Presto

Issue: 1920 1783

PRESTO
PRESTO
PUBLISHED EVERY SATURDAY AT 407 SOUTH DEAR-
BORN STREET, OLD COLONY BUILDING, CHICAGO, ILL.
C. A. D A N I E L L and F R A N K D. ABBOTT
Editors
Telephones, Local and Long Distance, Harrison 234. Private Phones to all De-
partments. Cable Address (Commercial Cable Co.'s Code), " P R E S T O , " Chicago.
Entered as second-class matter Jan. 29, 1896, at the Post Office, Chicago, Illinois,
under Act of March 3, 1879.
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charge in U. S. possessions, Canada, Cuba and Mexico.
Address all communications for the editorial or business departments to PRESTO
PUBLISHING CO., 407'So. Dearborn Street, Chicago, III."
Advertising Rates:—Five dollars per inch (13 ems pica) for single insertions.
Complete schedule of rates for standing cards and special displays will be furnished
on request. The Presto does not sell its editorial space. Payment Is not accepted for
articles of descriptive character or other matter appearing in the news columns. Busi-
ness notices will be indicated by the word "advertisement" In accordance with the
Act of August 24, 1912.
Rates for advertising in Presto Year Book Issue and Export Supplements of
Presto will be made known upon application. Presto Year Book and Export issues
have the most extensive circulation of any periodicals devoted to the musical in-
strument trades and industries in all parts of the world, and reach completely and
effectually all the houses handling musical instruments of both the Eastern and West-
ern hemispheres.
Presto Buyers' Guide is the only reliable index to the American Pianos and
Player-Pianos, it analyzes all instruments, classifies them, gives accurate estimates
of their value and contains a directory of their manufacturers.
Items of news and other matter of general interest to the music trades are in-
vited and when accepted will be paid for. All communications should be addressed to
Presto Publishing Co., 407 So. Dearborn Street, Chicago, III.
SATURDAY, S E P T E M B E R 25, 1920.
TO CORRESPONDENTS.
PRESTO IS ALWAYS GLAD XD RECEIVE NEWS OF THE
TRADE—ALL KINDS OF NEWS EXCEPT PERSONAL SLANDER
AND STORIES OF PETTY MISDEEDS BY INDIVIDUALS. PRESTO
WILL PRINT THE NAMES OF CORRESPONDENTS WHO SEND IN
"GOOD STUFF" OR ARE ON THE REGULAR STAFF. DON'T SEND
ANY PRETTY SKETCHES, LITERARY ARTICLES OR "PEN-PIC-
TURES." JUST PLAIN NEWS ABOUT THE TRADE—NOT ABOUT
CONCERTS OR AMATEUR MUSICAL ENTERTAINMENTS, BUT
ABOUT THE MEN WHO MAKE MUSICAL INSTRUMENTS AND
THOSE WHO SELL THEM. REPORTS OF NEW STORES AND
THE MEN WHO MAKE RECORDS AS SALESMEN ARE GOOD. OF-
TEN THE PIANO SALESMEN ARE THE BEST CORRESPONDENTS
BECAUSE THEY KNOW WHAT THEY LIKE TO READ AND HAVE
THE OPPORTUNITIES FOR FINDING OUT WHAT IS "DOING" IN
THE TRADE IN THEIR VICINITY. SEND IN THE N E W S -
ALL YOU CAN GET OF IT—F&PECIALLY ABOUT YOUR OWN
BUSINESS.
GOOD ADVICE
An advertisement of the Hallet & Davis Piano Co., in this paper
last week, urged the retail dealers to "Get a Few Ahead," adding that
"all indications point to greatly increased difficulties in shipments,
and restricted production this fall." We believe that was good advice,
and any piano dealer who lacks the good sense to take advantage of
it can not hope to make a great success of his business. Perhaps it is
natural for most retailers to fancy that advice of that kind from the
manufacturers may contain a degree of self interest on the part of
the advertiser. Certainly. Advertising that could be wholly indif-
ferent to substantial results would be either wholly altruistic or
foolish. But when common sense is behind the substantial purpose in
a piano advertisement, the degree of self-interest is at least mutual,
and the dealer is as liable to be benefited as the advertiser, or more so.
The advice of the Hallet & Davis Piano Co. was not new. It was
the same that has been urged by this paper, and by other trade papers,
as well as by other piano manufacturers, ever since the shortage of
supplies made it almost certain that the merchants were in line for
serious disappointments when the fall and winter trade sets in. For
there are not enough pianos in sight to fill the demands which will
come for the Holiday trade alone. There are not pianos enough due
to issue from the shipping rooms before Christmas to take care of the
demands of the large centers of trade alone. If every piano factory
produces its capacity, without interruption, and with no delays be-
cause of lacking supplies, the total output will not satisfy the urgent
calls of the dealers between November 1st and the opening of the
new year.
Anyone who has interviewed the New York piano action manu-
facturers within the last thirty days must know that in that abso-
lutely essential feature of the piano there is an unwillingness to make
promises, or even to accept orders, that presages disappointment to
any dilatory or negligent dealers. And dealers of that kind will de-
serve the losses to which their lack of foresight will lead them. It is
easy enough for any piano dealer to count his stock. If he has been
September 25, 1920.
selling any instruments at all during the past, nine months—and he
has unless he has been asleep—he may figure upon doubling his
deliveries from this time forward. If he has twice as many pianos
coming, because he has arranged to that effect with his source of sup-
plies, he may rest fairly easy. He may run a little short, but if he
holds his prices where they belong he will end the year with a good
profit balance. If, on the other hand, he has no assurance that his
stock will be repleted, there is disappointment and loss ahead. And
that is as certain as that he must pay store rent and feed his family
flock.
No piano merchant has yet devised a way for selling pianos at a
profit unless he can get the pianos to deliver. And no piano manu-
facturer has yet been found who can ship more pianos than he can
make. Theoretically there have been miracles of that kind. But they
have never left any real money in the bank. So that the advice of the
Hallet & Davis Piano Co., that dealers get in their orders early, is a
good one. It beats guessing, or taking chances, by every way from
the center. And it is the only advice that can insure to the dealers
who accept it against the spectacle of empty stores, disgruntled cus-
tomers and loaded trucks, from rival dealers, headed for the homes of
people with whom they had themselves expected to do business.
PROBLEMS IN PUBLICITY
A large printing house makes the unqualified statement that "our
government loses over twelve thousand dollars a year on every full
page advertisement in the Saturday Evening Post." Just what sta-
tistical information the charge is based upon we do not know, but if
true it seems serious. If Uncle Sam loses so much on every page,
how much does the advertiser lose who pays $7,000 for each inser-
tion? Or does the printing house mean that each page costs Uncle
Sam the small fortune irrespective of how much it may make for the
advertiser?
Probably there has never been a printed page that has created
as much discussion and debate as the advertising page of the Satur-
day Evening Post. It is generally understood that the rules of the
Philadelphia story paper preclude the possibility of advertising in it
at all unless the investment approaches in size a little in excess of
$90,000. In other words, the Philadelphia publication must have
thirteen pages, at $7,000 per, or none at all. It works a hardship on
ambitious advertisers who believe that to be successful it is neces-
sary to follow the crowd, and the crowd just now uses the Saturday
Evening Post without much thought of its fitness as a medium of
special publicity. It is, enough that a popular fiction—or possibly
fact—fixes the circulation of the paper at approximately two million
copies every week.
Of course, if a paper containing nearly two hundred pages is
sold for 5 cents it is being practically given away so far as the pub-
lisher's returns from that source are concerned. Thus the expense to
the publishers would be nearly four times the selling price, and that
kind of circulation would soon ruin a multi-millionaire were it not for
—and here comes the secret—the advertising. And the two million
circulation of the Philadelphia paper must be paid for by the $7,000
a page advertising. That is clear enough. And so the material value
of the paper may be considered as a big premium to its buyers. In
other words it is a "bargain."
There is probably no other publication that could create an ex-
pense for Uncle Sam—in the measure charged by the big printing
house—and "get away with it." The average publication could not
offer a "premium" representing a value beyond its advertised price
and escape the post office penalty of being thrown out of the mails.
Nor could any other publication demand $7,000 a page for the space
so nearly given away to the public by the Philadelphia paper. And
this may seem strange when it is considered that the paper that
creates a void of $12,000 a year, per page, to Uncle Sam's treasury
is not an educational, industrial or scientific publication. It is chiefly
a picture paper devoted to fiction and "fine writing." It entertains,
but it doesn't specially promote any line of trade, nor give encour-
agement to any particular industry. But it enjoys special privilege
and it is just now a sort of advertising fad.
The claim of two million circulation of the Post may be a truth-
ful one. And if true it presents a remarkable case of the efficiency of
modern printing machinery. For to put forth so vast an issue every
week must demand resources beyond the dream of Ben Franklin or
any of his successors during the past one hundred years.
It is noticeable that several musical instrument industries have
made use of the Saturday Evening Post during the past few years.
It is a good sign, for it shows that at last the musical instrument
industry has grown out of the day of small things in advertising, as
elsewhere. And probably none of the piano advertisers who employ
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
5
September 25, 1920.
the Philadelphia paper expect to realize immediately upon their in-
vestment. It has been estimated that, considering the class of Satur-
day Evening Post advertisers, not to exceed one per cent of its read-
ers are liable to be piano prospects. And not a shade of that propor-
tion are likely to be influenced by the page displays to the extent of
becoming buyers. But, even so, there will be none to dispute the
wisdom of the piano advertiser, who can afford it, if he goes even
as far as the thirteen pages. For advertising is never lost in the last-
ing influence of a good piano.
Of course in contrast with the effect of good trade paper adver-
tising, we can not "see" the cost of the two million circulation. The
trade paper has no circulation to show to advertisers who regard
quantity as the "whole thing." It has a circulation that is 100 per cent
good for any piano that is worth advertising at all. But the relatively
small circulation of the trade paper, if analyzed carefully, will be
found to exceed in investment alone that of the broadcast distribution
The two million circulation readers are a good share of the piano
owners. They are not live prospects. The ten per cent of pianoless
circulation represents 200,000 of the possibly interested kind—a
large estimate. The one per cent of reasonable sales leaves a thou-
sand buyers, if conditions are favorable and there is no knock to in-
tervene between the individual prospect and the piano advertised, and
if the advertisement happens to be a good one. That would mean,
by a vague hypothesis, a possible thousand sales for a $91,000 in-
vestment. But that isn't,the purpose of that kind of advertising. It
is chiefly designed to spread broadcast the name and fame of the
piano advertised. It- is to win the dealer through the public, and to
woo the public through the dealer. And, without doubt, if the adver-
tiser is financially equipped the advertising is good as an investment.
But the trade paper with a very modest circulation, in compari-
son, is a better investment. It affords a 100 per cent investment,
and its results are cumulative. A trade paper appeal to 5,000 active
dealers means more than a printed introduction to two hundred thou-
sand more or less indifferent readers. It means that every dealer who
responds, and becomes a representative of the instrument advertised,
becomes a flesh and blood publicity agent for the piano. He and his
salesmen become advertisers, not to a hetrogeneous lot of people,
but to the special class who want pianos—whether they know it or
not—and will eventually buy them. One such trade paper convert—
MEET BY CHANCE IN
CATSKILL MOUNTAINS
Impromptu Gathering of People of the Piano
at Beautiful Kendall Place in the High
Altitudes of New York State.
one live dealer more to the advertised piano—is of greater value to
the manufacturer than all the results of the advertising pages which,
according to the printing house whose circular suggested this article,
costs the government $12,000 a year and the advertisers $7,000 for
each insertion. It's a pretty problem and one that has never been
figured out with accuracy—perhaps because it can not be.
In Minneapolis there flourishes a jobber and manufacturer who
designates the instrument as the "self-player piano." Why not drop
the "piano" and call it the "self player" and let the world get used
to it that way?
*H
•$*
*&
A New York financier says that the flow tide in trade has reached
the limit and that the ebb will be due early next year. And things
will then settle back to normal and everything but the profiteers
will be perfectly happy.
sS
*
*
There is a good line in the artistic advertisement of The Cable
Company, on another page this week. "Piano Selling Time Is Here"
is the line. And the only way to take advantage of piano selling time
is to have the pianos to sell. Place your orders now.
•i*
*i*
*P
A new opportunity for the trade seems to open up in the an-
nouncement of the Rex Piano Mfg. Co. in this issue of Presto. The
Rex line is a long one and the ambition of the industry is in keeping.
Opportunities are what the trade is reaching for just now.
* * *
A genius in San Francisco is making a business of giving advice
to prospective buyers of player-pianos. He delivers his expert counsel
to all who are in doubt, and makes his charge in proportion to the
price paid for the instrument. Something new every minute.
* * *
If a piano dealer can sell three instruments a week and has a
dozen in stock, he can do business for a full month and then stop
unless he has provided for new supplies. If he hasn't so provided,
what will he do when his dozen are gone? The warning of the Hallet
& Davis Piano Co. to "Get A Few Ahead" seems peculiarly wise just
now.
facturer, New York, and Mrs. Courtade and their
son, the latter, however, visiting here, but not guests
of the Kendall Place.
The reason for the chance assembly is that all
were seeking relaxation from arduous and perplex-
ing duties necessarily consequent to conditions ex-
isting in the piano industry during the past years,
and it appears that all were looking toward the same
"place," i. e., "The Kendall Place," at Stamford,
a pretty village on the western slope of the Catskill
Mountains, and a "place" where hospitality, good
"eats" and "nature beautiful" abound.
Of the latter I am sending you a few photos,
which but faintly show the rare beauties of this
beauty spot within easy reach of the noisy, crush-
ing city to which 1 expect to return before the first
of October. Sincerely,
WILLIAM TONK.
NEW OFFICERS OF
NEW ENGLAND ASSN.
George R. Mance of Chickering & Sons,
President of Body Which Met in
Boston Last Week.
The new officers of the New England Music
Trade Association, the reorganized association of
which the entire music interests of new England are
included, are: President, George R. Mance of
Chickering & Sons; first vice-president, Frank S.
Horning; second vice-president, W. S. Nutting of
Nashua, N. H.; secretary and treasurer, William F.
Merrill.
The elections took place at the convention in the
PERSONAL NOTES.
Adams House, Boston, last week. It was very
Earl Achenbach, advertising manager of the representative of the music interests of New Eng-
Packard Piano Company, Fort Wayne, Ind., was in land. For thirty years the Boston Music Trade
Chicago on Saturday of last week and made his Association confined itself largely to local mem-
headquarters at the Chicago Packard offices.
bership. But last Fall, at a meeting held at Young's
J. P. Seeburg, president of two Chicago piano Hotel, the organization was expanded to include
industries, recently returned from New York where piano manufacturers, and dealers, talking machine
he went to meet Mrs. Seeburg upon her return from dealers, music publishers and small instrument deal-
Europe.
ers, and others connected in any way with the music
Gordon Laughead will attend the banquet to be trade, throughout New England. This meeting last
given Geo. Pound at Marion, Indiana, on Wednes- week was the first activity of the new organization.
day, September 22nd, by the music dealers of
The general committee in charge of the conven-
Indiana.
tion includes George R. Mance of Chickering &
Sons, Alva W. Poole of the Poole Piano Company,
W. W. Radcliffe of the Hallet & Davis Company,
TOWN BACK OF HIM.
J. T. Sayward of the M. Steinert & Sons Company,
KENDALL, PLACE
Everybody in Centralia, 111., is taking a per- E. A. Cressey of the C. C Harvey Company and
Stamford-In-the-Catskills
sonal interest in Carl Dale, a youthful composer of D. D. Luxton of the Vose & Sons Piano Company.
that place who has just published a song called
but it is seldom an assembly of a number of persons, "Longing
for You." A singer in a vaudeville show
all engaged in the same industry happens by chance there
BUSY WISCONSIN INDUSTRY.
featuring the song with decided advantages
or coincidence. Such a gathering made up a group to the is box
Conrad Kreiter, president of the big Milwaukee
office
receipts.
Mr.
Dale's
loyal
fellow
at Kendall Place, Stamford-In-the-Catskills, New citizens fill the seats and lustfully demand repeated and Marinenette, Wis., was in Chicago on Wednes-
York, last week. The group consisted of Albert encores
day and, in a talk with a Presto representative, said
every performance.
Behning, secretary-treasurer of the New York Piano
that his industry had never before displayed such
Manufacturers' Association, and Mrs. Behning;
activity as at the present time. The factory at Mari-
WEEKLY MUSIC PAGE GROWING.
A. V. W. Setley, secretary Estey Piano Co., and
nette is going full tilt and the orders have come
Mrs. Setley; J. W. Ackerly, piano dealer of
The Walla Walla, Wash., Union is the latest news- in faster than they could be filled. Very few of the
Patchogue, L. I., and Mrs. Ackerly; Mrs. Ralph paper to adopt a weekly popular interest music piano manufacturers have built up so successful an
Janney, wife of Ralph Janney, of Janney & Bow- page. Early in the summer the Clark Music Com- industry, within the same space of time, as Mr.
man, Inc., piano dealers, Detroit, Mich., and William pany, of Walla Walla, got in touch with the Bureau Kreiter. He says also that his phonograph and
Tonk, of William Tonk & Bro., Inc., New York. in regard to a music page and withitsco-operation piano bench departments are filling orders as fast
Besides these were Jos. Courtade, piano case manu- succeeded in selling the idea to the unions.
as the factory can finish the goods.
Stamford-In-the Catskills, N. Y., Sept. 17, 1920.
Editor Presto:—Periodically we learn of a Con-
gress of Piano men, or of men in other industrial
pursuits, the meetings of which are prearranged;
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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