Music Trade Review

Issue: 1954 Vol. 113 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Hammond Organ Studio of Tucson
on "Sunshine Mile' Opened by Cushing
the market for the fall business.
Mathushek Piano Mfg. Co. was
founded in 1863 by the late Frederick
Mathushek and was incorporated in
1866. It had occupied extensive fac-
tories in New Haven, Conn. Later it
was moved to New York and it came
under the control of tin- late Charles
and C. Albert Jacob, and was carried
on for many years by the sons of C.
Albert Jacob. Sr., C. Albert Jacob. Jr.
and the late Charles Hall Jacob.
A few years ago, Mr. Brown brought
out a piano which he called "The
spinet piano with the grand style,"
a full 88-note instrument, which he
said was styled to harmonize with the
size and decor of the modern home and
furniture.
THE NEW HAMMOND STUDIOS OF TUCSON, ARIZONA
The grand opening of the Hammond
Studios of Tucson, owned and oper-
ated by Howard Cushing at 2438 East
Broadway. Tucson. Ariz., look place on
Friday, June 4th and Saturday, June
5th. Formal invitations were mailed to
music teachers, impresarios and mem-
bers of musical societies, and an invi-
tation advertisement was also pub-
lished in the Tucson Daily Citizen and
the Arizona Daily Star, with the result
that there was a large attendance on
both days of the opening.
Entertainment was provided by Mr.
Dude Vance, star of one of the local
television stations, KOPO: Dick Hall,
one of Tucson's popular entertainers
now appearing in a leading hotel; and
the nationally famous "Keyboards'"
Bob and Olympia Lloyd. Carnations
were distributed to everyone who came
to the store.
The store is located on "Sunshine
Mile" in the midst of the better shops
and where ample parking facilities
are available. Floor space covers an
area 35 by 70 feet deep. Four large
plate glass windows cover the entire
front of the store. Two large organ
THE MUSIC TRADE REVIEW. JULY, 1954
practice studios and five smaller
studios line the walls to the rear of the
store. Stock rooms, parts room and
service area is also in the rear.
The entire store is air-conditioned.
The furnishings are all moderne motif
and the floor is carpeted wall to wall
in a sandalwood shade. The walls are
decorated in a light green, the ceiling
acoustical tile, done in a lighter shade
of green which produces a cool, clean
no-glare appearance. From the inside
of the store the beautiful Santa Cata-
lina Mountains can be seen etched
against the northern sky.
A. P. Brown Buys the
Mathushek Piano Mfg. Co.
Announcement has been made by
C. Albert Jacob, Jr. of the Mathushek
Piano Mfg. Co. that the name and
goodwill of the company has been
sold to A. P. Brown who will hence-
forth operate under the name of the
Mathushek Piano Mfg. Co. In an in-
terview with Mr. Brown, he stated that
the new Mathushek factory will be at
40-01 11th St., Long Island City. N. Y.
and that he expects to have pianos on
Acrosonic Piano in Liberace
Suite on Railroad Train
Recently when Liberace traveled
from Los Angeles to Chicago to begin
his series of eastern personal appear-
LIBERACE AT THE ACROSONIC
ances, the Union Pacific Railroad Co.
arranged with Ralph Louis, manager
of the Baldwin Los Angeles store, for
an Acrosonic piano to be put in Liber-
ace's railroad suite. The piano traveled
east with him and enabled him to prac-
tice and rehearse en route.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The
REVIEW
Established 1879
CARLETON CHACE, Editor
Alex H. Kolbe, Publisher
A. C. Osborne
Alexander Hart
Associate Editor
Technical Editor
keep the factories going. In so doing, they have been
lowering the high ethics of salesmanship." We cer-
tainly don't know who they are referring to in that
paragraph because we do not know of very much
lomering of the standard of trying to make piano
sales. In fact, there has been rather an upswing for
many years in rebuilding the dignity of an industry
which was at one time sorely damaged by certificates,
guessing contests and other idiotic means of attract-
ing people to a dealer's store. The Editorial in this
publication goes on to say, "We read an article in
one of the piano magazines during the dealers to pro-
mote sales by giving a course of free lessons to the
piano customer. This method of promotion is not
new to teachers of the fretted instruments, the only
difference being in their case the instrument was
given away and lessons charged for."
How the Piano Industry is Helping
the Music Teacher
V. T. Costello
W
Terry Ruffolo
Production Manager
Circulation Manager
Published monthly at 510 Americas Building, Radio
City, 1270 Sixth Avenue. New York 20, N . Y.
Telephone: Circle 7-5842-5843-5844
Vol. 113
JULY, 1954
No. 7
Business-As We See It
W
E ran across an Editorial in a publication
called "Fretted Instrument News" which was
entitled—"Is the Licensing of Music Teachers
Desirable?" The essence of the Editorial is that un-
less music teachers are licensed, then the act of giving
free lessons in order to make a
sale may become a racket, and in
view of this they state in their
last paragraph—"We hope to see
every state pass a law demanding
an adequate examination be
passed before one is allowed to
practice the profession of music
teaching and teachers organized
so as to be able to demand a fair
price for their services." In the
first paragraph a statement is
CARLETON CHACE
made, "The piano is undoubtedly
the best-known and most useful musical instrument.
It is acknowledged to be the cornerstone of music
education. Those engaged in its manufacture and
sale have established and have been practicing a high
standard of ethics in its merchandising. But with the
advent of records, radio and television, the sale of
pianos has diminished and the industry has had to
resort to all kinds of sales promotions in order to
E believe that the "Fretted Instrument News"
does not realize what the piano industry has
been doing to help the individual music teach-
er. During the last six years, through the efforts of
the American Music Conference and the introduc-
tion of keyboard experience in public and parochial
schools, more children and more mothers have been
made piano-conscious than at any period in the his-
tory of the piano industry. Of course, we know that
at first the teachers pooh-poohed at the idea and
felt that the movement was going to be detrimental
to them. Today, however, it is different. Even private
teahers have been contacting the American Music
Conference to find out how class piano lessons can
be conducted, and they realize now that a large per-
centage of the children who are learning to play the
piano in the schools are going to take private les-
sons at some time or other. In fact, we might point
out to the "Fretted Instrument News" that in one
instance alone 450 children were taught to play the
piano each year in the schools and after twenty
years of this educational effort a survey was made
and it was found that 85 % of those children who
had learned to play in the public schools had con-
tinued their lessons afterward with private teachers.
In our estimation, the salvation of the piano indus-
try lies in the fact that young children are now be-
ing taught to play the piano and are learning more
about it every day. The piano dealer might take a
leaf out of the book that has been promoting the
organ business in the last few years. There is hardly
an organ studio today that does not have someone
connected with it who teaches prospects how to play
the organ. Nothing has stimulated this business more
than that type of promotion. It's something worth
thiking about in respect to piano sales.
THE MUSIC TRADE REVIEW, JULY, 1954

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