Play Meter

Issue: 1977 May 20 - Vol 3 Num 10 (label 9)

TOP 100
>I P 4399
lAIN & TENNILLE / A&M 1912
R IS BORN" (EVERGREEN)
TREISAND/Columbio 3 10450
et City 8 50335
:N ME ON) ADDRISI BROTHERS/
Buddoh BDA 566
)MORROW TOM JONES/
Epic 8 50308
'!FRED MANN 'S EARTH BAND /
Worner Bros. WBS 8252
II KANSAS/ Kirshner ZS8 4267
(CBS)
9
8
21
9
6
19
27
21
GO JACKSONS/Epic 8 50350
7
:Rs MARY MacGREGOR /
ri olo America P 7638 (Capitol)
25
& THE SILVER BULLET BAND/
Capitol P 4360
1tic 3392
24
8
: BAND / Capitol P 4424
3
IERS/ Copitol P 4405
5
OLAN / 20th Century 2287
IUFFETT / ABC 12254
lpitol P 4422
5
14
RING CHAKA KHAN/ABC 12269 3
:)lumbi o 3 10429
27
~ 50329
17
N NOLAN / 20th Century 2331
7
IJS/Epic 8 50289
FROM "ROCKY")
FERGUSON / Columbia 3 1 0468
65
67
66
67
68
69
66
68
65
71
m
79
71
27
3
~RYL
2
81
76
THE PRIDE ISLEY BROTHERS/T-Neck ZS8 2262 (CBS)
ON THE BORDER AL STEWART/ Janus 267
7
77
78
I'M GOING DOWN ROSE ROYCE/MCA 40721
YOU'RE THROWING A GOOD LOVE AWAY SPINNERS/
Atlantic 3382
EVERYBODY BE DANCIN' STARBUCK/Private Stock 45144
2
76
85
63
ID
86
m
Iii
74
m
79
49
80
82
m
ID
m
m
m
DA DOO RON RON SHAUN CASSIDY /Warner/Curb
8365 (WB)
YOU'RE MY WORLD HELEN REDDY /Capitol P 4418
KNOWING ME, KNOWING YOU ABBA/ Atlantic 3387
88
97
2
RLD
2
2
92
93
94
95
lARRY MANILOW/ Aristo 0244
92
94
95
96
96
99
100
5
IT'S SAD TO BELONG ENGLAND DAN & JOHN FORD COLEY/
Big Tree BT 16088 (Atlantic)
2
GO YOUR OWN WAY FLEETWOOD MAC/Warner Bros.
WBS 8304 20
HOOKED ON YOU BREAD/ Eiektro 45389
4
PEACE OF MIND BOSTON /Epic 8 50381
93
97
6
90
89
90
91
98
3
(YOUR LOVE HAS LIFTED ME) HIGHER & HIGHER
RITA COOLIDGE/ A&M 1922
91
4
6
89
88
2
~
3
WHATCHA GONNA DO? PABLO CRUISE / A&M 1920
6
3
6
6
83
.ON JENNINGS/RCA PB 10924
)VE PETER McCANN /
20th Century 2335
5
5
3
HALL & JOHN OATES/
RCA PB 10970
t RUBINOOS/ Beserkely B 57 41
(Playboy)
IFRED MANN 'S EARTH BAND/
Worner Bros. WBS 8355
2
5
77
m
7
THIS IS THE WAY THAT I FEEL MARIE OSMOND/Polydor
PD 14385
FLY AT NIGHT (IN THE MORNING WE LAND) CHILLIWACK/
Mushroom M 7024
YOU ARE ON MY MIND CHICAGO /Columbia 3 10523
BACK IN THE SADDLE AEROSMITH /Columbio 3 1 0516
THE WHISTLER JETHRO lULL / Chrysalis CHS 2135
GOING IN WITH MY EYES OPEN DAVID SOUL/
Private Stock 45150
I JUST WANT TO BE YOUR EVERYTHING ANDY GIBB /
RSO RS 872 (Polydor)
ARIEL DEAN FRIEDMAN / Lifesong 45002
86
e
:NVER / RCA PB 10911
72
27
4
7S/Copitol SPRO 8571
m
50
DANCE AND SHAKE YOUR TAMBOURINE UNIVERSAL
ROBOT BAND/Red Greg 207
THIS GIRL (HAS TURNED INTO A WOMAN) MARY
MocGREGOR/ Ariolo America P 7662 (Capitol)
I DON'T LOVE YOU ANYMORE TEDDY PENDERGRASS/
Philo . Inti. ZS8 3622 (CBS)
YOU AND ME ALICE COOPER/ Warner Bros. WBS 8349
BURNIN' SKY BAD COMPANY / Swan Song 70112 (Atlantic)
YOU + ME
LOVE UNDISPUTED TRUTH/Whitfield 8231
(WB)
UPTOWN FESTIVAL SHALAMAR/ Soul Train SB 10885 (RCA)
SOLSBURY HILL PETER GABRIEL/ Atco 7079
RIDIN ' THE STORM OUT REO SPEEDWAGON / Epic 8 50367
MY WHEELS WON'T TURN BACHMAN -TURNER OVERDRIVE /
Mercury 73903
GOOD THING MAN FRANK LUCAS/ ICA 001
SLOW DOWN JOHN MILES/ London SN 682
=
5
3
3
1
9
2
2
2
3
IT FEELS SO GOOD (TO BE LOVED SO BAD) MANHATTANS/
Columbia 3 10495
THE PRETENDER JACKSON BROWN / Asylum 45399
1
FLY LIKE AN EAGLE STEVE MILLER BAND/ Capitol P 4372
23
MUSIC PROGRAMMING
by Michael B. Klein
Rock Scene Looking Up
I think that now we can all finally
stop crying in our beer about the
state of rock . Granted there was a
very dry period some months ago,
but all is changing .. . and for the
best. Everything is going to be all
right .
Some months ago, I pointed out
that for the last year or so rock
music hasn't exactly turned the
world on its ear. Now that I think
back on this period, it was probably
meant to be. It was a transition
time , if you will , a period of false
starts, false hopes, and, mainly,
(for the listener) just lying back,
enjoying what was around the best
we could.
Throughout all of this, most of us
didn 't really give up; we simply
turned on all of the old rock records
we had enjoyed so much prior to the
"dry spell. " Even today, I still go
back and listen to the Jefferson
Airplane, Grateful Dead, and the
first few Stones Ips. And they're
terrific. Even though they are almost
a decade old . But how many
listeners are still into Question Mark
and the Mysterians, the Sweet, or
even T-Rex? Not too many, I assure
you.
For all intents and purposes,
categorizing always distorts the
truth , but sometimes it is more
useful than not. This is especially
true in considering the whole field of
rock, which is simply too diverse.
After all, there's soft rock, hard
rock, heavy metal etc., etc .
THEME FROM PICNIC - Gap Man-
gione / A&M Records 1939
A recent facet of the " nostalgia
revival" shows up in the release of
this single . I wou ld imagine that you
saw the f ilm Picnic and without
doubt you remember the poignant
theme song . Well , th is is it , in an
updated version .
I wouldn 't classify this record as
MOR, Jazz or Rock . It is simply very
listenable . As such it should appeal
to just about anyone who likes
music . I realize that that isn't much
of an indication of what this record
can do for you, but it is the best way
to describe it .
Older listeners will enjoy " re-
calling," and younger ones will be
pleasantly surprised. I consider this
the " perfect " record .
WILD IN THE STREETS - Garland
Jeffreys/ A&M Records 1934
Garland has a Bob Seeger type of
voice , but much rougher . It is a very
"believable" voice , too . One would
think that he was, and maybe still is,
" Wild in the Streets ."
Garland performs this tune with
dash and great coloration in his
voice . It' s the music I don't care for .
I think that given the proper
material , we could be listening to a
star, and maybe we will be in a year
or so, after Garland refines his
music . Pass this one up, but do
watch the man.
I'LL LIVE MY LOVE FOR YOU -
Millie Jackson / Spring Records 173
What a production number this
one is! Strings, horns, back-up
voices and sound quality that won 't
quit . It rem inds me a bit of the old
Phil Spector " wall-of-sound " rec-
ords produced in the sixties. As a
matter of fact, the energies on this
disc would tire an Olympic long
distance runner!
Millie is one fine soul singer, and
she treats this tune with both
seductiveness and gusto. The ma-
terial itself is strong, and yet gentle .
There is truth here .
Millie' s romantic approach will
not suit every taste, but the joy of
her delivery should prove an irre-
sistable attraction .
Although none of these singles
are " typical " everyday rock tunes,
they do rock . All have the character
that would make them high con-
tend ers for top 40 radio . Rock on ..

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