Play Meter

Issue: 1985 July 15 - Vol 1 Num 13

Letters to
the editor • •

Atari
re commendations
On behalf of Atari Games, I would
like to thank Frank Seninsky for his
favorable remarks regarding Marble
Madness in the May I , I 985 issue of
Play Meter. Additionally, his tech tips
are accurate in pointing out a couple of
items to consider: The fan and resul-
tant dust collection and the short con-
trol panel harness.
Only the early production models
have short panel harnesses . Most pro-
duction units have lengthened control
panel harnesses to alleviate the
annoyance of unintentionally pulling
off the connectors when removing the
control panel. Initially, short har-
nesses were required to pass FCC EM!
criteria, but later we found a way to
lengthen the harness without impact-
ing FCC compliance .
Attaching the harness connectors
to the PC board can be confusing, too ,
but they are keyed to eliminate errone-
ous connections. Incidentally, later
production models also have two slots
in the particle board just inside the
control panel area . After the control
panel has been lifted off the cabinet,
the panel may be conveniently wedged
in these slots for servicing.
Reversing the fan reduces dust
collection but also significantly raises
the operating temperature of the
2N3055 pass transistors on the regu-
lator/ audio III PC board. Our tests
show a 40 degree centigrade rise in
temperature when the fan is reversed .
PlAY METER. July 15, 1985
The higher temperture is within
specification of the 2N3055 transistor
but significantly reduces the reliability
and overall life of the device. Hence
Atari Games cannot advocate or sup-
port this approach to reducing dust
colleciton.
The Atari recommended approach
is as follows:
I. Leave the fan in the factory
installed position.
2. Install a fan filter on the outside
of the cabinet. As of this writing all
System I games shipped from the fac-
tory include this filter. It is available
from Atari Customer Service part
number A0413181-0l. It costs under
$12. The filter has a reuseable element
that should be cleaned periodically.
3. On Marble Madness trackball ,
install a ground path from the ball to
earth ground. In the factory , this is
accomplished by placing a copper foil
strip under the ball bearing case and
out to one of the self-tapping screws
that hold the plastic housings together.
A ground wire runs from the self-
tapping screw to the control panel
which already has an earth ground.
The majority of the factory games
include this modification - some of
the earlier units were built without it
however.
These steps are necessary to mini-
mize dust entering the game and to dis-
charge the electrostatic build-up in the
trackball area. The build-up of a static
charge on the trackball attracts dust
which impairs opto-coupler perfor-
mance.
Thank you for your time and
attention on this matter.
Chris Downend
System I Project Leader
Atari Games
Sunnyvale, California
~
Disapproves of
'Sexual Trivia'
Let me take this opportunity to
express my extreme disapproval of
Greyhound Electronics' Sexual Trivia
kit.
With the horrendous exploitation
and pornography in our society today,
it seems the video games industry
would not participate by igniting the
public into more of the same.
The last thing our industry needs is
a game that plays on lust and the total
disregard for marriage. Sex is to be
revered between man and wife and not
used as a tool that would encourage
people to become adulterers and be so
casual about the gift that God has
given us that we eventually transfer
these attitudes to our children.
Are Greyhound Electronics' pro-
fits so much of a god to them that they
would totally ignore the impact of
their responsibility to society? Regard-
less of whether the games consist of
implications and insinuations com-
pared to blatant pornography, it is still
the same to the unconscious mind .
Therefore, the same danger presents ,
itself to both old and young alike.
Last of all - our industry has had
to overcome many misconceptions
and obstacles concerning how games
affect people and the controversies still
exist. These types of adult entertain-
ment just add fuel to the fire . And,
rightly so, in this instance.
I am sure that Greyhound is not the
only participant in these adult games ,
and I know that I am not the only one
with the views presented in this letter.
Lau ra A. Bebermeyer
KC Vid eo Ga mes Inc.
Ka nsas City, Missouri
Audio VisuG
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7
****************************** ************••,._~..,. UP FRONT
Operator Co111pliance is 81 .9%
Jukebox operators are not a lawless bunch.
They pay their taxes and license fees - even
when they know those taxes and/ or fees are unjust.
But to listen to Representative Robert W.
Kastenmeier (D-Wisconsin) , chairman of the
House Judiciary Subcommittee dealing with copy-
rights, you'd think operators are scofflaws, every
last one of them.
At the May 13 signing ceremony for the settle-
ment of the jukebox copyright controversy ,
Kastenmeier said, "The Copyright Royalty Tribunal
precipitously raised royalty rates more than five
times, and then maybe more. I disagreed with the
Tribunal's decision at that time, and I still do.
"My disagreement with the Tribunal's decision
was tempered, however, by the countervailing fact
of- extremely low compliance with the law-
between 25 and 50 percent- by jukebox operators."
In subsequent editorials, we'll deal with the
Shiite Muslim logic Kastenmeier expresses here
(that is , why he thinks it's all right to penalize the
good because of the imagined wrong committed by
an imagined bad) . And we'll examine how this and
similar systems of illogic permeate the thinking that
went into creating the compulsory jukebox copy-
right law.
But, for now, let's consider how Representa-
tive Kastenmeier got so badly misinformed as to
think only 25 to SO percent of the operators have
complied with the jukebox copyright law and why
the jukebox operators' own national association
didn't correct that wrong impression.
First, let's set the record straight. Operator
compliance with the jukebox law is 81.9 percent!
Not 25 percent, not 50 percent , nor anywhere
between 25 to 50 percent.
During the past four years, during which
period even Representative Kastenmeier admits
the jukebox royalty rates were raised precipitously,
and probably unjustly, operators still registered
their jukeboxes at an 81.9 percent rate. According
to Play Meter magazine's annual operator survey,
the average number of jukeboxes operated in the
United States during that four-year period was
146,2SO. Not 250,000 to 450,000, which is how many
there would have to be to satisfy Kasten meier's 25-
SO percent compliance estimate. And the average
registration of jukeboxes during that four-year
period was 119,867. That figures out to an 81 .9
percent compliance rate. By any assessment, that's
a tribute to the law-abiding nature of today's
jukebox operators, for it's doubtful if the federal
government has been able to achieve 81.9 percent
compliance in anything it has ever undertaken.
For Representative Kastenmeier to speak so
broadly in terms of only a 25-50 percent compliance
rate reveals he doesn't have his facts straight. After
all, 25-50 percent is a very wide range. Which is it?
Does he think one out of every four operators
obeys the law? Or does he believe one of every two
operators obeys the law? It's a big difference. So for
him to speak in such general terms demonstrates
his own sloppy thinking on the matter. In truth, he
doesn't know what operator compliance is; and, as
chairman of the House Judiciary Subcomittee, it's
his job to have that information. Is he this sloppy
with his other legislative considerations?
But, believing for a minute that he was merely
the victim of some misinformation, ask yourself why
the jukebox operators' national association didn't
correct this wrong impression? The AMOA is
charged with the lobbying responsibility of inform-
ing legislators on the merits of their side. Why didn't
they inform him of the facts , that operators do, in
fact , comply with the law.
Obviously , it's in the best interests of the per-
forming rights societies (ASCAP, SESAC , and
BMI) to maintain that there are millions of juke-
boxes being operated in the United States today
because that would allow them to make the claim
that operators aren't paying their dues . And, when
operators don't reach their arbitrary quotas, the
performing rights societies will be in a better
position to bargain for even higher jukebox copy-
right concessions.
Now, the fact is there simply are not as many
jukeboxes on location today as there were when
this whole issue was being debated in 1976 in
Congress. Video games, motion pictures, television,
music videos, live music, and operating costs have
all combined to make the operation of jukeboxes
less and less profitable. So it is pu!e stupidity to
maintain there are between 250,000 to 4SO,OOO juke-
boxes on location today, which ASCAP wants
*****************************************************
6
PlAY METER. July 15, 1965

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