Presto

Issue: 1920 1789

RESTO
BIG FIELD FOR BABY GRANDS IN
AUSTRALIAj\NDJHE FAR EAST
November 6, 1920.
WAREROOM WARBLES
(A New One Every Week )
By The Presto Poick.
Trade Investigator and Traveler Estimates that a Great Demand for
American Pianos and Talking Machines Could Quickly Be
Established in Island Possessions.
By F. H. Williams
Within the last few years we have developed in
the United States the small apartment baby grand
piano. This latter piano would find a market of
not less than 100,000 a year in Australia and New
Zealand for the next few years if some American
manufacturers went after the business. There is
practically no competition in the piano field and
especially is this true with regard to these small baby
grands.
With talking machines in the United States we
have today most serious competition; hundreds of
new manufacturers have sprung up since the ex-
piration of certain phonograph patents. In foreign
fields there is hardly any competition and it would
pay a number of manufacturers to give serious con-
sideration to Australia and New Zealand and also
to the Far East.
Activities of Japanese.
Japan has found it very profitable to manufacture
both the baby grand piano and the talking machine
and offer them to the Australian market. The Amer-
ican manufacturer should not think that, because of
this fact, it would be useless for him to attempt the
market.
There is one thing that Japan cannot do and that
is to originate sales; she can copy anything that any-
body else does, she can-advertise after we have ad-
vertised, but she cannot start these things of her
own accord. Any live American manufacturer can
at very small expense put over an advertising cam-
paign on either of. these articles and get millions
of dollars worth of business before the Japanese
manufacturer even hears about it.
The general impression has been that only pianos
of cheap price and grade as well as talking machines
were desired in foreign markets, whereas as a mat-
ter of fact from South America to Europe, from
Australia to the Far East, there exists a ready mar-
ket for talking machines ranging in price from $150
gold and upwards and for baby grand pianos rang-
ing in price from $500 gold upwards.
The only thing that the American manufacturer
needs to do with both his piano and talking machine
is to use a few dollars' worth of good brass screws
to keep the glue from the wood from drying up and-
the casing falling apart. Surely this is an easy
matter.
Our Pianos Already There.
Here is millions of dollars worth of business wait-
ing, not glittering prospects, but actual down to
brass tack piano and talking machine business, and
•it would be a profitable investment for any manufac-
turer of these lines to make a tour to Australia and
New Zealand and see the opportunity with his own
eyes.
Some attempt has been made in these markets to sell
American uprights, and I found there such well known
makes as Acoustigrande, Haddorff, York, Apollo,
Emerson, Baldwin, Schomacker, Cable, Wing & Son,
Steinway, Vose & Sons, John Church & Company,
Everett,-'Martin Bros., Gulbransen, Kimball, Milton
and several other American makes.
Some of these pianos I saw at well-known hotels,
others in the homes of well-to-do people or officials
I visited. I would always make it a point to in-
quire why they had an American make piano and the
reply in the majority of instances indicated that they
preferred our piano tone as against local or English
makes.
Few Grands Are Seen.
I rarely saw a grand piano, except at two leading
hotels, and upon expressing the statement that we
were manufacturing, in the United States, a small
baby grand piano, I found much interest manifested
and gave the names of several leading makers of
these baby grands who, I have since ascertained,
were written to and several sales made. Now if this
little missionary work can bring about the sale of
twenty-five baby grands that I have accounted for,
what can real advertising do in Australia and New
Zealand?
It is true that the English uprights have a large
sale in'Australia, but'this is due to the fact that they
are preferred because they are smaller and can be
handled more easily and fit better in the small homes
than the large American upright.
I found a small upright piano, made in Japan, sim-
ilar to one we have often seen used in individual
class rooms in the American schools, and it was sell-
ing, delivered into Australia, for $200. This piano
I was told was not standing up very well and much
fault was found with its tone, so it can be readily
seen with that result it would be" impossible for
Japanese manufacturers to hold the market very long.
Japs Great Stencilers.
I also found several pianos made in Japan bearing
the well-known names as Sterling, Grand Opera, Ex-
celsior, America. Of course, anybody who visits the
factories in Japan at Osaka or Kobe will find that
they readily purchase an imitation of name, or any
make of piano they want. If they have the design
the Japenese will make them and promise delivery
to any part of the world.
While I was in South America I noticed several
of these Japanese pianos being sold in that market
under the names of well-known American brands
and, upofi looking up the exports of pianos from
Japan to South American countries, I found they ran
into quite large figures.
Dealers in Australia and New Zealand are content
with small profits, and although a large installment
business is done in pianos and organs, because there
is hardly any Australian family that does not at
least possess an organ, still there is a large cash
business awaiting the live wire manufacturer who
will go after the market.
Every bridal couple in Australia and New Zealand is
a prospect for an American piano if it was put up
to them in an attractive manner, so that the least
possible business is limited only by the number of
marriages performed yearly in these countries. With
the unusually large amount of marriages taking
place, according to their local papers recently, it
seems doubly attractive.
Pictorial Trade Marks Best.
Here in the United States on pianos we have been
accustomed to the simple use of the name as a trade
mark. I think that, so far as foreign markets are
concerned, and I speak especially of the markets of
Australia and New Zealand at present, trade marks
should be adopted with some sort of a pictorial de-
sign. For example, "The Always Faithful," using
a picture of the "Old Faithful Geyser" in Yellow-
stone.
Our piano concerns issue good catalogs and espe-
cially those that show the piano in use in up-to-date
hotels, theatres and the like, are good advertising
talking points—photographs that talk for themselves.
The markets of the Philippines should not be for-
gotten. The Filipino, like the Australian, is a mu-
sical person and likes the piano and has the money
to buy it, but just as long as we permit jewelry stores
to act as agents at Manila, just so long will the
market remain inactive. There, more than anywhere
else m the Far East, is there need of fine piano and
talking machine show rooms. Hundreds of thou-
sands of well-to-do visitors come to Manila annually,
and many sales could be made for all points in the
Far East from there.
Just a few of these sample rooms and you would
find native merchants from all parts of the Far East
ready to duplicate these rooms and act as your
agents, so that for future business in these lines,
Manila is a point that should not be overlooked.
Show Rooms Needed.
Likewise to get these American pianos in promi-
nent hotels in Japan and China, and down through
the Straits and into India, would create a large sale
for them.
Now in the Far East, with these show rooms, haste
might be felt necessary, but so far as the purchaser
was concerned it might be looked upon as vulgar, so
that patience is a great virtue and a rush of imme-
diate business from show rooms might take some
time. A purchaser, although keenly interested in a
piano and talking machine, now might wait six
months before placing the order.
A good American baby grand piano and a good
talking • machine has millions of dollars' .worth of
business awaiting them from Australia to. the Far
East and back to South America, and none of these
fields should be overlooked if we are after trade ex-
pansion in earnest.
OUR WESTERN WAYS.
They say out West they want 'em bad—
So bad they go and hunt 'em
With guns and pistols, like they had
Some bandits to confront 'em;
They write and wire for Baby Grands,
And send the. cash to buy 'em,
But still they say their soft demands
The factories deny 'em.
It hardly seems the thing at all
That cowboys go to prancing,
And get their guns to urge their call—
It sounds so like romancing;
Their souls all seem to burn and thirst
For music and its pleasures,
And so they try to do their worst
To confiscate her treasures.
That's why we sometimes read about
The sharp note of the pistol,
And how the Injuns' song and shout
Ring out as clear as crystal;
How rivals meet in western plains
Disguised by red bandannas.
And capture heavy laden trains
In search of Grand Pianos!
THE LITTLE MIESSNER
PIANO FOR SCHOOLS
Important Drive of R. H. Zinke Music Co., One of
the Features of Milwaukee Trade.
The R. H. Zinke Music Co., Milwaukee, exclusive
state distributor of the little Miessner piano, in co-
operation with the Jackson Piano Co., manufacturer
of the instrument, is going to unusual lengths in at-
tracting the attention of teachers attending the Wis-
consin Teachers' convention. The Miessner is now
being used in several hundred schools in Wisconsin,
from the state university down to the kindergartens,
and since a wider distribution of the Miessner in
this connection is dependent to a considerable mea-
sure upon the favorable regard of the teachers, the
Zinke and Jackson companies have a very definite
interest in the annual teachers' convention.
Music merchants of Milwaukee express themselves
as being confident that trade will show a marked
pick-up now that the national election is over and
the public has come from under a great mental strain
which gripped them for the last five or six months.
Reassuring statements made by leaders in finance
and industry are once more coming out more freely
to contribute to a happier psychological condition
of merchants as well as consumers.
ENTERTAIN 40 Q R S DEALERS.
Forty Q R S roll dealers from Milwaukee were
entertained on Tuesday of last week by the Q R S
Music Roll Company at the Q R S factory, Kedzie
avenue and West Forty-eighth place, Chicago. A
delicious and substantial lunch was served, and
Thomas M. Pletcher, president of the company, gave
an address of encouragement and instruction to the
dealers, telling them how to increase their sales.
The men w r ere shown the various up-to-date proc-
esses of manufacturing the rolls in the great plant.
They expressed amazement and pleasure at what
they saw, and many of them promised to return
again to go through the factory.
MUSIC DEALER BUYS HOTEL.
The Newport Hotel, Denver, Colo., a three-story
modern brick building containing a store room on.
the ground floor occupied by the Charles E. Wells
Music company and forty rooms on the second and
third floors was sold last week to Charles E. .Wells,
of the Charles E v We'ls Music Co., who intends the
property for a permanent home for his music busi-
ness and for an investment.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
November 6, 1920:
it was pointed out that with a prolonged era of pros-
perity'the demand would continue.
The situation today recalls a simiiar one half a
century ago that the veterans in the trade and indus-
try could deduce a moral from if they cared to do
so. Then the great majority of manufacturers
turned out squares. A few makers of artistic dis-
Demand for That Style of Instrument Seems tinction made concert grands. In time the upright
appeared which at first was not particularly success-
to Increase in Volume as Christmas Ap-
ful. But the'favor for them grew and with improve-
proaches and Dealers Are Aware of
ment the uprights became popular. In time, too, the
square was declared passe, but with its disappear-
Joyous Fact.
ance came another candidate for favor—the parlor
''The steady demand for small grands is only the grand that later became the baby grand.
evidence of a remarkable evolution in the piano busi-
Claim for Baby.
ness," was the way a Chicago sales manager com-
Now
some
piano
men claim that the baby grand
mented on a notable trade fact this week. Accord-
ing to the statements of every sales manager the has reached the "popular" stage and if a pronounced
demand for the small grand does more than keep favor for the style by the public entitles the baby
up—it grows. Some manufacturers, too, admit that grand to the classification it certainly is qualified.
in spite of the fact that they are turning out small Mark P. Campbell, president of the Brambach Piano
grands to the best of their ability, the demand is be- Co., stated a little while ago that the Brambach
dealers reported that they were selling more small
yond the capacity to meet it.
From time to time within the past few years grands than playerpianos. The attitude of dealers
Presto has reported such a condition and it was in- generally towards the small grand is a recognition
tended as a wise suggestion to dealers to provide of the its place in the trade.
The J. E. Will Co., Bloomington, 111., have a spe-
for a popular demand that was growing every day.
cial sale this week on its grand pianos. The spe-
cial event is really a means of demonstrating the ad-
vantages of the grand style of piano. In the stock
of the Bloomington house are the Chickering & Son
Ampico grand, Marshall & Wendell Ampico grand,
Chickering baby grand and Kurtzmann baby grand.
The relative prices of the upright and grand are
advantageously presented by the Milliken-White
Music House, Bay City, Mich., in telling of the
merits of the Lyon & Healy Apartment Grand Piano
this week. This is printed: "A small grand—de-
signed to look well in homes where space is precious.
It is an instrument in which all the nobility of form
and tone that distinguish the grand, has been re-
tained in a more convenient size. And it costs
hardly more than an upright."
Owing to special efforts for the Starr grand the
sales force of the Toledo, O., branch of the Starr
Piano Co., achieved several notably fine grand sales
during the month of October. A special drive by
Manager E. J. Austin's alert young men has. been
made on the managers of theaters and halls as well
as schools with the Starr grand as the object of sale.
This effort is in addition to the appeal to the gen-
eral piano buying public to consider the grand as
?. choice for the home.
SMALL GRANDS FOR
THE HOLIDAY TRADE
Hand Played Word Rolls
for NOVEMBER
51526 THE LOVE NEST (Alary)
(Fox-Trot)
Hirsch
Played by J. 'Milton Delcamp
51636 TET.L ME LITTLE GYPSY (Follies 1920)
(Fox-Trot)
Berlin
Played by. J. Milton Delcamp
51726 MY LITTLE. BIMBO DOWN ON THE BAM-
BOO ISLE
(One-Step)
Donaldson
Played by Victor Lane
51826 OLD PAL (WHY DON'T YOU ANSWER ME)
(Ballad)
". .
. . . " . . . .Jerome
Played by Nan Foster
51926 WHEN I LOOKED IN YOUR WONDERFUL
EYES
(Waltz Song)
Jerome
Played by Irene D'Giovanni
52026 IN OLD MANILA
(Novelty Fox-Trot) . .
Mary Earl
Played by Adam Carroll, assisted by C. A.
52126 THERE'S A VACANT CHAIR AT HOME
SWEET HOME
(Ballad)
Hanley
Played by Nan Foster
52226 A YOUNG MAN'S FANCY (What's In a
Name)
(Fox-Trot)
Yellen
Played by J. Milton Delcamp
52326 I'M IN HEAVEN WHEN I'M IN MY MOTH-
ER'S ARMS
(Ballad)
Ager
Playod by Victor L,ane
52436 THE LOVE BOAT (The Folliea)
(Novelty Song)
Hirsch
Played by Nan Foster
52526 TRIPOLI
(Snycopated Waltz)
Dubin
Played by Adrian Rollini. assisted by C. A.
52626 DOWN THE TRAIL TO HOME SWEET
HOME
(Ballad)
Ball
Played by Nan Foster
52726 IT'S THE WAY YOU DO I T
(Fox-Trot)
'
Gottler
Played by Adam Carroll and Adrian Rollini
52826 OH GEE! SAY GEE!
(Fox-Trot)
Von Tilzer
Piayed by Adrian Rollini
52926 TIRED OF ME
(Ballad)
Donaldson
Played by Irene D'Giovanni, assisted by C. A.
53026 HONOLULU EYES
"(Waltz Song)
Vio'.insky
Played by J. Milton Delcamp and Adam Carroll
53126 MY MOTHER
(Ballad)
Polla
Played by Nan Foster
53226 IF A BABY WOULD NEVER GROW OLDER
(Waltz Song)
Meyer
Played by Victor Lane
53326 BROADWAY ROSE
(Novelty Song)
_ . .Spencer
Played by Victor Lane
'
'
53426 SOMEBODY'S EYES (Look Who's Here)
(Fox-Trot)
. .Clair
Played by J. Milton Delcamp
Republic Player Roll Corp.
Paul B* Klugh, Pres.
75th St. a t Broadway
New York
VIGILANT EXPORT HEAD
LOOKS INTO CONDITIONS
Miss M. Boyd, Chief of Important Depart-
ment in Jesse French & Sons Piano
Co., Goes East.
The export department of Jesse French & Sons
Piano Co., New Castle, Ind., has beaten all records
this year, and has branched out more extensively than
at any time in the history of the New Castle indus-
try. The department is under the careful supervision
of a young lady, Miss M. Boyd, who has had valua-
ble experience in the handling of export shipments
to all parts of the globe.
Even though a great many export shipments
move westward, and leave the U. S. A. through the
Eastern gateway) yet perhaps ninety per cent of all
shipments leave this country through the port of
New York. New York terminals have been very
badly congested during the past few months, and in
order to appreciate conditions as .they actually exist
in New York, the export manager of the Jesse
French & Sons Piano Co. made a two weeks' so-
journ there and in other Eastern cities, becoming
acquainted with various methods and procedures in
export shipping and loading.
Miss Boyd was very fortunate in being able to go
aboard the S'.S. Glenetive, where she watched the
MISS BOYD ABOARD THE S; S. GLENETIVE.
huge derricks as they slowly lifted various pieces of
cargo from the lighters and carefully placed each
piece in its respective space.
The cut printed herewith shows the young lady
aboard the vessel. She was also taken on a tour
over the many steamship piers of Weehawken, N.
J., Brooklyn, and other parts of the New York
harbor. She not only got a very good conception
of export shipping and loading, but also got a clear
Advertisements of Dallas Piano Houses Grace insight of export financing in all its phases.
Magazine of Times-Herald.
Miss Boyd says it is very essential that exporters
The Texas State Fair from October 9 to 24 was should go to New York to see just how their ship-
the occasion of considerable advertising for pianos ments are handled, from the time they enter New
and talking machines. One of the evidences of the York until they are placed aboard the vessel. Not
advertising activity was the Music. Supplement of only can they see the routes used, but can under-
the Dallas Times-Herald, Oct. 10. The magazine stand the importance of having the merchandise se-
of fourteen pages contained an interesting array of cuiely packed before it leaves the factory, so as to
articles on musical topics interspersed with hand- reach the destination in perfect condition. She re-
some advertising displays by Dallas music houses. ports shipping conditions as greatly improved since
Among the advertisements were those of the fol- the early summer, and rapidly getting back to nor-
mal. From the improvement made, it seemingly
lowing piano houses:
Bush & Gerts Piano Co. of Texas, Leyhe & Co., will only be a question of a short time until condi-
which carries the Baldwin line; The Whipple Music tions in the export shipping world will be back to
Co., Will A. Watkin Co., Field-Lippman Co., Thos. pre-war times.
The vigilant export manager of the Jesse French
Goggan & Bros., Sanger Bros., and C. H. Jackson.
The talking machine dealers and the music & Sons Piano Co. returned via Niagara Falls, where
schools of Dallas were also well represented in the .she spent a short time sightseeing, thence to Chi-
creditable music feature section of the enterprising cago, and then to New Castle, greatly pleased over
the results of her trip East.
Dallas newspaper.
MUSIC SUPPLEMENT A
COMMENDABLE FEATURE
ONEONTA FIRM ASSIGNS.
The G. B. Shearer Co., which for some time op-
erated a music store in Oneonta, N. Y., has made
an assignment for the benefit of creditors, Julian B.
Jackson being named as assignee. The company
has numerous creditors and the assets are not large.
It is not probable that any effort wi'l be made to en-
force collection from individual stockholders. George
B. Shearer, recently- manager of the concern, has
removed to Pittsburgh, Pa., where he has a position
with a music house. Mr. Shearer is well known in
the trade by having traveled for several industries
and having also for a brief time been engaged in
piano manufacture in the Bronx, New York. His
father at one time owned the famous old McCammon
piano, now the property of William Tonk & Bros.,
Inc., of New York.
REORGANIZES IN SEATTLE.
Wallace & Freed, Inc., Seattle, Wash., the active
distributors of the Q R S music rolls in that city
has been reincorporated under the title of Oliver
G, Wallace, Inc. Oliver G. Wallace is president and
H, J. Caldwell. treasurer of the reorganized com-
pany.
ANNUAL HEPPE MEETINGS.
At the recent meeting of the Heppe Piano Co.
of Philadelphia, held recently in Camden, N. J., a
6 per cent dividend was declared and the following
officers were elected: President and treasurer,
Florence J. Heppe; vice-president, R. F. Lehman;
secretary and assistant treasurer, George W. Wit-
ney. The following directors were appointed in ad-
dition: M. F. McDowell Heppe, Walter C. Harper,
and L. A. H. Shewell. The old officers of C. J.
Heppe & Son held on the same date were re-elected,
as follows: Florence J. Heppe, president and trea-
surer; M. F. McDowell Heppe, vice-president;
Gecrge W. Witney, secretary.
MUSIC WEEK FOR BALTIMORE.
Baltimore, Md., will have a Music Week early in
the spring of 1921 and plans to carry the scheme
to success are already receiving the attention of the
Music Dealers' Association of Baltimore. The mat-
ter was formally introduced to-a meeting of the
association last week by the president, C. J. Rob-,
crts. The co-operation of C. M. Tremaine, director
ofs the National Bureau for the Advancement of
MAISic has been requested. ,
, •
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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