Music Trade Review

Issue: 1954 Vol. 113 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Estey Organ Corp. Introduces Complete
Line of Organs; Opens New York Salon
In a surprise move that became one
of the outstanding features of the 1954
N.A.M.M. Convention, in Chicago last
month the century-old Estey Organ
Corp. of Brattleboro, Vt., introduced
the newest of electronic organs, as well
H. J. SERVAIS
as a completely redesigned reed organ
line.
The Estey Electronic Organ was pre-
sented in three models, a Spinet, a
Church model and a Catehdral model.
Each of the models uses the same type
of tonal source and makes available
thousands of voices which embody both
the tempered and natural harmonics.
"Not only does the Estey Electronic
Organ produce thousands of the most
beautiful tones ever created by an elec-
tronic organ," said Henry Hancock,
President of Estey. "but the organ can-
not go out of tune because pitch is
locked into the circuit and is not de-
pendent upon the efficiency of the
tubes. The generator uses very inex-
pensive and reliable standard tubes, all
of which are interchangeable in posi-
tion. Service on these organs will be
at an absolute minimum.*'
In addition to Mr. Hancock, who is
widely known as a pipe organ author-
ity and as the manufacturer of Estey
and Rieger pipe organs, the dealers
were greeted by Elizabeth S. Mackay,
now Vice President of Estey and
known to almost every leading music
dealer through her previous ten years
as director of advertising and mer-
chandising for the Hammond Organ.
Also on hand was H. J. (Hank) Ser-
vais, whose many years as Eastern Dis-
trict Sales Manager for the Hammond
Organo gives him an excellent knowl-
28
edge of the music trade which will
serve him well in his new capacity as
General Sales Manager of the Estey
Organ Corp. George E. Mansfield, for-
mer vice president of Everett Piano Co.
is Regional Manager of Estey. While
surprised at the enry of Estey into the
electronic organ field, reed organ deal-
ers from all over the the country came
in to shake hands with Wilson Estey.
reed organ manager.
"We are providing dealers with a
complete line of organs", said Mr.
Servais. "The Estey Electronic Organs
will be sold under exclusive franchise
through leading music dealers, and the
same dealers will handle the redesign-
ed reed organs, including the wonder-
ful Virtuoso practice organ, and will
also be in a position to accept pipe
organ business for Estey unit and
built-to-order pipe organs, and Rieger
portable pipe organs. In other words,
with the Estey line, the dealer can now
offer his customers a line of organs that
begins with a wonderful toy organ—
a real three-octave reed organ that re-
tails at $49.50—and goes right through
every price range to that of the finest
pipe organs in the country. Of course,
our pipe organ representatives take
over and work with the dealers on pipe
organ installations, but the dealer is
able to save the sale and make a nice
margin on it instead of having to see
it go out of his doors."
Electronic Organ
The three models of the Estey Elec-
tronic Organ have been designed to
meet every playing requirement, as
determined by years of experience on
dealer floors and in actual use. The
Spinet Model has two full four-actave
manuals, and eighteen pedal notes, as
well as a number of set-up stops and
a complete group of stop tablets for
each manual which control funda-
mentals and harmonics in seven differ-
ent intensities. Moreover, the tone pro-
vided by each of these stop tablets is
not a bare "sine wave" but carries with
it a group of natural harmonics, so all
the tones are rich in harmonics. The
console and bench of the Spinet Model,
as well as the other Estev Electronic
Organs, have been designed by a lead-
ing furniture designer.
Church Model
The Church Model of the Estey
Electronic Organ has two full 61-note
manuals, with overhanging keys, twen-
ty-seven radiating and concave pedal
GEORGE E. MANSFIELD
keys, a larger number of set-up com-
binations, the same system of table
tonal controls as the Spinet, and a
handsome panelled console with a
matching bench.
Cathedral Model
The Cathedral Model is offered as
the ultimate in electronic organs for
use by the large church and for con-
cert organists as well as teachers who
want an electronic organ that con-
forms to pipe organ standards. The
32-note pedal keyboard is built to
A.G.O. specifiications—in fact, is a true
ppe on every keyboard.
Reerl Organs
The redesigned line of Estey reed
organs created almost as much of a
stir as did the new Estey Electronic
Organs.
The redesigned and re-priced Virtu-
oso also won much acclaim. The Vir-
tuoso is a full-size pipe organ console
meeting all pipe organ standards and
providing all the organ voices and re-
sources, such as couplers, required tor
playing organ literature.
The Esley reed line is rounded out
with the Missionary Folding Organ,
which has gone all over the world with
our armed forces and with church
missionary forces, and with the re-
designed Chorus Organ and the well-
known "38-Action Estey Organ" with
12-note sub-bass.
"The entire line of Estey electronic
and reed organs, as well as the Rieger
portable pipe organ, is on view at our
new salon at 121 West 57th Street"',
said Mr. Servais.
THE MUSIC TRADE REVIEW, AUGUST, 1954
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
W . W . Kimball Co. Uses Novel Method
of Introducing New Line of Pianos
The year 1954 will be a memorable
one for the dealers of the Kimball Com-
pany in Chicago, which in three years
will be celebrating its 100th anniver-
sary.
This is the year, however, when Kim-
ball introduced an entirely new piano
with several constructional improve-
THE NEW KIMBALL BACK WITH
ROUND POSTS.
ments, including more powerful plates,
balanced keys,'friction release precision
actions, more powerful hammers, auto-
matically wound strings, longer bass
strings, soundboards with greater freed
(vibrating) areas, new projection of
tone, new ease of playing, new protec-
tive finishes and more carefully matched
and beautiful veneers as well as heavier
and easy rolling casters with cases in
new woods, rare and colorful.
The instruments also have an entirely
new styling.
Entitled "The Birth of a New Era for
the W. W. Kimball Co. and the Entire
Piano Industry," the new models were
introduced individually. The first one
was the Kimballette, regarding which a
special advanced notice was sent out
showing how this instrument is entirely
new with new principles in design
which have been approved by Charles
Frederick Stein, technical consultant to
the piano industry, Torbin F. Yates, a
graduate of the School of Engineering,
University of Illinois, and the design-
ing was done by Oscar Steinhauser, a
graduate of the Grossherzoglich Ger-
werbe Schule, Eisenach, Thuringen,
Germany.
Attached to the announcement was
an engineer's official report written by
Chief Engineer Yales.
In this report, it is revealed that the
Kimballette has been created in new
fabrication designs, only 38 inches high
on full casters. It is a full 88-note in-
strument with a direct-blow action. "The
functional design is contemporary,
and the simple flowing lines belie the
THE MUSIC TRADE REVIEW, AUGUST, 1954
modest price-tag. The finish, colors,
veneers and cabinets are all true to the
tradition of the long life construction."
It is explained that vertical ribs elim-
inate a back liner and reduce strain,
and more soundboard surface is left to
vibrate. "The Kimballette has the ver-
tical ribs that nestle between round back
posts designed so that they eliminate
the back liner to bring the string load
of 20 tons right up to the back posts."
It is explained that the dowel design of
the Kimballette back does not rely on
glue for strength, although all the round
posts are soundly glued. A laminated
soundboard is used as well as a full-
sized plate and scale.
Attached to the announcement also is
the following quotation: "The princi-
ple of vertical ribs is not new to the
industry and has proven successful
whenever properly engineered, accord-
ing to Mr. Charles Frederick Stein, the
famous piano manufacturer and con-
sultant to Pratt, Head & Co.
Announcement No. 2 was regarding
the Kimball Console Modernaire. Style
74, height 38 inches, and produced in
wrought iron legs and music rack, in
limed oak.
Announcement No. 3 advised the
dealers regarding Colonial modern,
Style 71. which was produced in ma-
hogany, walnut, Karina blonde, and
Salem maple. A 38-inch scale with
many additional features and finished
in the new Johnson's "rubbed in" wax.
Regarding the latter, the company
states, "We will produce all rubbed fin-
ishes with the new rubbing fluid which
culminate in the most beautiful lasting
finish ever before offered.'
Another unique feature was the an-
nouncement that the new tag salesman
to tell about Kimball's wax finish would
be on all pianos which bear the name
of Kimball.
Another novel feature in the con-
struction of these new pianos is colored
sharps to match the body of the piano,
maroon with mahogany and other colors
providing the piano with any color that
might be desired by a purchaser.
It was regarding this line that the
sales staff, as well as Kimball dealers
who visited the Convention, were ad-
vised al the Kimball headquarters, Kim-
ball Hall. Chicago, during Convention
week.
Photos of the new Kimball Models
are reproduced on Pages 18 and 19.
BELLY WITH A KELLY
WE DON'T WANT TO BE ANATOMICAL
"THE HARP
OF THE PIANO"
KELLY PLATES
WITH
HAVE
BUT
YOUR PIANOS WONT
" H A R P " TROUBLE. PUNNY—ISN'T IT?
BUT REALLY — BUY KELLY
"THE PIANO PLATE OF PERFECTION"
THE O. S.
SPRINGFIELD
COMPANY
OHIO

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