Music Trade Review

Issue: 1952 Vol. 111 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
of these associations as one would be a great deal
more resultful than the holding of two conventions
After all, the manufacturers like to support both or-
ganizations, but it becomes a double expense. We
have no criticism of the management of either of
these associations. They are all fine, upstanding men.
They are all working for the same principles, but why
shouldn't they get together.
The N.A.M.M. Convention
HE National Association of Music Merchants
Established 1879
has probably progressed more and created more
CARLETON CHACE, Editor
practical aid for its members since its reorgani-
Alex H. Kolbe, Publisher
zation in 1945, tha nat any time in its fifty-one years
of existance. Yet, when Jesse L. Lasky, during the
course of his address at the annual meeting asked how
many members the association had and was told ap-
NATIONAL
V. T. Costello
proximately less than 1,000, he seemed genuinely
Alexander Hart
ASSOCIATION
shocked and remarked that the association should
Associate Editor
OF MUSIC
Technical Editor
MERCHANTS
have 2,000 or 3,000 members. According to a survey
made by one of the members of the organization, he
atttributes the lack of interest of dealers to the fact
that they have not been well advised regarding what
Mary Louise Kauffman
is
done with the money that they pay for dues. Taking
Circulation Manager
into consideration that the "A.A." class, the dues are
Published monthly at 510 RKO Building, Radio
$2700, $2200 of this is used for promotion, whereas
City, 1270 Sixth Avenue, New York 20, N. Y.
only $500 is used for N.A.M.M. services. In the "A"
Telephone: Circle 7-5842-5843-5844
class, $1500 of the $2000 paid in is used for music
AUGUST, 1952
V o l . Ill
No. 8
promotion. In the "B.B." class, $1000 of the $1500
paid in, and in the " B " class $700 of $1200 paid for
dues. And right down the list until we come to the
Business - As We See It
very last small payment of $50 and even $15 of this
OR the past sixty days we have been busy at- is used for promotion. So, percentage-wise, the dealer
tending Conventions. First, it was the Conven- who joins the association, whether he pays $50 a
tion of the National Association of Piano Tuners, year or $2700 a year, is lending most of his money
then there was the Convention of the National Asso- to a cause which cannot help but stimulate the im-
ciation of Music Merchants, and lastly, the Conven- provement of all types of musical instrument busi-
tion of the American Society of ness including his own. In making out analysis on
Piano Technicians. From what membership, George H. Beasley stated that from the
we observed, these conventions average standpoint, a Class B member (50 members)
were successful. We also made a if he is honestly classified gets a premium of $31.66
few observations which perhaps on his music promotion money and a premium of
are worth commenting upon. To $18.21 on his dues for general association services.
begin with, we firmly believe that And continuing, he says, "The more steady N.A.M.M.
there should not be two tuners' members we have, who properly classify themselves,
associations. One of our reasons the more total money will be available for music pro-
for this is simply that a house motion. . . . The merchant non-member does not get a
divided against itself is not as whole free ride as he may think, but indirectly and
strong as one which is united. We partially he pays 60% of the bills through his sup-
CARLETON CHACE
are thoroughly convinced that pliers. He gets only a 'reduced fare ride'. He will get
should the two tuners' associations join there would more if he will give more. We all will get more if
be even much more enthusiasm instilled in the manu- more merchants steadily pay membership dues." We
facturers and other branches of the industry, with believe that more dealers should look earnestly into
the result that a unified convention conducted by both the benefits of the N.A.M.M.
The jjMusic JfiaJe
REVIEW
T
F
10
THE MUSIC TRADE REVIEW, AUGUST, 1952
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Centennial Celebration by Steinway & Sons
To Be of International Significance
Extensive plans for a world-wide
Steinway Centennial Celebration during
the 1953-54 musical season, designed to
stimulate greater interest and appre-
ciation for fine instrumental music
were announced by Theodore E. Stein-
way. president of Steinway & Sons,
cisco, Cal., as Chairman and Paul E.
Murphy, Boston, Mass., as Vice-Chair-
man.. Headquarters for the Centenary
will be established at Steinway HalL
New York City.
A special artists' commitce is being
organized under the Honorary Chair-
manship of Josef Hofmann. distin-
guished pianist. Edward Johnson, for
many years General Manager of The
Metropolitan Opera Company, will
serve as Chairman. In addition, there
will be sponsoring groups of artists and
music patrons in cities throughout the
world which will participate in the
musical festival.
To Start in Octoer 1953
Steinways Centennial will be inaugu-
rated in October 1953, and will con-
tinue through the musical season to
April 1954. It will be highlighted by
many outstanding features and events,
including a special concert at Car-
negie Hall in New York City; tours of
the famous Steinway artists; an Art-
ists' Centennial Album; a book, "The
Steinway Story"; children's musicales
and various projects in the field of mu-
sical education; as well as other activi-
THEODORE E. STEINWAY
PRESIDENT
ties now in the planning stage. Tele-
vision, radio and motion pictures will
New York, and its dealers, at the com-
be enlisted to inspire greater interest
pany's luncheon at the New Yorker
in music generally.
Hotel during Convention week.
The Steinway piano, known as the
The event will specifically commemo-
'"Instrument of the Immortals", has
rate 100 years since Henry Engelhard
been the chosen piano of the great musi-
Steinway built the first Steinway piano
cians of the past, such as Franz Liszt.
in New York City. From that time to
Richard Wagner, Paderewski, as well
the firm has been under the direction of
as the great modern-day artists. The
five generations of the Steinway family:
Steinway the choice of nearly all great
seven Steinways of the third, fourth and
symphonic conductors, has been lauded
fifth generations are engaged in the by Arturo Toscaniui. Dimitri Mitropou-
business today. .
los. Eugene Ormandv. Frit/ Reiner.
Leopold Stokowski. Walter Damrosch
Twenty persons have been named to
and many others.
the Dealers Executive Centennial Com-
7 Steinways Active
mittee, representing over 250 retail out-
lets, with Clay Sherman, San Fran-
Resides the company's president, the
WILLIAM R. STEINWAY
VICE PRESIDENT
Steinways who are active in the linn
include W illiam R., Vice President and
European General Manager and Theo-
do re E\s four sons: Theodore D., in
charge of Engineering and Research;
Henry Z.. Vice President and Factories
Manager; John II.. Advertising Man-
ager; and Frederick, Production Engi-
neer. Also active in the firm is Charles
G. Sleinwj xy. a cousin, who represents
the family in the sales department.
Piano Manufacturers Listed Wrong
The REVIEW has had it drawn to
its attention that owing lo three unfortu-
nate mistakes in live official program of
the N.A.M.M. Convention, some con-
fusion arose due lo the fact that Kra-
kauer Bros, were not listed under the
piano category but under the heading
"Phonographs. Records and Accessor-
ies". This also applied to Kranich &
Bach. Furthermore, under the "Piano"
listing, the Weaver Piano Co.. Inc. was
listed as the "Weaver Radio Co." All
of these companies are manufacturers
of pianos and will still manufacture
pianos *and do not intend to enter either
the radio or phonograph business.
YOUNGER MEMBERS OF THE STEINWAY FAMILY
THEODORE D.
Engineering
HENRY Z.
V.P. and Factories Mgr. •
THE MUSIC TRADE REVIEW, AUGUST, 1952
JOHN H.
Adv. Mgr.
FREDERICK
Production Engineer
CHARLES G.
Sales
II

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