Play Meter

Issue: 1977 December - Vol 3 Num 23

we're being pressured by someone else. I might add
that we started to build our own bars, and we're
going to have them tied up the way we want t hem.
And then nobody can tell us what to do.
PLAY METER: And then you're going to lease
them out?
TERRY: That's right. That's what it's going to
become anyway. That's the way the business is
headed.
PLA Y METER: That seems to be an important part
of the business nowadays. Many of t he more
successful companies are pretty well implanted in
their own territories because of certain leases and
land holdings. Now, what are some things you do to
stimulate play on your phonographs?
TERRY: We try to put in a good sound system with
speakers. We believe in speakers. We go in there
and polarize the speakers correctly and criss-cross
them. Most people go in there with one channel and
seventy volts and that's it. We criss-cross our
speakers and polarize them. A lot of people don't
believe you can take the two speaker wires and turn
them around backwards, and the speaker will pull
in instead of push out.
PLA Y METER: And that's called polarizing?
TERRY: Yes, you put minus to minus and plus to
plus. People don't know why their amplifiers blow
out all the time.
PLA Y METER: What exactly do you mean by
criss-crossing them?
TERRY: Say you're standing at the front of the
building, you'll have a left channel on the left and
the right channel on the right. You'll step down
maybe four panels on the wall, and you'll have the
right channel on your left and the left channel on
your right. Anywhere you stand, you should hear
the criss-cross. To me, I never really thought too
much about it until one of our supervisors said we
weren't doing it right, and it turned out he was
right.
PLA Y METER: What other accessory equipment
do you use? Wall boxes? Dollar bill validators?
Remote volume?
TERRY: Remote volume. No wall boxes, though.
And very very few dollar bill validators. The reason
is not because of the cost of the dollar bill validators
but because of the service. You can get a dollar bill
in there and get more people mad at you because
the thing is an old wet dollar bill going in there and
hanging up, and they're mad at you right off the
bat. If the location insists, we will put one on. And
for that reason, we do have them, but it's only
because a lot of people insist on them.
PLA Y METER: Who programs your records?
TERRY: My wife and the other two route persons
are the ones who pick them out. They get together,
and when they go to buy records they go with a list
from all the locations and buy special for each
location. We're starting something new this week,
requests sheets. We've always taken requests, but
my wife who handles much of the music
programming wants to try this. She says it might
have better results.
PLA Y METER: Is there anything else you go by for
your music programming?
coin
operated
systems






Coin Meters
Coin Chutes
Locks
Timers
Rotary Switches
Custom Designs
Gi GREENWALD INDUSTRIES
1340 METROPOLITAN AVE .. BROOKLYN. N.Y 11237 ' TEL. 212 456-6900
TELEX 1·2281. CABLE ADDRE SS - GREENCOINS . NEW YORK
A DI VI SION OF WALTER KIDDE & COMPA NY INC.
If itwas at ...
".A.M.A.
A.M.O.A.
or
I.A.A.P.A.
You can get it at .•.
C.R. RobiftlOft & Co.
2301 W t Pico Blvd.,
Los Ang les, a. 90006
'I' 1: 2 13/380-1160
continued on page 81
PLA Y METER, December, 1977
15
OPERATING
Senate confirms Copyright Tribunal
The U.S . Senate has confirmed
the appointment of all five members
who had been nominated to serve
on the newly-created Copyright
Royalty Tribunal , but at presstime
there was no indication as to what
decisions that five-member panel
would make.
At stake is the interpretation of
the new jukebox royalty law and
how that law will be implemented
when it goes into effect January 1.
The five appointees are Tom
Brennan, who is the counsel for the
Senate
Copyright
Committee;
Clarence James, a Cleveland at-
torney; Frances Garcia, an ac-
countant from Austin , Texas; Doug-
las Coutler, a Vietnam veteran and
an economics writer; and Mary Lou
Burg of West Bend, Wisconsin ,
who is the former deputy chair-
woman of the Democratic National
Committee.
Garcia and James were appointed
to five-year terms on the committee,
and the other three members -
Brennan, Coutler, and Burg - were
appointed for seven years. The
yearly salaries for each of the five is
$47,500.
It will be their duty to determine
what actually goes into the imple-
mentation of the jukebox legislation
which will, as of January 1, assess
each operator eight dollars for each
jukebox he operates. According to a
recent estimate of the A.M.O.A.,
there are 500,000 jukeboxes being
operated in the United States,
which would produce for the
performing rights societies and their
clients $4 million .
The main problem with the
implementation of the new law is
that the three performing rights
societies - ASCAP,
BMI,
and
SESAC - are insisting that the pho-
nographs be listed by location and
that, in addition, the selections on
each jukebox be filed each week so
that the performing rights com-
mittees would have an indication as
to how to disburse the funds .
The A .M .O.A ., however, con-
tends that because of the highly
mobile nature of the industry, it
would be impossible to list the
phonographs by location. Operators
also fear that if they are forced to list
their phonographs according to
location, they may be required to
re-register the phonograph and pay
an additional eight dollars for the
same machine. A recommendation
by ASCAP to this effect is one of
the matters the copyright tribunal
will have to decide on .
Operators also fear that by listing
the phonographs their business may
be jeopardized because that in-
formation (the locations) would be
available to the public as part of the
Freedom of Information :\ct.
The copyright law states that in
filing for the phonograph license,
the operator of the phonograph
must supply "the manufacturer and
serial number or other explicit
identification of the "jukebox. The
A .M .O.A. is contending that " other
explicit information" should allow
operators to identify their machines
by the manufacturers' serial num-
bers. The performing rights socie-
ties want more information .
Other points of contention which
will have to be decided by the
five-member panel include the mat-
ter of multiple submissions - can an
operator with 200 phonographs
send in a blanket application to
cover his machines or must he file
200 forms?
Also the size, location , and
placement of the license has created
a problem. Operators want the
licenses to fit into a 1-inch by
three-inch slot on the record
selection chart. The performing
rights committees want the licenses
bigger and more prominently dis-
played .
Bally holds Super
Three Datsun automobiles are
among the top prizes being offered
as part of the Super Shooter
national pinball tournament, Bally
Manufacturing's Battle of the Pin-
ball Wizards.
Bally's wholly-owned subsidia-
ries, Aladdin's Castle Family Enter-
tainment Centers, have been spon-
soring a series of six weekly
tournaments at each location as the
first step in the tournament to
determine the national pinball wiz-
ard .
Aladdin's Castle is awarding
prizes at all levels of the contest,
and entry blanks for the competition
have been made available at Alad-
din's Castles, Carousel USA Cen-
ters, and LeMans Speedways. What
is noteworthy is that there is no
player entry fee required.
The play in the tournament began
in October and is extending for six
weeks at the location level, with the
competition set for each Wednes-
day. The weekly winner at each
location is determined by the high
scorer on the designated Bally
tournament pinball machines.
The weekly winners at each
location win a collection of five
MCA record albums, a Super
Shooter Exer-Grip from AMF Voit,
and a softbound copy of the new
book Pinball by Roger C. Sharpe
(PLAY METER 's pinball critic) .
Still at the location level , those six
weekly winners meet in a play-off to
determine the location champion. In
addition to moving on in the
tournament, the location champion
wins a GT6600 in-dash 4O-channel
CB unit with AM / FM stereo from
Pioneer Electronics and a $50
wardrobe award from Faded Glory.
The location champions then
move on to the regional level for the
middle step in the tournament. For
the Super Shooter contest, the
United States has been divided into
twenty geographical regions . One
winner will emerge from each of the
twenty regions to move on to the
tournament finals which will take
place in Chicago.
Winners at each stage of the
tournament, it should be noted , are
determined by the high total score.
In case of a tie, the winner is the one
with the highest single game score.
Those who advance to the
regional finals win a trip to Chicago
and accommodations at the Playboy
Towers Hotel in Chicago (the site of
the finals) for three days and two

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