Presto

Issue: 1920 1758

TO
PRESTO
PUBLISHED EVERY SATURDAY AT 407 SOUTH DEAR-
BORN STREET, OLD COLONY BUILDING, CHICAGO, ILL.
C A. DANIELL and FRANK D. ABBOTT
Editors
Telephones:
Chicago
Tel.
Co.,
Harrison
234;
Auto.
Tel.
Co.,
Automatic
61-70*.
£ £ £ ' * * P h o n «« *° a" Departments. Cable Address (Commercial Cable Co.'* Code),
"PRESTO," Chicago.
iSntered as second-class matter Jan. 29, 1896, at the Post Office, Chicago. Illinois,
*
under Act of March 3, 1879.
Subscription, f2 a year; 6 months, $1; Foreign, $4. Payable In advance. No «xtm
«iia.r*e in U. S. possessions. Canada. Cuba anri Mexico
Address all communications for the editorial or business departments to PRESTO
PUBLISHING CO., Chicago, III.
Advertising Rate*«.Three dollars per inch (13 ems pica) for single insertions.
Bix dollars per inch per month, less twenty-five per cent on yearly contracts. The
Presto does not sell Its editorial space. Payment Is not accepted for articles of de-
scriptive character or other matter appearing In the news columns. Business notices
will be Indicated by the word "advertisement" in accordance with the Act of August
14, 1912.
Rates for advertising in the Year Book issue and Export Supplements of The
Presto will be made known upon application. The Presto Year Book and Export
issues have the most extensive circulation of any periodicals devoted to the musical
Instrument trades and industries in all parts of the world, and reach completely and
effectually all the houses handling musical instruments of both the Eastern and West-
ern hemispheres.
The Presto Buyeis' Guide Is the only reliable index to the American Mustesi
Instruments; it analyzes all Pianos and Player-Pianos, gives accurate estimates m
their values and contains a directory of their manufacturers.
* Items of news, photographs and other matter of general interest to the must*
trades are invited and when accepted will be paid for. Address all communications to
Presto Publishing Co., Chicago, III.
SATURDAY, APRIL 3, 1920.
TO CORRESPONDENTS.
PRESTO IS ALWAYS GLAD TO RECEIVE NEWS OF THE
TRADE—ALL KINDS OF NEWS EXCEPT PERSONAL SLANDER
AND STORIES OF PETTY MISDEEDS BY INDIVIDUALS. PRESTO
WILL PRINT THE NAMES OF CORRESPONDENTS WHO SEND IN
"GOOD STUFF" OR ARE ON THE REGULAR STAFF. DON'T SEND
ANY PRETTY SKETCHES, LITERARY ARTICLES OR "PEN-PIC-
TURES." JUST PLAIN NEWS ABOUT THE TRADE—NOT ABOUT
CONCERTS OR AMATEUR MUSICAL ENTERTAINMENTS, BUT
ABOUT THE MEN WHO MAKE MUSICAL INSTRUMENTS AND
THOSE WHO SELL THEM. REPORTS OF NEW STORES AND
THE MEN WHO MAKE RECORDS AS SALESMEN ARE GOOD. OF-
TEN THE PIANO SALESMEN ARE THE BEST CORRESPONDENTS
BECAUSE THEY KNOW WHAT THEY LIKE TO READ AND HAVE
THE OPPORTUNITIES FOR FINDING OUT WHAT IS "DOING" IN
THE TRADE IN THEIR VICINITY. SEND IN THE N E W S -
ALL YOU CAN GET OF IT—ESPECIALLY ABOUT YOUR OWN
BUSINESS.
TRUTH ABOUT COMPETITION
The spirit of the piano trade associations, national, state and city
inculcates the desire for proper and businesslike methods of doing
business. And that desire is naturally accompanied by one for a
clear understanding of what constitutes the kind of competition that
is to be deprecated and the kind to be encouraged.
Competition is what you might call the personal devil of the
business world. 'Tis there and it isn't there. Boards of grave direct-
ors gather about mahogany tables in sumptuous board rooms and
solemnly lay down policies to meet it. Little merchants whisper
about it to their wives. Every piano sale is more or less influenced
by it.
When the piano traveler takes a train to Customville, the per-
sonal devil, competition, has gone before, rides with him on the same
train or is following him on the next. Every piano dealer spends
some part of the day thinking about scheming against or fighting
competition.
Yet with all this thinking, dodging, scheming and fighting, com-
petition is perhaps the least understood factor in the world of busi-
ness. For in a great number of cases it is imaginary, or, when it
really exists, is often necessary and benign. Competition is a good
deal of the same nature as ghosts. Ghosts never harmed anyone. Any
evil wrought in this connection is due purely to the fear of ghosts.
An astonishing point about much of the competition that often
worries piano men is that the concerns they regard as their most
dangerous competitors are not competing with them at all. And even
when there is competition, it proves, when its real nature is found out,
to be of benefit rather than harm.
Competition becomes a worry when business men forget there
are different grades to any human demand for a commodity and that
the whole volume of demand is developed to the best advantage when
there are numerous concerns in a given field, actively taking care of
April 3, 1920.
existing demands and stimulating more. Such conditions rapidly in-
crease the whole volume of business by teaching the public the value
of the commodity and its uses.
Here is where the piano manufacturer or merchant conjures up
his fear of ghosts: When he closes his eyes to the educational work
being done by others in the field and looks at each sale made by others
as so much potential business that would have come to himself had
there been no interference. When he begins to think of competition
in that way he is reverting to a medieval type.
Monopoly is medieval. Competition is modern and typical of
progressive today. What piano man would like to see the piano
business fashioned after the old craft guilds of the middle ages!
The medieval guilds were organized on the assumption that
demand is like a stagnant pool, incapable of enlargement. Instead of
giving it life by fresh streams, the guilds allowed fishing places on
the bank and limited the number of fish that could be taken by a
tradesman.
SHORTAGE OF HARDWOODS
Every intelligent person who reads about the shortage of hard-
woods realizes that the condition is one among others which naturally
leads to higher prices for commodities made from them. Any shortage
in raw material spells increased prices for manufactured products.
Everybody concerned in the manufacture and retailing of pianos is
concerned in the scarcity of hardwoods. And of course it concerns
the ultimate consumers of the pianos, playerpianos, benches and
cabinets.
This generation is paying for the wastefulness of preceding ones.
We owe a lot to the pioneers but they certainly were too hefty with
the axe when they encounterd a patch of walnut trees. The maraud-
ing railroad-tie maker who ran riot among the white oaks in the
South and Southwest also added dollars to our bills today with every
whack of his tree-felling axe. The supply of native hardwoods is
diminishing, and while there is a movement towards reforestation,
this movement will have to become far more general and in any
event will require a long period of years to become effective.
How the situation in the hardwood market affects the piano and
furniture industries is told in a circular recently sent out by Mr.
William B. Baker, secretary of the Chair Manufacturers' Association
of the United States. "Advances in prices are terrific" wrote Mr.
Baker, who adds: "Not only are the prices paid for lumber today ex-
ceptionally high, but the grades of lumber are of such inferior quality
that the chair factory cuts more lumber to secure a given number of
parts suitable for chairs than was the case two years ago."
The reasoning is not an obvious one, but something very definite.
Products into which hardwoods enter cannot be manufactured at
anywhere near the prices that prevailed even a year ago.
THE NEW PROFESSOR
It has been a good many years now since the newspaper wits em-
ployed the "professor" title as stock in their trade. In those days
every man who wore a plug hat, or sported a long black coat, was
dubbed "professor." The negro minstrels, addressed middle-man,
bones and tambourine by the same familiar title. Finally the colored
chiropodists adopted it, also, and the hard working teacher of music
struggled hopelessly to keep away from it.
That was some time ago. Today we have few "professors" of
music, and you might bawl the word even at a musical convention
without bringing a man to his feet. It is due to the incoming of the
playerpiano—heaven bless that remarkable instrument! And see how
beautifully it is working out the destinies of the art itself.
When a piano dealer asked this paper to suggest a subject for
a short speech at a local association meeting, he was told to study
the advertising of any good piano house. We know that the advice
was accurate, and in a last Sunday's newspaper we have a new proof
of it. It is in this fine sentence in the advertisement of the Steger &
Sons Piano Manufacturing Co.:
Not the ability to play good music, so .much as the ability to understand
and appreciate it, constitutes true musical education.
The proportion of piano dealers and salesmen who are in any
sense pianists is nothing as compared with what it was in the older
days. There was a time when the first requisite was the ability to
"show off" the instrument. And in the mind of the retail piano
buyer the instrument was as often regarded as an object of torture
as a thing of beauty. There are thousands of stiffening fingers today
whose owners can recall what the torment of "practice" meant, and
how the youthful joys were beclouded by thoughts of the coming of
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
April 3, 1920.
PRESTO
the professor. With the girls it was not so bad. They seemed to
take to it better. But, even then, what were the net results? Never
a really fine attainment—in most homes—the piano was a drudge
and the everlasting strumming a nuisance to the innocent neighbors.
Then came the playerpiano and the music rolls, possessing the
power of easy interpretation of the best music. We have read tons
of essays on the advantages of the playerpiano. Already the wonder
is that the world got along so long without it. But of all that we
have read we do not recall anything better, if as good, as Mr. C. E.
Byrne's tribute to the playerpiano in true musical education. There
is digital freedom and pliancy in the five-finger exercises. But there
is very little musical education in them. There is monotony and tor-
ture in Czerny's scales and Diabelli's exercises, but there is no music
in them, and very little musical education.
Suppose that when Balzac floundered in his second love spasm
there had been playerpianos. The great Frenchman had wooed an
English dame by letter, and finally arranged a meeting when the
fair one's husband wasn't looking. Balzac was short and stubby. He
fancied that the lady would prove to be stately and slim. After their
first meeting he wrote back to his mother: "It was a waddle du
Faubourg—a duck and a goose out for an airing." Both were disil-
lusioned and both wore high heels to cause them to seem less dumpy
than they were.
But Madame was of noble blood, and she "loved music" and told
Balzac so with enthusiasm and a pug nose. So he decided quickly
and bought her a pretty little French piano. And then the horror of
it! She couldn't play! Had it only been a playerpiano, with just such
an argument as that of Mr. Byrne to back the lady's protestation!
Still, Balzac's romance outlived the husband and there is no more of
it that fits in right here.
electric lighting plants and waterworks and to develop industries
with the aid of foreign capital. Perhaps they may become rivals in
the production of pianos. Fancy the Chin Chow upright grand from
Canton.
* * *
Plugging is a better qualification than cleverness in the piano
selling business. To call upon so many piano prospects a day will
bring better results than all the irregular sales of a clever man can
amount to; even if the salesman is as clever as the country officer
who received from the chief of police of a distant city six photographs
of a much-sought crook, taken at different angles, and who inside of
24 hours telegraphed that he had arrested five of the men and expected
to have the sixth in custody before nightfall.
* * *
The slogan of the advertiser should be persistency. The tangible
results of advertising follow persistency in the use of the display
page. It is persistency that standardizes a product or a trade-mark.
Persistent advertising by piano manufacturers is an undeniable help
to the salesmen on the road. Persistent advertising of a piano in the
trade papers is to the dealer a guarantee of its merits. Persistent
advertising of a piano by its maker creates confidence in the mind of
the dealer.
* * *
Shortening of payment terms and insistence in collecting bills for
both wholesalers and retailers were advocated by F. C. Letts, of
Chicago, president of the Western and National Wholesale Grocery
Companies, who addressed the Minneapolis Association of Credit
Men March 16, at Minneapolis. The speaker said that tighter money
was in prospect in the larger business centers. From Mr. Letts' ex-
perience his advice might be as good for one trade as another.
w
The office boy problem involves many considerations for the
business man generally. The problem exists in every city and it is
good to see that New York City is considering the interests of the
boys and girls too, the present employers of the juvenile help and
the future of the youngsters in the scheme of things. A new state
law requires all young men and girls of less than eighteen years of
age who have not finished common school education to attend part-
time continuation schools, leaving their employment four to eight
hours a week until they have made up the lost lessoning. The law
was framed from thorough knowledge of the problems confronting
the young folk who are forced by the economic need of their families
to seek employment before their schooling is done. Before they are
eighteen boys will hold maybe fifty different jobs in six months.
Twelve or fifteen jobs in this period is no exceptional case. That
gets right at the heart of the problem. The boys aren't trying to
get anywhere in the busines world. They are becoming drifters, and
they are beginning so young at it that the habit will prove greatly
detrimental to them.
* * *
*
*
The new census will disclose that the population of New York
City is 7,000,000, and at noonday, 8,000,000. It will show that Chi-
cago's population is 2,842,000, and at midday, 3,194,000 or more.
Items in the manufacturing statistics will show that these two cities
make a very large percentage of the pianos and playerpianos of the
world.
* * *
The value of an advertisement is the sum of the business the
advertiser gets from it. And upon the persistency of the advertising
depends the extent of the value received. But this should not be
forgotten. Constant, persistent advertising never fails of results.
The advertiser who keeps eternally at it is the one who reaps the big
rewards.
*
:J:
*
What has become of the piano house-to-house canvasser? His
tribe was numerous up to two or three years ago, but now the
species seems to be extinct. Not so the life-insurance canvasser,
whose calls can be counted upon forever. And life-insurance men
get results by their constant plugging for customers; their example
is worthy of imitation by piano house-to-house men. It has been au-
thoritatively stated that if one could take the assets of the 248 legal
reserve life insurance companies in this country, he could buy out,
capital and surplus, every national bank in the United States; pay off
the national debt of the United States as it stood before our entrance
into the world's war, and then have a little nest egg of $720,000,000.
* * *
We might as well export pianos as macaroni. Surprising as the
figures may seem, the United States leads the world in the manufac-
ture of macaroni, making more of it than Italy, the home of the first
piano. Much of the output in this country is exported to European
countries. The exporting and importing business seems to be very
much of a juggle. It was surprising to learn that, although the United
States is a great sugar producing country, that nearly 6,000,000 pounds
of sugar was imported to this country from London, England, during
the first half of January this year; and that its price averaged about
15 cents a pound.
* * *
In some statistics taken of singers and musicians it was shown
that as a class they are longer-lived than most other people, while
there was not a single case of consumption among the players of
musical instruments. It has long been remarked that piano salesmen
are noted for longevity. It pays to live in the piano trade.
* * *
Arkansas, Mississippi and Tennessee are rich agricultural states
and are taking many of the pianos made in states farther north. The
Southern Alluvial Land Association, of Memphis, estimates the crop
wealth of Arkansas in 1919 at $400,000,000; that of Mississippi at
$400,000,000 also; that of Tennessee at $335,000,000.
* * *
New Castle, Ind., the home of the Jesse French & Sons Piano
Company, according to advance figures from the new census, has
14,458 inhabitants, a gain of 53.1 per cent over the figures of ten
years ago. That's one evidence of what a thriving piano industry can
do for a live community.
* * *
The desire to purchase pianos and playerpianos, accompanied by
the means wherewith to settle for the goods, is still far in excess of
the instruments that can be produced to fill the orders. Every dealer
in the country, it seems, is in need of instruments.
* * *
Some Chileans complain that, instead of consulting the wishes
and peculiarities of the Chilean market, the American seems to sell
only what he has to offer and to impose conditions. What style of
piano do the Chileans warm up to?
The Chinese, says the National Foreign Council, look with great
favor on American goods and would rather trade with us than with
any other nation in the world. They are now anxious to employ their
business abilities in enterprises favoring modern methods, and
throughout the country they have started to establish factories..
Daylight saving was adopted in Maine twelve years ago by
some families at the head of Frenchmen's Bay; so it is nothing new.
Daylight saving is needed to secure greater efficiency and larger pro-
duction in all civilized nations.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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