Music Trade Review

Issue: 1952 Vol. 111 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
Established 1879
CARLETON CHACE, Editor
Alex H. Kolbe, Publisher
V. T. Costello
Associate Editor
NATIONAL
ASSOCIATION
OF MUSIC
MERCHANTS
Alexander Hart
Technical Editor
Mary Louise Kauffman
Circulation Manager
Published monthly at 510 RKO Building, Radio
City, 1270 Sixth Avenue, New York 20, N. Y.
Telephone: Circle 7-5842-5843-5844
Vol. Ill
JUNE. 1952
No. 6
Business - As We See It
I
T became our privilege on May 27th to attend a
piano festival, which we hope may be duplicated
some time in every city and hamlet throughout
the country. 150 children from kindergarten age up
to junior high school participated in this festival
which took place in the Daniel
Webster elementary school in New
Rochelle before an auditorium
packed to standing room only.
We hope that every dealer in the
country will take time out to read
the story which appears on Pages
5 and 6 of this issue, because we
consider this effort a very forceful
illustration of not only what can
he done in other localities, but
what has been done in a school
CARLETON CHACE
system where there are approxi-
mately 7,000 pupils. It was over thirty years ago
that piano lessons were started in the schools in New
Rochelle, N. Y. Since then the interest in learning
how to play the piano has grown to the extent that
10
Mrs. Fay Templeton Frisch, now Supervisor of Piano
Instruction in the schools, has 450 pupils annually,
who are taking group piano lessons. In a recent sur-
vey which she made, she found that 85 % of the pupils
who got along to the point where they couldn't take
piano lessons in the schools any longer continued
their music studies. Another very pointed illustration
of what can transpire and can occur to a pupil in
piano classes in schools, is the success of Mrs. Frisch's
assistant, Miss Loretto, who several years ago having
only studied in group classes under Mrs. Frisch en-
tered a contest in which many students of private
teachers participated and won the contest, with the
result that she received a scholarship in musical edu-
cation, which brought her up to the standard required
by the Board of Education of New Rochelle, with the
result that she is now assistant music supervisor to
Mrs. Frisch. No one who reads this Editorial needs to
ponder much regarding what such a promotion can
do to create piano sales from generation to generation,
but piano merchants throughout the country should
not think that they should sit back and "let George
do it" without putting their shoulder to the wheel
and doing their part, by finding ways and means of
getting their Boards of Education and music super-
visors interested enough so that the American Music
Conference can step in and help prove through these
governing bodies that piano lessons in the schools
are as highly important as any other method of music
instruction.
The Untimely Passing of Dr. Raymond Burrows
T
HE untimely passing of Dr. Raymond Burrows,
Professor of Music Education in Teachers Col-
lege, Columbia University, who without a doubt
in the past five years has stimulated more interest in
piano learning than any one man we know of, was a
distinct shock to the entire music world, including
the piano industry. We do not know how much the
tremendous efforts of Dr. Burrows has been appre-
ciated by the rank and file of the piano industry,
but it is certain that if the retail division of the busi-
ness has not realized what he did for their benefit,
we certainly think that they should have. Dr. Bur-
rows was the man who inaugurated the Group Piano
Lesson idea. Not only did he confine it to the curric-
ulum in Teachers College, but he went from state
to state teaching teachers how to teach the pupils,
and under the auspices of the American Music Con-
ference over 2,000 teachers now know how success-
fully this project can be carried on. When Dr. Bur-
rows started this effort five years ago, private piano
teachers were skeptical; they criticized the method;
THE MUSIC TRADE REVIEW, JUNE, 1952
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
were afraid of it; and bluntly came out and said that
such a method would hurt their business. By the time
the five years of Dr. Burrows' effort terminated, so
many educators and private teachers were asking for
information about his method that it became neces-
sary to publish a book sponsored by the Music Edu-
cators National Conference, explaining how the meth-
od could be inaugurated and carried on in school
as well as private studios. No man had a greater
career ahead of him than Dr. Burrows. He was a
concert pianist, he had written music, he had writ-
ten books about music, and he was an indefatigable
worker, as well as one of the most genial personalities
which had ever stood before an audience. We have
admired him immensly. He was an ardent supporter
of everything the music industry stands for. He never
missed a year-end luncheon of the New York Piano
Trade, and always had a bright message for those who
attended. He was a champion of "Play for fun"
method of teaching, and he should be remembered by
every member of the piano industry as the man who
inaugurated a system to keep children playing from
generation to generation, cheerfuly giving his time
and energy to the purpose of bringing out sincere
happiness through music. In his honor a musical
scholarship in his name has been created at Teachers
College. Any member of the industry wishing to con-
tribute can send a donation to Dr. James L. Mursell,
Music Dept., Teachers College, Columbia University,
New York.
What's the Matter With the Piano Business
ITTING in on an impromptu conversation the
other day, at which a manufacturer, a traveling
man and ourselves were discussing various
phases of the piano business, the remark was made
"I can't understand why the organ business should
be so good and the piano business so dull". Then
the three of us commenced to analyze the situation.
The traveling man mentioned the fact that wherever
he had been the dealer who had a studio and was
teaching musical instruments was doing a good busi-
ness. He found, however, that dealers who did not
have such a promotion were complaining. So far
as the organ business was concerned, the fact that the
organ business is good can more or less be attributed
to the same thing. The medium-priced organs which
are now being sold have a tremendous effect on the
minds of people whether they plan the organ or not.
Those who are selling organs see to it that these
people are taught to play. After all, the electronic
S
THE MUSIC TRADE REVIEW, JUNE, 1952
organ is young compared to the piano business. For a
generation that likes organ music and finds they can
be taught to play without much ado, is it any wonder
that many of them turn to the organ? No doubt organ
sales probably amount to approximately 20% of the
total of piano sales, so that we feel that the piano
business has nothing to fear from the organ. In fact,
we believe it is a help because people play it with
their hands, and if they enjoy it they will play the
piano as well as the organ. But the traveling man had
another idea. He told about a certain dealer who
goes out and gets business and brings it in. He finds
that this dealer is doing a, good business. He is an old
dealer, too. So when he wants business he puts pianos
in the truck and goes out and gets it. He doesn't
come back until the pianos are sold. This may be "old
hat" but it brings in the business. How many places
are there today where you can find a salesman who
will go out and plug for business. It's the age we're
living in. Most of them want to sit in on the floor
and wait for business to come in the door, through
the advertising or otherwise. We don't know whether
W. L. Stensgaard speaking at the Sales Executive
Association Convention has the right idea or not, but
he pointed out that perhaps salesmen are getting
too lazy, that they'll have to perk up in the future in
order to keep up with competition. However, there
is one unfortunate aspect when business becomes hard
to get. It's something the piano trade has been very
free from for a great many years, and that is, dis-
counts and rebates. Those who religiously operate
along these lines to the detriment of the legitimate
competition as a rule do not last long. So, it is regret-
table that when business becomes difficult there is
always that bugaboo to content with. Years and years
ago we used to have pretty sad sales efforts in the
piano industry, like beans in the jar, certificates,
things of that kind, which forutnately have been en-
tirely eliminated. Secondly, the credit situation in
the piano industry became so well regulated by the
industry itself that when Regulation W was reinstated
pianos and musical instruments were eliminated. So,
let's hope it can be kept that way. After all, it's doing
business in a sound, business-like manner and not
becoming a chiseler which builds the right kind of
reputation for a merchant, irrespective of what busi-
ness with which he may be identified. At least, piano
merchants haven't gotten to the point where they
give a person a two weeks vacation trip free if they
buy a piano like we have been told television dealers
are doing in the Mid-west.

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