Presto

Issue: 1920 1753

PRESTO
24
NEW INCORPORATIONS
IN MUSIC GOODS TRADE
New and Old Concerns Secure Charters in Various
Places.
Paramount Song Publishers, New York; publish
sheet music, etc.; $600,000. William F. O'Keefe,
George G. Steigler, E. E. Aberlee, Wilmington.
The Flanner-Hafsoos Piano Company, Milwaukee,
$10,000 concern, dissolved articles.
Radder Vending Machine Co., Seneca Falls, N. Y.,
musical instruments and vending machines, $75,000.
H. Goodnough, H. H. and O. C. Radder, Water-
town.
Monon Veneer Company, New Albany, Ind.;
capital, $50,000. Directors, George B. Lapping, Guy
W. Theis and Robert A. Lapping.
GERMAN EXPERTS METHOD
OF TREATING PIANO SURFACES
Suggestions for Producing Lacquer or Polished
Finish Under Existing Circumstances.
On the treatment of piano surfaces, a correspon-
dent writes to the "Deutsche Instrumentenbau Zei-
tung," saying that the question of brittle and hard
piano boards has become insistent. There can be no
doubt, he says, that the boards in quality and exe-
cution bear no comparison with what we were ac-
customed to in peace time. Some woods prove
quite unsuitable because of the crude gum, which
frequently produces unevenness which can only be
removed by pumice-stone. If this is done, smooth
polishing is to be recommended by means of motor
driven wheels, which however, can only be consid-
ered as preliminary polishing.
For lacquering the following method should be
adopted. The previously stained and cleaned boards
receive a thin formation coat of lacquer which is
made of copal lac with a suitable addition of tur-
pentine oil and chrome yellow. Then it has to be
dried at a temperature of 36° C, when the coating
becomes so hard that it can be filled in. To fill in
use a thin lacquer mastic which is made of fifteen
parts dryer, five parts polishing lacquer and the nec-
essary powdered and cleaned chalk and chrome yel-
low mixture.
Avoid polishing through. Then follow the second
grounding and the second filling in—in the same
way. When this filling in is completely hardened
and polished and all the polishing dust is com-
pletely removed, the proper lacquering and bronz-
ing takes place. This is done at 50°C. and dried
for about ten to twelve hours. The boards are
best cooled in the oven. When the last lacquer has
become quite hard, it is polished with fine pumice-
stone powder and moist leather. This makes the
board matte. It is then heated to 60°C. in the dry-
ing oven, when the lacquer again softens and fluxes
to a bright, glittering surface.
BALDWIN USES FARM PAPERS.
The list of farm papers that are now being used
as advertising mediums by the Baldwin Piano Com-
pany includes, Successful Farming, the Indiana
Farmer's Guide, Michigan Farmer and Live Stock
Journal, Journal of Agriculture, Iowa Homestead,
Orange Judd Farmer, Southern Ruralist, the Farm
ers' Mail and Breeze, California Cultivator and Live
Stock and Dairy Journal, the Farm Journal, Farm
and Home, the Wisconsin Farmer, the Oklahoma
Farmer and Stockman, the Nebraska Farmer, the
Ohio Farmer, Farm and Ranch, Western Farm
Life, and The Farmer. The Baldwin Piano Com-
pany is sending piano dealers sheets showing sam-
ple Baldwin advertisements, which it has on hand,
and it says: "Tie your store to this farm paper
publicity by advertising in your newspaper. These
advertisements are designed for you to insert in
your local newspapers, over your own name, telling
the people who have become interested in the Bald-
win .line that you are the man who handles them."
February 26, 1920.
BRAMBACH DISTINCTIVENESS
FEATURED AT MUSIC SHOW
Popularity of The Brambach Baby Grand Proved
by Interested Visitors.
The distinctive popularity of the Brambach Baby
Grand was once more made apparent through the
exhibit at the National Music Show. This instru-
ment was displayed amid very dignified surround-
ings, and the enthusiastic interest shown by all who
visited the Music Show proved conclusively that the
instrument holds the public's attention.
The Brambach Piano Company displayed three of
its instruments; the Style B, the Queen Anne model,
and the Brambach Reproducing Piano (licensed
under Welte-Mignon patents). This latter instru-
ment attracted the widest attention.
Selected numbers from the immense Welte-Mig-
non library were chosen for daily concerts and
music lovers were unanimous in their praise both
for the fidelity of the reproduction of the great mas-
ters' renditions and for the delightful tone of the
instrument, which equalled in tone and volume that
of grand pianos of larger size.
The Brambach booth offered an exceptional ex-
ample of refined decoration. The furnishings were
especially well chosen and formed a dignified back-
ground for the display of these attractive little baby
grand pianos.
LOUIS GRUNEWALD BURIED.
Louis Grunewald of Milwaukee, who died re-
cently, was buried in the family tomb in Metairie
cemetery, New Orleans, La., February 12. Mr.
Grunewald was 56 years old, and was connected
with the music publishing business. He had three
brothers, Theodore, Clifford and Eustis. Mr.
Grunewald had been connected always with the
piano business, and established piano agencies in
Port au Prince, Haiti, and Kingston, Jamaica. It
was through these agencies that the first Ameri-
can pianos were introduced to those places, rather
than the first American songs. Mr. Grunewald is
survived by two brothers, Theodore and Clifford,
the latter of Houston, Texas.
Mrs. Brinkerhoff, wife of Col. W. B. Brinkerhoff
of the M. Schulz Company, left Chicago on Sunday
of this week for a visit at the home of her daughter
in Philadelphia. Mrs. Brinkerhoff, through atten-
dance at convention banquets, is widely acquainted
in the piano trade, and is highly esteemed.
CALENDARS WITH RHYMES.
The Gulbransen blotter for February contains this
rhyme:
"Gulbransen advertising hits the spot—
The very spot you sell in, like as not!"
And the March calendar desk blotter has this for
a rhyme:
"That baby at the pedals—cunning scamp—-
Has won a million hearts—the little vamp!"
PIANO TAX IN PARIS.
The city of Paris, France, having a deficit of
nearly 500,000,000 francs, is planning a novel taxa-
tion for the purpose of paying off the deficit within
three years—61,000,000 francs of it this year. The
plan is to tax servants and—pianos. The plan to
tax pianos is a revival. The rate proposed for this
taxation is 30 francs yearly for upright pianos and
60 francs for grands. Pianos used for giving in-
struction will be exempt.
BETTER THAN EVER
THE 1920 EDITION
of
PRESTO BUYERS' GUIDE
Orders for quantities of 100 or more copies must be placed at once or
we cannot guarantee deliveries.
Single Copy 50 Cents, Post Paid
No Dealer or Salesman Can Afford to Be Without It
PRESTO PUBLISHING CO., 407 So. Dearborn St., Chicago
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
25
RESXO
February 26, 1920.
THE
TALKING MACHINE
News of the Week in the Phonograph Field
COLLECTOR VOTES AYE
The merits, disadvantages and the justice of
prohibition have been stated and discussed
before and after the adoption of the famous
amendment and now individuals and groups
are beginning to make reports on the conse-
quences. We need no formal report that the
threatened nation-wide strike of labor against
enforced prohibition has not come to pass. Nor
is it likely to come to pass. It is true there
have been instances of unrest attributed to
denying the working man of his beer. There
are some who say the unrest in the labor ranks
is in part due to that cause.
But the reports informally gathered from
talking machine dealers in all parts of the
country are most important in showing the
beneficial effects of the enforced prohibition.
Collections are very good. That fact, it is
frankly admitted, is an accompanying one to
these officially stated by a financial journal:
"There is little or no drunkenness. Wage
earners are banking more money in the sav-
ings banks than ever before and are buying
more of the comforts and luxuries of life." The
satisfactory reports of the collectors suggest
the thought that the now-beerless and booze-
less head of the household is more thoughtful
about meeting the payments on the talking ma-
chine than he was in the wet old days beyond
recall.
There is a woeful waste of energy in spend-
ing half the time making promises and the
other half making excuses because the prom-
ises are not realized.
* * *
In a few swift jabs at the keys of the type-
writer there may be the force that sells a
hundred talking machines.
Sometimes the talking machine sale is
quickly effected because the salesman doesn't
know what to say.
* * *
Even the pessimist is apt to become opti-
mistic when he has an accumulation of sticker
records to sell.
* * *
Before giving a woman advice in the selec-
tion of records, find out the kind of music she
prefers.
* * *
Two are company; a talking machine and a
bunch of records makes the two a house party.
:!c
*
&
Many a crooked dealer occupies the commer-
cial grave he dug for an honest competitor.
* * *
Yes indeed, there's a vast difference be-
tween a new salesman and a fresh one.
*
*
-!<
Store rules are made for salesmen who do
not think.
BIGGER PUBLICITY PLANS.
The advertising plans of the Columbia Grapho-
phone Co., San Francisco, were recently announced
to Columbia dealers by O. F. Benz of the record
department of the company. Mr. Benz announced
big publicity preparations for 1920 and he called
upon the dealers to aid in making the advertising
efforts effective.
CONCERNING THE ALLIES
Old Views of the Antagonisms of the Talk-
ing Machine and the Playerpiano Have
Almost Entirely Disappeared.
Even at this day you once in a while meet a piano
dealer who is mentally perturbed over the present
and future of the playerpiano in comparison, con-
trast and competition with the talking machine. It
is surprising to hear men indulge in absurdities that
could be excused five or six years ago. When the
talking machine first began to take hold of the
fancy of the public and a frank acknowledgment
of the merits of the machine was freely expressed
a sort of panic manifested itself in the less thought-
ful dealers in pianos. At a trade convention one
man frantically proclaimed that the day of the
playerpiano was over. Time has proved how silly
were the fears.
The sensible dealer now realizes that the player-
piano and the talking machine are not competitors
in the strict sense. Wise dealers do not regard
them as competitors. Where a piano department
and a talking machine department are found under
one roof there are generally two staffs of sales-
men, one for each kind of goods.
The public is demanding talking machines. But
a great many people also want playerpianos. And
the circumstances prove that it takes more sales-
manship to sell a playerpiano. But they are not
competitors, naturally and rightly. If they arc
anything at all they are natural allies. And what
concerns the trade generally is that the dealer or
salesman who cannot show that the fields of tin.'
talking machine and the player lie parallel and not
on top of one another is a poor salesman.
In a great number of homes the talking machine
and the player are found comfortably side by side,
each complimenting the other. And the talking
machine leads many a player sale to the house to
which it goes. The talking machine is no menace
to the player. Indeed it is quite the contrary. The
two together are the strongest and best -upporters
of a modern music house.
SOME EXPORT CONDITIONS
Proportions of the Talking Machine Trade with
South America and Mexico.
It is not surprising to learn that in all of South
America there is a growing demand for American
phonographs. The best markets are Argentine,
Brazil, Chile and Venezuela. Tn 1917 almost $200,-
000 worth of machines were imported into these
countries. Statistics for later periods will show
much greater import figures, is the assured belief
of those who make a study of export and import
conditions. The medium and better grades of
talking machines are the ones getting the greatest
attention from the South American
customer.
These are bought by the well-to-do classes. That
the poorer classes and the cheaper talking machines
are not brought together more generally is due to
the important fact that the customs duties on talk-
ing machines are high.
Mexico bought $42,000 worth of talking machines
from the United States in 1918. The exports to
Mexico of talking machine records and accessories
for the same period amounted to $35,301.
American talking machine manufactures who
contemplate sooner or later seeking an outlet for
their machines in South America should bear in
mind the fact that registration of trade-marks is
imperative. In most of the republics these trade-
mark rights are based on registration. Therefore
the first person who registers a trade-mark be-
comes its absolute owner, regardless of whether or
not he has used it previously.
MORE SALES FACILITIES.
Possibly by the end of this week the new Haus-
childt Music Co.'s building, on O'Farrell street, San
Francisco, will be in shape for a proper estimate
of the facilities for doing a bigger music goods busi-
ness. The phonograph department on the first floor
has fourteen booths and a most modern arrange-
ment of record racks.
Mr. Dealer—
This Syndicate is a cure for dis-
advantages under which Music
Merchants have struggled, without
recourse, for years. It offers ad-
vantages in the way of purchasing
power, quick delivery of worth-
while merchandise, service, mer-
chandising counsel, financing of in-
stallment paper, etc.
Never before has so comprehen-
sive an organization for the mutual
benefit of Music Merchants been
proposed. The Syndicate is far
reaching, sound in plan and purpose,
and backed by men who know the
business from every angle of manu-
facturing and selling. For further
information write.
THE AMALGAMATED PHONOGRAPH
SYNDICATE of AMERICA
Grand Rapids, Mich.
"Hear That Tone"
A MOTTO JUSTIFIED BY
ACHIEVEMENT
The remarkable clarity of tone re-
production which characterizes all
FUEHR & STEMMER
PHONOGRAPHS
is due to the PERFECTED TONE
CHAMBER which, with the in-
genious TONE MODIFIER lifts
these instruments far above other
talking machines.
Write for particulars.
BEAUTIFUL ORIGINAL CABI-
NETS WITH PIANO FINISH.
Make your Talking Machine De-
partment pay.
FUEHR & STEMMER PIANO CO.
Chicago, III.
Guesswork Won't Do"
—The ACME allows test with
the drag of the needle throughout
the length of the
record.
The
Acme Speed Indicator
—is precision made.
—clears the tone arm.
—1 o c a t e s
motor
troubles.
—registers 78 and 80
revolutions.
Made by
The Acme Engineering & Mfe. Co.
1622 Fulton ST.
:
:
:
:
CHICAGO
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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