Music Trade Review

Issue: 1954 Vol. 113 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The
REVIEW
Established 1879
CARLETON CHACE, Editor
Alex H. Kolbe, Publisher
A. C. Osborne
Alexander Hart
Associate Editor
Technical Editor
keep the factories going. In so doing, they have been
lowering the high ethics of salesmanship." We cer-
tainly don't know who they are referring to in that
paragraph because we do not know of very much
lomering of the standard of trying to make piano
sales. In fact, there has been rather an upswing for
many years in rebuilding the dignity of an industry
which was at one time sorely damaged by certificates,
guessing contests and other idiotic means of attract-
ing people to a dealer's store. The Editorial in this
publication goes on to say, "We read an article in
one of the piano magazines during the dealers to pro-
mote sales by giving a course of free lessons to the
piano customer. This method of promotion is not
new to teachers of the fretted instruments, the only
difference being in their case the instrument was
given away and lessons charged for."
How the Piano Industry is Helping
the Music Teacher
V. T. Costello
W
Terry Ruffolo
Production Manager
Circulation Manager
Published monthly at 510 Americas Building, Radio
City, 1270 Sixth Avenue. New York 20, N . Y.
Telephone: Circle 7-5842-5843-5844
Vol. 113
JULY, 1954
No. 7
Business-As We See It
W
E ran across an Editorial in a publication
called "Fretted Instrument News" which was
entitled—"Is the Licensing of Music Teachers
Desirable?" The essence of the Editorial is that un-
less music teachers are licensed, then the act of giving
free lessons in order to make a
sale may become a racket, and in
view of this they state in their
last paragraph—"We hope to see
every state pass a law demanding
an adequate examination be
passed before one is allowed to
practice the profession of music
teaching and teachers organized
so as to be able to demand a fair
price for their services." In the
first paragraph a statement is
CARLETON CHACE
made, "The piano is undoubtedly
the best-known and most useful musical instrument.
It is acknowledged to be the cornerstone of music
education. Those engaged in its manufacture and
sale have established and have been practicing a high
standard of ethics in its merchandising. But with the
advent of records, radio and television, the sale of
pianos has diminished and the industry has had to
resort to all kinds of sales promotions in order to
E believe that the "Fretted Instrument News"
does not realize what the piano industry has
been doing to help the individual music teach-
er. During the last six years, through the efforts of
the American Music Conference and the introduc-
tion of keyboard experience in public and parochial
schools, more children and more mothers have been
made piano-conscious than at any period in the his-
tory of the piano industry. Of course, we know that
at first the teachers pooh-poohed at the idea and
felt that the movement was going to be detrimental
to them. Today, however, it is different. Even private
teahers have been contacting the American Music
Conference to find out how class piano lessons can
be conducted, and they realize now that a large per-
centage of the children who are learning to play the
piano in the schools are going to take private les-
sons at some time or other. In fact, we might point
out to the "Fretted Instrument News" that in one
instance alone 450 children were taught to play the
piano each year in the schools and after twenty
years of this educational effort a survey was made
and it was found that 85 % of those children who
had learned to play in the public schools had con-
tinued their lessons afterward with private teachers.
In our estimation, the salvation of the piano indus-
try lies in the fact that young children are now be-
ing taught to play the piano and are learning more
about it every day. The piano dealer might take a
leaf out of the book that has been promoting the
organ business in the last few years. There is hardly
an organ studio today that does not have someone
connected with it who teaches prospects how to play
the organ. Nothing has stimulated this business more
than that type of promotion. It's something worth
thiking about in respect to piano sales.
THE MUSIC TRADE REVIEW, JULY, 1954
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Music Week Observed by Jenkins
with Noon Hour Window Concerts
Music came to the downtown streets
of Tulsa, Oklahoma, during National
Music Week. The strains of operatic.
and Mrs. Paula Haas, at the Hammond
organ.
"This was the first time such a pro-
W. W. Kimball Award for Song is
Won by New York Composer
The \V. W. kimhall prize of $200
[or which musicians in North America
compete annually has been awarded to
a New York composer. Starling A.
Cumberworth, of Rochester.
Mr. Cumberworth's prize song Lulla-
by was judged winner over 183 en-
trants from the U. S., Canada, and
Hawaii.
At present working on his PhD. in
Composition at Eastman School of Mu-
sic of Rochester University, the 39
year old composer has written a num-
ber of songs as well as larger instru-
mental forms.
A charter member of the Southeast-
ern Composers' League, the Kimball
Award now brings him international
recognition.
CROWD GATHERS IN FRONT OF JENKINS WINDOWS TO LISTEN TO
NOONDAY PROGRAM DURING MUSIC WEEK.
classical, popular and old-time pieces
floated over the Traffic noises, drawing
crowds during each 2ioon hour to the
sidewalk outside the Jenkins Music
Company store to listen enraptured to
the performances of outstanding artists.
With the exception of the Chicago
Symphony woodwind quintet, all of the
artists on the week-long series of full
hour programs were Tulsans noticed
for their ability on their particular
instruments.
The idea was conceived by C. A.
Astle. manager of the Tulsa store of
the Jenkins Music Co.. to spread the
word about National Music Week. He
purposely arranged for the programs
in the store window rather than inside
the store to avoid any commercial
angle. A loudspeaker outside the build-
ing carried the music to the standing
throngs.
The week's program featured: Mrs.
Mary Sue McAllen. staff organist at the
store, in a concert of classical and
semi-classical numbers; The Chicago
Symphony woodwind quintet. This or-
ganization also appeared during the
day at two high schools and the Uni-
versity of Tulsa. A piano team of Miss
Blanche Forth and Mrs John G. Staudt
in a program of classical music. Clyde
Clarkson, vocalist, accompanied by
Miss Donna Wattenbarger, and Miss
Dorothy Bowen, piano soloist, in a
program of old-time favorites and well-
known show tunes. A string trio con-
sisting of Miss Lorraine Byman, harp-
ist; Daniel Schumann, violinist, and
Robert R. Gray, cellist, in a program
of semi-classical and operatic tunes—
THE MUSIC TRADE REVIEW, JULY, 1954
gram lias been conducted in Tulsa.
said Mr. Astle, "and the reaction cer-
tainly was fine. I heard comments in
the crowd that such noon-hour music
should be provided every day. not just
during National Music Week."
The first half-hour of each program
was broadcast also by station KRMG.
a 50.000-watt station, so the message of
fine music was carried much farther
than to the audience assembled on the
sidewalk.
Congratulations to Paul Jansen
Grand pop; and Toni Poeshl, Pop
Paul L. Jansen, sales representative
of the Manual Arts Furnilure Co., Cin-
cinnati. Ohio, is now a grandfather.
A son. Thomas Joseph Poeichl. Jr..
was born May 14th to Paul's son-in-law
and his daughter, Mr. and Mrs. Thom-
as Poeschl. Mr. Poeschl is also well
known throughout the trade as he
works with Paul as sales representative
for Manual Arts.
15,000 People Visit Gulbransen
Exhibit of Kieselhorst Piano Co.
GULBRANSEN EXHIBIT BY KIESELHORST PIANO CO.
The accompanying photograph shows
the display made at National Conven-
tion of Assembly of God by Clarei.ce
Trump, owner of the Kieselhorst Piano
Co. This Convention was allended by
more than 15.000 visitors and the re-
sults it had were reported very satis-
factory by Mr. Trump.
Mr. Trump, present owner of the 75-
year-old Kieselhorst Piano Co.. has
been very successful and is considered
one of the most aggressive piano deal-
ers. Besides his father. William Trump,
familiarly known as "Bill," a son of
Mr. Trump. Sr., is seen at the left
while his father is seen in the center
with a cane,
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