Play Meter

Issue: 1979 December 31 - Vol 5 Num 24

MUSIC PROGRAMMING
'Daddy Disco' finds
romance in 'Stargazer'
This time out the hits just keep on
coming. So let's roll!
STARGAZER - Peter Brown - Drive
DRIX-6281
Talk about records that don 't
sound like the person it's supposed to
be - yes , this is Peter " Dance With
Me" Brown but he 's totally out of his
"father" of Disco role . This is a
genuine woman -grabber , a beautiful
love ballad with just a taste of rock
overtones . No disco , anywhere on
this record . In the mold of Barry
Manilow, Peter Brown has got a
crossover smash on his hands. For
an average on all the appropriate
charts. this one gets an 8 out of 10
from this corner.
VOLCANO - Jimmy Buffett - MCA
MCA 41161
We told you several months ago
about "Fins" and it's gratifying to see
we were right. Well , this time out it
may be another story . The title tune
from the successful LP is a reggae
number exemplefying the fun Big
Buffett radiates even on vinyl. It may
sell concert tickets , but I don't know if
it will sell records of the singles
variety . It's even controversial. There
are references to nuclear power
(Three Mile Island) and even a slight
mention
of Ayatollah , written
months before any Iranian situation.
Since I'm kind I'll give it a 7 out of 10.
I CAN'T HELP MYSELF - Bonnie
Pointer- Motown M 1478F
Following the instantaneous suc-
cess of the Holland Dozier Holland
penned " Heaven Must Have Sent
You ," Bonnie's back with another
gem from the Motown library of gold .
This one , like its predecessor , is a
bouncy danceable tune with vocals ,
bells and banjo-sounding guitars in
the forefront . Should crossover from
disco into R&B and pop. This is
another big request number that's
laced with just enough nostalgia . 9
out of 10 .
COLD
WIND
ACROSS
MY
HEART - Night-Planet P-45907
Chris Thompson and company is
back with a pretty little love song with
the already unmistakeable Night
sound. It's full of the strong lead
vocals of Chris Thompson plus the
perfect background harmonies of the
group . The tune is produced to a
high level of excellence by Richard
Perry, who is no stranger to a
recording studio. Mass appeal will
prove the key here - 8 out of 10.
WHEN I WANTED YOU - Barry
Manilow - Arista AS 0481
Here we have an excellent
can't-miss tune quickly following on
the success of "Ships." It 's another
Gino Cunico composition done by
Manilow, the ladies' turntable idol.
Remember, he 's the guy who wrote
"Can't Smile Without You ." This one
is done in the usual symphonic
Manilow style, with lush strings ,
penetrating horns and the unmis-
takeable ivory tinklings of the singer
himself. MOR and Pop success is
guaranteed. 10 out of 10.
CAN WE STILL BE FRIENDS -
Robert Palmer- Island IS 49137
Well , I like it. It's the remake of the
Todd Rundgren classic with just a
slight bit of an upsurge in tempo.
With the success of "A Bad Case of
Lovin ' You ," Robert Palmer has
shed his mask of cult heroism and
seems ready to be a commercial
success. At least , I think his bank
account will agree with me . This
one's familiar, refreshing and the
arrangement enjoys a well-needed
sprucing up for 1980. I hope
everyone enjoys it as much as me. 7
out of 10 or better .
STAR - Earth , Wind & Fire-ARC
(Columbia) 1-11165
I do believe this will be the right
choice this time . Unfortunately , "In
The Stone" wasn 't. "Star" is the song
all the dance schools have included
for their upcoming spring reviews. So
far , this has been a proven testing
ground for danceable classics like
"Dance With Me," "The Horse,"
"Watermelon Man ," and on and on,
ad infinitum . So there. 9 out of 10
R&B . 7 out of 10 or better Pop .
WONDERLAND - Commodores-
Motown M 1479 F
They're back to melt the ladies'
hearts again . The strings, lyrics and
emotion-filled vocals , of course , are
the key . The funky bass off-the -beat
rhythm is the perfect accent to
another excellently produced chart
topper from the prides of Alabama .
There's even a synthesizer effect near
the end as the "spaceship" departs
for Wonderland with only two
passengers . Whew! I can feel it, too,
baby - 10 out of 10 or my grits ain't
groceries .
TOO LATE - Journey - Columbia
Here's another group that has
gained a more widespread accep-
tance with only one hit single to their
credit. Journey has had several
successful albums and in doing so
has acquired a following and a
"sound." Both should stay in check
with station exposure of this blend of
driving rock and acoustic several
times a day . 7 out of 10 at least.
PIA troubleshooting
made easy
If you have had the experience of
trouble -shooting an electronic pin
CPU board , you have probably
encountered the 6821 l.C . This is
Motorola's
Peripheral
Interface
Adapter , or PIA . (Note : some earlier
PIA's were numbered 6820 ; their
operation is identical.) This formid -
able -sounding piece of jargon means
that this component is used to
connect various devices (peripherals)
to the MPU .
Figure 1 shows a pinout diagram
of the PIA . Do not despair over the
many wires emanating from it ; if you
have been following this series , you
know many of them already .
Basically, they break down to the
MPU side and the peripheral side .
The processor communicates with
the PIA over the bi -directional data
lines DO-D7 in a manner identical to
any other clock connected to the
Enable input.
There are also three Chip Selects ;
two active high , the other active low .
All must be in the appropriate state ,
or the PIA will remain deaf and
dumb . The two Reqister Select inputs
connect to AO and A 1 of the Address
Bus . These provide a means for the
MPU to read and write to the several
registers hidden inside the chip .
Finally, there are two Interrupt
Request outputs (active low). These
are usually tied together and pulled
up with a resistor to + 5V. When
either one goes low , the IRQ input of
the MPU is activated . This forces the
MPU to stop what it was doing and
"service" the PIA - which usually
amounts to reading data from it.
Debugging this side of the PIA is
like debugging RAM (read / write
memory) . You have to check for
shorts , opens, chip selects that do
not happen (or are stuck on),
through whatever means you have .
Note : the system 's self-test , if it has
one . can be helpful here.
However , faults on the busses will
make the system crazy and unable to
execute a self-test routine . You may
want to wire in a NOP test circuit in
order to force the processor to cycle
through all of its addresses. In this
state, you should see pulses on all
the chip selects as their particular
addresses fly by .
The uniqueness of the 6821 is on
the peripheral side . The twenty lines
break down into two separate and
independent sections , A and B; each
section has two "control" lines and
eight "peripheral" lines.
Have you noticed that I have
avoided referring to the peripheral
side lines as inputs or outputs? This is
because the function of these lines is
determined by the circuit designer .
Each of the PA and PB lines can
be set as either an input or an output.
The CA2 and CB2 lines are also
programmable as inputs or outputs .
Only the CAl and CBl lines are
fixed as inputs . The configuration of
the 6821 is done by the processor by
writing into the hidden registers
mentioned earlier . This is generally
done once at power-up . Subse-
quently , the processor limits itself to
reading and writing the data registers
of the PIA.
When a PA- or PB line is
configured as an output , it acts like a
latch , i.e ., it retains the bit pattern
stored in it until the MPU rewrites it.
As an input , it acts like a "window"
on whatever is connected to it . The
"window" is "open " only when the
MPU reads the address of the data
register inside the PIA . At any other
time, the outside world is locked out
and does not affect the MPU .
The CAl and CBl lines are
different. When the MPU enables
them - by storing a certain bit pattern
inside the PIA - they act as triggers
for the IRQA and IRQB outputs,
respectively . These outputs interrupt
the normal program flow , and are
used to either sync the MPU to
something (such as a display refresh
timer) or to indicate that something
happened which requires immediate
attention .
The CA2 and CB2 lines differ in
subtle ways which are not important
here . Basically , though , they can be
used either to "acknowledge" and
interrupt , by pulsing , or , more
commonly, to act as additional
latching output bits .
Engineers like the 6821 because it
makes it easy to interface a wide
variety of devices to the processor.
All of the messy latching and
bi -directional buffering is taken care
of. It also reduces the parts count.
Nice for the engineers , 'you say ,
but what about the tech repairing
these boards? You do not have
access to the program , so you do not
even know how the device is
supposed to act. Fortunately , there
are ways around this situation . As
usual. the best repairmen are the

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