Play Meter

Issue: 1981 June 15 - Vol 7 Num 11

Open the locks to earn
bonus points:
• by unlocking all the
locks In any
sequence,
Guide the tank through
the changing maze and
transport the treasure
keys to their color-
matched locks. Every
round presents the
player with a new
environment.
• and bonus points are
calculated based on
how much fuel
remains after all locks
are opened-the less
fuel used, the more
points scored.
Score points to earn
more fuel by blasting
enemy aggressors and
ul"\\ocl(.il"\g the locks.
• double bonus points
are earned by
unlocking the locks in
1, 2, 3, 4 sequence,
Yellow enemy
aggressors move along
the walls. Green
aggressors travel at
random. Red enemies
bounce and ricochet
off walls. All travel
faster and shoot more
frequently with each
round, and they als
become worth more
points.
Seven realistic sound
effects:
• the continuous Pulsar
heartbeat,
• the electric sizzle of
force-field walls
• the clanging of
shifting walls,
• the blasting sound of
the player's fire.
• the piercing shots of
the aggressors,
• the sound that signals
the shift to a new
maze,
• the exciting clamor of
bonus points.
the constantly
changing "force field"
walls. The player is
destroyed if caught in
one.
@
Gremlin Industries, Inc . 8401 Aero Drive, San Diego, California 92123, TLX: 910-355-1621
Sega Enterprises, Ltd., P.O. Box 63, Tokyo Airport Post Office, Tokyo 149, Japan
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1981 Gremlin Industries, Inc.
c~an~e the .law, they have to know something is wrong
With .It. T~Is should be the purpose of the first such
meetmg with your congressmen : let him know there are
prob!ems with the law, and try to be as specific as
possible.
As for specifics, here are the major points touched on
with Louisi•:ma's congressional delegation. These points
have n:et with a fa~orable response and should be point-
ed out m any meetmgs with congressmen concerning the
law:
PROB~EM #1: Jukebox operators are paying twice
for the nght to use the copyrighted works
Among copyright users, they are alone in this double
dipping dilemma. They pay (a) a "mechanical royalty" fee
which is built into the price of each record and which was
recently increased by the Copyright Royalty Tribunal
(CRT) from 5~ cents per record to 8 cents per record·
~nd (b) a per-jukebox asessment which the CRT recent!~
mcreaed from $8 per-jukebox to $25 in 1982 and $50 in
1984 and even higher (according to the Consumer Price
Index) in 1987. The combination of these two copyright
assessments has made the operation of the jukeboxes
virtually unprofitable.
SUGGESTION #1: Eliminate the per-jukebox
assessment.
The congressionally-approved $8 per-jukebox fee was
only agreeable to the jukebox industry as a compromise
measure which would have stipulated that the $8 per-
jukebox assessment be the be-ali and the end-all of any
further copyright demands by the performing rights
societies. A continually escalating per-jukebox fee is
unacceptable to operators and threatens to make the
operation of jukebox totally unprofitable. Since
jukebox operators have been paying copyright owners
far above the norm through the mechanical royalty
assessment already, there is no need for a second such
$8 per-jukebox assessment: A compromise
measure only agreeable as a be-all and end-all
future copyright demands.
Customers use your
machines more
when they
These
can get the
Compact $1
correct
and $5 Bill
change
Changers feature
Hopper-Loading and
Mount to Wall, Stand
or Post. ..

Series 6003
$5 Bill Changer
Holds up to 2,600 quarters
and vends 20 quarters for
each bill. Bulk-loading
system has no belts or
motors. Maximum security
cabinet. Optional bill stacker
and insurance.
BILL
CHANGER
-

Series 6003
$1 Bill Changer
Changes up to 578 $1 bills.
Returns either quarters or
dimes or nickels. Fills direct
from bag. No belts or
motors to cause jams.
Maximum security cabinet
with 2 UL-approved locks.
CHANGER
NEW TWO-YEAR WARRANTY
assessment. Because of the nature of the jukebox
business, an operator does not buy a record just one
time. He buys it 20, 50, even 100 times depending upon
the number of jukeboxes he has programmed that
record for. So he is already making a copyright payment
of 20, 50, or 100 times more for the right to use that copy-
righted work for profit. Surely, this multiple payment
should be enough. According to Play Meter magazine's
annual industry survey, the average operator buys 3.3
records per week per jukebox; so the average operator is
already paying about $13.75 in royalty payments per
jukebox per year.
PROBLEM #2: The jukebox copyright law has also
placed operators in the compromising position of having
to divulge confidentail business information.
The law, besides assessing a second superfluous
payment for copyrights, has apparently empowered the
CRT to require operators to supply them with a list of
their jukebox locations. Now although operators have
argued strenuously against the location list requirement
promulgated by the CRT and have even appealed it
through the court system, the CRT has steadfastly
maintained that it has the authority to require the lists to
remain in compliance with the law. However, the CRT
PLAY METER , june 15, 1981
Standard Change-Makers , known since 1955 for the
dependability and security of its products , has now
extended the warranty on all of its new changers to
two full years from date of purchase. Standard
Change-Makers cost a little more, but they're worth it.
You get more for your money!
5
tandard
Change-maker.t
422 E. New York Street
Indianapolis, IN 46202
Tel: (317) 639-3423
District sales offices in 14
cities throughout U.S. and
Canada. Factory service
centers at Indianapolis,
Philadelphia and
Los Angeles.
13

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