Music Trade Review

Issue: 1954 Vol. 113 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Jtusi
REVIEW
Established 1879
CARLETON CHACE, Editor
Alex H. Kolbe, Publisher
A. C. Osborne
Alexander Hart
Associate Editor
Technical Editor
V. T. Costello
Terry Ruffolo
A Unique
Production Manager
Circulation Manager
Published monthly at 510 Americas Building, Radio
City, 1270 Sixth Avenue, New York 20, N. Y.
Telephone: Circle 7-5842-5843-5844
Vol. 113
in Brooklyn. In the middle west, there were also 90
manufacturers, distributed mostly in the states of Illinois,
Michigan, Ohio and Minnesota. In the east there were
18 manufacturers in New York State outside of New York
City, 8 in New Jersey, 8 in Philadelphia and 7 in Penn-
sylvania outside of Philadelphia. In Massachusetts there
were 23, Connecticut 4, 3 in Baltimore, Md. and 1 each
in the Stales of Maine, New Hampshire and Oregon. By
comparison today, we find 12 manufacturers in the mid-
dle west, 2 in the Bronx, 5 in Manhattan, 1 in New York
State outside the metropolitan area, 1 in Pennsylvania, 1
in Philadelphia and 1 in Tennessee, a grand total of 23.
Suppliers in 1908 numbered 18 piano action manufactur-
ers, 17 piano case manufacturers, 15 manufacturers of
felt, 42 hardware manufacturers, 18 piano hammer mak-
ers, 10 piano key manufacturers, 3 sounding board manu-
facturers, 25 manufacturers of piano benches and stools,
8 bass string winders, 12 makers of piano wire, 12 piano
plate manufacturers and 18 music roll manufacturers. At
the present time there are 2 piano action manufacturers,
no piano case makers, a few felt manufacturers, 3 piano
hammer makers, 2 piano key manufacturers, 2 sounding
board manufacturers, 5 piano bench makers, 3 bass string
winders, 5 piano plate manufacturers and one music roll
producer.
MARCH. 1954
No. 3
Business-As We See It
IT WENT IN THERE BUT CAME OUT HERE.
Introduction
TN looking back on that first introduction to the music
•*• industry, our memory brings to mind the instructions
which we received. We were told that in writing copy
for a trade paper, laudatory adjectives were particularly
permissible, in contrast to the copy which we had been
writing, that we might call "hard" newspaper copy, for
lhe New York Journal of Commerce and the old New
York World. These were the instructions of the Assistant
Editor at that time, Frank W. Kirk, who I discovered to
be rather an exacting person, but whom 1 had the priv-
ilege of sending to Chicago as our middle western repre-
sentative many years afterward when he had been uncere-
moniously let out of the publication with which he had
been identified for a great many years. Our first experi-
ence in calling on the industry resulted in a rather hum-
orous but severe reprimand. We called on one of the top
officials of one of the large companies, received a cordial
welcome and on our return to the office wrote a small,
one-stick item stating that this official seemed to be quite
pleased with the business situation at that time and that
his firm was doing a splendid business. No sooner had
the paper been distributed, than there was a telephone
call to our assistant editor from the executive who wanted
to know who the new reporter was, and stated that he
wanted it distinctly understood that when he told a re-
porter that business was good he never wanted any men-
tion of it in the paper, because he didn't want his com-
petition to know what his firm was doing.
r
| ^ H K E E years before we were horn, The Music Trade
Review was serving the industry. It was the first
trade publication to dispense news of the industry and
as has been recorded in the years that have followed, to
have led the way to the establishing of many organiza-
tions which today are active in the industry. Our intro-
duction to the music industry took place on the day
after Labor Day, 1908. It will probably be interesting to
many to know that at that time there were 254 piano
manufacturers. 92 of these were located in the metro-
politan area of New York City. 50 were operating in the
Bronx Borough, 40 in the Borough of Manhattan and 2
Looking Back Over the Years
r
I ^HE last 45 years have been filled witli many interest-
-*- ing experiences. Once we were asked by an official
of one of the larger companies what we ever got out of
continuing in the music trade publication business. We
assumed that he was thinking of the monetary aspect of
the business. Granted that there has never been a fortune
in it, but there is such a thing as getting untold satisfac-
tion out of something one likes to do. This may be called
personal vanity or whatnot, but as long as one is unhappy
in his daily occupation, life just becomes a drudgery and
THE MUSIC TRADE REVIEW, MARCH, 1954
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
nothing seems to be much worthwhile. We can look back
over the years with considerable satisfaction, because we
have made many, many sincere friends among some of the
iinest business executives found in any business. We have
also derived considerable satisfaction from many of the
things that The Review has done over the period of years
in which we have been identified with it. In the old
days, The Review was a weekly publication. That was be-
fore the depression. At that time it carried advertising
from all branches of the industry but although we super-
vised the business department we devoted our personal
efforts to the piano industry. It was during that period
that we had the satisfaction of securing the largest one
time advertisement, 91 pages in 2 colors, in one issue,
January 25, 1925 from the Standard Pneumatic Action Co.
then a part of the Kohler Industries. This was the larg-
est one time insertion by one firm ever contracted for in
any music trade paper and as far as we have been able
to ascertain in any paper in any other industry. We have
also had considerable satisfaction in having been instru-
mental in starting piano promotion in the newspapers
back when the daily papers were endeavoring to bury the
piano. We have had the satisfaction of publishing ar-
ticles which have stirred the retail industry into action
which has improved its national association. Not only
have we had considerable satisfaction in the fact that
THE REVIEW has always been doing constructive work
in more ways than one toward the betterment of the in-
dustry but because through our efforts the National Pi-
ano Travelers Association was revived and is again a
dynamic force in the industry and that we have had the
privilege of continuing the Year End Luncheon of the
New York Piano Trade known nationally as one of the
most popular annual functions in the industry.
Believe It Or Not—It
Happened
13EL1EVE it or not, in the early days of our experi-
•^* ences, we used to see 300 player pianos shipped out
in one day from more than one of the retail warerooms
here in New York City. Those were the days when they
were selling players for $5.00 down and $5.00 per month,
and the player piano business was booming along and
everybody thought the piano business had the world by
the tail. Unfortunately, 1926 the tail commenced to wag
the trade and suddenly the industry realized it had been
teaching people not to play with their hands, and the
player piano proved itself to be a fad. But, those were
the days that we used to spend two or three days each
week calling on the trade in the Bronx. We had the Pi-
ano Club of New York, then a luncheon club created by
the late I. E. Bretzfelder, due to the unsavory condition
of competition in the Bronx at that time between various
manufacturers, where competitors eyed each other with
suspicion. That little club, while it lasted did more to
weld the friendship of piano manufacturers in that bor-
ough than anything that was ever done in the metropoli-
tan area. In those days, the outings were looked forward
to with enthusiasm. It was there that the manufacturers'
ball team would play the supply men's team and while
the proverbial keg of beer would be resting on third
base, competition to see whose name would be engraved
on the Review cup would be very keen. Winnings were
fairly even and the cup which rested in the club for
many years became a veritable bone of contention. Then
th^re was always the annual beefsteak dinner, goings on
which created the friendliest of feeling which lasted as
long as the Bronx was a vital center for the piano indus-
THE MUSIC TRADE REVIEW, MARCH, 1954
try. How many remember the old days when the New
York Piano Manufacturers Association when the National
Convention came to New York would entertain the deal-
ers by taking them up the Hudson to West Point on one
of the Daylight line steamers? That was always a gala
day, too, because the cadets would put on a dress pa-
rade for the members of the industry. Dealers always
looked forward to that traditional entertainment, which
wound up the convention. Then, while we are reminisc-
ing, we cannot pass by without mention of the various
fishing parties, beefsteak dinners and other functions
which used to be held by the piano manufacturers in
the east. There was considerable effort made at that time
to get as much spirit of cooperation among the employees
as was possible, and in the summer months one was kept
pretty busy following up these various outings and social
functions to which practically all the trade paper men
were invited at that time. Then at convention time there
was always the annual Jamboree of the National Piano
Travelers Association, which has now been revived and
which is always looked forward to by the dealers who
come to the convention. At that time, the travelers were
numerous. The Association had over 350 members, and it
was always one of the most active in the industry as it
is today. The boys used to put on a pretty good show,
in those days and they generally last long and late. In
fact, we have always looked upon the revival of that as-
sociation with a great deal of satisfaction, because we
were instrumental in bringing it to life again in 1938,
and as Executive Secretary since that time we have taken
considerable pride in noting the continued growth in the
spirit of cooperation among the boys who are on the road.
Congratulations to Those Who Are Carrying On
N other page of this issue, there are thumb nail his-
torical sketches regarding many of the pianos which
are being produced today and which have been produced
for 75 years or longer. In some instances, the descend-
ants of the founders of these pianos are still conducting
the business on the same high plane which was estab-
lished by those who started making pianos over 75 years
ago. There are few if any industries which can point to
the continuation of products in the same traditional man-
ner manifested by the piano industry. We certainly wish
to congratulate all of these firms who have continued
these names for such a long period. It has been our priv-
ilege to have known some of the founders as well as
those who have carried on since the founders have passed
beyond. A finer group of gentlemen does not exist in
any industry. To have been privileged to know these
executives is just one more reason for the satisfaction
which we have found in being affiliated with the piano
industry. Not only do we appreciate their friendship but
also the confidence which they have many times placed
in us, as well as their support over these many years.
To have been able to have served the music industry
for 45 years and had the privilege of representing the
oldest and most constructive publication in that field to
the point of publishing its 75tb Anniversary number is,
in our estimation, satisfaction which cannot be measured
in monetary value.
Editor

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