Presto

Issue: 1920 1763

PRESTO
STORY & CLARK
PIANO AND PLAYER
HARDWARE, FELTS ft TOOLS
Ask lor Catalog No. 184
Playerpiano Superexcellence
Phonograph Cabinet Hardware
Aak for Catalog No. 185
Let us quote on your "special" parts—we have
excellent facilities for making all manner of Turn-
ings, Stampings, Small Castings, Wire Goods, Etc.
Made in its entirety
in the Story & Clark
factories
HAMMACHER, SCHLEMMER & CO.
York Sine* 1848
May 8, 1920.
4th Av*. Story & Clark Piano Co.
QUALITY
315 South Wabash Avenue
CHICAGO
in Name and in Fact
TONE, MATERIALS, CONSTRUCTION, WORKMANSHIP,
DESIGN—all in accord with the broadest experience—are the
elements which give character to Bush & Lane Products.
BUSH & LANE PIANOS
BUSH & LANE CECIL IAN PLAYER PIANOS
take high place, therefore, in any comparison of high grade
pianos because of the individuality of character which distin=
guishes them in all essentials of merit and value.
Holland, Mich.
BUSH & LANE PIANO CO.
SMITH & NIXON
We are making these distinctive
leaders as low as any good ones
and
can be produced. We may sur-
prise
you. Investigate and see.
PIANOS
YOU WILL WANT THEM LATER, IF NOT RIGHT
AWAY. SO MAKE YOUR ARRANGEMENTS NOW.
PLAYERS
In the field for 50 yeara
MORRISON-WATERS PIANO CO.
924 McLean Avenue
GOLDSMITH
Offer Opportunities Surpassing All Others for Dealers
who Appreciate Fine Instruments at Fair Prices.
No charge for the name,
Than which few are so well known
GOLDSMITH PIANO CO., 1223-1227 Miller St.,Chicago
Get This Name Clearly in Your Mind
Made by Checkering Brothers, Chicago
THE UPRIGHT WITH GRAND QUALITIES—THE GRAND THAT IS
INCOMPARABLY GREAT.
In Every Community a Few People Appreciate
and Will Pay for The Best.
REPRESENT SOMETHING EXCLUSIVE
CINCINNATI, OHIO
Chase-Hackley Piano Co.
OFFICE AND FACTORY*
South Park Avenue and East 23rd Street,
(ESTABLISHED 1863—THE PIONEER PIANO INDUSTRY OF THE WEST)
KNOWN THE WORLD OVER
MANUFACTURERS OF
S. HOWARD CO
Chase Bros., Hack ley and
Carlisle Pianos
Chase Bros. Player de Luxe
Exceltone Player-Pianos
PIANOS and PLAYERS
Wonderful Tone Quality.
Best Materials and Workmanship.
M a i n O f f i c e s : 4SS East 133rd Street, NEW YORK CITY
us for Catalogues
A FULL LINE OF FIVE LEADERS FOR THE TRADE
Factory and Main Offices:
MUSKEGON. MICHIGAN
CHICAGO
932 Republic Building
State and Adams Sts.
STARR
RICHMOND, VA.
Virginia Power and Railway
Building
PIANOS
Our new designs are models of artistic piano
•onstruetion. More than fifty designs, a
vtyi* for every need at a price for every purse
Dealers find unmatched selling points in tht
•TARR, RICHMOND, TRAYSER and
REMINGTON PLAYER-PIANOS
CHICAGO, ILL.
Kinder & Collins
^£ii?
Piuoi
500414 W. 4tth t
NKWYORK
PLAYER-PIANOS
Correspondence with dealers solicited.
THE STARR PIANO CO.
STARR and RICHMOND GRAND PIANO*
STARR. RICHMOND, TRAYSER and
>fANOS and PLAYER-PIANOS
Factories :
RICHMOND, INDIANA
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
THE PRESTO BUYERS'
GUIDE CLASSIFIES ALL
PIANOS AND PLAYERS
AND THEIR MAKERS
PRESTO
E.tablUhed 18S4 THE AMERICAN MUSIC TRADE WEEKLY
THE PRESTO YEAR BOOK
IS THE ONLY ANNUAL
REVIEW OP
THE MUSIC TRADES
f Cent.; $2.00 a Year
ABE'S EPIGRAMS
Every Man His Own Savior Is a Tonic Doctrine; It Encourages Individuality,
It Is Hostile to Coddling to Officious Interference"—Scribner's
THIRD INSTALMENT.
"He that builds castles in the air, will soon have no land."
The man in business without imagination, is a plodder. He can never hope to
be a leader. He is destined for all time to do the things which he is doing today—
on a slightly larger scale perhaps—but under the direction, nevertheless, of some-
one else.
The man who has led others or who is capable of making a conspicuous suc-
cess along untried lines, must have vision, for vision is to the progressive soul what
a blue print is to an architect. The artist, the musician, the sculptor, the explorer,
the inventor—all are people of vision. They are reaching out and groping to pro-
duce in actual, tangible form, the fabrics of their dreams, for dreams are what
visions are made out of.
But here again we are brought face to face, as we must be repeatedly through
life, with the indisputable truth, that between vice and virtue is a very narrow
margin. You have only to step across a little way too far and you are on the
wrong side of the dividing line.
Vision is a virtue; constant day-dreaming is a vice.
Vision is very necessary, but while you and I are visioning, we must keep our
feet on the ground. That is, we must be able to look ahead and see practical pos-
sibilities. But while we are clarifying our mental vision, it is absolutely necessary
that we keep in touch with everyday mundane affairs; keep an eye on our cash bal-
ance in the bank; never lose sight of our maturing discounts; or be unmindful of
those tilings which we must do to make good business not only possible but inevit-
able for tomorrow.
Just as soon as we become a day-dreamer, though, or one who moons con-
stantly over what might be done without actually doing anything, we lose our grip
on life—our courage, and our initiative. We become intemperate in dreaming and
fear to act.
The day-dreamer weaves beautiful fabrics which can never be touched or seen.
He builds castles which will never shelter a live thing. He scorns what he can do
and lives constantly in the imaginary realm of what he would like to do.
Some years ago, a young man graduated from a well-known university. He
had unusually brilliant business prospects, for he had been left a fortune and it
was ample for a beginning in any line of business which he might choose. He
made high records in all of his studies and proved himeslf unusually capable in sev-
eral executive capacities, and in the actual working out of mechanical and business
details.
His friends and instructors prophesied great things for him, but after his
graduation he went to his home for a vacation, and also to prospect somewhat as to
what he would do and how he would do it. He became obsessed with the thought of
working out a mechanism which would embody the principles of perpetual motion.
(Continued on page 6.)
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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