Presto

Issue: 1920 1775

PRESTO
PRESTO
PUBLISHED EVERY SATURDAY AT 407 SOUTH DEAR-
BORN STREET, OLD COLONY BUILDING, CHICAGO, ILL.
C. A. DANIELL and FRANK D. ABBOTT
Editors
Telephones, Local and Long Distance, Harrison 234. Private Phones to all De-
partments. Cable Address (Commercial Cable Co.'s Code), " P R E S T O , " Chicago.
Entered as second-class matter Jan. 29, 1896, at the Post Office,
:
under Act of March 3, 1879.
Chicago, Illinois,
Subscription, $2 a year; 6 months, $1; Foreign, $4. Payable in advance. No extra
charge in U. S. possessions, Canada, Cuba and Mexico.
Address all communications for the editorial or business departments to PRESTO
PUBLISHING CO., 407 So. Dearborn Street, Chicago, III.
Advertising Rates:—Five dollars per inch (13 ems pica) for single insertions.
Complete schedule of rates for standing cards and special displays will be furnished
on request. The Presto does not sell its editorial space. Payment is not accepted for
articles of descriptive character or other matter appearing in the news columns. Busi-
ness notices will be indicated by the word "advertisement" In accordance with the
Act of August 24, 1912.
Rates for advertising in Presto Year Book Issue and Export Supplements of
Presto will be made known upon application. Presto Year Book and Export issues
have the most extensive circulation of any periodicals devoted to the musical in-
strument trades and Industries in all parts of the world, and reach completely and
effectually all the houses handling musical instruments of both the Eastern and West-
ern hemispheres.
Presto Buyers' Guide is the only reliable index to the American Pianos and
Player-Pianos, it analyzes all instruments, classifies them, gives accurate estimates
of their value and contains a directory of their manufacturers.
Items of news and other matter of general interest to the music trades are in-
vited and when accepted will be paid for. All communications should be addressed to
Presto Publishing Co., 407 So. Dearborn Street, Chicago, III.
July 31, 1920.
what Mr. Murray's letter means. That is why others in the trade
are beginning to ask for longer terms and more liberal "support"
by the manufacturers.
It is easy for the retailer to make demands upon the source of
his supplies. But it is hard for the manufacturers to comply, espe-
cially when in addition to the call for easy terms there comes a
cry for lower prices. The manufacturers cannot demand that the
supply industries sell their raw or finished materials at figures any
lower than conditions justify. The law of competition still survives.
But no supply industry has command of nature's resources, nor
can any manufacturer of either supplies or finished pianos command
a change in the scale of high wages.
Things have changed since Mr. Murray and all the other deal-
ers could buy pianos at prices and on terms familiar enough six
years and less ago, but wholly impossible today. The retailer has
the best of the situation still. He can sell his pianos at a good profit
—as good as ever. But the manufacturer must figure closely if he
is to pay the first cost of his materials, the increased "overhead"
and the higher wages and still keep his original capital intact.
Presto certainly is working in the interests of the dealers, and
we know what their troubles are. This is one reason why we ad-
vise against such demands as Mr. Murray gives voice to. The only
way is to co-operate with the manufacturer, study the situation
from his standpoint as well as from your own, and, by treating the
public fairly and intelligently, make more money on the high-price
selling plans than was ever possible on the no-bottom price, endless
payment plan of the days gone by, we hope, forever.
SATURDAY, JULY 31, 1920.
TO CORRESPONDENTS.
PRESTO IS ALWAYS GLAD TO RECEIVE NEWS OF THE
TRADE—ALL KINDS OF NEWS EXCEPT PERSONAL SLANDER
AND STORIES OF PETTY MISDEEDS BY INDIVIDUALS. PRESTO
WILL PRINT THE NAMES OF CORRESPONDENTS WHO SEND IN
"GOOD STUFF" OR ARE ON THE REGULAR STAFF. DON'T SEND
ANY PRETTY SKETCHES, LITERARY ARTICLES OR "PEN-PIC-
TURES." JUST PLAIN NEWS ABOUT THE TRADE—NOT ABOUT
CONCERTS OR AMATEUR MUSICAL ENTERTAINMENTS, BUT
ABOUT THE "MEN WHO MAKE MUSICAL INSTRUMENTS AND
THOSE WHO SELL THEM. REPORTS OF NEW STORES AND
THE MEN WHO MAKE RECORDS AS SALESMEN ARE GOOD. OF-
TEN THE PIANO SALESMEN ARE THE BEST CORRESPONDENTS
BECAUSE THEY KNOW WHAT THEY LIKE TO READ AND HAVE
THE OPPORTUNITIES FOR FINDING OUT WHAT IS "DOING" IN
THE TRADE IN THEIR VICINITY. SEND IN THE N E W S -
ALL YOU CAN GET OF IT—ESPECIALLY ABOUT YOUR OWN
BUSINESS.
THE RETAILER'S PROBLEMS
An established piano merchant, in a great city of the West, writes
to Presto in complaint of the methods of the manufacturers and
their prices. This letter appears in the "Where Doubts Are Dis-
pelled" columns this week, and its writer is Mr. Thomas J. Mur-
ray, of Denver.
Evidently Mr. Murray would like to have things in the trade
turn back ;lgain to the time when the piano manufacturers sent
travelers out to find lodging places for their instruments wherever
they might, and on any terms possible, however ruinous to them-
selves. I t was a preposterous condition. It began with four months'
credit to the retailer; then came the privilege of one renewal of
the note settlement; then followed the renewal of the renewal. It
was but a step to the consignment plan, by which the dealer paid
when he made a sale—or almost any other time he could, or even
thought he wanted to or had to.
There came the time when the manufacturers began to realize
that the local banks were not strong enough to carry all the install-
ment paper there was, and a change seemed desirable. The change
came in the one-year's sale, note settlements, which was in time
stretched to two years and finally to three years. That seemed
the limit and troubles piled so high that even the greatest of the
piano industries began to haul in their long-drawn-out terms of
settlement.
And then came the cataclysm, which changed every process in the
industrial and commercial world. Pianos were not so easy to get and
the dealers found that their customers had money with which to pay
for whatever instruments it was possible to deliver. Almost sud-
denly the piano became an article of cash business. The manufac-
turers stiffened, their terms and the retailer had to follow suit. The
business prospered as never before within the memory of the vet-
erans. Of course, as the world rolls around again to somewhere
near the starting point, the old-time conditions w^ll return.. That is
THE LIMITLESS LIMIT
Is there no end to the "song wanted" schemes? Must it forever
be a sinless crime to perpetrate the offenses that belittle the "art di-
vine" and bring the makers of popular music into disrepute ? And can
any intelligent member of the music trade believe that the limit has
finally been reached in the limitless pursuit of the dollar with the
"song wanted" as the bait?
Nevertheless it seems to have arrived if it is ever coming, and it
bears the name of the "Universal Classic" and is a small-sized publica-
tion modestly described on the title page as "a magazine of greatest
interest to song writers, publishers and dealers." And the sole contents
is a lot of silly verse, halting and decrepit, the author of which
proposes to sell his inspirations- on some basis of "publication and
promotion offers for all or part rights."
When Mr. Theodore R. Lyons was engaged in his expose of the
song-wanted finds he let more light in upon the scheme than has ever
been shed before or since. And, as a result, there was a considerable
slowing up of the flood of what was termed the "Hit Alley" slop. But
that was several years ago, and Presto's efforts at purification have
been in a sense forgotten.
The principal, perhaps, the only, value of the latest plan of the
song verse genius is, that it presents a fine example of how song
verse should not be written. Mr. Sam Rud Cook, of Rockport, In-
diana, seems not to have discovered that to be successful a song must
present an idea, or possibly two of them, in so simple a manner as to
at once tell the story. And the verses must so nearly sing themselves
that the "composer" finds at once his inspiration. The "classics" pre-
sented by the Indiana gentleman are elongated, and the "choruses"
contain no fewer than from twelve to fifteen lines of awkward rhym-
ing. Even worse, if possible, there is lack of sane construction and dis-
regard of grammatical expression. See these.lines, as a specimen,
speaking of "Cranberry Sauce":
To the bog cranberry fields I hied
At Cape Cod when the May blossoms bloomed,
And I saw how the peat strength supplied
While the sand kept all weeds so well doomed—
That bugle berries red, tart and fine
Ripened by September fit to dine;
There neat girl I soon found as the boss
And she sang for my hopes this good sauce.
Wouldn't that crinkle you if set to music befitting the "pome"?
And what about this, from the gem entitled "I Want to be a Sailor
Boy":
I'm tired of reading stories,
Of men with names of fame,
I'm tired of dreams of glory,
That to me have never came.
But to show that even the critic may have been, discovered in ad-
vance of publication, here are the concluding lines of the song entitled
"The Strawberry Vote," a tale in verse in which are told the advent-
ures of a "guy" who hired out to some political boss and took a "straw-
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
July 31, 1920.
berry vote." Isn't it a side-splitter? But where all are so fetching it
isn't worth whije, particularizing, and any publisher looking for a for-
tune may have the shop-right complete for a consideration:
,

I hired out to a guy for picking
Strawberries so luscious, fresh and red,
While he runs for office and licking—
The babies, or his foes, berries fed;
Hence I help all I can to him please
And try stay candidate on my knees.
And now that you have had a few samples from the "Universal
Classic," doesn't it seem that censorship is needed in more places than
the moving picture show?
OUR CROWDED CITIES
It would be worse than a mistake to "throttle the press." It
would be a crime to prevent the free speech of the sources of infor-
mation and public opinion. But it would also be a good thing if the
newspapers could realize that their measureless powers are too often
devoted to pulling down instead of building up. And the headliner
of the great daily newspaper exerts an influence beyond almost any
other, not excepting even the great guns of the editorial page. There-
fore it must seem that, in a time when the world is, according to some
of the editors, on the verge of starvation because of the lack of farm
labor, it might be well to curb the headliner who likes to spread the
hurtful census facts all over the front page.
Of late the newspapers have bemoaned the shortage of farm
•helpers. They have wept with the agriculturalist and wailed with the
housewife, because of the advancing prices of potatoes and green
garden stuff in general. The oceans of waving grain wanting the
scythe or harvester, the tasseled corn beckoning in vain for the
husker, and the lowing herd bellowing for the milker, have all had
their share in the agonies of the editorial theoretical farmers.
And what they have said has been largely nullified by the head-
liner who has persisted in telling, in great letters, how the large
towns have been growing at the expense of the little ones. It is
New York has added a million, or Chicago has increased a few hun-
dred thousand, or some other big city has grown to startling propor-
WORK OF THE WEEK
WITH THE ACTIVE DEALERS
Paul Pickerill Music Company, Evansville, Ind.;
capital, $50,000; musical instruments and accessories.
Directors: Galvin D. Pickerill, Charles A. Paul, Van
Pickerill.
The W. B. Hill Music Store, Bowling Green, Ky.,
has been opened.
Reifsnyder & Sons, Lancaster, Pa., have formally
opened the new quarters of the branch in Lebanon,
Pa. The new store in the latter city is at 16 South
Ninth street.
Stephens & Barnes, of Lumberton, N. C, are doing
a good business in all branches of the trade except
sheet music. A sheet music counter would pay.
The Charlotte Music Co., of Charlotte, Mich., is
managed by Mrs. Clifford C. Ward, and is doing a
good business with the Baldwin line.
GREAT DAILY QUOTES PRESTO,
The Kansas City Journal of Monday, July 19.
reprinted the first half of Presto's article, "Why Do
Dealers Withhold Orders?", which appeared on page
23 of Presto July 3. The headline of the reproduced
story in the Journal was "Get Your Coal and Pianos
Early; Long Hard Winter." The great dailies fre-
quently quote from Presto on matters pertaining to
the piano trade and industry, for this paper has
for many years borne the reputation of being an
authority in such things.
PIANO MAN'S WIDOW DIES.
Emma K. Colell, a musician and portrait artist and
widow of Edward Hugo Colell, a well-known Brook-
lyn musician and impresario, died from heart dis-
ease on Wednesday at her home in that city. Old-
timers in the piano trade, especially in the East, will
recall "Ed" Colell, who was for many years manager
of Chickering Hall at Fifth Avenue and Eighteenth
Street, and later of the Wissner Piano Company in
Brooklyn.
SUES WELL-KNOWN PIANO MAN.
Echo of a traffic accident on Oct. 17, 1919, came at
Lima, Ohio, last week when Harry M. Bernstein filed
suit for $5,030 damages from H. P. Maus, the well-
known Lima piano dealer. Mr.' Bernstein was thrown
from a bicycle in collision with Mr. Maus' piano
truck.

tions, while Podunk, and Pretty Corners, and Muldale Valley have
shrunken to almost nothing but mudholes.
That is the sort of newspaper wo_rk that pulls down, even while
it builds up. It builds up the big cities, and fills the movies, and
swells the crowds of loafers who idle away their time watching other
men work; and it pulls down by distracting the ruralists from their
healthful toil, and induces them to follow the crowd to the centers
of civilization—and crime.
And it is right here that the piano industry is doing a greater
thing than it knows. The piano factory in a small town or city is
the best builder of the farm that can be thought of. The piano fac-
tory in a small community builds the town and helps to keep the
surrounding country satisfied, and the workers on the farms willing
to stay there and help.
The piano factory employing a hundred, two hundred or more,
men, becomes the center of an activity that holds the workers in the
farm lands and serves as an object lesson in city industry and what
the toilers are doing there. The piano factory that helps to make a
center of population in the country is the best influence possible.
The cry and crush for big city life is the influence that makes the
farmer's work impossible, and keeps the denizens of the great cities
talking about what is not likely to exist—starvation and prohibitive
prices.
The newspapers can help. They do help. But too often they
help in the wrong direction. The piano factory encourages and pro-
motes the small towns, and the serious industry of the people who
live there, and in the country round about.
A good specimen of instructive advertising is that of the Hallet
& Davis Piano Co., on another page this week. There are historic
facts in it and the interest of those facts reflects special interest
upon the pianos which have survived through the years since John
C. Fremont ran for the presidency.
This is the heart of vacation season and the piano stores and
offices give evidence of the drafts made upon them by the call of
the country and summer resorts. It is reported that New York's
piano rows are quieter than before in years.
PLAYER PIANO WEEK
PLANNED FOR NATION
Promotion Is Expected to Emphasize Import-
ance of These Instruments in the Home
Life of the American People.
A national playerpiano week will be launched in
October if the plans now being formulated by a
newly organized committee are successful.
Letters have been sent out this week to manufac-
turers of playerpianos, actions and music rolls, and
others who may be interested, to get their approval
of the project and ascertain the measure of support
which may be expected.
Through concentrated effort by dealers and manu-
facturers, the accumulative benefit of country-wide
promotion is expected to emphasize the importance
of music in the home life of the American people
and suggest the playerpiano as the ideal musical
instrument for the American home.
This great co-operative effort is expected to focus
the attention of the American public on playerpianos
during the week of the campaign. It will be pro-
moted through trade paper advertising and publicity,
letters from manufacturers to dealers, circulars from
dealers to customers, newspaper advertising, mailing
folders, letters and literature, and window displays
stimulated by a cash prize contest. A special effort
is proposed to build up mailing lists of dealers.
Forms of letters and printed matter will be fur-
nished to dealers for their use. The committee is
made up of the following:
Chairman, R. P. Aldcroftt, president of the Music
Industries Chamber of Commerce; vice-chairman,
E. Paul Hamilton, president of the National Asso-
ciation of Music Merchants; secretary, Max De-
Rochemont, of the Laffargue Co.; treasurer, A. W.
Johnston, treasurer of the Musical Supply Associa-
tion of America; Arthur Conrow, president of the
National Music Roll Association; W. V. Swords, of
the Aeolian Co.; Frank E. Wade, of the Amphion
Co.; E. D. Moore, of the Pratt Read Player Action
Company; Otto Schulz, president of the National
Piano Manufacturers' Association; T. M. Pletcher,
of the Q R S Music Roll Co.; Theodore P. Brown,
of the Simplex Player Action Co.
Publicity: C. L. Dennis, secretary of the National
Association of Music Merchants; H. E. Lawrence,
of the Standard Pneumatic Action Co.
MANY DEALERS CALL AT
CHICAGO ORDERING GOODS
C. F. Heine, piano dealer of Hinckley, 111., was in
Chicago on Wednesday of this week buying goods.
William Paul, of Beecher, 111., the well known
piano dealer, called on Chicago piano manufactur-
ers on Tuesday of this week and placed orders.
Harry Hopkins, of Joliet, 111., piano dealer, was
in Chicago this week placing orders for more goods.
E. W. Strong, piano merchant, of Ottawa, III.,
came to Chicago this week and ordered a fine lot of
playerpianos and pianos.
Hope Allcorn and his partner, Mr. Adams, of the
piano merchants' firm of Adams & Allcorn, Waco,
Texas, were in Chicago a few days this week buying
pianos and playerpianos for their fall trade.
C B. Baker, of the Baker Piano House, Ottumwa,
Iowa, was in Chicago late last week. He purchased
a large amount of pianos and playerpianos.
W. G. Hay, of the Flanner-Hafsoos Piano Com-
pany, Milwaukee, Wis., has spent a week in Chicago
playing golf with his brother, Frank Hay, of Mont-
real, Que.
Fred Lehman, of the Lehman Music House, East
St. Louis, 111., was in Chicago last Friday purchas-
ing instruments.
E. L. Mills, traveler for Bell Brothers' Piano Com-
pany, Muncie, Ind., was in Chicago in the early part
of this week.
AN OLD "DECKER" PIANO.
A piano tuner who called at Presto offices this
week, told of an old piano he had repaired last win-
ter, in a small hamlet in Iowa. "It was a Decker &
Barnes square," he said, "and when I got through
with it you could hardly tell the tone from a modern
small grand." The tuner didn't know that the Decker
& Son industry is the successor to the makers of the
old piano, but he knows it now.
CLARK ORCHESTRA ROLLS.
Presto is frequently asked to recommend some
makers of 65 note rewind electric player rolls. One
of the largest and most complete manufacturers of
these rolls is the Clark Orchestra Roll Co., of De-
Kalb, 111. The industry has just issued the August
Bulletin of Rolls for nearly every automatic instru-
ment, from pipe organ to theater piano.
The piano salesman who can't be uniformly cour-
teous is a failure always.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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