE.
A lire of undetermined origin in the store of the
C. W. Gilliard Piano Co., Fostoria, O., recently did
damage in varying degrees to all of the stock of
pianos and players, and entirely destroyed the frame
portion of the watls at the rear of the store. Eleven
pianos and players were damaged by fire and water.
The intense heat of the flames confined to the rear
room caused a number of instruments to blister and
the varnish to peel off. The front plate glass window
was cracked by the heat.
PIONEER SCHOOL FO PIANO MEN
ith upwards e€
1OOO
SUCCESSFUL
GRADUATES
COURT HOUSE SO.
VALPARAISO. IND
V
Piano "foyer-Piano and Organ Tuning. Repairing, Regula-
tor A Voicing, ftcst equipped schooj in the II. S.
Df pJ"-ntt awarded and positions secured. Private and class
instn—tions, both sexes.
f#*o«f mil thm ymr.
lUumtrmtmJ
POLICS SCHOOL OF TUNING, VALPARAISO, IND
Schaff Bros.
Players and Pianos have won their stand-
ing with trade and public by 54 years of
steadfast striving to excel. They repre-
sent the
LARGEST COMPETITIVE VALUE
because of their beauty, reliability, tone
and moderate price. They are profitable
to sell and satisfactory when sold.
Brighten Your Line with the
SCHAFF BROS.
The Schaf f Bros. Co.
Established 1868
Huntington, Ind.
Tiny Coinola
THE SMALLEST
KEYLESS
HIGH GRADE
Manufactured by
Folding Organs
School Organs
The Operators Piano Co.
Practice Keyboards
16 to 22 South Peoria St.
CHICAGO
Dealers' Attention Solicited
A. L. WHITE MFG. CO.
215 Englewood Ave., CHICAGO, ILL.
MAKERS
In Three Parts:
1. Instruments of Established
Names and Character.
2. Instruments that bear Spe-
cial Names or Trade Marks.
3. Manufacturers of Pianos
and Player-Pianos with Chap-
ters on Piano Building and Buy-
ing designed for the guidance
of prospective purchasers.
Fac-simile Fall-
board Names of Leading Pianos
and Player-Pianos in Colors
Revised
Annually
NO PIANO DEALER OR SALESMAN
CAN AFFORD TO BE WITHOUT ifT
IF YOU DON'T CONSULT "PRESTO
BUYERS' G U I D E " YOU ARE M I S S I N G
OPPORTUNITIES. G E T I T N O W .
Give a copy to each of your salesmen..
Price 50 cents per copy.
PRESTO PUBLISHING CO.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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