Music Trade Review

Issue: 1952 Vol. 111 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REYNOLDS
(Continued from Page 8)
a. Often makes a house a home; b.
Encourages entertainment in the
home; c. Brings added joy to the
home.
7. The Piano for Religious Advance-
ment—
a. Promotes reverence; b. Makes
brothers of all God's people through
the only language we have in com-
mon . . . music.
8. The Piano for Financial Advance-
ment—
a. Assists a man to earn his way
through college; b. Saves money that
would otherwise be spent foolishly;
c. Relaxes one at the end of the day,
thus conserving one's energies for
business needs.
In the event prospect has an old
piano they have been spending a con-
siderable amount of money on for re-
pairs, it would be a saving to invest in
a new one.
A good piano or organ in a place of
business or a church will definitely in-
crease attendance, thereby adding more
income.
Also, in this time of inflation, a good
piano will increase in value.
Some one or combination of these
motives should produce forceful com-
mitments from the prospect enabling
you to attempt the close. So we will
concede we are ready to begin the first
Buying Decision.
NEED (The Piano)
1. The piano is the only complete musi-
cal instrument embodying all the
STOPS
2.
3.
4.
1.
2.
3.
elements of the art, namely: rhythm,
melody and harmony.
The piano is the mother of all in-
struments, and covers all the entire
range of the orchestra.
Develops three of the five senses—
sight, touch and hearing.
Piano study coordinates more facul-
ties of the body than any other study
—the mind, eyes, ears, lips for count-
ing, hands and feet.
SOURCE
Sell your store as dependability,
service, etc.
Talk the history of the manufacturer
of the piano you are closing on.
Also, this is the only time to pile on
the lumber, felts, metal, etc.
You as the salesman.
PRICE
This often is the first question asked,
but do not assume that the Need has
been thoroughly established of every
customer who asks the price first. Often
this is the person looking for that $395.
spinet, only because she never had been
properly sold on the many advantages
of owning a piano. Also, do not be
so sure she is sold on the Source. Give
your story and wait for commitments.
1. The actual price of any piece of
merchandise is the first cost, plus the
cost of up-keep and operation. Com-
pare the piano with any other ap-
pliance in your home as to first cost.
For example: Let us assume the
piano will last for sixty years and
the price is $800.00. This would be
only $13.33 a year, or $1.11 a month.
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DESCRIPTIVE LITERATURE
28
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All of us hear that old objection—
"That's a lot of money to put in a piano
when my child may study only a few-
months and then quit." All of us have
our own way of answering this state-
ment, but this one will always bring a
favorable commitment from the pros-
pect—"Mrs. Smith, if the child comes
home with a bad report card, do you
take her out of school? Of course not!
You talk to her and see to it she does
more studying. Likewise, it is the same
with piano study. Our two daughters
won't clean their teeth unless we make
them. So how do you expect them to
study school work or piano unless you
actually make them?"
Thoroughly explain your deferred
payment plan, and illustrate the ad-
vantages of it.
In any event, stay away from the
price itself, and always try to close on
a minor point.
You may again have to pile on ad-
vantages. Often Wolfe's "Play By
Color" may be used effectively here as
well as many other places throughout
the presentation.
In many instances you have special
sales where the customer realizes a sav-
ings, and that reminds me about the
old man who entered the piano store
chewing tobacco. The salesman in-
formed him the price of a grand was
$2,000.00. The old man, still chewing
his tobacco, turned around and started
towards the door. The salesman grabbed
him by the arm and told him he was
having a special today in which he
could have the piano for $1,800.00.
Again the prospect walked towards the
door still chewing his tobacco. The
salesman again grabbed him by the arm
and informed him inasmuch as he was
a well-known farmer in that locality,
he could have the piano for $1,600.00.
Finally the old man got to the door and
spit out his tobacco juice, and told the
salesman he would have bought the
piano at the first price if he had let
him spit out his cud.
TIME
Just had a nice looking young lady
in the store. The Old Catfisherman got
favorable commitments until we reached
the Buying Decision we are now dis-
cussing, and she informed me she was
building a new home. I mentioned that
inasmuch as the piano is the most con-
spicuous piece of furniture in the liv-
ing room, it is wise to choose the piano
first so that you may add furniture to
the room harmonizing with the piano.
She agreed, and phoned her interior
decorator making an appointment. All
of us are familiar with many old meth-
ods of handling objections relative to
this decision.
THE MUSIC TRADE REVIEW, FEBRUARY, 1952
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
PRACTICAL PIANO TUNING
By ALEXANDER HART
Formerly with Steinway & Sons Tuning Department, Instructor in
Piano Tuning, Teachers College, Columbia University, N. Y.
Registered Member of the
National Association of Piano Tuners
Notes of Interest on Tuning
HPHE student will again follow the
-•- diagram and note there are three
hampers, one marked "E", the center
one " F " and the one in front marked
A.B.C.D. (Observe the deep cuts on the
felt E, no doubt caused by hitting the
strings over a period of years.
The hammer felt on F is in fine shape
and requires no filing.
The working tools for this kind of
work is a sandpaper file, that is, a
piece of wood covered over with sand-
a good even start and being extra care-
ful not to tear the felt. This can easily
be done if careful. The procedure of
cautiousness can be traced to a good
sound judgment and thereby bringing
all three qualifications into play, i.e.,
the steady hand, the watchful eye, and
caution. Follow the arrows and go slow
and easy.
Suggestions:
THE LONG BLACK LINES REPRESENT
SANDPAPER
FILE — FOLLOW
THE
ARROWS AND NUMBERS.
paper. This can be purchased from the
piano supply companies, neatly made
and reasonable. It doesn't pay to make
them. Dexterity of the hand, a good
eye, count for a great deal plus careful-
ness.
When you start filing the felt, hold
the hammer firm, otherwise you might
break it from the stem.
Commence at "A" and follow the ar-
rows around to "B", then to "C", a
distance a little part from the centre
then return to "D" and start again fil-
ing toward "C".
Remarks:
Hold the hammer file firm and
square, keeping it below "A", getting
THE MUSIC TRADE REVIEW, FEBRUARY, 1952
The writer would suggest working on
an old set of hammers first, and get in
a little practice, before attempting to re-
shape a set of high grade hammers,
which may be too much for a beginner.
This in itself is no let-down for any-
one who wishes to practice his profes-
sion as a real craftsman.
Please remember it is easier to write
about action regulating and voicing
than doing it. The same advice applies
to any sensitive mechanical understand-
ing like regulating the mechanism of
an automobile engine.
No novice could or would try to in-
terfere with its intricate parts without
knowing just what it's all about, there-
fore the same honesty of thought should
precede the effort when working on
piano actions.
Keep in mind also, the thousands of
parts that go to make up a reliable ac-
tion to withstand the hard usage it is
subjected to. Try to cultivate the habit
of law and order. Lay out the tools you
are about to use, and give yourself
enough time for the job so that you can
relax and be comfortable. Then you
may not be apt to make mistakes, and
your action regulating will stand out in
fine shape.
Memorise Rules
It may be especially remarked that
the 88 keys constituting measurements
that make the whole requirements of
action regulating, are about the same,
and these primary rules should be mem-
orized as well as practiced.
Not many get by in the study of har-
mony without first knowing and under-
standing the intervals of music. All the
88 keys should be able to repeat nicely
and respond to the player's touch. I
have written of it before that there are
a few manuals on action regulation,
especially one put out by Jesse French
& Sons, Elkhart, Ind. It is truly com-
prehensive, and worthwhile studying.
The diagram that accompanies this ar-
(Turn to Col. 3, Page 30)
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