Music Trade Review

Issue: 1953 Vol. 112 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Established 1879
November, 1953
Vol. 112-No. II
2,884th Issue
THE
PIONEER
REVIEW
PUBLICATION
OF
THE
MUSIC
INDUSTRY
Increasing Interest in Class Piano
Instruction Revealed at USC Workshop
By DOROTHY BISHOP
Head of Preparatory Department. School of Music. University of Southern California
HE fourth consecutive summer ses-
sion workshop in class piano, con-
ducted by Mrs. Fay Templeton Frisch
of New Rochelle. IN. Y., recently closed
at the School of Music, University of
Southern California. A greater number
of teachers than previously were at-
tracted to this year's summer course.
The fact that these teachers represented
ten states across the nation, Florida,
Iowa, Montana, Oregon, Texas, Ver-
mont, Washington, Wisconsin, Wyo-
ming, as well as California attests to
the increasing interest in class piano
instruction.
Within a three hour period each
day, Mrs. Frisch illustrated her lec-
tures and discussions with the most
convincing proof in the demonstration
of children's classes.
T
Tunes Played in Minutes
In minutes after the workshop got
under way, first tunes were being
played by children, many of whom had
never seen a piano before except per-
haps on television or in a music store.
Climaxing the four weeks, other groups
of children of intermediate and more
advanced standing were able to per-
form ensemble pieces on the ten pianos
with remarkable sensitivity to rhythm,
tonal balance, musicianship and grasp
of music reading.
The experience of playing together
and of listening to one another brought
about a corresponding improvement in
ear and rhythmic perception with all
groups. Beginners of 6-7 years and of
junior high age grew consistently in
abilities to "carry tunes" and play
THE MUSIC TRADE REVIEW, NOVEMBER, 1953
these tunes musically, to understand
phrase and form, to harmonize, trans-
pose and read at sight.
Just what are the implications of
such outstanding achievement in class
instruction? Does not the fact that
children respond so joyously and suc-
cessfully to group piano lessons bring
us closer to an eventuality of keyboard
experience for all children? Privilege
for a few would seem to give way to
opportunity for many, and without loss
of thoroughness or quality.
where she currently is engaged in re-
cording the last volume of her inter-
pretations of Bach's monumental work.
"The Well Tempered Clavier." In the
interview Mme. Landowska spoke of
her life, her career, and her philoso-
phy. She also played several selections
on one of her famous harpsichords, in-
cluding portions of the third movement
from Bach's Concerto in D Major, a
17th-century dance, the second move-
ment of the Vivaldi Concerto, tran-
scribed by Bach for harpsichord, and
Bach's Italian Concerto.
High Standard in Techniques
Indeed Mrs. Frisch has set a high
standard in the techniques of class
piano teaching. Those attending this
remarkable workshop — the music su-
pervisors, college instructors, elemen-
tary teachers, studio piano teachers and
parents eager to help their own chil-
dren, all expressed their determination
to go back to their communities and
"do something about it." May there be
more comment in the trade journals
from time to time as to how these peo-
ple a/3 succeeding in bringing more
music to more children.
Unique Harpsichord Program
Televised by Mme. Landowska
Mme. Wanda Landowska. whose
harpsichord interpretations have won
her world renown, appeared on a 1NBC
Television program on Sunday, Octo-
ber 25th.
The film was produced at Mme.
Lendowska's home in Lakeville, Conn.,
3 0 Years of Concerts
The telecast marked the 30lh Anni-
versary of Mme. Landowka's concert
debut in ihis country. She appeared
as soloist with the Philadephia Orches-
tra under Leopold Stokowski's direc-
tion, in \ovember, 1923.
From 1925 to 1940. Mme. Landow-
ska had her own school in St. Leu-la-
Foret. a suburb of Paris. Until 1940.
when she was forced to (lee her France,
more than 1.000 persons studied at her
F.cole de Musique Ancienne. which was
a mecca for music lovers. She also
concertized extensively throughout the
world. With the threatened occupation
of Paris by the Nazis in 1940, Mme.
Landowska fled to Southern France and
eventually lo the United States. In
1942, she returned lo the New York
concert stage, after an interval of 14
years. For the past two years, she has
concentrated on her recordings at Lake-
ville. Her harpsichord is concert pi-
ano size with a double keyboard.
S
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NAMM Mid-Year Meeting in Florida in Feb.,
Merchants to Determine 1956 Convention City
HE NAMM Executive Committee
met at the Essex House in New
York City on October 15th and 16th
last. The following members of the
Committee were present: Harry E.
Callaway, Chairman of the Board;
Russell B. Wells, President; Earl
Campbell, Vice-President; Paul E.
Murphy, Secretary; Parker M. Harris.
Treasurer; Executive Secretary, Wil-
liam R. Gard.
ful silverware prizes to the four com-
mercial salesmen securing the greatest
number of new members. To those
salesmen who secure five or more new
members for the Association, but who
do not qualify for one of the top four
prizes, will be given a $25 United
States Government Savings Bond. A
Citation of Honor will also be award-
ed to the industry manufacturer or
supplier whose dealers are represented
100% in NAMM.
Midyear Meeting of the Board of
Directors
1956 Convention Location
T
The Executive Committee chose
Ponte Vedra Club at Ponte Vedra
Beach, Florida as the site of the Mid-
year Meeting of the NAMM Board of
Directors. The Meeting will be held
on February 17 and 18, 1954. A ref-
erendum of the Directors choices re-
garding the location of this Meeting
showed the large majority of Directors
in favor of the Florida location to
which they are obligated to attend and
pay their own expenses as a part of
their responsibility as Directors of the
Association.
Membership Promotion and
Maintenance
The Committee approved the mem-
bership campaign of the Association
which will begin immediately. Phase I
of the campaign is the responsibility
assigned to each Director to pursue
non-Association members in their state
and adjacent states, which represent a
territory assigned to each. Directors
will solicit non-member retail stores by
means of several prospect letters dur-
ing the year and written on their com-
pany stationery.
Phase II
Phase //, Directors have been as-
signed certain m a n u f a c t u r e r s and
wholesalers in the music industry
whom they know best, in order to so-
licit their aid in the Association mem-
bership campaign. Commercial sales-
men of these companies will be equip-
ped with a Sales Kit containing NAMM
services which they may show to their
non-member dealer-prospects.
Prizes
Prizes: The Executive Committee
again approved awarding four beauti-
In order to determine whether or not
the trade prefers the 1956 Trade Show
and Convention to be held in New
York or Chicago, the Association will
poll retail music merchants, both mem-
bers and non-members. Merchants will
be asked if they attended the 1951.
1952 or 1953 Convention and Trade
Show or any one or more of those con-
claves and whether or not they would
like the 1956 Trade Show to be held
in Chicago or New York. Both the
1954 and 1955 Trade Shows and Con-
ventions are currently scheduled to be
held at the Palmer House in Chicago.
When the results of the retail dealer
poll are known, they will be sent to
the Trade Show exhibitors who will be
asked to express their preference on
the location for the 1956 Trade Show.
The Midyear Meeting of the NAMM
Board of Directors, on the strength of
these two polls, will select the 1956 site
for which tentative dates are currently
held in both New York and Chicago.
Committee Organization
The Executive Committee approved
the organization of the following Com-
mittees, in addition to the Chairmen
and Vice-Chairmen of each as follows:
Committees:
Advertising: J. A. Brown, chairman,
Jackson, Miss.; Harold E. Lucas, vice
chairman, Portland, Ore.
Band Instruments: S. H. Galperin.
chairman, Charleston, W. Va.; S. H.
Almanrode, vice chairman, Shreveport,
La.
Legislative: Earl Campbell, chair-
man, Washington, D.C.
Membership Promotion: H. J. Snel-
ler, chairman, Minneapolis, Minn.;
Paul E. Murphy, vice chairman, Bos-
ton, Mass.
,
Piano & Organ: Emory Penny, chair-
man, Los Angeles, Calif.; F. D. Streep,
Jr., vice chairman, Orlando, Florida.
Hammond Organs Displayed
in Hannon Room Interiors
The Hammond Organ Company, Chi-
cago, 111. introduced its complete line
to home fashions editors of national
magazines and syndicates last month at
a press luncheon in the Hotel Plaza,
New York in an unprecedented move
to present the electric organ as the
focal point of a well designed room.
Harold Lembke, general sales man-
ager for Hammond, said that the com-
pany's up sales curve, accelerated by
recent full production of the Chord or-
gan, easiest-to-play instrument of all
time, coupled with spendable income,
and more home time, has led the com-
pany to feel that presentation of elec-
tric organs in smart room interiors in
the coming months could well be the
key to more sales of all home furnish-
ings.
The Hannon Designed Interiors
At the Hammond press presentation
in the Terrace Room of the Plaza, or-
gans were shown in room settings de-
signed and executed by John Hannon.
New York interior designer.
The Chord organ, Hammond's new-
est instrument, and history maker in
the production of musical instruments,
because it is the easiest to play of all
instruments, was featured in a Provin-
cial setting, and in a game room.
In the Provincial room against bril-
liant dark orange walls with a black
and white tile floor, the painted furni-
ture upholstered in pale yellow silk.
The Home model was shown in a
contemporary room setting against stark
white walls, with an old gold rug and
Empire green taffeta coverings on the
furniture.
The Spinet model was focal point in
a Modern Victorian setting, which had
Empire green walls, a charcoal grey
rug, deep rose silk upholstered table
covering, anl touches of Bristol green.
The Game Room's white brick walls,
spattered linoleum floor, and brilliant
green accessories made an informal
setting for the chord organ.
THE MUSIC TRADE REVIEW, NOVEMBER, 1953

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