Music Trade Review

Issue: 1953 Vol. 112 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Established 1879
September, 1953
Vol. 112-No. 9
2,882nd Issue
THE
PIONEER
REVIEW
PUBLICATION
OF
THE
MUSIC
INDUSTRY
Some Answers to Why More Piano Dealers
Don't Attend the NAMM Convention
TMMEDIATELY after the Convention,
-"-which was held in Chicago in July,
THE REVIEW was asked by an execu-
tive of a large piano manufacturing
concern the following question: "Why
don't more piano dealers attend the Con-
vention?"' In view of some of the criti-
cisms which were heard after the Con-
vention regarding the attendance on the
8th Floor where piano manufacturers
had their exhibits, THE REVIEW has,
during the last month, made a survey
of several hundred dealers who did not
attend the Convention. In making this
survey the question was asked, whether
the dealer did not attend on account of
(1) Expense, (2) Business, (3) Loca-
tion of the Convention, (4) Personal or
Other Reasons. The flood of answers
which has been received are very in-
teresting.
Too Far Away
For instance, 34% stated that they
did not attend on account of the loca-
tion, and som e of the comments on this
phase of the question included state-
ments such as "The reason the eastern
dealer does not go to Chicago is—Why
go to Chicago? Two-thirds of all pianos
built and sold are on the eastern sea-
board and the location of the Conven-
tion too far to waste time there. Why
don't they have the Convention every
other year in New York? Dealers don't
like to be gypped in Chicago as we al-
ways are."
Another dealer said that the early
part of the summer was the busiest time
of the year for him "as we do a large
summer rental of pianos, and going to
Chicago at that time is out of the ques-
tion. Chicago is a terribly hot place and
T
HE MUSIC TRADE REVIEW, SEPTEMBER, 1953
we are blessed with a seashore climate.
We would very much like to attend if
the Convention were here."
"The reason I didn't attend the Con-
vention." said another dealer, "was that
I am not looking for any new lines,
second, the expense and time didn't war-
rant my attending. AH manufacturers I
do business with call on me regularly
and keep me up-to-date as to what they
have new. I enjoy visiting the Conven-
tion when it is in New York and have
a very good time, but to go to Chicago
it doesn't pay."
Another dealer simply said. "Too far
away for these kind of times."
."I may be wrong," said another deal-
er, "but we just did not think it would
be of much value to us. I would rather
take the time and money in visiting our
present manufacturers." Another dealer
believed that the Convention was held
a week too early, and he could not go
to the Convention this year or next, but
hopes to go in 1955.
Too Expensive
Those who attributed their failure to
attend the Convention to the fact that
it was too expensive all seemed to feel
that the time spent in going to and
from the Convention and the expense at-
tached thereto was not warranted. For
instance, one dealer said that "the time
necessary to travel to attend the Con-
vention is probably the main reason for
not attending. We always enjoyed the
meetings and dealer discussions, but
this year the press of business was too
great. As far as pianos are concerned,
we are satisfied with the line we handle
and receive good service from the fac-
tory representative."
That, of course, combines the two
questions regarding the press of busi-
ness and the expense of going to the
Convention, as it was more profitable
in several cases for the dealer to stay
at home and tend to his business than
go to the Convention, although those
who stated such seemed to feel that the
Convention proceedings are worthwhile
attending. However, one dealer com-
mented. "We feel that there are not
enough changes taking place in the
piano industry to warrant the expense
and time of going to the Convention."
And. as one dealer put it, "Business
kept me in my city and as far as I am
concerned Chicago is the last place to
hold a Convention."
Another dealer from the far west
states, "I attended the Convention on
Monday, as I was on my way to a Euro-
pean vacation. I sell only pianos and
organs, Baldwin only, to be exact, and
only visited the piano displays to see
what the other fellow had. There really
was nothing new. only new designs in
Styling. I mean as to pianos. It was
worth while because it gave me peace
of mind that my competitors had noth-
ing new. Chicago is the ideal location
for all future conventions. I was at the
New York convention last year . I don't
think I ever would atend another there.
The facilities there are terrible and it's
too far away."
Another dealer who attributed the
business situation to the fact that he did
not attend said "We stayed home and
did a fine business."
A unique idea was expressed in the
following opinion of one dealer who
said. "In my opinion you hold Conven-
tions at the wrong time of year, espe-
cially in the middle west. Why don't
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
you hold two Conventions, one in the
east and one on the west coast?"
Another interesting comment includ-
ed the following. ''The Convention pro-
gram seemed so drab that other than
the fine fellowship we always have at
the Conventions, it proved not to be
worthwhile. The program should he im-
proved."
Comments by Pleased Dealers
On the other hand, the REVIEW re-
ceived several letters from dealers in
which they stated that they had attended
the Conventions and had found them
very helpful. For instance, one dealer
said. "'I have attended these Conven-
tions when they were held in Chicago
for the past six years and find them
helpful and interesting. This is one way
of keeping up with the latest piano
styles and newest ideas, also meeting
business acquaintances and exchanging
ideas. I am very much in favor of these
Conventions, especially when held in
Chicago, so centrally located."
Another dealer just simply stated: "I
was at the Convention and found it very
interesting."
One dealer said. "I attended the Con-
vention in Chicago this year. Vie do
not go every year nor do we go to New
York at all. t h e Dallas Music Dealers
Association has 14 members. From this
group about 3 or 4 attend the Conven-
tion every year, about the same number
rarely or never go and the others like
myself attend every two or three years.
Poor attendance one year may have no
significance. How did 1953 compare
with 1939, 1940 when conditions were
barely normal? 1947 to 1951 or 1952
when dealers were trying to make con-
nections were unusual I believe.'
Only 1460 Dealers Out of 8448
Registrations
An analysis of the registration list
which has now been released by the
National Association of Music Mer-
chants of those who attended the annual
trade show and convention in July re-
veal some interesting figures. For in-
stance, a number of personnel connect-
ed with the exhibitors, manufacturers,
distributors and publishers numbered
2990. The names registered under music
stores totaled 1419. of which 152 were
studios of music including accordions
and other studios and conservatories of
music. The registration of out-and-out
music stores, showed 1267. The regis-
trations listed as piano stores numbered
221. However, undoubtedly a large
number of those registered as music
stores do handle pianos. Under this
category, however, there were 20 record
shops. 4 radio and television shops and
2 appliance shops. The tuners and tech-
nicians registered numbered 20. So. if
the total registration was 844£, 2990
were running the show and 3996 were
visitors who came to look, leaving a
total of 1460 people who were there to
buy something, which might be pianos,
radios, television, records, musical in-
struments, sheet music, recorders, ac-
cordions, band instruments, organs, or-
gan supplies, phonographs and high
fidelity, phonograph records and acces-
sories, piano supplies and accessories,
radios and radio-phonographs, sound
equipment and accessories, sheet music
and television accessories. There were
2130 registrations from Illinois, prin-
cipally Chicago only 68 of which were
dealers.
Too Many Meetings
In commenting on the Convention, a
well-known dealer who at one time was
quite active in the affairs of the
N.A.M.M. stated that, in his opinion,
"there were too many meetings for peo-
ple lo see the very thing they came to
sec—the merchandise and more personal
visiting. There are too many on the
committees that have never made a suc-
cess of their own business and some that
were the heads of the organization that
were simply hired men. They had more
to do with telling others how to run
their business, and yet they never made
a success of their own."
"Manufacturers s h o u l d advertise
more what they are going to show. Cut
down on these programs that half never
listen to and the other half never be-
lieve. There are good men that share
their experiences with others that are
worthwhile. I cannot help but say of
the music industry, and it seems the
Music Trades is the worst offender. If
they would stop harping on wrong prac-
tices in the piano business and talk
about good things, we would be a lot
farther ahead."
Uses Convention For Promotion
On the other hand, one of the manu-
facturing organizations who read the
comments in the Editorial pages of the
REVIEW in August stated: "Your Aug-
ust Editorial in which you analyze the
1953 N.A.M.M. Trade Show and Con-
vention was read with interest here, al-
though we are past forgetting the orig-
inal purpose and intent behind the for-
mation of the N.A.M.M."
"We. of course, want as many dealers
as possible to visit our Convention dis-
plays and we are not above taking the
dealer's order while he is there, but we
do feel that the many business clinics,
store-studio advertising, trade practices,
AMC, etc. at the Convention are of the
utmost importance. If these clinics are
helping our dealers to become more ag-
gressive musical merchandisers, mak-
ing them better retailers, we, the manu-
facturer, will have a better outlet for
our products and will sell more in the
long run.
"We are happy with the business that
we received at the 1953 Convention.
However, our principle purpose in buy-
ing display space there is not to sell
organs. It seems more important to
acquaint our dealers with new develop-
ments, new advertising and promotional
programs and to discuss with them any
problems they have. It affords us the
opportunity of talking personally to a
large number of our dealer friends in
a short period of time. We learn a lot
and we hope they learn something, too.
If there is room in the program for
more free time to visit manufacturers,
we would be delighted to have the
schedule changed. Hut let's not lose
sight of the real goal."
The great increase in expense was ex-
pressed by several piano manufacturers,
one of which stated that in order to get
for each piano plus $150 waiting time,
which he thought was entirely uncalled
for. "'This."' said the manufacturer,
"was in addition to paying the freight
(»ii the pianos from New York to Chi-
cago, and adding to all this the double
expense of paying for rooms in the
hotel for eight days instead of four,
and the other expenses entailed has
made the Convention almost prohibitive
from a piano manufacturer's stand-
point."'
Expense 70% More than 1951
An official of one of the largest piano
manufacturers in the country wrote the
following to the REVIEW: "I want to
commend you for your Editorial about
the last Convention in the August issue
of the Music Trade REVIEW 7 .
"This year our Convention expense
was 70% more than it was in 1951 when
the last Convention was held in Chi-
cago. It was almost as much as it
amounted to in New York last year,
where our Convention expense is always
much higher than it is in Chicago be-
cause of the freight bills we have to
(Turn to Page 8)
THE MUSIC TRADE REVIEW, SEPTEMBER, 1953

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