Presto

Issue: 1923 1917

24
PRESTO
April 21, 1923
sing or play it without infringing the rights of the
author is a joke, in the view of broadcasting station
operators. There can be no question about making
a profit in the case of broadcasting, as no compensa-
Herbert J. Gott, Chicago Publisher, Notes Pleasant
tion is received by local stations for broadcasting
Instance of Automatic Advertising.
anything.
It is free entertainment, and if the transmitting
The approach of the opening of the baseball season
stations have no right to broadcast it, has the musi-
marks a daily increase in the orders for "Babe Ruth,"
cian any right to sing or play it for anyone else in his
the winning song number of Herbert -J. Gott, song own home? This is the broadcaster's argument.
Some of the larger stations have already signed
publisher, 177 North State street, Chicago. The co-
agreements to pay large sums for this privilege, while
incidence is easily understood, when the power of
others absolutely refuse to pay. This, of course,,
automatic advertising is borne in mind. When the
makes it possible for the broadcaster who can afford
name of the great baseball player is mentioned every
it to give better programs than those who cannot.
day in the newspaper headlines and scores of times
The position taken by the society will react upon
in the sport news columns it incidentally creates an
them, in the way of fewer sales, the broadcasters
interest in anything named for the same player.
believe.
Secretary of Committee on People's Songs Names
Another song among the seven foremost sellers of
List of 18 Most Popular.
Herbert J. Gott is "Love of the Ages," a beautiful
Songs written in the olden days continue to lead song made famous on the concert stage by Jean Gor-
in popularity. This was evidenced in an address by don and other nationally known singers. Other ex-
New York Society Will Select Compositions for Its
Kenneth S. Clark of New York, secretary of the cellent sellers in his line are: "Dreaming of Love's
committee on people's songs, before the music super- Old Dream," "That Wonderful Sweetie of Mine" and
Coming Season's Performance.
visors in Cleveland, Ohio. Mr. Clark made public a "You're One Little Girl for Me."
The Society for the Publication of American Music
list of eighteen songs which received the highest
will receive original compositions by American citi-
number of votes from directors of community sing-
zens for submission to its Advisory Board for rec-
ing throughout the United States. The list follows:
ommendation for publication in its fifth season not
"America, the Beautiful" (tune, materna); "Old
later than October 15, 1923, on which date they
Folks at Home," "My Old Kentucky Home," "Battle Attitude of the Broadcasters Towards Action of
should be in the custody of the society's secretary.
Hymn of the Republic," "Old Black Joe," "Star-
Composers' and Publishers' Society Set Forth.
They must be submitted under assumed names, with
Spangled Banner," "Sweet Adeline," "Dixie," "Carry
F. D. Pearne, who conducts a department for radio the actual name enclosed in a sealed envelope and
Me Back to Old Virginny," "There's a Long, Long
accompanied by adequate return postage.
Trail," "Home, Sweet Home," "Till We Meet Again," topics in the Chicago Herald and Examiner, views
The society will give consideration only to chamber
"I've Been Working on the Railroad," "Liza Jane," the action of the American Society of Composers,
music and cannot consider orchestral works, short
"Columbia, the Gem of the Ocean," "Sweet Gene- Authors and Publishers in insisting on the copyright
privileges of its members from the attitude of the solo pieces of any kind or songs, unless the latter are
vieve" and "Good Night, Ladies."
written for a group of instruments accompanying
This list, Mr. Clark said, will be submitted to the broadcaster. In an article this week Mr. Pearne says:
people in the form of a voting contest to determine
Somebody is always trying to take the joy out of the voice. The society lays stress in its selection on
the favorite song of the American people.
radio. The latest comes from the American Society the musical merit of the works submitted and places
of Composers, Authors and Publishers, who do not no restriction on the number or combination of in-
want their music spread from the broadcasting sta- struments used.
PIANO SALESMAN'S "HIT."
Manuscripts should be sent to William Burnet Tut-
Appearing on all the counters of the sheet music tions unless they are paid for the privilege.
This is a funny old world, the broadcaster says, hill, 185 Madison avenue, New York.
dealers of Portland, Ore., is a lovely little waltz, "In
you can go to a store and buy a piece of music,
Your Arms," which is finding a ready sale. The when
put it up on the piano and look at it, but not be en-
song was written by Alex Reilley and John Dolph, titled to play it or sing it to a waiting audience. You
the former being connected with the piano depart- would think, they contend, that when you pay the
ment of Sherman, Clay & Co., and has a number of
price asked you should at least be entitled to use it.
General Opinion Seems to Be That There Is More
interesting compositions to his credit.
The idea that one cannot buy a piece of music and
Silver Lining Than Cloud.
City, Utah, according to the department manager,
Miss Lucile Barton.
The Nora Seeley Nichols prize for the best orig-
inal composition in a state-wide contest in Arizona
was awarded to Miss Eleanor Lewis for a com-
position called "Barcarole" by the Musicians' Club
of Phoenix.
Dr. Edward Schaaf, Newark, N. J., has transcribed
the "Star-Spangled Banner" for the new Philhar-
monic Concert Band, discarding the traditional key
of B flat for F.
BABE RUTH, MAN AND SONG
OLD SONGS STILL LEAD
TO PUBLISH AMERICAN MUSIC
COPYRIGHT AND TRANSMITTERS
RADIO BROADCASTING WAR
NEW YORK
•33 Fifth Ave.
HARDMAN, PECK & GO. f s t t
CHICAGO
Republic Bid*.
Manufacturers of the
HARDMAN PIANO
The Official Piano of the Metropolitan Opera Co.
Owsingand Operating the Autotone Co. makers of the
AUTOTONE
CS£S£
^ ardman Autotone
The Harrington Autotone
Owning and Operating E.G. Harrington &Co.,Est.i87i,makers of the
The Autotone The Playotone The Standard Player-Piano
HARRINGTON PIANO
(Sufrttn* A mong Moderately Priced Instruments')
The Hensel Piano
The Standard Piano
KOHLER INDUSTRIES
of NEW YORK
AFFILIATED
COMPANIES
factoring for the trade
Upright and Grand Pianos
Player Pianos
Reproducing Pianos
Auto De Luxe Player Actions
Standard Player Actions
Art De Luxe Reproducing Actions
Parts and Accessories
Wholesale Chicago Office and Service "Departments
San Francisco Office
462 tPhelan building
KOHLER INDUSTRIES
1222 KIMBALL B U I L D I N G
CHICAGO
War has broken out between the radio broadcast-
ing stations and the American Society of Authors,
Composers and Publishers over the demand for the
payment of a license fee or the right to transmit
copyrighted songs and melodies, says a Chicago
Evening Post editorial. As a result, most of the
commercial broadcasters have stricken jazz and other
modern variation of so-called music from their pro-
grams.
To the radio fan, whose keenest delight is to tune
in on the one-day-a-week opera or symphony con-
cert program, this will be no severe hardship, and
he will be inclined to look upon the war clouds as
composed of at least 98 per cent silver lining. It is
no great sacrifice to trade a bit from the Tonky-Tonk
Blues for a violin solo played by even a passable
artist.
At first guess, it would appear that the jazz com-
posers and the association are cutting their own
throats by the demand for a licensed fee. The gaps
in the radio program will be filled by those classics
which have had sufficient merit to survive the copy-
right period, and the result is likely to be a greatly
educated public taste for music.
That would mean the exit of Tin Pan Alley.
TO MAKE BLUE LAWS LESS BLUE.
Simultaneously with the introduction in the Illinois
legislature of a "blue law" bill forbidding in Illinois
all Sunday shows, concerts and amusements, a bill
was introduced into the legislature of Massachusetts
to legalize Sunday public concerts, at which admis-
sion prices may be charged. In the latter bill it is
stipulated that the music must be of a "high order,
although not necessarily what is know as sacred
music." Forceful work in favor of the measure is
being done by the Sunday Music Conference which
has headquarters in Philadelphia. Many music deal-
ers in that city and throughout the state have ex-
pressed favor for the bill.
WILL ADD SHEET MUSIC.
J. H. Dundore, manager of Sherman, Clay & Co.,
of Portland, Ore., announces that they will put in a
complete sheet music department and a musical mer-
chandise department. The latter will be placed on
the third floor and the necessary alterations are now
being made, while the sheet music department will be
located on the main floor and ample space will be
allotted so as to have a complete and up-to-date de-
partment. It will be several weeks before this de-
partment will be ready.
Miss Lucile Burton has succeeded Miss Nan
Browning as manager of the sheet music department
of the Glenn Bros.-Roberts Piano Co., Salt Lake
City, Utah.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
t 6
April 21, 1923
COINOLAS
FOR
RESTAURANTS, CAFES and
AMUSEMENT CENTERS
Style SO
FROM THE BIGGEST
ORCHESTRION
25
TRYING TO SETTLE THE
COST FOR BROADCASTING
Demand of American Society of Composers
for Radio Royalties Starts Discussion
of Public's Rights.
One of the oldest and largest of radio broadcasting
stations has announced that it will no longer include
in its programs music copyrighted by members of
the American Society of Composers, Authors and
Publishers, says the New York Times. The latter
have demanded royalties for these performances.
They seem to be entitld to them under the law, as
they certainly are in ethics.
Other broadcasters take a different view, and are
prepared to uphold it in the courts. They argue that
they are 'performing a public service without profit,"
and consequently are infringing no copyrights. This
may be true of some of them; others derive their
profits from the manufacture or sale of receiving
sets. It may seem that the programs broadcast are
in the nature of advertising to create a demand
for the product. If this view is upheld by the courts,
the composers will get their royalties. In the mean-
time, one of the most important stations has decided
to cut down its service rather than pay the people
who produce the music which it broadcasts. Why?
Perhaps the reason is suggested by comment of
the Indianapolis News on the closing of the two
broadcasting stations in that city:
"The radio has passed the experimental stage and
those who have invested large sums in broadcasting
instruments feel that they cannot go on supporting
with their own money something that brings nothing
in return."
One of these Indiana stations had appealed for
funds, and had even started a magazine frankly to
get money to keep up broadcasting; but in vain.
The News remarks that "the owners of receiving sets
wish to listen, but they are not willing to pay for
the service given." So far, no way has been discov-
ered to make the producing end of radio pay except
by the sale of receiving sets. When the market is
saturated and the broadcasting stations can no
longer be charged to advertising expense, something
else will have to be done.
It is always easiest to begin reduction of expenses
with the author, but he is a small item in the cost of
production of any of the arts. Somehow, if there is
to be broadcasting—and with the taste already so far
developed it is too much to expect that the radio
fans will be willing to give it up—the cost must be
made up in some other way. This is perhaps not an
immediate problem, as there must be still a market
for radio sets. But considering that there is a stub-
born minority that will never buy them, the limit
must be reached some time. Then the broadcasters
will have to invent a device nullifying the receiving
power of sets already sold, which probably offers
scientific as well as moral difficulties, or must get
their pay elsewhere.
Advertising by radio has already begun. Yet
broadcasting stations will continue to be under a
double handicap. So long as they can get nothing
from the consumer but the initial cost of his receiv-
ing set—with no revenue such as the sale of records
brings to the makers of phonographs—they are in the
position of a newspaper or magazine which is not
sold but given away. That cuts off a minor but still
considerable item of revenue, and it has a more seri-
ous psychological effect on the consumer. Every
man is suspicious of something he gets free.
Furthermore, the purchaser of a newspaper or
magazine has to take the advertising in order to get
the news or fiction. The radio customer can merely
shut off what would correspond to the advertising
columns and wait till something more alluring comes
along. To make their advertising bring results radio
broadcasters are likely to be put under a serious
temptation—that of presenting an advertisement as
news, of introducing a singer, not for her singing
value, but by arrangement with her manager. In a
new art, whose workings are still vaguely understood
and whose code of ethics is not yet formulated, that
will be a problem hard to solve. The radio craze
may pass; but there is no reason to suppose that a
deep and widespread interest in radio as an amuse-
ment, aside from its other uses, will not continue.
Evidently, however, the industry, or art, or whatever
it is called, is in for transitions as great, perhaps, as
those that have been seen in the motion pictures; and
as difficult either to forecast or to deal with satis-
factorily.
SEES TRADE EXPANSION.
Expansion of nearly all industries in March, with
increased demands for all kinds of labor, was re-
ported this week by the Department of Labor. "In
certain districts," the department reports, "building
trades men available are fully employed, and short-
ages of these tradesmen already exist in some com-
munities." An increasing demand is evident, the re-
port continues, particularly in the iron aiid steel in-
dustries. Increased and widespread demand for farm
labor is evident, and from present indications the
shortage may reach serious proportions.
DEALER'S EXCELLENT DISPLAY.
One of the most alluring of all the displays at the
show in Greensburg, Pa., last week was that of the
Clark Music Store in that city, where three makes
of phonographs were exhibited. In addition to these
instruments the Bush-Lane piano was also displayed
in an attractive manner. Concerts were given daily
to the large crowds that gathered around the booth.
Mr. Clark, who is director of the Pennsylvania Or-
chestra, said a concert would be given by the enter-
tainers Thursday and Saturday nights following.
HIGH GRADE
Folding Organs
School Organs
Practice Keyboards
Dealers' Attention Solicited
A. L. WHITE MFG. CO.
215 Englewood Ave., CHICAGO, ILL.
PIONEER SCHOOL FO PIANO MEN
h
"in it's 2o* year
JPOLKSJ with
upwards of
Tiny Coinola
THE SMALLEST
KEYLESS
Manufactured by
The Operators Piano Co.
16 to 22 South Peoria St.
CHICAGO
Or.
1OOO
2tf SUCCESSFUL
fgss&l I
Facsimile Fall-
board Names of Leading Pianos
and Player-Pianos in Colors
Revised Annually
GRADUATES
ADDR.ESS
COURTHOUSE SO.
VALPARAISO. I N D j
Piano ^lajrer-Fiuio ind Organ Tuning, Repairing. ReiuU-
tinf
A Voicing.
Bett equipped
g
q p p KHOQ)
Q) in oie U. S.
D i p ^
ii
d Private
ri
twircwo and d positions
secured.
and das«
intin—tion*. both sexea.
lt thm ymmr. tttumtrmtmd tmfStmumt
In Three Parts:
1. Instruments of Established
Names and Character.
2. Instruments that bear Spe-
cial Names or Trade Marks.
3. Manufacturers of Pianos
and Player-Pianos with Chap-
ters on Piano Building and Buy-
ing designed for the guidance
of prospective purchasers.
NO PIANO DEALER OR SALESMAN
CAN AFFORD TO BE WITHOUT IT.
IF YOU DON'T CONSULT "PRESTO
BUYERS* GUIDE" YOU ARE MISSING
OPPORTUNITIES. G E T I T NOW.
Give a copy to each of your salesmen.
Price 50 cents per copy.
r*«.
POLK'S SCHOOL OF TUNING, VALPARAISO, IND
PRESTO PUBLISHING CO.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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