Presto

Issue: 1920 1785

THE PRESTO BUYERS'
GUIDE CLASSIFIES ALL
PIANOS AND PLAYERS
AND THEIR MAKERS
PRESTO
Established 1884 THE AMERICAN MUSIC TRADE WEEKLY
SEES NO CHANGE
IN PIANO PRICES
J. H. Parnham, Head of Kohler Industries,
Gives Facts Concerning Prices in the
Piano Industry and Tells Why Any
Downward Scale Is Impossible.
Recent price reductions in several lines of indus-
try have evidently inspired the retail piano trade
with the hope, if not the belief, that it would soon
see wholesale piano prices take a precipitate drop,
which ere long would land dealers in the buying
position they occupied in the days of 1913 and 1914.
That such a wish, or thought, can be put out of
the mind of the trade, and is not based on facts, is
made clear by John H. Parnham, in a talk he had
with representatives of the trade press last week.
Perhaps no man in the piano industry can speak
on this subject, which is now occupying the minds
of the trade, with greater authority than Mr. Parn-
ham, as he is not only the managing head of one
of the dominating factors in the piano industry but
is also president of the New York Piano Manufac-
turers Association, which fact gives double force
and weight to his statements, on this particular sub-
ject. Mr. Parnham said:
"1 feel that, in view of the widespread publicity
that has been given to needed reductions of prices
on some commodities, and because there is an exist-
ing belief in the minds of some of the trade that re-
ductions may quickly follow in the piano industry,
that a statement from me at this time would not be
amiss.
No More Pre-War Prices.
' I n the first place, the man in the piano trade
who expects to ever see piano prices range as low
as they were before the war, is basing his expec-
tancy upon unsound reasoning and a lack of know-
ledge of the facts. The trade will never see such
prices again.
"The whole world of endeavor has moved up to
a new and higher level of costs and prices. Wages
and raw materials entering into every known com-
modity are greatly in excess of what they were in
pre-war times. In some lines the advance in costs
has been greater than others. But you cannot touch
life, today, at a single one of its many and compli-
cated points of existence, without experiencing the
heavy tolls that this new order of things lay upon us.
"The individual finds it in his increased rentals and
cost of living. The merchant finds it in the in-
creased cost of doing business. The manufacturer,
also, finds it in the increased cost of labor, raw ma-
terials, taxes and rates for money.
"Just where and when this new order of things
will eventually find its mean level no one can tell.
But that there is and will continue to be a new
level which is a great deal higher than the 1913
and 1914 level is certain. Some commodities may
have to go still higher and many commodities will
have to come down. Many industries have un-
doubtedly been profiteering. There is no doubt that
many commodities have been sold at prices that are
far in excess of the prevailing level of costs as it
stands today. These will have to come down.
"But, on the other hand, there are many other in-
dustries which are barely getting by at their pres-
ent level of prices and among these is the piano in-
dustry. I see no chance, whatever, for piano prices
to come down, at present."
No Profiteering.
Mr. Parnham shows conclusively that the piano
industry has not profiteered. He makes the point
that the piano industry has been slow and reluctant
in raising its prices and that the many steps of ad-
vancement in its prices have been made in small
amounts of $5 and $10 at. a time and then only in
most instances, after the manufacturer had borne up
under two or three months of actual losses at his
old quotations.
"No trade or industry" said Mr. Parnham, "has
- been so reluctant and tardy in advancing its whole-
sale prices as the piano industry, and I appeal to
every piano manufacturer as to the truthfulness of
this statement. Piano manufacturers have been so
slow and loath to quote advancements, during the
past three and four years, that many of them have
taken losses on two or three months output before
they reluctantly sent out their new quotations, and
THE PRESTO YEAR BOOK
IS THE ONLY ANNUAL
REVKEW OP
THE MUSIC TRADES
/« c«nt«, 92.90 « r, ar
this at a time when they had a waiting market for
two instruments for every one they could then man-
ufacture.
''The result of this reluctance to raise wholesale
prices is, that the piano trade has been constantly
behind other lines of industry in its advancements
of prices and is today actually below the common
level of prevailing prices, on other like commodi-
ties, in which labor, steel and lumber play such an
important part.
Other Things Must Drop.
"I am not surprised," says Mr. Parnham, "at see-
ing reductions announced on certain lines of mer-
chandise. The surprise to me is that the break has
not come sooner. But the reductions announced
will have to go still lower before they are down to
the level of present piano prices, as compared with
the cost of producing.
"The piano manufacturer has been keenly alive to
the fact that wholesale prices have been mounting
to a point where retail prices will reach such a level
as to place a restriction on sales. The manufacturer
welcomes any indication that looks toward lessen-
ing his costs so that he may not put any further
retarding conditions in the way and can make it
easier for his dealers to secure a steady and even
flow of business, but the plain facts are that his
manufacturing costs are higher today than they were
six months ago.
"A grain of hope and comfort was felt the other
day when a reduction was announced by the Ameri-
can Wholesale Lumber Dealers Association on "the
price of lumber, but investigation discloses the fact
that the reductions apply to hard wood flooring and
cheap grades of lumber used in concrete construc-
tion and does not apply to the grades and charac-
ter of lumber suitable for use in piano manu-
facturing.
"I can, of course, only speak for the Kohler In-
dustries. But for them I can speak with authority
and I know that for them the difference of $15 per
instrument, at this time, would mean the difference
between a loss and a profit to us, and if this condi-
tion applies to us, it applies with equal or greater
force io others."
No Cause for Alarm.
Mr. Parnham, however, sees no cause for alarm,
if the trade exercises its usual good sense and ap-
plies its customary energy. He very aptly points
out that the best part of the year is ahead of the
retail trade, that even in the worst piano years the
trade has ever experienced, there has never been a
surplus of instrumnts during the last three months
of the year and that this, by no stretch of facts,
cannot be accounted as a bad piano year.
"There is no cause for worry," says Mr. Parnham,
"if the dealer will get out after business with his old
time energy and quit waiting for lessened prices
which are not now in sight. There is business and
plenty of it to be had. Crops are big and they are
bringing tremendous prices. Wages are high and
there is employment for almost everybody. The
best three months of the year are ahead of us. The
trouble is with ourselves. We have all become ac-
customed, during the past three or four years, to
wait for business to come to us, instead of going
out and getting it, and if, instead of waiting and
wishing for something that does not exist, we wilt
bend ourselves to our tasks with our old-time en-
ergy, we will end a most satisfactory and profitable
year.
"T cannot recall the time in my experience, when
in the leanest years the trade has known, that there
has been a surplus of instruments during October,
November and December and this can certainly not
be reckoned as a poor piano year. On the contrary,
it will round out a good piano year, if the dealer
will cease to wait for prices that cannot be lowered
now and go out for the business that conditions
warrant his getting."
TO REORGANIZE "INTERNATIONAL."
An important meeting of the creditors of the
International Piano Manufacturing Co. was held
at the office of the company, 481 Alden street, Fall
River, Mass., Friday afternoon, October 8th, at two
o'clock for the purpose of discussing, with the Re-
organizing Committee and Board of Directors,
plans for the re-organization and financing of the
company. Plans for the complete re-organizirig
have assumed tangible form, and a large attend-
ance of creditors was earnestly desired at the meet-
ing, which it is believed will be a great benefit to al!
concerned.
CHICAGO PIANO CLUB
PLANS GREAT THINGS
Elects M. J. Kennedy President, Raises An-
nual Dues to $10 and Outlines New
Lines of Work for Year.
The Chicago Piano Club gave a combined enter-
tainment, business meeting and dinner on Tuesday
night of this week at the City Club, 315 Plymouth
Court. The attendance was the largest ever seen
at a meeting of the club.
Ray Miller's "Black and White Melody Boys"
constituted only one of the several features of the
entertainment, which began before the dinner. This
galaxy of star entertainers are now playing at the
Ed Wynn Carnival at the Illinois theater, and they
gave their services free. These melody young men
are featured this month on Gennett, Aeolian, Pathe
and other records. Those who heard them Tues-
day night got some valuable tips that will augment
their record sales. A witty black-face comedian
and a singing and performing quartette of young
men added a large quota of mirth to the evening's
entertainment.
The club's committee of ways and means sub-
mitted an outline of big work it has proposed for
the coming year. The propositions were numbered,
something after the manner of President Wilson's
ten points. Only the first of these points was acted
upon Tuesday night—namely the dues were raised
from $2 a year to $10 a year for resident members
and $5 a year for non-resident members, that is,
those living outside of Chicago. The other points
were referred to the board of governors, who will
go over them carefully and report back.
The points cover the making of arrangements for
meeting places, lunching tables and dinners; the
appointment of committees to attend various musi-
cal affairs., including the performances of the Chi-
cago Symphony Orchestra; the arranging of month-
ly series of meetings throughout the season, with
educational features, such as player night, piano
night; connecting the club with the cause of the ad-
vancement of music as outlined by the Music In-
dustries Chamber of Commerce. The committee re-
ported in favor of a daily table at the Hotel Strat-
ford and a dinner at the City Club weekly.
M. J. Kennedy was unanimously elected as presi-
dent of the club; Walter S. Jenkins, vice-president;
James F. Bristol, secretary, and R. E. Davis, treas-
urer. The board of governors chosen consisted of
Kenneth W. Curtis, William Braid White, Mr. Mc-
Ginniss, Mr. Stapleton and Frank E. Morton.
Each one of the new officers when called upon
for a "speech' 7 responded by telling a funny story
to apply to his case. President Kennedy's was to
the effect that he did not want to fall down on the
job, nor have others fall because he fell. His story
was retold from the experience of a soldier who
came back from France. One day this young man'
asked his captain if he might take a ride on one of
the horses in the outfit. He was granted the privi-
lege, took a ride, but returned soon to report that
the horse had fallen over and died, so he wanted
another animal. "All right," said the captain, "but
don't take the middle one in the stable, because if
you do all the rest will fall down."
A letter of sympathy over his inability to attend
the meeting and of good cheer, penned by Frank E.
Morton, was signed by all in the meeting to be
forwarded to James F. Broderick, founder of the"
club, who is ill at his home.
G. L. SHAW'S TRIP.
George L. Shaw, credit manager of the H. C. Bay
Company, 806 Republic Building, Chicago, has just
returned from a trip in the interests of that house
which took h"m through southern Illinois, Tennes-
see and Mississippi. Mr. Shaw found the dealers
eat>er for the trade that is coming to them in the
next few weeks. They are using modern equipment
in the shape of piano loaders down there and are
going after substantial orders from substantial
people.
Otto Schulz, president of the M. Schulz Company,
who was a member of the Federal grand jury, is
now through with his work in that capacity and is
back at his desk.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
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PRESTO
PRESTO
PUBLISHED EVERY SATURDAY AT 407 SOUTH DEAR-
BORN STREET, OLD COLONY BUILDING, CHICAGO, ILL.
C. A. DANIELL and FRANK D. ABBOTT
Editors
Telephones, Local and Long Distance, Harrison 234. Private Phones to all De-
partments. Cable Address (Commercial Cable Co.'s Code), "PRESTO," Chicago.
Entered as second-class matter Jan. 29, 1896, at the Post Office, Chicago, Illinois,
under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign, $4. Payable in advance. No extra
charge in U. S. possessions, Canada, Cuba and Mexico.
Address all communications for the editorial or business departments to PRESTO
PUBLISHING CO., 407 So. Dearborn Street, Chicago, III.
Advertising Rates:—Five dollars per inch (13 ems pica) for single insertions.
Complete schedule of rates for standing cards and special displays will be furnished
on request. The Presto does not sell its editorial space. Payment is not accepted for
articles of descriptive character or other matter appearing in the news columns. Busi-
ness notices will be indicated by the word "advertisement" In accordance with the
Act of August 24, 1912.
Rates for advertising in Presto Year Book Issue and Export Supplements of
Presto will be made known upon application. Presto Year Book and Export issues
have the most extensive circulation of any periodicals devoted to the musical in-
strument trades and industries in all parts of the world, and reach completely and
effectually all the houses handling musical instruments of both the Eastern and West-
ern hemispheres.
Presto Buyers' Guide is the only reliable index to the American Pianos and
Player-Pianos, it analyzes all instruments, classifies them, gives accurate estimates
of their value and contains a directory of their manufacturers.
Items of news and other matter of general interest to the music trades are in-
vited and when accepted will be paid for. All communications should be addressed to
Presto Publishing Co., 407 So. Dearborn Street, Chicago, III.
SATURDAY, OCTOBER 9, 1920.
TO CORRESPONDENTS.
PRESTO IS ALWAYS GLAD TO RECEIVE NEWS OF THE
TRADE—ALL KINDS OF NEWS EXCEPT PERSONAL SLANDER
AND STORIES OF PETTY MISDEEDS BY INDIVIDUALS. PRESTO
WILL PRINT THE NAMES OF CORRESPONDENTS WHO SEND IN
"GOOD STUFF" OR ARE ON THE REGULAR STAFF. DON'T SEND
ANY PRETTY SKETCHES, LITERARY ARTICLES OR "PEN-PIC-
TURES." JUST PLAIN NEWS ABOUT THE TRADE—NOT ABOUT
CONCERTS OR AMATEUR MUSICAL ENTERTAINMENTS, BUT
ABOUT THE MEN WHO MAKE MUSICAL INSTRUMENTS AND
THOSE WHO SELL THEM. REPORTS OF NEW STORES AND
THE MEN WHO MAKE RECORDS AS SALESMEN ARE GOOD. OF-
TEN THE PIANO SALESMEN ARE THE BEST-CORRESPONDENTS
BECAUSE THEY KNOW WHAT THEY LIKE TO READ AND HAVE
THE OPPORTUNITIES FOR FINDING OUT WHAT IS "DOING" IN
THE TRADE IN THEIR VICINITY. SEND IN THE N E W S -
ALL YOU CAN GET OF IT—E&PECIALLY ABOUT YOUR OWN
BUSINESS.
A STURDY VETERAN
The story of one of the real pioneers in the piano trade, which
appears on another page this week, will interest every member of the
trade. It will be especially interesting to that large share of retailers
who have, for fifty years or more, been looking to the houses estab-
lished by Mr. H. L. Story for their supplies. And to most of those
who did business with the old houses of Story & Camp, and later the
Story & Clark Co., in its earlier organization, it will not be easy to
realize that Mr. Story is within fifteen years of the century mark.
There is a suggestion of youth and vigor about the name that seems
to deny the 85 years of the founder of the house, and perhaps that is
because of the activities of the sons who so readily and competently
assumed the responsibilities and carried the old house to its present
day place with increasing vitality.
As with other staunch old houses the one founded by Hampton
L. Story in Chicago in 1867 has proved the nestor of a number of
other influential concerns. To name the successful offshoots of Story
& Camp and Story & Clark would be to mention some of the most
successful manufacturers and merchants in the piano business. And
it would give emphasis to the remarkable physical vigor of Mr. Story,
in the fact that he survives the majority of younger men who joined
him,, shared his success and have passed from the scene. Perhaps it
is Mr. Story's philosophy of life, and how to enjoy it, that has kept
him in vigorous health. He has never wholly suspended his responsi-
bilities and he has been ready at all times to extend counsel, and the
advantages of his experience, to his younger associates. Furthermore,
he has also the rare power referred to by Cowper of "doing nothing
with a deal of skill," because in doing nothing he is not slothful but
filled with the ideals of things to be done at his discretion.
There is historical music trade data in the story of Mr. Story's
career which possesses permanent interest to every reader of Presto.
And there are, of course, many incidents in the gentleman's long asso-
ciation with the piano-trade which can not be told in a brief sketch.
But there is inspiration for every beginner in the trade in the life
October 9, 1920.
of a leader who began in a Vermont town music store, on a salary of
$50 a month, teaching school "on the side" for the purpose of saving
money enough to buy out his employer, and then branching out as
a piano manufacturer ten years later. In five years more we see Mr.
Story leaving Burlington, Vt., for Chicago to take up the agency for
the Estey organs in the Western states. After a year more he took
the late I. N. Camp for a business partner and soon the firm of Story
& Camp had branch stores in other cities. In 1884 another change
was made and the late Melville Clark came into the business which
became that of Story & Clark with the elder son of the founder, Mr.
Edward H. Story, at its head. From that time forward the career of
the house is modern history.
As the company's vice-president and "sclent partner," the
veteran founder continues to sustain his interest in the business and
gives his encouragement to every onward move of his younger son,
Mr. Frank F. Story, who has followed his father and his brother in
the guidance of the old Chicago house.
Presto joins with numberless other friends of Mr. Hampton L.
Story in the wish that he may continue many years more in the
enjoyment of what Milton sings of as "retired leisure that in trim
gardens takes his pleasure."
A BELATED IMPROVEMENT
Shakespeare somewhere advises us to "dull not device by cold-
ness and delay." It is not easy to apply that admonition to the piano.
But it sometimes happens that delay in the discovery of some device
pertaining to the purposes of the piano seems to largely lessen fruits
of attainment. An illustration is afforded in the new and very
ingenious "Junior unfolding pedal" with which Lyon & Healy pianos
are now equipped. The announcement is so interesting as to justify
divergence of a Presto rule so far as to permit of the reproduction
of part of an advertisement in these columns, as follows:
If piano teachers will make it known that children should begin the study
of the piano early, and that pedaling should be taught at the very first lesson,
there soon will be a great gain in musical art.
The Junior Unfolding Piano Pedal makes it possible for the littlest child
to control the pedal as securely as a master. The Junior Pedal simply unfolds
—up and out.
Piano men will need no diagram to explain the simple operation
of the unfolding pedal. It "unfolds" at the outer end, to create the
elevated rest for the child's feet, the inverted toe protection affording
the flat surface for pedal pressure purposes. The idea is, like most
such inventions, so obvious that the wonder is that it was not thought
of long ago. And it is perfectly practicable, the only reason why its
approval may not be great being that the player-piano may have
largely cut down the percentage of children who study the piano.
Had this Lyon & Healy unfolding pedal come into notice
twenty-five or more years ago it would have been alone sufficient to
popularize the piano that controlled it. There have been scores of
devices designed to bring the pedals within easy reach of the little
feet. Some of the devices have been so complicated as to require
special instructions for their application. They have borne names as
hard to commit to mind and to comprehend as some of the titles of
modern player-pianos. And they have cost their inventors, or pro-
moters, small fortunes on their way to failure.
Some of us can remember the childhood days when we mounted
piles of heavy music books, placed upon the chair seat, that we might
reach the keyboard for the exercise of our Czrney and Diabelli. Of
course, the pedal was then a very remote impossibility. The twin bits
of metal glistened far beneath the small feet and, indeed, we were
warned that pedals were not for children's use. That made the small
sufferer in music's toils the more eager to push down upon the secret
of the "loud" noises and to drown the melody in a sea of inharmoni-
ous mixtures of tonics and subdominants. But later the music teach-
ers became more human and realized that, if the youthful ear was
ever to appreciate the gradations of tone and to manipulate the
sources of its creation, the pedal should also have some share in the
performance.
And then came the devices for lifting the pedals
within reach of the little toes.
It often happens that help comes too late. This does not apply
in any full sense to the Lyon & Healy unfolding pedals. They present
the first really sensible extension pedal device that has been offered
in the piano. And, without doubt, the fact that the unfolding pedal
is introduced by a house of standing and applied to Lyon & Healy
pianos, will insure their acceptance in professional circles. We only
wish that the "Unfolding Piano Pedal" could have appeared years
ago—about the time Louis Staab, Wm. Ludden, Fred Root, H. R.
Palmer, W. B. S. Matthews, and the rest, were giving lessons in
Chicago and making Lyon & Healy's their headquarters. President
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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