Presto

Issue: 1920 1789

24
November 6, 1920.
USE OF WOODS
IN MUSIC INDUSTRIES
Strength, Rigidity, Beauty of Figure, Color, and Resonance, Considerations
in Selection by Buyer Requiring Two Hundred and
Fifty Million Feet Annually
The various uses of wood in the musical instru-
ment manufacturing industry and the requirements
for the different purposes are told in an instructive
way by Hu Maxwell in American Forestry. The
maker of one kind may want a wood of extra
strength and unusual stiffness in order to give the
necessary rigidity. Another may desire a kind that
behaves well in joinery and is not inclined to ex-
cessive strinkage'and warping. Sometimes a wood
is wanted which possesses high resonance. Or,
perhaps, the maker of veneers intended for use in
the bodies of. large musical instruments, looks for
a wood for the cores or inner sheets of built-up
panels, and he selects one which holds glue well
and is not much inclined to warp and check during
changing conditions due to heat and moisture.
Beauty of figure or attractive color may be the
chief quality sought by the maker of the outer
parts of instruments, the portions which are seen
and by which many purchasers judge the merit and
value of the instrument. If this is the manufac-
turer's purpose, he is interested in none but beauti-
ful woods and selects those which are most pleas-
ing, says Mr. Maxwell.
An Exacting Industry.
Few industries are more exacting in their de-
mands for choice material than the music industry.
Musical instrument makers are exacting buyers but
big ones. The annual demand by all makers in the
United States exceeds 260,000,000 feet, and if all
the species were carefully set apart and counted, the
number would probably exceed one hundred.
In
statistics the woods are generally grouped accord-
ing to genus rather than species, several being in-
cluded under one name, as oak, ash, elm, maple,
and spruce.
Both softwoods and hardwoods are employed in
this industry. Ten of the former are on the list,
all of which are native of the United States. Not
a foot of imported softwood is used, unless possibly
a little spruce from Canada for sounding boards,
but none such is shown by the records. The total
annual demand for softwoods exceeds 43,000,000
feet as follows:
Spruce, 29,144,150; white pine, 9,394,820; yellow
pine, 2,107,994; sugar pine, 1,004,400; hemlock, 615,-
600; Douglas fir, 480,400; redwood, 286,200; balsam
fir, 101,400; cypress, 70,000; Cedar, 17,500, total, 43,-
222,464 feet.
Demand for Spruce.
In quantity spruce exceeds the other softwoods
in the above list. Though it is named as though
it were a single species, several spruces are includ-
ed in the group, the principal being the eastern red
spruce that grows from the mountains of West
Virginia to northern Maine, the largest supply com-
of the northern Pacific coast. Some spruce of the
black and white species, from New England and the
Lake States, and from the adjacent regions of Can-
ada, contribute to the musical instrument industry,
the total of spruce exceeding 29,000,000 feet annual-
ly.
The value of spruce in this industry is due chiefly
to its resonant qualities. It is a musical wood. Pe-
culiarities of growth make it so. It takes up and
transmits vibrations more perfectly than any other
wood that can be had in adequate quantities.
The scientific explanations of spruce resonance
have not all been alike, neither are they all con-
sistent. Agreement is pretty general, however, that
the cause lies in the wood's long fibres and in their
uniform and regular arrangement. The fibers vi-
brate like so many taut cords. Comparison might
be made to a group of tightly-stretched strings, par-
allel and of equal length, each vibrating free from
interference by the others, and in all unison, having
been acted upon by the same impulse. Wood con-
sists of fibers which may be compared to strings
either parallel or interlaced. The most of those of
spruce are parallel, hence their fine musical qual-
ities. Most other woods have shorter fibers and
they may not be arranged so that they can vibrate
freely, one interfering with another. Oak is a
wood of that kind, and it is very poor material
for sounding boards for pianos.
The Sounding Board.
The most highly specialized use of wood, due to
its resonance, is found in the piano sounding board.
The finest spruce goes there, though occasionally
other woods have held the place. Southern white
cedar was once more popular than spruce as sound
ing boards, but it is not so now.
The piano is not the only musical instrument
which profits by the resonance of wood. The pipe
organ does it, but probably not so much as form-
erly. Most pipes are now made of metal. The
quality of wood in a violin has much to do in de-
termining the value of the instrument. The old
master makers of violins, like Stradivari, Amati,
and Guarneri, selected their wood and prepared it
with as much c^are as they bestowed on the actual
shaping and joining. Maple has always been one
of the finest voilin woods, and it is nearly always
combined with some softwood like pine or spruce.
Talking Machine Uses.
Some of the finest working in wood is done in
producing high class horns for talking machines
and music boxes. The horn is a sort of sounding
board, correponding to that of the piano. Thei»e
are very fine intruments which are made without
wooden horns, but many persons claim that the
wooden horn gives a softness and richness of the
tone which is extremely rare.
The xylophone is a small musical instrument
which does not rank very high in science or art.
Its name is a combination of two Greek words
meaning "wood sound." The music which it pro-
duces is caused more by the vibrations of wood
than is the case with most musical instruments
which utilize the resonant qualities of that material.
In most of them the sound is transmitted to the
(Continued on page 28.)
LEARN TO TUNE PIANOS
up" his new arrivals and to keep his second-
hands in order.
C[ Every Practical Tuner should know how to
correct the irregularities of the player-piano.
^ Every Piano Salesman who aims to be thoroughly
proficient should learn to tune.
It Doesn 't Cost Much-
Age Is No Bar to Learning-
It Doesn't Require Much Time,
Write for Booklet
POLK'S SCHOOL OF PIANO TUNING
VALPARAISO, INDIANA
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
25
PRESTO
November 6, 1920.
TALKI
SONG WORDS WITH RECORDS
Kansas Dealer Adopts the Plan of Selling Printed
Sheet with Discs.
A trade paper (Presto) wrote to the editor,
says "The Puritan," suggesting that manufac-
turers of records would sell more of them if they
furnished the words of the corresponding vocal num-
bers because even a very close listener often missed
several of the words in a song.
1 he editor commented on the letter by stating that
as the words and music were usually copyrighted,
the manufacturer of records would be liable to a
penalty of one dollar for every copy sold, which is
quite true.
Still, the advantage of having 1 the words, exactly
as engraved in the record, clearly printed and avail-
able for anyone who wanted them, so strongly im-
pressed a Kansas music dealer that he obtained the
names of the publishers of every vocal selection
represented by the new records he received, and
the price of the sheet. With this list before him,
he was able to direct buyers of records to the pub-
lisher of the words and music.
Some people would think that it would have been
better to obtain the printed words and music, and
sell them direct, but the dealer believed that this
would involve the carrying of a great quanity of
sheet music for which he might not have a ready
sale and he contented himself with the list referred
to, as a starter.
Tn the music stock of this store, however, the
dealer had the vocal score of many of the best op-
eratic selections, and well-known songs. He listed
these to correspond with his record stock list, and
when a person bought a record, of which he had
the printed words, it was a very easy matter to sell
both the record and the words and music.
There is no doubt that the enjoyment of a new
song (or an old one, for that matter) is considerably
increased by knowing the words as the record is
played. It is a great temptation also for the listener
to "sing in" with the phonograph, if he can sing
at all. It is a delightful pastime also for a few mem-
bers of a family to follow the singing of a fine
quartette, duet, or chorus, and it is well worth the
dealer's while to introduce this agreeable diversion
in his store, because it leads to sales of both record
and music.
It needs very little explanation. When a record
is chosen by a customer,
the salesperson consults
his list and finding 1 that he has the music, informs
the customer that, "We also have the words and
music of this record; would you not like to have it
so that you can follow the words exactly?" Or, when
a piece of music is being sold, tell the buyer that,
"This piece has been reproduced on the
phonograph; would you like to hear it?" If the
party owns a phonograph, the chances are good that
he will buy the record.
Il requires some intelligent work to carry out this
plan, because the maker of the records must give
the name of the publisher of the exact words sung
in the particular record, unless it is a standard se-
lection, when it can be found through the usual
trade lists kept in every well-managed music store.
Other phonograph dealers will of course have to do
more hunting but it will repay them for the trouble.
A DALLAS EFFORT.
The talking machine had a noticeable part in the
events of Music Week held during the recent State
Fair in Dallas, Tex. The importance of the talking
machine business in the lively Texas city was exem-
plified in the Music Magazine of the Dallas Times-
Herald, a copy of which is to hand. In this ad-
mirable celebration number the advertisements of
the following firms appear: Edison Shop, W. A.
Green Co., Texas-Oklahoma Phonograph Co., C. H.
Jackson, Starr representative; Sonora Shop, Sonora
Distributing Co. of Texas; the Brunswick Phono-
graph Co., Riddle Phonograph Co., Lester-Gunst Co.,
and Field-Lippman.
THE HOLIDAY SPIRIT.
The holiday spirit is expressed in the window
displays of Charles Mayer & Company, Indianapolis.
The windows of "The Gift Store," at 29-31 West
Washington street were made especially attractive
last week when arranged with an alluring display
of gift goods including talking machines and records.
The firm was established in 1840.
NEW BUFFALO OFFICERS.
The Buffalo Talking Machine Dealers' Association
recently elected the following new set of officers:
President, C. E. Siegesmund; vice-president, Albert
F. Schwegler; secretary, C. Kappeland; treasurer,
I. Melzer. It is the propose of the association to
hold regular meetings every month.
MAKE SHAKESPEARE RECORDS.
Edward H. Sothern and Julia Marlowe, noted
Shakespearean actors, are at present engaged in mak-
ing phonographic records of Shakespearean dramas
and comedies for educational purposes. The records
are being made at the Victor Talking Machine plant
in Camden.
The W. E. Tones Piano House, Mansfield, O.,
persistently makes known the fact that "it is a
pleasure to demonstrate talking machines."
The Wolfe Music Co., Cleveland, O., advertises a
"special payment plan" for talking machine pur-
chases.
VITANOLA CO'S AFFAIRS
Receivership Facts of the Talking Machine Com-
pany Given in Letter to Dealers.
The following letter from the Vitanola Talking
Machine Company, Chicago, to dealers handling
the Vitanola line was mailed last week:
To Our Dealers:
Undoubtedly you are aware that this company is
now operating under a receivership, and, in order
that you may clearly understand the situation, we
take this means of informing you that the receiver
was appointed not in bankruptcy proceedings but in
a chancery action, for the purpose of conserving the
vast and valuable assets of the corporation, and pro-
tecting the interests of all concerned.
The assets of the company show a very liberal
margin in excess of its liabilities, but much of its
working capital was tied up in its new plants just at
the time when banks commenced restricting credit As
a result, we found ourselves in the same predicament
that has beset so many concerns during the period of
business depression from which the country now is
emerging.
We are confident that the oft demonstrated loyalty
of VITANOLA dealers will now operate to assist in
effecting a prompt adjustment of the company's tem-
porary difficulties, and the business will be continued
under the same sales and liberal service policies with
which you are familiar from our past relationship.
Every effort of the VITANOLA organization will
now, as always before, be bent on serving you to
your satisfaction.
Yours very truly,
SAM'L S. SCHIFF,
Vice President
Vitanola Talking Machine Company.
NEW INCORPORATIONS.
Baxt Phonograph Co., Inc., $50,000. Oscar Ster-
man, Celia Sterman, Maurice Shapiro, Maurice Gor-
dan, Morris Levinson, Louis Kalla, Pauline Shapiro,
Abraham Adler and Harry Tarlow. Place of busi-
ness, Boston, Mass.
Jacobs, Inc., Philadelphia, deal in talking ma-
chines, $75,000. Samuel Schuman, David Schuman,
Darby, Pa.; Joseph Jacobs, Philadelphia.
The Hub, Washington, D. C, has added the Uni-
versal phonograph to its line.
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ENDLESS-GRAPH MANUFACTURING COMPANY
4200.02 West Adams Street
CHICAGO, ILL.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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