Music Trade Review

Issue: 1953 Vol. 112 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PRACTICAL PIANO TUNING
By ALEXANDER HART
Formerly with Steinway & Sons Tuning Department, Instructor in
Piano Tuning, Teachers College, Columbia University, N. Y.
Registered Member of the
National Association of Piano Tuners
Notes of Interest on Tuning
Problem 10
The Grand Action
Diagrams No. 1 and No. 2 have been
reproduced by permission of Steinway
or some form of liquid around the
working parts usually in wrong places.
Here, studying the diagrams may be
helpful for the dealer.
No matter how T careful one can be,
there is always a possibility of some-
thing being overlooked. This could
happen in any part of the grand piano
action. Should it be around the pedal
assembly and let us say the instrument
is on the concert stage where recitals
are going on, afternoons and evenings,
surely the instrument should receive the
utmost careful inspection, whenever
FIG.
FIG.
LYRE ASSCMBLV
77
FIG.
1
& Sons' reference booklet for piano tun-
ers and technicians engaged in tuning
and regulating Steinway pianos. Dia-
gram No. 3 shows the dowl stick. Please
observe that the grand action has been
removed.
The diagrams have been specially
marked with signs, letters and charac-
ters to denote the procedures of elmina-
tions.
Those who are unacquainted with
mechanical contrivances could easily
and unavoidably resort to squirting oils
24
2
there is a chance to do so. This is just
a reminder for those who must look
after certain instruments that get lots
of transporting from one theatre to an-
other, let it be said in all fairness to the
piano industry in general, that instru-
ments distinctively individual should re-
ceive the best possible cere—to bring
out its tune, tone and action regulation.
Hence, every community today has its
special technicians who can and will do
their best to service fine instruments
with the utmost skill.
After many years of wear and tear
through the constant removing of the
lyre, naturally the connecting lyre plate
(See Diagram No. 2) gets worn, and
can easily be replaced. Note trie four
screws.
Removing the Lyre
(a) It must be noted that all grand
lyres do not have plates. They are held
3
by large screws and reinforced with
wooden props. This particular lyre
marked "77" in the Steinway booklet is
removed without effort.
(b) With your two hands, one on
each side of the lyre, pull outward or
towards you. Then it will drop the
hold on the plate.
(c) Important Note: When replacing
the lyre, be sure you fasten it securely.
Look at Diagram No. 1 and notice the
wooden block marked "Tighten" and
"Loosen".
1. When you want to take the lyre
off, give the block a hit with a
hammer to the left. To tighten,
hammer it to the right.
2. Lots of trouble is caused through
not fastening the lyre as just de-
scribed.
Pedal Squeak
Let us assume there is an unusual
squeak when right pedal is depressed.
(a) In some instances it would be
good practice to remove pedals intact
mounted on the lyre plate.
(b) Lift up pedal rods out of their
sockets.
(c) If there is any corroding on the
pins, it is quite easy to clean them off.
(d) Note the arrows pointing to the
pedal rods that are constantly moving
the levers that have pins in flanges that
hold them in place. Tight pins cause
THE MUSIC TRADE REVIEW, MARCH, 1953
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
squeaks. See Diagram No. 2, arrows
pointing.
(e) Remove pins, clean off, rub dry
graphite or grease on pin and replace.
(f) Another tantalizing sueak is at
base of pedal spring marked "B". This
can oftimes be reached by passing a
screwdriver under the spring and lubri-
cate. This temperizing remedy will not
last and the squeak will return.
One sure way is to take the lever
down, clean off all foreign substances,
so that the spring performs its function
without noise.
B. H. Cornelius Minshall
Esley Representative
The Minshall-Estey Organ Co., Brat-
tleboro. Vt. announces the appointment,
of Byron H. Cornelius, as Wholesale
Representative, to take over the Midwest
territory formerly covered by Clyde R.
Hunt.
Mr. Cornelius who lives at 1141
Broadway, Indianapolis, Ind., will make
his Minshall-Estey headquarters in his
home city and will soon be making him-
self known to the many Minshall Organ
Dealers in the Midwest.
OBITUARIES
CHARLES H. LEMP
After 50 years of faithful service to
his employer, American Piano Supply
Co. (Division of Hammacher Schlem-
mer), Charles H. Lemp, 72 years old,
was stricken with a heart attack several
weeks ago and succumbed on Sunday,
February 15th.
Mr. Lemp had no immediate relatives
in the United States. Mrs. Schlemmer
and other officials as well as many
friends attended funeral services which
were held at the J. Heffernan Funeral
Home at 241 West 14th St., New York,
N. Y. on February 18th. Interment was
in Lutheran Cemetery, Brooklyn.
FORREST H. REDMOND
Forrest H. Redmond, 60 years of
age, who was Executive Vice-President
and General Manager of the Hammond
Instrument Co., manufacturers of the
Hammond Organ in Chicago, passed
away suddenly on February 1st at his
home in Woodstock, 111. He had been
with the Hammond organization since
its inception, when they first made elec-
tric clocks, twenty-five years ago.
Mr. Redmond is survived by a widow
and one brother, Victor Redmond.
ESTABLISHED J885
INCORPORATED 1903
HENRY WICKHAM.
Ftunder
New York Division A.S.P.T. Holds
First Meeting in Steinway Hall
The New York Division of the Ameri-
can Society of Piano Technicians held
its initial meeting at Steinway Hall
early in February. Erwin Otto, Presi-
dent of the division, presented the by-
laws which were compiled by the By-
Laws Committee and which were ac-
cepted by the members present. Mr.
Otto gave a brief talk on attending the
meeting of the society in Chicago earlier
in the month.
Wolfgang Staub was slated to read
a paper on "The History of the Piano"
but the business session took up so
much time that Mr. Staub agreed to
hold over his address to some later
meeting.
After the usual technical examina-
tion. William Peters of New York was
accepted as a junior member.
On March 2, Chas. F. Stein; F. Kelso
Davis; and W. N. Stan. Renehan of
Pratt, Read & Co., Inc., talked on "The
Birth of an Action". Said Mr. Stein:
"After painstaking research, the Action
of the present day 40" Piano is tre-
mndously improved over that of earlier
models! He likened the efficient time
keeping qualities of the modern small
wrist watch to that of the performance
of the smaller Piano Actions. Said: the
secret was in keeping the "Circles" of
the movement in the proper ratio. Mr.
Stein cited the A.S.P.T. as one of the
best things that ever happened for both
the piano Tuner and the Piano Owner!
Refreshments weer served by Mrs.
Erwin Otto; Mrs. P. W. Gatz; and Mrs.
Edwin Meister.
Two Businesses Merge
The Riedling Music Co., Albuquer-
que, New Mexico and the Thompson
Music Co. also of that city have been
consolidated by Roy E. Thompson. The
new firm will be known as the Riedling-
Thompson Music Co. located at 315
Third St. N. W., Albuquerque. Frank
B. Riordan and A. Theodore Schreivogel
will supervise the new store, which had
its grand opening early last month.
C E L E B R A T E D WICKHAM P L A T E S .
USED PIANOS —
BEACH
GRANDS (as is) from $150 up
STUDIOS (as is) from $225 up
UPRIGHTS (as is) from $25 up
A choice selection always available
CARILLONETTE CHIMES
TOWER BELL REPRODUCER
and the
WRITE — WIRE —
OR — PHONE — CHELSEA 2-4350
MINI-CHIMES
BRODWIN PIANO CO.. Inc.
"Nothing But a Bell Rings Like a Bell"
SEND FOR CATALOGS
Est. 1914 — HARRY BRODWIN, Pres.
246 WEST 23rd STREET
THE MUSIC TRADE REVIEW, MARCH, 1953
NEW YORK. N. Y.
BEACH INSTRUMENT CORP.
165 Oraton St.
Newark 4, N. J.
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