Music Trade Review

Issue: 1954 Vol. 113 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FAIR TRADE
(Cont. from Page 22)
areas of free enterprise protected by le-
gal fences must not be crossed. Perhaps
now you can realize why the NAMM
cannot do certain things which you want
done. Perhaps too, you may realize your
own individual strength in local situa-
tions which are the most common.
Neither NAMM, nor any other trade
organization is vested with police pow-
ers, and it is you, the public, every-
body, who have denied these police pow-
ers to associations—therefore don't con-
demn NAMM or any other group for
being powerless to act when and as you
think they should. Realize above all,
that the power to control or curb, could
be applied to you as well as to your
opponent.
Suppose NAMM Did Have Power
Visualize for a moment what could
happen if NAMM had the power to do
the things which some have criticized it
for not doing. Suppose NAMM could
influence manufacturers' franchises. It
MALE HELP WANTED
Traveler
Southwest—For
one
of
the
largest and best known piano manu-
facturers
to
cover
Texas, Oklahoma,
Arkansas, Louisiana and New Mexico.
Full line of spinets and grands with
price
and
term
appeal
for
dealer.
Write for full details giving personal
information
to:
and
picture, if
available
Box Number 725 — Music Trade
Review, Room 510, 1270 Avenue of the
Americas, New York 20, N, Y.
OL
ki!»kiii;i!
PIANO
would be just fine to lake certain lint's
away from competitors and award them
to good association members. Then sup-
pose you resigned from NAMM for
some reason. You'd be liable to lose
those valued franchises, which in effect
would almost force you to keep your
membership.
Suppose NAMM could control the dis-
count selling of merchants. Any mer-
chant who sold to any person or group
at a discount would lose his lines oi
merchandise by reason of the Associa-
tion's influence, with wholesalers and
manufacturers. This in effect would
amount to a boycott of the accused mer-
chant by his suppliers. If totally effec-
tive, that dealer would be put out of
business and it could be that the true
facts of the case might not justify such
action. With power of this nature, it
would be very probable that no mer-
chant in the country would be able to get
merchandise unless he first became a
member of the proper association. That
would completely eliminate membership
problems for all associations, but it
could be very rough on dealers.
Follow this theory through as far as
you like and it won't take long to see
how tyrannical a local, state or national
association, or any combination of them
could become.
Instead of situations such as these, we
have the ones under which we now oper-
ate. The dignity and freedom of the in-
dividual is protected and upheld. That,
after all, is the American way. wherein
the individual is all powerful—not the
state, not a group or organization.
THINK—How much is this freedom
—How much is free enterprise worth'?
You may feel that it is an awful lot of
trouble to bring a violator of the trade
practice rules to justice. You may be-
lieve that getting the information to sub-
stantiate a charge is almost impossible,
VNE of the few pianos now on
the market that is made, owned
and operated by the same family
that created it.
I OUR generations of the Kra-
kauer family have produced the
Krakauer piano—over 75 years
in the same family.
I HE Krakauer is the best piano
for "Tone," "Responsiveness" and
"Case Design."
Established 1869
KRAKAUER
NEW YORK
24
BROS.
Retail Warerooms:
25 WEST 57th STREET
Factory:
401 WEST 124th STREET
or lakes loo much time. The facts are.
that if the violations are of sufficient im-
portance, the evidence is there—it can
be gotten—and corrective action will
follow. Remember that the accused is
innocent until proven guilty. The safe-
guards against loose charges, hasty ac-
tion and injustice protects you as well
as others. It is important lo know the
rules, know what fads are at your dis-
posal, know when to lake action and
how to take action.
Be Sure of Your Ground
Always be sure of your ground, for
none of us are perfect. Nowhere is this
fact more simple and forthrightly stated
than in the greatest rule book ever writ-
ten—The Bible. In the book of St. John
when the accused woman was brought
before Jesus he said, " . . . He that is
without sin among you, let him first
cast a stone at her." (8.7).
New Practice Keyboard Shown
by Worldwide Musical Inst. Co
A professional practice piano key-
board i^ now beinsr shown bv the
Worldwide Musical Instrument Co.,
404 Fourth Ave., New York City.
The keyboard is available in 3, 4,
5 and 7 octaves. The one being shown
at present has 5 octaves.
The piano keys are full size with ad-
justable tension and the keyboard is
contained in a walnut case with leather
handle for easy carrying.
The keyboard measures \M" x 19Mi"
x 4MJ" and weighs 22 lbs. It will be
sold direct to music dealers.
USED
P 1 A N
o s
UPRIGHTS
GRANDS
STUDIOS
BRODWIN PIANO CO
Established 7974
244-246 West 23rd St.. N. Y . N. Y.
Tel.: CHelsea 2-4350
THE MUSIC TRADE REVIEW, FEBRUARY,
1954
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PRACTICAL PIANO TUNING
By ALEXANDER HART
Formerly with Steinway & Sons Tuning Department, Instructor
Piano Tuning, Teachers College, Columbia University, N. Y.
Registered Member of the
National Association of Piano Tuners
Notes of Interest on Tuning
T
HE hammer marked with XO signi-
fies the guides and sections. The
hammers that are marked plain "X"
is the starting point treble end. Keep
them all together and separate accord-
ing to number on diagram. Now start
fitting each hammer to the shank. All
set? With the piano action on table,
let us proceed. The cut also shows
OO
layout of hammers and marked 1, 3,
5, 7, 9, 11, 13, 15 and so on. Let us
assume we have placed our guides
back on the frame, the hammers must
not be removed from the shanks until
all sections have the hammers glued,
then you will surely keep free from
mixing things up.
(a) Fit each hammer to the shank
with great care, holding it firmly be-
cause there is a tendency to strain it.
(b) Place hammer on shank again
then, and if too tight dilate and keep
a watchful eye on what you are doing,
especially so and with this all import-
ant preparation of fitting the hammers
on the shanks. (Note: I stress the point
important because it's a simple matter
to injure the bushings.)
(c) Don't dilate shank too much,
take plenty of lime, go slow and easy.
Put all your concentrated effort on
looking at something instead of hear-
ing beats .which is an opposite direc-
tion during this procedure.
THE MUSIC TRADE REVIEW, FEBRUARY, 1954
(d) Fit each hammer firm and
smooth before gluing.
Finish one section at a time, and
don't touch the guides for they give
you the alignment.
(Note: When near completion, you
can then remove hammers from
guides.)
(e) Having properly fitted No. 2,
6 0
lay aside No. 3, then pick up No. 4,
then you can adjust fit nicely between
3 and 5, each time laying aside an-
other hammer, in other words alternat-
ing.
You will find this kind of trick bet-
ter than yanking all the hammers off.
This is allright for new work in a fac-
tory.
Remarks
Before you attempt gluing on the
hammers, test once more to insure they
will twist around the shank evenly
when applying the glue. Don't use glue
that dries too quickly until you get the
hang of it. because you must work
fast. The word "fast" in this respect
is to be able to travel the hammers,
and be quick about it they don't go
off angle.
Suggestions
Do not feel discouraged if your
measurement of eye gets confused, the
next time you will do better. "Practice
makes perfect".
Perhaps you can use the same in-
strument for doing a little tuning. Who
knows!
It really does not matter how ignor-
ant of the art of tuning pianos you
happen to be, it's a true and pro-
nounced assertion that professional mu-
sicians, especially composers and ar-
rangers, wish they could tune their own
piano. It would seem to be a natural
means of self-expression. A little
thought, some training and encourage-
ment could do a very convincing at-
tempt, even at the expense of breaking
a string; or an effort to compete with
the professional tuner. There is al-
ways a certain amount of hard work
in pursuit of anything we are striving
for; nonetheless, it is also interesting
and worth the trouble when you get
the knack of tuning up unisons and
octaves first try this idea.
I will endeavor to write more about
this opening up of a new possibility
for an absorbing hobby in conjunc-
tion with what you are doing and
which ties up with your own musical
background.
More Pianos to Be Shown
of British Industries Fair
The British Industries Fair, Britain's
annual show window of new trade
products, will be held this year in
London and Birmingham from May 3
to 14.
Two thousand exhibitors represent-
ing nearly 100 different industries will
demonstrate to home and overseas buy-
ers a cross section of British produc-
tion. Consumer goods will be shown
at two halls in London Olympia and
F,arl Court while heavy industry will
appear at the giant exhibition hall at
Castle Bromwich. Birmingham.
The heavy industry section will again
cover the greatest area. Musical Instru-
ments will have the greatest display
of pianos since the war,

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