Music Trade Review

Issue: 1954 Vol. 113 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
American Piano Supply Co. is Purchased
by John Schadler & Sons; Vaughn Manager
Announcement has been made by W.
B. McKibbin, Vice-President of the
American Piano Supply Co., which has
been a division of Hammacher, Schlem-
mer & Co. for many years, that the
company has now been sold to John
Schadler & Sons, who have purchased
the name and inventory of the company
which is now located at 889 Broadway
at 19th St., New York.
The head of John Schadler & Sons
is John Schadler who at one time was
connected with Hammacher, Schlem-
mer & Co. with whom he started when
they were located on the Bowery. In
1927 Mr. Schadler left the organization
and opened his own business dealing
in hardware supplies. Mr. Schadler
was always primarily a piano supply
Both of these boys are graduates of
Cornell University and both served in
World War II, Edward J. Schadler be-
coming a Lieutenant Senior Grade in
the Navy and John Schadler. Jr., a
Major in the Army, where they saw ac-
tive service overseas. Previous to his
service in the Army, John Jr. spent
fourteen years with the Esso Standard
Oil Co. Edward J. Schadler joined his
father in 1947 and John Jr. in August
of 1952.
In connection with the purchase of
the company. Mr. Schadler, Sr.. an-
nounced that John J. Vaughn, who has
ERIC PERERS
been manager of the business for sev-
eral years, will remain as manager
in a central locality which will be con-
and that Eric Perers will also continue
venient for both the piano manufactur-
as western representative with head-
ing and the piano technician industries
in the east.
Elkay Products Co. Issues
Big Catalog on 25 Anniversary
JOHN SCHADLER SR. AND HIS TWO SONS, EDWARD J. AND JOHN SCHADLER, JR.
man. He started with Alfred Dolge &
Son when they were located in 13th
Street, where he stayed for two years,
and in 1898 joined the Hammacher,
Schlemmer organization. Since 1927 he
JOHN
J.
VAUGHN
has been conducting a very successful
hardware supply business and in re-
cent years has been joined by his two
sons, Edward J. Schadler and John
Schadler, Jr.
24
quarters in Chicago. Mr. Perers has
been with the American Piano Supply
Co. for over 20 years.
Mr. Schadler also stated that the
company will again have the agency
for Fly Brand tuning pins which are
imported from Germany, and that they
will also stock a complete assortment
of piano parts, felts, cloths, etc., for
the benefit of the technicians trade, in
addition to the full line for the manu-
facturers.
The American Piano Supply Co. was
organized in 1915 to carry on the
supply business formed by the Ameri-
can Felt Co. It was purchased by Ham-
macher, Schlemmer & Co. in 1927 at
the time that the latter company was
located at 13th St. and Fourth Ave.
The company will be continued under
its usual name as the American Piano
Supply Co., a division of John Schad-
ler & Sons, and for the present the
headquarters of the company will re-
main at 889 Broadway, New York City.
Some time in the future Mr. Schadler
plans to combine the entire business
The Elkay Products Co., 323 West
16th Street, New York, N. Y. is cele-
brating its 25 years of continuous man-
ufacturing of Moving and Storage Sup-
plies by making available to the trade
the largest catalog in its history. This
1954 Supply Catalog contains 54 pages,
listing over 1000 items that are essen-
tial for safer moving and storage and
easier piano handling.
The new Anniversary issue includes
informative sections on two new mov-
ing pads with their many special fea-
tures, such as, nylon thread for extra
strength, reinforced binding for dura-
bility and lock stitching for long life.
The catalog has been designed as an
easy to use buyers manual and it is
completely illustrated and contains de-
tailed specifications to enable the buy-
er to order by mail.
Besides many items that have been
leading sellers with Elkay customers
for many years, this catalog includes
a number of new items that are sure
to be money savers and profit makers.
Among these are: the "Traveler" com-
bination khaki and multi-color pad and
the value pack "400 Supreme" pad
for discriminating buyers who demand
the best; parachute cord ties and slings,
army cartridge straps, new "Expando"
sling ties, block and fall for piano-
movers, plastic piano covers, double
ball race dolly csaters and dolly trucks
and light weight magnesium appliance
truck.
THE MUSIC TRADE REVIEW, MAY, 1954
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PRACTICAL PIANO TUNING
By ALEXANDER HART
Formerly with Steinway & Sons Tuning Department, Instructor in
Piano Tuning, Teachers College, Columbia University, N. Y.
Registered Member of the
National Association of Piano Tuners
Notes of Interest on Tuning
N item of interest and importance
is to he on the alert when it comes
to adjusting dampers. One should he
careful, especially with some piano
A
Double Flonges
Damper Levers with Flange & Spring <
Damper Levers with Metal Plate, Steinway.
No. 1
actions that are distinctly individual. 1
mean by this, and you will observe
on the Diagram No. 1, the damper
lever marked Y is quite different from
the one marked Z. One has a wooden
flange: the other, a metal flange that
slides upward on the flange marked X.
Before we continue with the pro-
cedure of minor adjusting, it would he
well for those not fully acquainted with
damper regulation to avoid the tinker-
No. 2
ing or meddling habit. It's too bad to
mention this fact, but it does frequently
happen, and il is not considered good
i)~aetice. These few words of advice. I
THE MUSIC TRADE REVIEW, MAY, 1954
know, will be taken in good spirit. Now
to get on with our adjusting.
\ o t infrequently, pianos are moved
around, taken apart and get a lot of
jolting. Consequently, the bolts on the
action brackets become loose, and very
probably may cause the dampers not
to seat properly. Tightening the bolts
securely in many instances stops the
continuous sound.
There are many other causes such as
a taut damper rod. or a number of
dampers not seating on the strings.
Many of these adjustments are tricky,
and as suggested should be taken care
of properly.
Let us take as an example the action
with the dampers marked X and Y on
Diagram No. 1.
\v hen the wood is exceedingly dry.
it stands to reason that extraordinary
care should be taken in tightening those
screws on the metal plate, (a) When
doing so. hold the lever steady with the
left hand and turn the screw lightly
with the right hand. Unless you take
these precautions, you are apt to break
the lever at the center, (b) To carry
an extra few flanges is always in order.
\T hen one breaks accidentalIv. throw it
ting between the hamm
jhonks severol notet
s required
No.
3
away: don't try to mend it. (c) Tin-
action bending plier for regulating is
essential, and you will need it. The lop
part of the broken lever wire is bent
to shape and fit the damper head and
felt to the string, id) Take head of the
wire, then bend the new wire in con-
formity with the broken half, and this
operation can be corrected in short
order, more so when you have the bend-
ing plier with a compound leverage. As
to the dampers continually sounding,
this can be adjusted by loosening the
net on a pedal prop that loosens now
and then or vice versa, le) The conical-
pelican trap lever springs have no
props.
Pedal mountings, brackets and vari-
ous other types of pedal mechanism
can be shown clearly by consulting a
piano supply catalog.
Dampers V and W are absolutely
essential regulating tools for success-
fully bending damper wires.
Inserting the tool between the ham-
mer shanks, a slight bend ran make a
quick adjustment.
Let us take another example. Assum-
ing a few dampers are not seating,
i.e.. .-hutting off the prolonged sound.
1. See bolts are tight on brackets.
2. Place tool on sustaining pedal note
if all the dampers" heads are in align-
ment. If not. bend v\ith regulating tool
V forward or back as the case may be.
3. Place action in proper position. If
notes still continue to sound, or damp-
ers do not seal, the trouble may be
with the damper spoon.
The supply catalog will show an
illustration of the upright action. You
will observe the damper spoon if too
far forward will push damper level
away from the string. At the same time.
if spoon does not lift lever at the right
time and too much lost motion lies be-
tween spoon and the cloth, damper
will not come away from the string.
Don't bend spoon until all other
regulatii g points have been checked.
Explanations of Diagrams
Referring again to the diagrams
1, 2, and 3
the damper lever
designated at "Y" is a double
flange that fit§ on the damper lever
"Z." The lever mentioned as "Y"
is standardized and found in the
general run of pianos especially
uprights.

Download Page 24: PDF File | Image

Download Page 25 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.