Presto

Issue: 1920 1769

PRESTO
Tune 19, 1920.
manicured mannikin. I make a plea for the genuinely homely human model,
who looks more like the woman who really buys your goods.
How would that kind of advice fit the piano trade? Suppose,
instead of the charming figure and beautiful face before the keyboard,
Mrs. Frederick's model were to posture there. Would the Saturday
Evening Post's pages be as attractive as they now are? And would
the effect upon the public—especially the masculine part of it—be
to attract it to read further?
A homely face before the shining case doesn't seem to present
the psychologic appeal that draws the prospects. Even the real life
and blood artists, who figure largely in the catalogues and display
advertisements, are almost always pretty. At least, if nature has
not been kind, art is called in and any deficiencies are fully atoned
for by means so mysterious that only beauty itself knows how. And,
as if to prevail against all and every possible emergency, there are
advertising men who devise new plans by which to enhance the power
of their copy with no possibility of disappointing the most keen
critic of the beautiful. They employ no lady model at all, whether
pretty or plain.
A good illustration is seen in the Gulbransen baby, the little
toddler fulfilling every possible need of action and suggestion. The
Gulbransen baby has become a national, even international, figure in
matters musical, and especially in connection with player pianos. In
times past the lovely face of Patti served to increase interest in the
Haines Bros, piano, and the lionine locks of Paderewski did the same
duty for the Steinway. Other faces, equally familiar in the world of
art, have done the same for other musical instruments, and in their
influences they do not sustain the proposition as put by Mrs. Fred-
erick at the Indianapolis convention.
Beauty is always a power. It doesn't matter much what the in-
dividual tastes of the reader of the advertisement. If beauty illumines
the text the attention is chained and results are apt to follow. It is
the beauty of the baby associated with the idea of ease and natural-
ness in the instrument's performance that makes the advertising of
the playerpiano so effective. And there have been other good figures
employed by the writers of musical instrument advertisements.
The subject is an interesting one, and it has not been discussed
to a finish, by any means. The expert advertising men are certain
to return to it when they meet again, and few of them will pay much
attention to what was said by the intellectual Mrs. Frederick, which
to the masculine mind may seem to be a bit prejudiced.
STORE EQUIPMENT
It isn't so very long ago when the most thoroughly equipped
house could boast of nothing better for piano delivery than an ordin-
ary "skid," upon which two or three huskies lifted the upright and
dragged it, by main force, to the wagon. Then the instrument was
hoisted, by main strength, into the vehicle bed and, with a man at
each end to steady it, the piano lumbered off to the happy home of its
purchaser.
Before the upright took the place of the old square the awkward
piano was lifted upon a pair of wooden "horses,"the legs and lyre
removed and the torso carried by four men to the wagon. It was an
imposing performance, much like the burial ceremony of a giant.
To-day the delivery of even a concert grand is made easy by
means of modern equipment. And the transportation of an upright
is so simple that it may, in an emergency, be done by one man and a
boy. To-day the well-equipped piano store has ready one or more
of the convenient helpers so cunningly devised that by overcoming
the laws of gravity the heaviest instrument is lifted into the wagon
or tilted by one hand into an easy riding trailer that glides away as
safely and swiftly as the automobile of which it becomes a part. And
in the store the piano is with equal ease placed in position to be
so easily handled that to take it from the wareroom to the means of
transportation is child's play. It is about as easily taken up or down
stairs by the same device.
A very few years ago the thought of so easily handling pianos
would have seemed a dream. No such convenience as the "Findlay
Piano Lifter" had been perfected. And no such safety device and
labor-saver as the "Atwood Loader" had transformed the little Ford
into a speedy and sure means of piano transportation. To-day, with
these two articles of modern piano store equipment, a very consider-
able share of the troubles of former days are eliminated.
To anyone who knows just what are the troubles of the average
piano dealer, it must seem strange that there still exists any store that
is not equipped with the labor-savers to which reference is made, and
others as well. But we know, too, that there are literally thousands
of them. We know it because we frequently receive questions that
PUTTING THE SCREWS ON
point to the fact that even yet the Lifter and the Loader are unknown
by many of the active dealers and salesmen.
Another thing that helps to keep the average "small" piano dealer
back is that he fears the expense, or the investment., That is a child-
ish, even absurd, reason for doing things in ways outgrown. The
cost of all the really useful equipments in the piano business is incon-
siderable when compared with the saving they insure in time, money
and labor. Both the Findlay device and the Atwood Loader are
worth many times their cost as an investment. They bring large
dividends and they soon return their original cost many fold. No
piano dealer who sells even one instrument a week, or a month for
that matter, can afford to do things in the antiquated way. The risk
is too great, to say nothing of the cost in money and muscle. One
piano marred and "mussed" in delivery represents a greater expense
in its repairs and the probable disappointment to the customer, than
the total cost of the best store equipment in existence.
In a cartoon on this page drawn from a sketch by Mr. William
Tonk, head of William Tonk & Bro., Inc., New York, some of the
causes of dissatisfaction felt by piano manufacturers are suggested.
That the effects should evoke poignant protests from the industry is
to be expected. Others have voiced the resentment of the piano man-
ufacturers in the written or spoken word, but it remained for Mr.
Tonk to vividly portray it in a hurried pencil sketch. In a few words
accompanying the sketch the New York manufacturer explained that
the application of the cartoon was to general conditions. He added:
"It must be said, however, that the above cartoon will not fit in all
cases; for there are some 'Royal Princes' (Royal and Loyal) in all
the walks of the piano industry and also among our 'uncles' (the
bankers) whom the manufacturers will never forget."
The greatness of the advertising business is indicated by the reg-
istration at the recent ad-men's convention in Indianapolis. The
number of delegates who registered was 2,811; and there were hun-
dreds of others who did not register. More than 300 towns in the
United States and Canada and other nations were represented in the
official registration.
Note the good housing conditions that prevail near the majority
of the great piano factories of the country. Steinway and Astoria
and Long Island City, near the Steinway plants, are well-built towns.
The Packard factory in Fort Wayne, Ind., is beautifully located in a
section perfectly adapted for happy homes. So is the Starr Piano
Co.'s plant at Richmond, Ind. Good homes for workingmen and
their families are to be found near the Cable-Nelson factory at South
Haven, Mich.; in Steger, 111., near the Steger & Sons works; at De-
Kalb, 111., near the Apollo Piano Co.'s plant, and so on all through ths
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ft
list. The piano manufacturing companies were among the pioneers
in seeing to it that housing facilities were at hand for their workers.
Now, at a later time, municipalities and associations are coming to
the rescue. In another hundred years perhaps governments will pro-
vide houses on easy payments for all families needing them. The
first 175 houses of the 10,000 planned by the Chicago Housing Asso-
ciation are to be dedicated July 4. The 175 houses stand in South
Chicago.
When the bicycles first rolled, in large numbers, down the boule-
vards, piano men said their business would be ruined. It wasn't
hurt at all. When the automobile began to honk honk in the city
streets, the piano men again said that danger was ahead. It wasn't
at all. And when the talking machine began to libel the great artists
and fiddlers, the piano men once more bemoaned the fate of their
avocation. But the talking machine hasn't hurt the piano any, but
rather helped it. It doesn't pay to leave the piano store to hunt
trouble.
* * *
Do you know of any "cost system" that applies with any degree
of accuracy to the piano business? We have had many requests for
one. Every piano manufacturer has his own cost system, which
would not apply to any other factory, and in the retail trade not one
man in a thousand seems to know the meaning of the term. So many
things contribute to the cost of a piano that some of them are over-
looked entirely. Making pianos is different from other industries no
matter how much we proclaim to the contrary. If you know of a
good cost system in the piano business, won't you let us in?
* * *
Take more than one look at the Simplex Player Action Co.'s page
in this issue of Presto. It is an unusual adv. It tells more than some
books on the same subject. The combination of text and illustration
seems peculiarly good in the effect upon the understanding of the
average reader. It is, almost, the player action in one lesson. And
the advice to "show your prospect this device" is good because it will
bring conviction.
Of all the daily newspapers that have been crying about the
waste of white paper and the threatened dearth of it, do you know
of one that has cut its often needless bulk? And in the pleadings of
economy have you noticed that the advertisements are more vocifer-
ous than ever in their invitations to buy, and still buy more? It's a
consistent world, my brethren.
Even the most pronounced foe of the League of Nations can find
no fault with President Wilson's stand on the music question when
he says that "the man who disparages music as a luxury and non-
essential is doing the nation an injury. Music now, more than ever
ANOTHER PIANO INDUSTRY
PASSES INTO HISTORY
Van Dyke Piano Co., Scranton, Pa., Sells Factory
and Is Permanently Out of It.
June 19, 1920.
before, is a present national need. There is no better way to express
patriotism than through music."
Is there any reason why the music business should be divided
into several lines of special effort? The all 'round music store is com-
ing back. The stores where "everything in music" is sold represent
the real thing and we hope to see more of them. Even the phonograph
should be a part of every music store in which event the exclusive
"talking machine shop" could not long be self supporting.
* * *
When the people return to sanity, and the fever of getting more
money without consideration of where and how, things will settle
back to a basis of stability. But as long as the unions continue to make
demands, regardless of the ability of unorganized employers to pay
them, there can be small hope of betterment. If you like to draw
parallels from scripture, read Paul's Epistle to the Phillipians.
ifi
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For the first time in history the sheet music men are displaying
the sort of strength that keeps enterprise really alive. The National
Association of Sheet Music Dealers is really a live organization. The
membership is large and growing. It's because the sheet music men
have chosen men of brains to guide their plans and promotion.
*
-i-
*
True economy rests largely with the safety of investments by
people who have not heretofore had money to invest. The purchase
of a good piano is a good investment at any time. It is doubly good
at this time. People who invest in pianos have something to "show
for their money."
* * -\-
This issue of Presto has two of the best kind of evidences that
piano manufacturers think while they work. Mr. Schulz's article on
the influence of music in factories, and Mr. William Tonk's cartoon,
are of the kind of material this paper likes to print.
* * *
Already report comes that the piano industry in Germany is in
"fairly prosperous condition." Even in the wreckage of all material
things, bordering on despair, musical instruments are among the first
of the essentials to lift their heads and proclaim a new progress.
* * *
With about 15,000 dealers selling pianos, and with a gross pro-
ductiveness of 300,000 instruments a year, how much must the average
piano net the seller at retail? Figure it out and see if you can make
the average price too high.
* * *
Pianos are still too "cheap." They are sold by the retailers at
profits too small to justify the cost of doing business. If you are
selling 100 pianos yearly, what must your profit be on each sale?
HANDSOME STORE AT
POPLAR BLUFF, M0.
After twenty-two years of respectable striving the
Van Dyke Piano Co. of Scranton, Pa., has ceased to
be. The factory, on Capouse avenue, which was
built under the supervision of Joseph Keller, has
been sold for $100,000 to Linden Bros, of Philadel-
phia. When Joseph Keller left Bridgeport, Conn.,
he settled in Scranton and. associated with him a
local capitalist named Van Dyke. The instruments
produced were known as the Keller Bros, and they
were good ones.
Mr. Van Dyke died in 1902 and Mr. Keller soon
thereafter withdrew from the industry, which then
became the Van Dyke Piano Co., controlled by the
estate of the original capitalist, with W. N. Van
Dyke, a son, in charge. But Mr. Van Dyke was not
a piano man in the sense in which the word is usually
used. He didn't progress much and, while the busi-
ness prospered, it was not destined to grow.
The Van Dyke pianos, which succeeded the Keller
Bros., were always good ones and the dealers who
sold them were more than satisfied. They will re-
gret to give them up.
NEW MUSIC HOUSE FOR CHEROKEE.
J. V. Vaughn, of Amorilla, Texas, will open a first
class music house in Cherokee, Okla., in the near
future. Mr. Vaughn is an expert piano tuner and,
together with Mrs. Emmett Vaughn, will conduct
the business. They have located temporarily in the
Overland Sales Co. rooms. All kinds of musical
goods will be received as fast as the freights can
bring them and the new place of business will prob-
ably be ready by the first of July.
Among the enthusiatic representatives of the Jesse
French line of pianos and players is the Barnett
Music Co., of Pine Bluff, Mo. The store is one of
the handsomest and best appointed in that section
of the country, and the success attained by the man-
agement in selling the line from New Castle, lnd.,
has been developing from the time of taking hold
of them.
Accompanying this writing is a good picture of
the interior of the Barnett Music Co.'s establish-
ment. It shows the large stock, constantly kept in-
tact by new arrivals as fast as the warerooms be-
come depicted. It is such stores as this that give
standing to the music houses in the smaller cities,
and the reliability of the Barnett Music Co. makes
the business one of steadily increasing volume.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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