Play Meter

Issue: 1980 June 01 - Vol 6 Num 10

Update
Edition
Volume 6, No. 10
June 1, 1980
. . . . . . . . . . . . . . . . . . . . . .
Staff
Publisher and Editor:
Ralph C. Lally II
Editorial Director:
David Pierson
Managing Editor:
Ray E. Tilley
International Editor:
David Snook
Editor, Coin Slot
Correspondents:
Pat Matthews
Roger C. Sharp
Tony Licata
J .W. Sedlak
Dick Welu
Charles C. Ross
Art Director:
Katey Schwark
Administrative Assistant:
Valerie Cognevich
Circulation Manager:
Renee' Pierson
Classified Advertising:
Valerie Cognevich
Staff Illustrator:
Mars Walker
Advertising Manager:
David Pierson
Continued from page 1
"AMOA on behalf of the jukebox
industry has really endeavored to do
anything possible. In fact , they are
the only people involved, proponent
or opponent, trying to meet the
criteria set forth by the CRT' to
present an economic case in the rate
review . according to Nims .
The matter was up to the
five -member CRT to adjudicate .
CRT Commissioner Thomas Bren-
nan said the jukebox rate review,
which began April 2 , would close
evidence April 22. A recommen -
dation on rates would come some
weeks later , and rebuttal would then
be allowed by either party when the
rate figure is proposed by the CRT's
findings .
Its recommendation would be -
come effective 30 days after the
CRT's decision unless a challenge is
issued by any party to the royalties
matter .
On the performing rights societies'
side, a battery of attorneys repre-
sented the case for higher rates. The
legal staff included Bernard Korman ,
general counsel for ASCAP , and
BMI Attorney Charles Duncan.
Meanwhile , barely one third of
some 330,000 jukeboxes in the
U. S. were registered for licensing .
As PLAY METER has reported
(UPDATE , February 1) , the jukebox
location lists were not used to
distribute 1978 royalties since the
performing rights societies agreed to
shares of the fees without dispute.
Witnesses before the CRT :n April
included two economists testifying
for the performing rights societies.
In the case coordinated by Nick
Allen , the AMOA's witnesses in -
cluded Michael Giblin , director of
special services for Rowe Interna -
tional ; former AMOA President Don
Van Brackel , and operators Mrs .
Leoma Ballard of West Virginia ,
Jimmy Watkins of North Carolina.
and John Strong of Chicago.
Hesch recovers from Illness
Former AMOA President Wayne E.
Hesch was hospitalized while in
Washington , D.C. in April , suffering
from a blood clot in one leg . Hesch
was in the Capital as representative
of the AMOA's Governmental Affairs
Committee , involved in the pro-
ceedings of the Copyright Royalty
Tribunal.
Mr. Hesch returned home to
Rolling Meadow , Illinois on April 12 .
His office reported he was prepared
to return to work six days later (as
UPDATE was going to press) .
Friends of the active operator and
AMOA officer may want to wish him
well . Hesch's business address is:
A .H . Entertainers, Inc .,
1151
Rohlwing Road, Rolling Meadow
60008; telephone: 312/253-8300.
European Representative:
Esmay Leslie
PLAY METER ,
June 1, 1980.
Volume 6, No . 10. Copyright 1980 by
Sky bird Publishing Company . PLAY
METER ( ISSN 0162-1343) is pub-
lished twice monthly on the 1st and
15th of the month . Publishing
offices: 320 Old Hammond Highway,
Metairie, La. 70005, P. 0 . Box
24170, New Orleans 70184. Tel. 504 /
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and Canada - $25; Europe and Japan
- $45; elsewhere - $50. Multiple-
subscription orders: 2-9. $20 each;
10-24, $17 each; 25 or more, $15
each. Advertising rates available on
request . No part of this magazine
may be reproduced without ex -
pressed permission. The editors are
not responsible for unsolicited manu-
scripts . Second-class postage paid at
Springfield, Mass . 01101 and addi-
tional mailing offices . Postmaster:
Send F0rm 3579 to PLAY METER,
P. 0. Box 24170, New Orleans, La .
70184.
European office:
PLAY METER
Promotions . "Harescombe" Watford
Road, Northwood Middx. England,
Northwood 29244.
Status of new royalty bills
Jukebox operators who may have
opposition to paying further royalties
to music artists under the 1976
Copyright Law will have interest in
two bills pending in the U . S .
Conqress.
Legislation has been introduced in
the 96th Congress entitled the "Per-
formers Royalty Act," House of
Reoresentatives number 997. [ See
PLAY METER , July, 197Y, page
55.] The bill was assigned to the Sub-
committee on Courts, Civil Liberties
and the Administration of Justice of
the House Judiciary Committee .
Representative John Paul Ham -
merschmidt , Arkansas,
recently
wrote a constituent : "I have learned
that most broadcasters are totally
opposed to the principle of paying
record companies and recording
artists a new royalty when they
already pay the actual creators of the
music . the authors and publishers ."
He noted that a companion bill , S.
1552. was in the Senate with no
action scheduled before the Senate
Judiciary Committee at late March.
Operators should cite the bill num -
bers. H . R. 997 and S . 1552. in
voicing to their congressmen their
opposition to further royalties .
PLAY METER will continue to
cover developments in the copyright
royalties issue .
Bally lists Invaders 'hotline'
The correct Bally toll -free telephone
number for Illinois residents to
receive reports on Space Invaders,
the pingame is : 1-800-942-9474 .
The Illinois number was stated in -
correctly in the May 15 issue of
PLAY METER due to misprinted
information from the manufacturer .
The nationwide toll-free number
( outside Illinois) for Space Invaders
reports by phone is 1-800-323-3377 .
The taped messages on the Bally
"hot line" are set up for operators
and distributors to use to their
advantage in stimulating interest in
the Space Invaders pinball game .
f=051C
By Pat Matthews
Program/Music Director
WQ UE New Orleans
Hot vinyl for the summer
For the past year we've heard of the
impending doom of the recording
industry. Record companies have
lost millions and as a result thousands
have lost their jobs. Now, it seems
someone has uncovered this in-
credible pirating racket where record
product has been duplicated right
down to the jackets. In some cases
even the "scratchings on the vinyl
next to the labels have been copied.
What this means is the demand for
record product is still with us, but the
dollars have been finding their way
into the pockets of crooks. Now -let
me check those records for this
month closely and get on with it!
STEAL AWAY - ROBBIE DUPREE
-Eiektra E-46621-A
What we have here is a total un-
known with what I predict will be the
record of the Summer 1980 . That's
going out on a limb, but the song is a
toe-tappin' singalong type number.
It's vaguely reminiscent of the Doobie
Brothers' recent successes, yet is
unique in other ways. When was the
last time you heard a sitar on a
record? Ten out of ten for sure.
CAN'T PUT A PRICE ON LOVE-
THE KNACK -Capitol 4853
"Baby Talks Dirty" was "My
Sharon a" all over again, but this one
is literally something else. The Stones
are rumored to be releasing their
long-awaited lp sometime soon and
this one by The Knack could stand--
in, in the meantime . The instrumen-
tation is so close to that of "Beast of
Burden" it's near sinful. Neverthe -
less. it's a good song and The Knack
still has a few fans ... of both sexes.
Seven out of ten or better .
WE LIVE FOR LOVE -
PAT
BENATAR - Chrysalis CHS 2419
This one's from the same lp that
gave us "Heartbreaker," a strong
record in a lot of ways. This one's
even stronger, if that's possible . It's
been re-mixed by producer Peter
Coleman and has more of a Blondie
feel. A strong drum line accentuates
the heavenly vocals of the sultry Ms .
Benatar. Positive smash and a good
female grabber. It's best described as
a beautiful rocker. Ten out of ten.
SHE'S OlJf OF MY LIFE -
MICHAEL JACKSON
Epic
9-50871
Obviously , Epic Records has taken
the title of the very first Quincy
Jones -produced Michael Jackson
single , "Don't Stop Til You Get
Enough" very seriously . They're
squeezing yet another track from the
multi-million selling "Off The Wall" lp
and this time it's a ballad. It's a sad
love song and could very well garner
Mr . Jackson a whole new audience .
Definite crossover material , this one's
highlighted by some nice piano work
and lush strings to go with some very
melodic vocals by Pop's hottest
commodity . Nine out of ten at least.
THE ROSE-BETTE MIDLER-
Atlantic 3656
Here's another ballad from some-
one else who doesn't usually do
them . It's of course the title song
from the debut movie of the singer
herself. Unlike the initial release
''When A Man Loves A Woman,"
this one should go big time. The
audience has been extracted from
the soundtrack and what's left is a
beautiful love song sung with all the
feeling it deserves. What's really
good about it is that if you didn't
know it came from a movie, you'd
never be able to tell. Eight out of ten
or better .
DON'T SAY GOODNIGHT ( IT'S
TIME FOR LOVE) - THE ISLEY
BROTHERS- T Neck ZS9 2290
Like most of their songs, it's an
entire group composition. It's soulful
and makes you wanna get close to
the one you love on the dance floor ,
the couch, or wherever ... just as long
as the lights are low . The lyrics are
sensual, a Ia Teddy Pendergrass , and
it's bound to be a smash R&B record .
And unbelievable as it may seem,
Top 40 Radio may finally catch on to
a definite groove- The Isleys . Ten
out of ten on its highest chart.
LOVE STINKS-J. GEILS BAND
- EMI America P -8039
Ever since they sang it on
Saturday Night Live, this driving
attack on romance has been the hot
one from the lp of the same name . It
even took some of the sales
momentum away from "Come
Back. " Unlike the first single, this one
is pure J . Geils , the brand of party
rock their fans have come to love and
expect.
Synthesizer
laces this
"summer" song with the title that has
all the "hook" power that's needed
here. May wear thin if interpreted as
a novelty tune . But I give it a seven
out of ten plus, at any rate .

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