Presto

Issue: 1920 1749

32
»TO
MILESTONES IN THE
PIANO'S ONWARD MARCH
Chronology of the Progress of the Instrument from Its First Inception,
in 1701, to the Beginning of Present Generation.
1701.—Piano invented by Bartolemo Cristofori, of
Padua, Italy.
1791.—Benjamin Crehore built first American pi-
ano, at Milton, Mass
1820.—Robert Stoddard started piano making in
New York.
1823.—Jonas Chickering began making pianos in
Boston.
1823.—Myron A. Decker founded Decker & Son
piano in historic building, 3d avenue and 14th street,
New York.
1825.—First Steinway piano made by Henry Stein-
way.
1833.—Hallet & Davis piano founded in Boston.
1836.—Geo. Bacon joined Dubois & Stoddard, New
York.
1841.—Bacon & Raven succeed Dubois & Bacon,
New York.
1839.—William Knabe founded the famous in-
dustry in Baltimore.
1840.—Hazelton piano founded by Henry Hazel-
ton, New York.
1848.—Christian Kurtzman established famous in-
dustry at Buffalo.
1851.—-James W. Vose founded Boston industry
of James Vose & Sons Piano Co.
1851.—Napoleon J. Haines started Haines Bros.,
New York.
1851.—Albert Weber started in business, making
pianos now controlled by Aeolian Co., New York.
1853.—Steinway & Sons pianos began their career
in New York.
1856.—Rudolph Wurlitzer established business in
Cincinnati.
1857.—W. W. Kimball started a store in Chicago,
selling Chickering and Hallet & Davis.
1857.—Julius Bauer & Co. established in Chicago;
oldest in point of continuous existence in the West.
1864.—House of Lyon & Healy, Chicago, founded
by P. J. Healy and Geo. W. Lyon.
1866.—D. H. Baldwin started piano selling in Cin-
cinnati; D. H. Baldwin & Co. in '73; The Baldwin
Company in '99.
1866.—Estey industry organized at Brattleboro,
Vt.
1867.—Hampton L. Story founded Story & Clark
Piano Co., Chicago.
1869.—Simon Krakauer founded the industry of
Krakauer Bros., New York.
1869.—Foundation laid for the M. Schulz Co., Chi-
cago, by M. Schulz.
1870.—Hugo Sohmer founded piano which bears
his name by securing old industry of Marshall &
Mittauer, New York.
1871.—Packard Company founded at Fort Wayne,
Ind.
1872.—Foundation laid for the present Starr Piano
Co., Richmond, Ind.
1875.—The A. B. Chase Company organized at
Norwalk, Ohio.
1879..—J. V. Steger entered business in Chicago
and later established the great factories at Steger,
111.
1880.—Industry founded by Herman D. Cable,
later became The Cable Company, Chicago.
1886.—Industry of Bush & Gerts founded in Chi-
cago by W. H. Bush.
1888.—Aeolian Organ & Piano Co. organized by
William B. Tremaine, New York.
1889.—Chase-Hackley Piano Co. organized at
Muskegon, Mich., by Milo J. Chase, who had been
making pianos for nearly forty years.
1890.—F,irst association of American piano man-
ufacturers formed in New York, with William E.
Wheelock president.
1896,—Kohler & Campbell founded the present
great industry, New York.
1897.—National Piano Manufacturers' Association
formed at Manhattan Beach, N. Y.
1898.—Pianola appeared, giving impetus to player-
piano industry.
1900.—Organization of the Auto Pneumatic Ac-
tion Co., by Chas. Kohler, New York.
1900.—American Piano Co., New York, incorpo-
rated with capital and surplus of $12,000,000.
1903.—The Autopiano Company organized in New
York.
January 29, 1920.
TRADE HAPPENINGS
RELATED IN BRIEF
Views and Beliefs of Live Piano Merchants Are
Presented.
The McHugh & Lawson Piano Company, Wash-
ington, D. C, whose store was destroyed by fire a
few months ago, is doing a bigger business than
ever in a new location.
The Steinway, Vose & Sons and Estey pianos are
the leaders in the fine line of the Clark & Jones
Piano Company, Birmingham, Ala. The handsome
warerooms of the company are at 1913 Third avenue-
The Thearle Music Company, San Diego, Cal.,
is advertising the Gulbransen playerpiano in a way
that interests the man with a home but no music
in it. The San Diego dealers remove the erroneous
impression that the music of a playerpiano is
"mechanical."
The organ trade of the Frix Piano & Phono-
graph Co., Danville, Va., is quite considerable, but
of course pianos and players are the instruments
most sought by the customers. The phonograph
business of the house is growing in importance.
The Field-Lippman Piano stores are well estab-
lished in nine locations, St. Louis, Sedalia, Farm-
ington, Bonne Terre and Flat River, Mo., and Dallas,
Fort Worth and San Antonio, Tex.
The Darrow Music Co., Denver, has branch stores
at Fort Collins and Canon City. A fine playerpiano
business is enjoyed at the Denver warerooms at
the corner of 15th and Stout streets.
A limited number of playerpianos at a special
holiday price was offered by the Knabe Warerooms,
Inc., Baltimore, Md. The quick manner in which
the players were sold showed the dependence of the
public on the company's advertised statements.
The Davis. Burkham & Tyler Company carries
the following line in its East Liverpool, Ohio,
branch: A. B. Chase, Hardman, Estey, Milton, Cable-
Nelson, Schulz, Walworth, Foster, Francis Bacon,
Price & Teeple, Werner and the Angelus.
At the opening of the new Neenah Theatre, Nee-
nah, Wis., recently, the Corda Ward Buchner Com-
pany of artists appeared under the auspices of the
Neenah City Club. The Steinway concert grand
was provided through the courtesy of Henry L.
Sorenson, local representative at Neenah.
Quality—Sup^rnacy—EBE—New York
BETTER THAN EVER
THE 1920 EDITION
Of
PRESTO BUYERS' GUIDE
Orders for quantities of 100 or more copies must be placed at once or
we cannot guarantee deliveries.
Single Copy SO Cents, Post Paid
No Dealer or Salesman Can Afford to Be Without It
PRESTO PUBLISHING CO., 407 So. Dearborn St., Chicago
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO
January 29, 1920.
33
THE
TALKING MACHINE THE ELLIS
News of the Week in the Phonograph Field
TALK=MACHINEOR PHONOGRAPH
When the marvel of a machine that could
talk first appeared it was natural to call the
automatic wonder-worker a "talking machine."
That's just what it was.
But now that the machine has graduated
from the primary class, and become a recog-
nized member of the art community, it no
longer deserves to be classed as merely a ma-
chine that talks. For it can now do so many
other things that the talking, in parrot fashion,
is the least of its accomplishments.
Therefore the phonograph is entitled to its
more comprehensive title. In the dictionary the
word is recorded as meaning "an instrument
for recording and reproducing speech, music,
etc." And the "etc." covers very much. For
the modern phonograph reproduces every
sound in nature and art. It re-creates the phe-
nomenal pianism of a Gabrilowitsch or Godow-
sky, and it thrills again with the wonderful
voice and expression of a Schumann-Heink,
Mary Garden or Galli-Curci. It brings again
the swiftest keyboard flight of the greatest
pianist, and the most delicate nuance of the
most perfect violinist. There is no sound of
woods or field that can not be frozen into the
phonograph disc by the imitative faculties of.
man, and the future years will know the pow-
ers of the artists of today whose forms they
may never see.
So that "talking machine" is no more the
name of the phonograph today than it is the
proper descriptive name of man—or even
woman! That's why so many of the manufac-
turers are getting away from the old-time
nomenclature. In time it is probable that there
may be no such generic name as "talking ma-
chine." Phonographs will be more and more
in use and, as an industry and trade, their pro-
duction and sale will increase. For the phono-
graph is one of the things the world needs. It
helps to make life worth living, and nothing on
this earth can have a better mission than that.
PUBLIC LIBRARY PHONOGRAPH
Made to Fit Any Phonograph
instructive lectures are illustrated with the
aid of talking machine records.
AN IDEA EXCHANGE
At the gatherings of men of the music trades
in New York will be many who will talk talk-
ing machine topics. The Hotel Commodore
and Grand Central Palace will have a good
sprinkling of enthusiasts who cannot keep
from talking talking machine, so that by just
keeping his ears open the most bashful phono-
graph dealer cannot help imbibing wisdom.
One of the main advantages of the con-
vention of any trade is the opportunity it af-
fords for the free circulation of ideas. The
sharing of ideas points to the successful solu-
tion of local problems and leads the way to
the proper handling of somewhat bigger na-
tional problems. The growing and active talk-
ing machine trade has, and will continue to
have, its problems which will have to be de-
bated wisely, and solved carefully and cor-
rectly, if the trade and industry are to con-
tinue on a safe and stable basis.
So it is the plain duty of every talking ma-
chine man who attends the convention of the
music trades in New York to impart to others
his logical ideas concerning the trade. In that
way many a piano man with a growing talk-
ing machine department will be enabled to
imbibe lots of valuable suggestions.
COLUMBIA BUYS PROPERTY
Site of Old Mansion of the Late A. T. Stewart Se-
cured and Additions Planned.
The Columbia Graphophone Company has pur-
chased the Columbia Trust Company Building, the
one-time site of the residence of the late A. T.
Stewart, at the northwest corner of Fifth Avenue
and 34th Street. Max N. Natanson, the seller, ac-
quired the property, which is known as 360 and 362
Fifth Avenue, from the trust company on November
25 last. The property has a frontage of 61.9 feet in
the avenue and 100 feet in the street, and was re-
ported to have been held at $3,000,000. The buying
company will immediately commence the erection of
a nine-story addition 1 to the present structure and
will occupy many of the floors as executive offices,
etc. The trust company will retain possession of
the lower portion of the building.
The original building was designed by McKim,
Mead & White, and this firm of architects is prepar-
ing plans for the alteration. The foundations are
strong enough to permit this change in the height.
It is estimated that the improvement will involve
abotrt $1,000,000. Byrne & Bowman were the bro-
kers in the resale.
Public library boards here and there
throughout the country are showing greater
interest in the music department of the li-
braries. The attention, however, is just as
much as the local conditions warrant or the
users of the public libraries demand. In fact
the importance of the music department in the
PHONOGRAPHS IN MUSIC SHOW.
libraries is in equal ratio to the requirements
As will be seen by the list on another page, of ex-
of the citizens. Librarians as a rule make their hibitors at the Music Show in New York, February
the phonograph industry is largely represented.
personal attitude conform to the wishes of the 2-7,
And the displays will include those of some of the
communities. That is a fact that some keenly important industries. Tt will pay all visitors in New
observant talking machine dealers in some York to go to Grand Central Palace during the
Music Show for the purpose of examining into the
progressive although not very big cities take claims of the exhibitors and their products. Num-
into consideration to their own and the pub- bers of the booths occupied by the various displays
accompany the list of names.
lic's advantage.
The music lovers and musicians had suc-
NEW FACTORY FOR ACME.
ceeded in having installed a department of
The Acme Engineering & Manufacturing Com-
works on music and music for reference pur- pany, now at 1622 Fulton street, Chicago, will move
poses. Then the talking machine men pointed on March 1 into a new building at 355 Union Park-
Chicago. The company is spending $50,000
out the incompleteness of the department court,
in new equipment for the manufacture of its Acme
without an effective music producing instru-. Speed Indicator, "the repairman's stethoscope" and
ment. They had phonographs added to the also ils Xeedle Holder and Microphone. The Acme
test with the drag of the needle throughout
equipment. Now the most interesting and allows
the length of the record.
In producing a Musical Instru-
ment that will serve its intended
purpose, great care must be ex-
ercised as to the alliance of good
and useful improvements; you
will then be assured of a per-
manent and profitable business.
The Ellis will transform
your phonograph into a
Musical Instrument.
Ellis Reproducer Co.
Powers BIdg.
GRAND RAPIDS, MICH.
"Hear That Tone"
A MOTTO JUSTIFIED BY
ACHIEVEMENT
The remarkable clarity of tone re-
production which characterizes all
FUEHR & STEMMER
PHONOGRAPHS
is due to the PERFECTED TONE
CHAMBER which, with the in-
genious TONE MODIFIER lifts
these instruments far above other
talking machines.
Write for particulars.
BEAUTIFUL ORIGINAL CABI-
NETS WITH PIANO FINISH.
Make your Talking Machine De-
partment pay.
FUEHR & STEMMER PIANO CO.
Chicago, III.
"Guesswork Won't Do"
"The
repair-
man's
Stetho- *
scope."
—The ACME allows test with
the drag of the needle throughout
the length of the
record.
*=
Acme Speed Indicator
—is precision made.
—clears the tone arm.
—locates
motor
troubles.
—registers 78 and 80
revolutions.
Made by
The Acme Engineering & Mfe. Co.
1622 Fulton St.
:
:
:
:
CHICAGO
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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