Music Trade Review

Issue: 1953 Vol. 112 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PRACTICAL PIANO TUNING
By ALEXANDER HART
Formerly with Steinway & Sons Tuning Department, Instructor in
Piano Tuning, Teachers College, Columbia University, N. Y.
Registered Member of the
National Association of Piano Tuners
Notes of Interest on Tuning
plain how to harmonize interrelated
chords—likewise how to use the minor
sixth that takes in two major thirds.
This method naturally tends toward
training the ear in the direction pf
comparing them between tonal distance
or intervals apart.
Our last example was in the Key pf
F Major (the next key is D Major)
paring of beats in the intervals, i.e.,
gradually faster and faster towards the
treble.
In order to gain some speed in tun-
ing, it is advised that the novice use a
continuous felt mute, tuning one string
at a time. You can dodge around faster
and make corrections that save time
setting in the individual wedges.
It cannot be stated too often the im-
portance of watchfulness, i.e., taking a
and using the same procedure as we
did in our last example F Major is the
next stop to be harmonized from Da
—major third.
Tuning the octave below nine half
steps and raising D one-half step we
obtain a major sixth. Viz. Fft—D#, in-
cidentally harmonizing Eb and Bb, the
fourth.
Note on the Diagram C# or Db is
not marked, tuning C# from A a major
third includes all the enharmonic tones.
Viz. A to Cft, C# to E # , or F natural.
Returning to middle C, going down
to F a fifth you can harmonize Bb as
a fourth and a fifth to Bb chord.
If you like to make another you can
keep the F natural sharp and the
fourth Bb sharp from F and the octave
F, then test Bb to F natural as a fifth,
a sort of framework. Now tune all the
other intervals flat so you can blend
the thirds as tremolos or beats cor-
respondingly with the fourths and
fifths. You will soon get on to the corn-
moment to see that your tuning wrench
is in its right place.
It can be clearly stated here that no
one can be expected to get the tech-
nique that must be gained only by
seeking and finding and to be found
only within oneself. After all, talents
come from above from the one who
gave us the immutable laws and must
be developed, worked at to be truly
effective and understood.
When you will do it yourself, then
you can understand how it is done. But
you cannot learn to do it by being told
or by reading how it is done by some-
one else.
Good piano tuners must always
strive to become better tuners. It is not
an easy road to the skilled pathways,
but it is a long road that has no turn-
ing. Doing the very best we can surely
find the pathway a bit easier for ac-
complishment.
Before we proceed further, let me
quote a paragraph on Equal Tempera-
E have been over the various
W procedures
many times that ex-
THE MUSIC TRADE REVIEW, SEPTEMBER, 1953
ment by Donald N. Ferguson, Univer-
sity of Minnesota ("A History of Mu-
sical Thought," Page 274), Appleton-
Century-Crofts, Inc., New York).
"With the clear recognition of
major and minor tonality, the sense of
key came to be relied upon by com-
posers for structural features of the
most fundamental order in compo-
sition.
"Obviously, also, if modulation to
closely related keys had proved valu-
able for certain types of expression,
modulation to remoter keys would be
useful for more vivid contrasts. But an
obstacle to such remoter modulation
existed in the accepted tuning of the
scale—an obstacle which was removed
only after the most painstaking study.
The result of that study was the estab-
lishment of the system of equal tem-
perament.
"The meaning of that term and the
process by which the system was per-
fected may be explained in detail only
by elaborate mathematical discussion.
The nature of the problem, however,
will be understood from a less intricate
exposition, and this must precede our
study of expanded musical form."
A worthwhile musical work espe-
cially for piano technicians.
v
Piano tuning is a science and an
art, and too vast to be truly compre-
hended in a series of short articles.
ASPT to Hold Regional Meetings
in October and January
The American Society of Piano Tech-
nicians will hold a two-day regional
meeting in Washington, D. C, on Oc-
tober 30th and Hist. The headquarters
will be at the Willard Hotel. The chair-
man will be Ulys S. Rogers of Alexan-
dria, Va.
Another regional meeting is sched-
29
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
uled for Milwaukee, Wis., on January
15th and 16th, 1954. The Schroeder
Hotel has been chosen for the head-
quarters and Ralph A. Kingsbury, of
Waumatosa, Wis., has been selected as
chairman.
Both of these regional meetings will
feature technical instructions and dem-
onstrations. Invitations are being ex-
tended to all piano technicians, manu-
fecturers, dealers and teachers within
the respective areas.
Louis Schmidt Passes
Away at the Age of 70
Louis Schmdit, former president of
the American Supply Co., a division
of Hammacher. Schlemmer & Co. in
New York, passed away on August 6th
David Semonile Joins
Pratt Read Kaman Division -
David Semonite from Cranford, New
Jersey, was recently appointed Assistant
Superintendent to Erl Nord in the Ka-
man Division of Pratt, Read & Co..
Ivorytown. Conn.
After completing high school in Cran-
ford, Mr. Semonite entered Princeton
University where he received a Bachelor
of Sciene Degree in engineering in 1951.
Soon afterwards he became a Junior En-
gineer in the Works Laboratory of the
National Carbon Co., Niagara Falls.
New York.
In September, 1951, he was called to
active duty as a 2nd Lieutenant and
later served in Japan for one year in
a field artillery battery. He became a
First Lieutenant in March, 1953. and
received his discharge in June.
Mr. Semonite was on the freshman
crew and a member of the Sailing Club
at Princeton, and during several sum-
mers has worked on yachts along the
New England coast in capacities ranging
from sailor to skipper. He'll feel at
home with Pratt-Read Yachtsmen.
HENRY WICKHAM.
Founder
LOUIS SCHMIDT
after a lingering illnss. He was sev-
enty years of age.
Mr. Schmidt started his business
career as a mail boy with the com-
pany in January, 1897. He was elected
a director in 1921 and later became
general manager and president of the
American Piano Supply Co. In 1947
he was tendered a dinner by the entire
Hammacher, Schlemmer organization
and presented with a valuable gift at
that time.
Mr. Schmidt was compelled to retire
in 1952 on account of ill health. He
is survived by a widow, Mildred, and
a sister, Mrs. Estelle Samuel. Funeral
services were private.
ESTABLISHED '885
INCORPORATED 1903
JAY C. FREEMAN
Jay C. Freeman, considered this
country's foremost violin expert, who
retired in 1949 as curator of the vio-
lin collection of the Rudolph Wurlitz-
cr Co. in New York City, passed away
on August 18th at Stockbridge, Mass.,
where he had lived in retirement, at
the age of 85.
In his earl\ life, he spent many
years as a cowpuncher and ranch hand
in the Indian Territory of Oklahoma.
He then became an apprentice violin
maker in Chicago. He joined the musi-
cal instrument department of Lyon &
Healy in 1889 and remained there un-
til 1920 when he became manager of
the Wurlitzer violin department. Be-
fore his retirement, he had brought the
lotal value of the Wurlitzer collection
in 1949 to more than three million
dollars, which included the renowned
"Swan 7 " Stradivarius, the last violin
made by the master, which was fin-
ished in 1737 when he was 93 years
old. Mr. Freeman was married twice.
His first wife was the former Ula Mick-
ens, who passed away in 1904, and his
second wife, the former Miss Lulu
Berkley, in 1936. He is survived by his
son, Paul J. Freeman, of New York,
and a daughter. Mrs. Jean Baver. Pitts-
field. Mass.
DR. FRANK BUTTELL
Word has been received of the death
of Dr. Frank Buttell. who passed away
on August 1st at San Luis Obispo,
Calif., at the age of 67. Dr. Buttell,
besides being a piano man, was also a
physician and was born in Newark,
N. J., in 1886. to a piano family. He
was active in the piano business until
about a year ago when he retired.
He is survived by his wife, one mar-
ried son and daughter-in-law, one
daughter, two brothers in Los Angeles,
Dick and Harold Buttell, and several
nephews and nieces in Los Angeles and
Strger, 111.
-KEYS THAT SATISFY SINCE 1890"
PIANO KEYS RECOVERED WITH
I V O R I N E
LOOKS LIKE IVORY AND COST IS LOW
#50
plain Ivorine tops
__$9.50 set
We also liefinish Sharps
IVORINE PIANO KEY CO.
1201
Stirling St.,
Coatesville, Pa.
Piano Supply Salesman
C E L E B R A T E D WICKHAM P L A T E S .
30
Wanted, young man now selling musical in-
struments—or representing wood or veneer
-firm—to add very profitable side line of
supplies for piano manufactures. Eastern
states territory. American Piano Supply Co.,
6 W . 20 St., New York I I , N. Y.
THE
MUSIC TRADE REVIEW, SEPTEMBER, 1953

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