Presto

Issue: 1920 1785

PRESTO
CITY THRILLED
BY MUSIC LOVE
Col. F. B. T. Hollenberg Sets Little Rock
Aflame with Enthusiasm and Robert Law-
rence Does the Rest Till the Arkan-
sas City Is All Smiles and Singing.
Success
marked
the first period of
the campaign for
establishment
o f
community singing
on a broad scale
throughout Arkan-
sas which Robert
Lawrence, of the
National Bureau for
the Advancement of
Music opened last
week under the aus-
pices of the Little
Rock Music Commission, of which F. B. T. Hollen-
berg is chairman.
In accordance with the program formulated in
mid-summer, the first period, from September 27
to October 2 inclusive, was devoted to preliminary
work, including interviews with representatives of
industries, department stores, educational institu-
tions, churches, clubs, lodges and other organiza-
tions desiring to promote community singing and
the holding of demonstration "sings."
Training Period.
The second period, from October 18 to 30, in-
clusive, will be the training period. The third per-
iod, beginning November 22 and ending on Thanks-
giving Day, will be called "Community Sing Week,"
and the crowning feature of the campaign will be
held on Thanksgiving Day.
Mr. Lawrence arrived in Little Rock September
27. At Colonel Hollenberg's suggestion Benjamin D.
Brickhouse, mayor of Little Rock, appointed a
music commission, which is handling the details of
Mr. Lawrence's campaign. Of this commission,
Mr. Hollenberg himself was made chairman. The
other members are George B. Rose, a well known
attorney and patron of arts; Gordon M. Peay, pres-
ident of the W. E. Worthen Company Bank; L. C.
Herrington, president of the Typographical Union;
Mrs. H. H. Foster, perhaps the leading patron of
music in Arkansas; Mrs. Will Henniger, teacher of
singing; Saul Harris, who controls all the theatres
and picture shows in Little Rock; J. L. Bond, State
Superintendent of Public Instruction; and Mayor
Brickhouse.
Col. Hollenberg's Part.
Colonel Hollenberg has guaranteed the entire cost
of the campaign, but all of the music dealers in
Little Rock and a great many others insisted upon
sharing the expenses, with the result that the total
cost of the campaign, amounting approximately to
$1,700, will be so distributed that it will be a burden
to no one person or concern.
"The work here has been unusually successful,"
says Mr. Lawrence in a report to the Chamber.
"We have held the following sings: Junior High
School, 1,500 persons; Draughton's Business Col-
lege, 200; Robson-Roders Co., 60; general meeting
at the High School, 400; Blass' Department Store,
200; Senior High School, 1,500; Miller Manufactur-
ing Co., 100; Lions Club (Business men), 60; Tele-
phone Co., 100; Colored High School, 400; Business
Women's Club, 75; Rotary Club, 100.
"The following sings are scheduled to occur:
Three picture shows, Pfeifers Department Store,
Argenta High School, W. E. L. Bruce Co., Catholic
School, Missouri Railroad Shops.
"From this you will see that by Saturday night I
shall have held twenty-one demonstration sings dur-
ing the week. This covers the ground very thor-
oughly, and a great deal of interest has been
aroused."
WIDER USES FOR THE
LESLEY PATCHING VARNISH
Three More Distributing Stations Added for Con-
venience of Customers by Indianapolis Company.
The interest of manufacturers, dealers and tuners
grows every month for Lesley's Patching Varnish,
the popular product of the Lesley's Chemical Co..
Indianapolis, Ind. Frank Lesley, manager of the
company, reports further extensions of the Lesley
Chemical Co.'s agency which provide three addi-
tional distributing points for the convenience of the
trade.
In Dallas, Texas, the Sonora Distributing Co. has
been made an agent for the Lesley products. This
company is now supplied with stock from which
customers in the Southwestern States may be sup-
plied.
The New England States will be served with Les-
ley's Patching Varnish and the other useful com-
modities made by the Indianapolis company by the
Lansing Sales Co., Boston, Mass. This company is
also supplied with the necessary stock for filling
New England orders.
A stock of the specialties of Lesley's Chemical
Co. is ready for exportation to Ca Cuba De Fono-
grafos, No. 89 O'Reilly street, Habana, Cuba, which
company will be pleased to fill orders from Cuban
customers as soon as express service for Cuba is
available. The American Express Co. has an em-
bargo on shipments to that point.
The new service station which Lesley's Chemical
Co. opened in the downtown district of Indianapolis
on September 1 is now in busy running order. Three
students were taught during the month.
Besides patching varnish, the company makes the
following useful commodities: piano polish, crack-
filling varnish, dusting fluid, stain spirit glue, metal
polish, auto body polish and finishers' supplies.
MOVEMENTS OF MEN
OF THE TRADE NOTED
Brief Items Recording the Whereabouts of Promi-
nent Ones.
James Guyette is manager of the W. T. Brows
Piano Co., Jacksonville, 111. The house is over 40
years in business and points to its record as a surety
to prospective piano or playerpiano buyers.
E. W. Strong is manager of the piano department
of Sifnond's Music Store, Ottawa, 111.
Miss Helen Allison is manager of the player roll
department of Byron Mauzy, San Francisco. The
line composes the Q R S and Mel-o-dee rolls.
C. J. Doser is a new man on the sales staff of the
small goods department of Lyon & Healy, Chicago.
T. W. Perkins has joined the sales force of the
player department of Lyon & Healy, Chicago.
Albert F. Price, vice-president of the Price &
Teeple Piano Company, has returned to Chicago
from a trip to Memphis and Little Rock. He found
the weather very hot down there.
C. R. Huston, traveler in Minnestota and Wis-
consin for the Baldwin Piano Company, spent last
Saturday in Chicago at the Baldwin offices.
Walter Kiehn resigned his position as managing
editor of the Chicago Musical Times last Saturday
and on Monday began work in the sales and adver-
tising department of the Gulbransen-Dickinson com-
pany. Mr. Kiehn is an alert young man and will,
undoubtedly, make good in his new position.
C. G. Gulbransen, superintendent of the Gulbran-
sen-Dickinson company's factory, Chicago, moved
his office into the new building on Monday of this
week. It is on the second floor.
E. J. Wolmer, who recently resigned from the
Kieselhorst Piano Co., St. Louis, has returned to
California.
Frank Hamm, a traveling man for the Tri-Sales
Co., has joined the piano sales forces of the Kiesel-
horst Piano Co., St. Louis.
Otto J. De Moll, of O. J. De Moll & Co., Wash-
ington, D. C, is the most active member of a com-
mittee appointed by the Merchants' and Manu-
facturers' Association to stimulate the Do Your
Christmas Shopping Early spirit.
Henry P. Veatch, Chicago manager of the Pack-
ard Piano Company's business, was in Chester, 111.,
on Wednesday of this week.
C. J. Scheiman, treasurer of the Packard Piano
Company, Fort Wayne, Ind., was in Chicago one
dav this week. He was accompanied by W. H.
Wiebke, assistant treasurer of the house.
STEINERT OFFICIAL HONORED.
Jerome F. Murphy, of Boston, was accorded a
pleasant surprise visit last Thursday night by his
associates of the M. Steinert & Sons' organization
of that city. Mr. Murphy is treasurer of the M.
Steinert & Sons Co., and general manager of the
Jev/ett Piano Company. Mr. and Mrs. Murphy
were presented with a mahogany library table and
a floor lamp. Many messages were read from friends
and associates.
PIANO PRICES REDUCED.
There is unusual interest in the announcement of
Lyon & Healy in this issue of Presto. The great
Chicago hcuse declares a price reduction and, in
view of the source of the announcement, it becomes
of great significance. When Lvon & Healy say
something, the trade listens. The announcement
menns a reduction in the price of a high grade piano
and, without doubt, the trade will take it seriously
and the result will be an impetus in the demand
for Lyon & Healy pianos which has had few paraf-
lels in their class.
October 9, 1920.
LABOR TURNOVER IN
MUSIC INDUSTRIES
Excellent Conditions in Plants Denoted by the
Flattering Report on Conditions Made
by Journal of Commerce.
"Most of the employes are very highly skilled
workers of the older type. They look upon them-
selves as craftsmen. Wages are high and work is
steady. Moreover, the men have a superintendent
they like. As a result, the annual turnover is less
than 50 per cent," is the report on labor turnover in
one of the musical instrument factories investigated
recently by the Journal of Commerce, New York.
The average yearly rate of labor shift or "turnover"
in 1920 for skilled and semi-skilled factory workers
in New York City is 125 per cent and for unskilled
factory workers 265 per cent, according" to reports
made to the Industrial Bureau of the Merchants' As-
sociation by forty-two manufacturing concerns rep-
resenting fifteen different industries and employing a
total average force of 41,375 workers.
In about two-thirds of the plants studied the turn-
over lay between 100 and 250 per cent, but the total
range for all plants extended from a minimum of
16/$ per cent to a maximum of 338 per cent, says the
Journal of Commerce, which adds: The cost of re-
placements, according to the testimony of employ-
ers, varies from $10 for unskilled to $250 for highly
skilled workers. A fair average for semi-skilled em-
ployes is $50 or more.
Three musical instrument factories were covered
in this study of various industries. In most cases
the period investigated was the first eight months of
1920. The turnover of factory labor increased dur-
ing the war and some time after the signing of the
armistice. The tendency now, however, seems to be
in the opposite direction.
For the purpose of this report, therefore, labor
turnover has been computed by dividing the number
of employes replaced during a year by the average
number of persons on the payroll during the same
period. For example, if there was an average of 100
men on the payroll of a concern during the year, and
200 additional employes had to be secured during
that time to replace those who were fired, died or
quit for any other cause, the turnover would be twice
the average number on the payroll, or 200 per cent.
In a decreasing payroll replacements will equal the
number of people hired, while in an increasing one
they will equal the number of separations from the
plant.
It is apparent that the turnover among plants em-
ploying mainly unskilled workers is much larger
than in factories where the operatives are more
skilled. In the former group, six out of fourteen, or
43 per cent of the concerns, have a turnover between
200 per cent and 250 per cent. Among the latter
group twelve out of twenty-eight, or 43 per cent,
have turnovers between 100 per cent and 150 per
cent. The difference between these two groups is
most clearly shown by the actual figures.
NEW ORLEANS MANAGER
ENTERTAINS HIS SALESMEN
Sales Force of Junius Hart Piano Co. Are Dinner
Guests of George A. Stecker.
General Manager George A. Stecker, of the Junius
Hart Piano House, New Orleans, La., recently en-
tertained the sales and office force at Maylie & Es-
parbo's. It was another of those get-together af-
fairs, in which the "boys," incidental to the enjoy-
ment of the menu, exchanged ideas tending to the
promotion of the efficiency of the service and piano
salesmanship generally.
General Manager Stecker presided and indulged
in a little heart-to-heart congratulatory talk on the
increase of business and the hustling co-operation of
the force which so largely contributed to the suc-
cess. Among those present were: J. F. White,
Paul T. Ashton, F. W. Tudury, F. C. Schmitt, H. W.
Couturie, Jr., Wm. G. Burck, Henry Mische, H. F.
Vidclange, Hugh Martin, Frank Desplas.
PIANO STRIKE POSTPONED.
A national referendum is being held by the
Piano, Organ p.nd Musical Instrument Makers'
International Union of America on the question
of the postponement of the proposed national strike
of the 50.000 piano, organ and musical instrument
makers, it was announced last Saturday, in New
York City, by John Whitehill. vice-president of the
international union. Mr. Whitehill said that he did
not consider the present time opportune for a na-
tional strike. He thought it most likely that the
workers would vote for postponement. There are
about 20,000 piano and organ makers in New York
City alone.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
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October 9, 1920.
PRESTO
REPRODUCING AN ART EVENT AN0TnE * FACTORY FOR CHICAGO
In Repetition This Week at Carnegie Hall, New York, of Historic Episode,
the Association of the Chickering Piano with the Highest
in Music Is Impressed.
A memorial
concert to mark
the centenary of
the b i r t h of
Jenny Lind was
given
on
W e d n e s day of
this week at Car-
negie Hall, New
York. The con-
cert was a repro-
duction, as close-
ly as possible, of
the one given at
Castle Garden in
1850 at the first
appearance in
a p p e a r ance in
America of the
JENNY LIND.
famous Swedish
singer.
At the memorable musical event in 1850 Jenny
Lind used a Chickering piano on which she played
her own accompaniments to several encores given
in addition to the regular numbers sung with the
orchestra. This week's event naturally draws again
the attention of musical people to the oldest con-
tinuous piano industry in the United States, and
associates the Chickering piano with the art and
artists of a bygone day.
In the exact reproduction of the first concert
given by Jenny Lind in the United States, which
The association of the earlier instrument with
Jenny Lind was the beginning of a long list of dis-
tinctions both here and abroad. Jenny Lind's favor
for the Chickering of 1850 was an earnest of the
great array of marks of distinction—diplomas, gold
medals, letters from great personages and learned
bodies which Chickering & Sons have accumulated.
The Castle Garden Program.
The following is the program of the Jenny Lind
Concert given on the occasion of her first American
appearance at Castle Garden, New York, on Wednes-
day evening, Sept. 11th, 1850, and reproduced at
Carnegie Hall this week:
PART I.
Overture, Oberon
Weber
Aria—Sorgeto Maometto Secondo
Rossini
Sig. Veletti
Scena—Cavatina, Casta Diva (Norma) Bellini
Mdlle. Jenny Lind
Duet—On two pianofortes
Benedict
Messrs. Benedict and Hoffman.
Duetto, Per Piacca alia Signora from II
Turco in Italia
Rossini
Mdlle. Jenny Lind and Sig. Veletti
PART II.
Overture—The Crusaders
Benedict
Trio for voice and two flutes (By Camp of
Selesia)
Composed expressly for Jenny Lind.
Mdlle. Jenny Lind
Cavatina Largo al Factotum (The Barber
of Seville)
Rossini
Sig. Veletti
The Herdsman's Song (generally known as
the "Echo Song")
Mdlle. Jenny Lind
Welcome to America (Written expressly
for this occasion by Bayard Taylor)
Benedict
Mdlle. Jenny Lind
Chickering Piano Used.
it would not be easy for the most critical pro-
gram-maker of today to prepare a better selection
than that in which the great Jenny Lind made her
American debut away back in 1850. And it sets the
musical imagination tingling to thihk of the scene
at Castle Garden seventy years ago, and to fancy the
enthusiasm which greeted the young singer whose
fame was destined to become deathless.
Hundreds of writers have told of the effect of
her marvelous singing, and artists of the brush have
JENNY LIND'S "CHICKERING" PIANO.
featured the centennial celebration of the famous
singer's birth, in Carnegie Hall, Jenny Lind was
impersonated by Frieda Hempel, who sang the same
songs that charmed New Yorkers seventy years
ago. Orchestra, conductor and ushers wore mid-
nineteenth century costumes. P. T. Barnum, who
brought Miss Lind to America, was impersonated
by Thomas Wise.
The Jenny Lind Piano.
An interesting illustration with this arficle shows
the piano used by Jenny Lind which is in the pos-
session of Chickering & Sons. The name of the
great artist, written on the plate, gives added human
interest to the memento. A cut of the signature
on the plate is also shown.
You cannot separate the genius of Jonas Chick-
ering from any event in which the Chickering piano
bears or has borne a part. What singing was to
Jenny Lind the art of piano making was to Jonas
Chickering. a serious study which absorbed him and
engrossed his life. Even the mention of the plate
on which the great singer wrote her name suggests
a triumph of the famous piano maker. To him be-
longs the credit of the full iron plate—an advance
of measureless importance in piano making.
The Identical "Chickering."
Of course the re-appearance of the actual piano
used by Jenny Lind at a concert away back in 1850,
suggests interesting comparisons of the earlier
piano and the Chickering of today. The compari-
son illustrates the vast advance in piano building
in the interval. The evolution is epitomized in the
massive Chickering Concert Grand of 1920. In the
historic square piano used in the memorial con-
cert in Carnegie Hall this week are the art elements
which the Chickering house has perpetuated. In it
are present the mechanical subtleties which are an
integral part of the Chickering system.
The Mel-o-dee Music Co., Inc., Is Considering the
Advantages of a Western Plant.
There seems to be good promise of another music
roll factory in Chicago. It is understood that the
Mel-o-dee Music Company, Inc., is contemplating
the establishment of a western producing branch.
While there is nothing certain about it, and little has
as yet been said on the subject, it is certain that Gor-
don Laughead, the Chicago representative, has gone
to New York on special business with General Man-
ager Geo. H. Bliss, and it is expected that the sub-
ject will be discussed.
The Mel-o-dee Company of Chicago is a subsidi-
ary of the Aeolian Company and, under the man-
agement of Mr. Laughead, it has made rapid prog-
ress. It is also stated that Miss Florence Beebe,
who has popularized the "Cuddle Up a Little Closer
Lovey," by recording for the Mel-o-dee roll, has be-
come a regular member of the Mel-o-dee staff.
MUSIC CAMPAIGN AT DALLAS.
In spreading the interest in music and things mus-
ical, the Chicago organization devoted to that work,
headed by Frank E. Morton, is opening a campaign
at Dallas, Texas, beginning October 9, in connection
with the Texas State Fair. Liberal co-operation is
being given by the piano houses of Dallas, by mus-
ical people of that city, and by industrial associa-
tions whose heads have promised to bring the sub-
ject before their employes. Pictures are to be used
in the Dallas film play houses, schools have taken
up the matter, and music in industry is to be gen-
erally introduced throughout the factory districts
of Texas. A great picture representing "Music in
Industry" was erected in one of Lyon & Healy's
windows on Thursday morning of this week, due
to the energies of the Chicago propagandists, who
found the big music house a ready collaborator.
GEO. P. BENT'S TRAVELS.
George P. Bent has been in Chicago, where he has
received the warm greetings of old-time friends who
have learned of his presence. It is Mr. Bent's plan
to make another tour of the world, starting from
San Francisco late in November. It is certain that
the "ease of idleness" agrees with Mr. Bent, for he
has never looked so well as since he became a resi-
dent of Los Angeles and took to reading, golfing
and other delights, for his daily occupation.
HONORS FOR SALESMAN.
Douglas Daniels was the winner of the June con-
test for best sales in the Knabe warerooms, Inc.,
Baltimore, Md. Mr, Daniels gained similar honors
in August. He has been in the piano business for
a little over six months. He started on outside sales
in which he first won salesman's honors. His pres-
ent position as floor manager shows the extent of
the appreciation in which he is held by J. H. Wil-
liams, president of the company.
W. M. PLAISTED IN CHICAGO.
William M. Plaisted, of New York, president of
Hazelton Bros Piano Company, was in Chicago on
Wednesday of this week. Mr. Plaisted attended
tlie dinner of the Chicago Piano Club on Tuesday
evening, and proved himself to be one of the witty
speakers. His democratic presidential candidate
story was what might be called a corker.
AUTOGRAPH ON "CHICKERING" PLATE.
employed their genius to make permanent records of
the scene. The best things the late piano man-
editor Frank H. King wrote was his sketch, "When
We Heard Jenny Lind," and for weeks to come
living writers will call to their aid all the fancy
of their historical reading to bring again the mem-
ories of the event which was the artistic sensation
seventy years ago. And so with scores of other en-
thusiasts who have liked to recall the events in Art
of the days that are gone.
A Significant Foot-Note.
The fifties brought great singers in shoals to this
country. Jenny Lind, Sontag, Alboni, Laborde,
Piccolomini, Grisi, Parodi, and many others little
less famous. But of them all Jenny Lind is the one
who holds the place in memory, as the Carnegie
Hall event of this week proves. And it is peculiarly
appropriate that the identical Chickering piano
should this week have taken part in the commem-
orative concert, thus making complete, in every pos-
sible detail the historic effect, even to the foot note
which seventy years ago read "Chickering Piano
Used," just as did the foot note this week, but with
an added significance. And so many other artistic
programs have borne the same announcement ever
since the historic concert at Castle Garden in 1850
that to enumerate them would be impossible. It
would be a sorry musical history that did not con-
tain some reference to the famous Bostoli piano,
and this week's event gives emphasis to the power
of a great purpose perpetuated by the genius of in-
dustry into which has been breathed the spirit of
art.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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