Music Trade Review

Issue: 1952 Vol. 111 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
were afraid of it; and bluntly came out and said that
such a method would hurt their business. By the time
the five years of Dr. Burrows' effort terminated, so
many educators and private teachers were asking for
information about his method that it became neces-
sary to publish a book sponsored by the Music Edu-
cators National Conference, explaining how the meth-
od could be inaugurated and carried on in school
as well as private studios. No man had a greater
career ahead of him than Dr. Burrows. He was a
concert pianist, he had written music, he had writ-
ten books about music, and he was an indefatigable
worker, as well as one of the most genial personalities
which had ever stood before an audience. We have
admired him immensly. He was an ardent supporter
of everything the music industry stands for. He never
missed a year-end luncheon of the New York Piano
Trade, and always had a bright message for those who
attended. He was a champion of "Play for fun"
method of teaching, and he should be remembered by
every member of the piano industry as the man who
inaugurated a system to keep children playing from
generation to generation, cheerfuly giving his time
and energy to the purpose of bringing out sincere
happiness through music. In his honor a musical
scholarship in his name has been created at Teachers
College. Any member of the industry wishing to con-
tribute can send a donation to Dr. James L. Mursell,
Music Dept., Teachers College, Columbia University,
New York.
What's the Matter With the Piano Business
ITTING in on an impromptu conversation the
other day, at which a manufacturer, a traveling
man and ourselves were discussing various
phases of the piano business, the remark was made
"I can't understand why the organ business should
be so good and the piano business so dull". Then
the three of us commenced to analyze the situation.
The traveling man mentioned the fact that wherever
he had been the dealer who had a studio and was
teaching musical instruments was doing a good busi-
ness. He found, however, that dealers who did not
have such a promotion were complaining. So far
as the organ business was concerned, the fact that the
organ business is good can more or less be attributed
to the same thing. The medium-priced organs which
are now being sold have a tremendous effect on the
minds of people whether they plan the organ or not.
Those who are selling organs see to it that these
people are taught to play. After all, the electronic
S
THE MUSIC TRADE REVIEW, JUNE, 1952
organ is young compared to the piano business. For a
generation that likes organ music and finds they can
be taught to play without much ado, is it any wonder
that many of them turn to the organ? No doubt organ
sales probably amount to approximately 20% of the
total of piano sales, so that we feel that the piano
business has nothing to fear from the organ. In fact,
we believe it is a help because people play it with
their hands, and if they enjoy it they will play the
piano as well as the organ. But the traveling man had
another idea. He told about a certain dealer who
goes out and gets business and brings it in. He finds
that this dealer is doing a, good business. He is an old
dealer, too. So when he wants business he puts pianos
in the truck and goes out and gets it. He doesn't
come back until the pianos are sold. This may be "old
hat" but it brings in the business. How many places
are there today where you can find a salesman who
will go out and plug for business. It's the age we're
living in. Most of them want to sit in on the floor
and wait for business to come in the door, through
the advertising or otherwise. We don't know whether
W. L. Stensgaard speaking at the Sales Executive
Association Convention has the right idea or not, but
he pointed out that perhaps salesmen are getting
too lazy, that they'll have to perk up in the future in
order to keep up with competition. However, there
is one unfortunate aspect when business becomes hard
to get. It's something the piano trade has been very
free from for a great many years, and that is, dis-
counts and rebates. Those who religiously operate
along these lines to the detriment of the legitimate
competition as a rule do not last long. So, it is regret-
table that when business becomes difficult there is
always that bugaboo to content with. Years and years
ago we used to have pretty sad sales efforts in the
piano industry, like beans in the jar, certificates,
things of that kind, which forutnately have been en-
tirely eliminated. Secondly, the credit situation in
the piano industry became so well regulated by the
industry itself that when Regulation W was reinstated
pianos and musical instruments were eliminated. So,
let's hope it can be kept that way. After all, it's doing
business in a sound, business-like manner and not
becoming a chiseler which builds the right kind of
reputation for a merchant, irrespective of what busi-
ness with which he may be identified. At least, piano
merchants haven't gotten to the point where they
give a person a two weeks vacation trip free if they
buy a piano like we have been told television dealers
are doing in the Mid-west.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Dr. Raymond M. Burrows Originator of
Group Piano Instruction Dies Suddenly
Dr. Raymond M. Burrows, Professor
of Music Education, Columbia Univer-
sity, a concert pianist, and for five years
Chairman of the Piano Instruction Com-
mittee of the Music Educators National
Conference, during which time he in-
augurated Group Piano Lessons in
ence, during which time some 2,000
teachers have been instructed on how
to conduct the piano classes in accor-
dance with his methods. He appeared
at several of the Conventions of the
National Association of Music Mer-
chants, in which he would take a group
of children who had never been seated
at a piano before, and within 40 min-
utes he would have them playing two
selections, and in many instances ac-
companying the audience in singing.
Dr. Burrows was slated to appear at
the annual convention of the Society of
Piano Technicians, which is to take
place in August at the Hotel New
Yorker in New York. He was to give
a demonstration there also of his meth-
od of group piano teaching.
He was co-author of many books, one
of which was "Concerto Themes", a
compendium of 1.000 themes from 144
of the world's greatest concertos, which
was published last year. Associated with
Columbia University since 1927. he was
appointed a full professor in 1947. He
was a member of Kappa Delta Phi and
Phi Delta Kappa, educational fraterni-
ties.
DR.
RAYMOND BURROWS
aiany of the schools throughout the
country, died on Saturday, May 31st, in
St. Luke's Hospital, after a two weeks'
illness culminating in a major opera-
tion. He was 46 years of age.
Dr. Burrows was born in Detroit,
and had been a member of the piano
team of Burrows and Loudis, with Dr.
Anthony Loudis. In addition to having
given solo performances, the team also
made countrywide tours and one of its
recent performances was on the Maggy
Fisher "Piano Playhouse" which was
heard over the American Broadcasting
Company's national network through-
out the country.
After receiving a diploma in piano
from the Juillard School of Music in
1928, Dr. Burows won a B.S. degree
from Teachers College, Columbia Uni-
versity, in 1929, an M.A. in 1930 and
a degree of Ed. D. from Columbia in
1936.
During his career as Chairman of the
Piano Instruction Committee of the
Music Educators National Conference,
he made many demonstrations for
Group Piano Instruction and conducted
many piano workshops under the aus-
pices of the American Music Confer-
12
His most recent collaboration since
publishing his book was helping the
Music Educators National Conference
to produce the "Handbook for Teach-
ing Piano Classes", which was shown
for the first time at the M.E.N.C. bi-
annual convention in Philadelphia in
March, the demand for which has been
phenomenal ever since. This book was
published, due to the fact that it was
impossible to conduct piano workshops
in a wide variety of cities, and is pro-
fusely illustrated showing the various
methods of teaching group piano in-
structions, so that music educators and
piano teachers may have something to
go by without attending a piano work-
shop.
Dr. Burrows is survived by his
widow, Harriet, three sons, Ted. James,
and David, and a daughter Jane.
A memorial service was held on Mon-
day, June 2nd, at the Chapel of the
Riverside Church on Riverside Drive
and was attended by large groups of
friends, educators and members of the
piano industry.
A request was made that flowers be
omitted and instead those who wished
to pay tribute to Dr. Burrows could aid
in sending a contribution toward a
DR. BURROWS IN THE ACT OF TEACH-
ING AS SEEN MANY TIMES THROUGH-
OUT THE COUNTRY.
memorial scholarship fund to the Music
Department, Teachers College, Co-
lumbia University.
Wurlilzer Defense Work Now
Has Reached Twenty Million
At a meeting of the Board of Direc-
tors of The Rudolph Wurlitzer Com-
pany held in Cincinnati, Ohio, on May
8, R. C. Rolfing, President reported the
following results of operations for the
fiscal year ended March 31, 1952—
1. Consolidated net sales were $30,-
013,542.70 or 4.3% greater than the
preceding year.
2. Consolidated net profit, after all
reserves, state and federal income and
excess profits taxes, was $1,059,884.88,
or $1.27 per share of common stock.
This compares with $1,536,338.86 or
$1.84 per share for the preceding year.
At the May 8 meeting the Board of
Directors declared a dividend of 20
cents per share payable June 2, 1952 to
shareholders of record at the close of
business May 15, 1952.
Production of civilian products, in-
cluding pianos, accordions, electronic
organs and coin-operated phonographs,
was reduced last year on account of
government limitation orders. There
has been some relaxation of these or-
ders recently which will permit slightly
greater production this year, provided
sales warrant such an increase.
Production of defense items increased
steadily during last year and it is ex-
pected that production of these items
will continue to increase during the cur-
rent fiscal year. Unfilled orders for de-
fense items total approximately $20,-
000.000.00 at the present time.
THE MUSIC TRADE REVIEW. JUNE. 1952
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