Music Trade Review

Issue: 1952 Vol. 111 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PRACTICAL PIANO TUNING
By ALEXANDER HART
Formerly with Steinway & Sons Tuning Department, Instructor in
Piano Tuning, Teachers College, Columbia University, N. Y.
Registered Member of the
National Association of Piano Tuners
Notes of Interest on Tuning
HE keyboard charts used in this
article are to help the ambitions
and conscientious tuner to advance
himself by the way of analyzing the
chords quality and work out a better
solution by using four augmented
chords as exhibited on the charts.
The tuner should be acutely con-
scious of tone relations in order that
his chords may sound extremely musi-
cal rather than mathematical.
Each degree of the scale has its own
individual flavor according to its func-
tion in tonality. This procedure, how-
ever, is a matter of preference, for
many tuners have their own formula
worked out, and others again who
never seem to be quite satisfied with
their temperament. Perfection is the
aim. a good slogan to go by.
A major performance in the art of
tuning pianos calls for plenty of study
and practice.
How to understand the charts is ex-
plained by following the rules. Pro-
ceed slowly, and do not deviate if pos-
sible from the method until you have
gained a little insight as to what it's
all about.
First, note K.B.C. stands for charts
—"Aug" means the fifth tone has been
augmented. That is. raised a half-tone.
Defining the practical use of the
augmented fifth, it is also a minor
sixth, being raised another halftone, it
becomes a major sixth, like the one
employed K.B.C.-l, G and E. It also
takes two major thirds to be an "Aug"
fifth, and its practical use in finding
the enharmonic as seen on K.B.C.-2-A b
Aug. Counting 9 halftones each way,
you can see that G# is on the right
side of E major and A b is on the left
side of C major—Middle "C" taken
as a starting point. That at once gives
you another tonic A b G#. Incidentally,
then you can proceed to tune the other
intervals as E below A b and octave
below Middle C. Then you have the
inversions for Key of C Major.
From A b is a new root of a chord
made up of three tones built in thirds
24
MODEL C
CHORDS CAN BE CLOSELY MATCHED, THUS FORMING A GOOD BRIDGE BETWEEN
THE AUGMENTED CHORDS. THE TUNING CAN BE CHECKED CLOSELY AT EVERY
POINT AND THE CONSTANT ENHARMONIC CHECKS WILL NOT ALLOW THE ERRORS
OF JUDGMENT TO ACCUMULATE
—the only difference in the "Aug"
chord is that it has no minor. You
can see it on the K.B.C.
Explanation of the Triad
1—The triad is a chord made up of
three tones built in thirds.
2—The root of the triad is the tone
from which the chord is built.
3—The third of the triad is a third
from the root.
4—The fifth of the triad is a fifth
from the root.
5—Triads may be built on each tone
of the scale.
(Turn to Col. 3, Page 25)
' '
THE MUSIC TRADE REVIEW, MAY, 1952
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Survey Reveals 86 Pratt Read & Co. Employees
Aggregate 3,176 Years of Active Service
A recent review of the personnel rec-
ords of Pratt. Read & Co., Inc., Ivory-
ton, Conn., shows that 86 factory em-
ployees have worked for this oldest
and largest of the piano supply houses
On Sundays they would get on their
bicycles and ride to one of the shore
towns over the dirt roads which were
rutted by the many horse-drawn ve-
hicles. At that time Pratt, Read used
River plants each morning.
Not to be too far outdone by the fac-
tory help, the office personnel numbers
11 individuals who have worked for
the company 25 years or more. The
veteran, with 53 years behind him, is
Edward M. Hilley. Purchasing Agent,
and former manager of the Comstock-
Cheney baseball team which was one of
the outstanding semi-pro units in Con-
necticut during the early days of the
century.
HART
(Continued from page 24)
6—The first triad is made up of the
first, third and fifth tones of the
scale.
Another reason for the employment
of the augmented fifth is, we have es-
tablished through its use that A b can
be joined with the Key of C, i.e., A b
C and FA
Counting eight halftones instead of
nine, we have another major fifth, as
an additional proof for further tests.
{To be continued)
JAMfci, A. o O U L D ( C E N T E R ) P R E S I D E N T OF P R A T T , READ & CO., I V O R Y T O N , CONN.
S U R R O U N D E D BY S E V E R A L OF T H E OLDEST E M P L O Y E E S OF T H E COMPANY I N -
C L U D I N G A T HIS R I G H T ERIC CARLBERG. 87. W H O HAS BEEN W I T H T H E COMPANY
63 YEARS.
a total of 3.176 years. All the individ-
uals making up this impressive total
have been on the payroll for 25 years
or better.
Heading the list is Asa Gilbert who
entered the company's employ on April
3rd. 1888. This hardy individual still
turns in a good eight hours' work each
day and operates one of the "sticker"
molding machines in the action mold-
ing department.
Mr. Gilbert is closely followed in
seniority by Eric Carlberg who came to
work for the Ivoryton firm in Novem-
ber of the same year. Like Mr. Gilbert,
Mr. Carlberg enjoys good health and
hardly ever misses a day at his job of
packing the keyboards which go out to
the leading piano and organ manufac-
turers in this country and abroad. Two
other workers have also completed over
60 years of continuous service.
The fondest remembrances of these
oldtimers is the bicycle rides they used
to make into the country on weekends.
Most of the young men in those days
lived in boarding houses near the fac-
tory and worked long hours with little
chance for relaxation during the week.
THE MUSIC TRADE REVIEW, MAY, 1952
to provide sheds for the horses of those
that drove to work and a horse-drawn
bus used to bring the workers from
nearby Essex to the Ivoryton and Deep
Ralph D. Janney
Ralph D. Janney, at one time con-
nected with Wm. Knabe & Co., New
York and later head of the Janney-
Bowman Inc.. Detroit. Mich, passed
away in Cincinnati on May 13th at the
age of 63. At the time of his death he
was Federal Area Rent Director in the
Cincinnati area. He went to Cincinnati
from Cleveland where he had been in
the Regional Office of Price Administra-
tion. When in the piano business Mr.
Janney married the daughter of the late
Albert Behning who passed away sud-
denly soon after their marriage.
Wurlitzer Executives Address NAPT
Members At Grand Rapids, Mich.
SEEN IN THE ABOVE PHOTO: JOE DAURER, GEORGE GROOT, RICHARD GROOT, ROY
CHIPMAN C. M. COOPER WM. BORGMAN, MARTIN KOLKMAN, P. DATEMA, DAVID
DEJONG, PERCY LUNDBERG, SPENCE SWANBUM, LEE DePREE, JOE WARNERS,
GEORGE SNYDER AND A. M. CRAWFORD.
The Grand Rapids, Mich., Division
of the National Association of Piano
Tuners recently held a highly construc-
tive meeting in the store of Leon Becker
Piano and Organ Co. of that city. Percy
Lundberg. Chief Inspector of Wurlitzer
Co. was the main speaker and demon-
strator for the evening. Joe Daurer,
Wurlitzer Adv. Manager, was moderator
and Spence Swanbum, demonstrator.
25

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