Music Trade Review

Issue: 1950 Vol. 109 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Established 1879
VOL. 109-No. 9
THE
PIONEER
REVIEW
PUBLICATION
September, 1950
2,846th Issue
O F T H E MUSIC
I N D U S T R Y
Success of Aberdeen S. D. Piano Workshop
Indicative of Small Town Enthusiasm
O
NE of the most serious problems
surrounding the promotion of
piano lessons in the schools has
been securing teachers who have had
the proper instruction in conducting
these piano classes. The piano work-
shops, however, which are being con-
ducted by the American Music Confer-
ence, and the interest which has been
aroused in various teachers' colleges
throughout the country is helping to no
small degree in solving this problem.
It is estimated that during the time these
workshops have been promoted at least
1500 teachers are now prepared to con-
duct classes.
At the summer session of the North-
ern State Teachers' College in Aberdeen.
S. D., a community of 12,000 inhabi-
tants, 17 students enrolled in the class
pedagogy workshop which was con-
ducted by Miss Maurene Carpenter, who
is director of class piano instruction in
the public schools of that city. It was
on Monday, July 10th, that Miss Car-
penter demonstrated the new class teach-
ing methods in the piano workshop
which continued for four days before a
very large and enthusiastic audience.
Miss Grace McArthur, head of the
division of fine arts at the Northern
State Teachers College, acted as chair-
man of the clinic and workshop for the
piano teachers, which consisted of 20
hours of work, 4 hours each day. Half
the time was given to discussion and the
other half to actual class demonstrations
with children, Miss Carpenter showing
the guests exactly how the class work
is carried out. There were also several
private conferences after the general
meeting.
The success of the piano workshop in
this instance is manifested in a letter
THE MUSIC TRADE REVIEW, SEPTEMBER, 1950
which was received by William A. Mills,
executive secretary of the American
Music Conference, from Miss Carpenter,
who stated: "You asked that I give you
a little follow-up of our workshop. I
have heard from a number of the teach-
ers who are beginning classes in their
studios, and a few who are contacting
school administrations regarding school
classes. Just now I had a call from one
of our nearby towns where a teacher
was asking to use my name for adver-
tisement in a local paper. We had a
grand time and I had lots of fun at the
workshop and, in fact, I wish I could
do more of them and less actual year
round teaching. I am enclosing a copy of
a letter form one of the outstanding
teachers in our state, which I am most
happy to receive."
Piano Class Progress
The letter referred to was one from
Mrs. Leroy E. Blanchard of Miller. S. D.,
who states her experience in commenc-
ing her paino classes as follows:
"Saturday I taught my first piano
classes. They began at 1:45 and ended
at 6:00. There were thirty pupils and
five classes. This was quite different from
my previous Saturday lessons which took
my entire day from 10:00 in the morn-
ing until 9:00 that evening.
"I used the Frost Beginner's Book for
the beginners' class, and for the other
classes I used Victor Herbert and other
Ada Richter books, Bernard Wagness
and Ella Ketterer books. Also some Cen-
tury sheet music.
"The children are all as enthused over
their next lesson as they ever were
when looking forward to a recital. One
little girl insisted that her parents post-
pone their trip to the hills one. day so
she wouldn't have to miss her next class
lesson. I felt that the greatest obstacle
to the class lessons was the long distance
so many of them had to travel, especially
during harvest, but the mothers drove
and are planning ways to help one an-
other get in every Saturday. Several
mothers visited the classes. I am en-
closing the letter which I sent to all
parents.
Letter to Parents
In promoting this work, Mrs. Blanch-
ard sent the following letter to ihe
parents in her town, in which she
pointed out:
"Tn July of this year Northern State
Teachers College department of music
offered a special five day workshop in
class ipiano instruction with Miss Mau-
rene Carpenter as special instructor.
Miss Carpenter has taught successfully
by class method in the Aberdeen Public
Schools for a period of twenty years.
She is a.specialist in class piano instruc-
tion who is nationally known as well as
locally. She has a practical working
knowledge of all the accepted classroom
methods and materials. She has had
classes under practically all the leading
authorities on teaching piano to chil-
dren. I was especially fortunate to have
been able to attend this piano workshop.
Miss Carpenter is chairman of the piano
class committee of South Dakota.
"The purpose of the workshop was to
give an understanding of modern tech-
nique for teaching piano and to pre-
pare teachers for using the class pro-
cedures. It was designed as a refresher
course for private and studio teachers,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
and lo serve as an introduction to the
class procedures effective in teaching
piano to groups. Class instruction in
piano makes it psosible for one teacher
to bring piano lessons to a greater num-
ber of pupils and can be as thorough as
private work and more enjoyable than
private instruction.
12 Children in a Class
''A dozen children can be taught to
iplay the piano in one class as success-
fully as they can be taught any other
subject. Rhythmic games, so necessary
to true rhythmic development, are pos-
sible only in classes. Ensemble playing,
so vital to true musicianship, is a regu-
lar procedure, not an exception. This
advantageous group approach has now
been used with gratifying results in the
teaching of over a million children. They
learn the fundamentals, not only of
piano playing, but of rhythm, melody,
harmony and form. The children learn
from each other by observation and imi-
tation. Application and practice are
stimulated by friendly competition. From
the very start the children play their
little songs before groups, often as ac-
companists for the singing. Nervousness
and stage-fright, so frequently the un-
sought by-products of the private lesson,
have no chance to develop.
"My Bernice Frost Beginners Book
teaches children first to sing pleasing
songs with words and syllables taught
by ear. Then they discover the phrases,
motives and figures that compose the
melodies. With a vocabulary of melodic
and rhythmic figures they soon learn to
read new songs. Always they work with
real music, real folks and singing games
which hold their interest.
Dr. Burrows in The Review
"Dr. Raymond Burrows, noted music
educator, wrote in the December, 1947
issue of the Music Trade Review, 'We
need an army of talented, intelligent
and thoroughly trained teachers in spe-
cific skills of teaching piano in classes."
Through close cooperation of teachers
and supervisors we hope to assure to an
ever-increasing number of children the
thrill of class piano participation. Dr.
Burrows advocates piano instruction for
every child and says that even those who
have no piano in the home have frequent
opportunities to play on the piano in
the class room and may have a card-
board keyboard for home practice.
'"I wish to thank the parents for their
cooperation in this new project."
Previous to this, the success of the
piano workshop at the Northern State
Teachers College was graphically por-
trayed in a letter which Mrs. McArthur
wrote to Marion Egbert of the American
Music Conference, in which she stated:
"The piano clinic was very successful,
we thought. All the people who attended
were very enthusiastic about the whole
week's work. I have enclosed some clip-
pings and a program of the Workshop.
We had twenty people in all attending,
seventeen enrolling just for the piano
class. There were seven 'Sisters,' five
from Yankton, two from Aberdeen, but
they represent almost that many different
schools as they teach at various places
during the school year. And each of the
other people were from different towns.
So we had at least fourteen towns repre-
sented. The Engel Music Store in Aber-
deen, and Schmitt's from Minneapolis
sent vast amounts of music materials.
Then Miss Carpenter and I together have
many related books about music, etc..
so we were able to give these women an
excellent refresher.
Compliments Teacher
"Also, Miss Carpenter is an excellent
teacher! Her work with the children in
demonstration is really so live! She for-
gets that she has an audience and just
teaches children! I wish some of you
could see her work.
"We had another meeting July 20th
of a larger group for the preliminary
community council organization. There
were about twenty present and it was de-
cided to meet again August 7th. At that
time several communities which were
appointed will report. The communities
appointed were an organizational com-
mittee (we aren't going to have a con-
stitution but an 'organizational plan' so
we can keep informal at first), a com-
mittee to work on the 'booking bureau'
plan. Mr. Prescott, chairman: a commit-
tee to study the rural situation and plan
tangible projects; and a committee lo
consider further the chamber orchestra's
possibilities.
"By the way, thank you for the in-
formation about the orchestra organiza-
tion. I really think we will mostly talk
about the orchestra this year, but I think
it should take long term planning if it
is to be a sound project.
Organization This Fall
"We hope to have our preliminary
'Council' plans for enough that a real
organization can take place early in
the fall, but I can't see just when. Should
it be the first week of school, say Sepl.
13th, or would it be better to let the
various clubs, etc. get going first. There
are so many organizations in Aberdeen.
"Thank you for the good wishes about
a vacation, but our enrollment this sec-
ond term is so heavy it's like the regular
school year."
Conclusion
All the above points to the fact that
not only are teachers in schools be in*!
\itally interested in this project, but
there are many private teachers who hav-
ing attended the piano workshops are
commencing to see the value of class
piano instruction. In many instances this
is found to be true at the local level and
in very small communities, according to
W. A. Mills, executive secretary of the
American Music Conference.
Columnist Pays Tribute
To McClisler's Success
Cecil MeClisler. was featured by col-
umnist. Robert Loving, in the Bristol
Herald Courier. Bristol, Tenn., recently.
In his popular column Mr. Loving said:
"To Cecil McClister, local piano
dealer, the world of music affords a
profitable business, a thrilling hobby,
and a profound way of thinking.
"As a boy McClister took piano les-
sons from his mother, whose ancestors
had been organ builders in Switzerland.
He attended Lincoln Memorial Univer-
sity and. with the idea of studying medi-
cine later, got a iob clerking in a Morris-
town, Tenn. drug store. But in 1912 he
took advantage of the opportunity to
enter the music business.
"He trained at the Weaver piano fac-
tory at York. Pa., and in less than a year
was a full fledged piano technician. He
returned to Morristown for employment
there in 1925. came to Bristol as man-
ager of Clark-Jones-Sheeley Co. This
firm was dissolved in 1933 and he
started the McClister Music Co., which
has continued at the same location on
Sixtli Street."
Mr. Loving devoted the entire column
to Cecil McClister. going back to his ex-
periences in the player piano days and
on through to his present activities. Mr.
McClister is the Wurlitzer piano dealer
in Bristol.
Ray.Erlandson Elected
San Antonio President
As the Review goes to press, word has
been received that Ray S. Erlandson has
been elected president of the San Antonio
Music Co. and the Bledsoe Furniture Co.
by the board of directors of the two
firms. Mr. Erlandson succeeds the late
Isaac Bledsoe, founder of the sixty-year-
old concerns, who passed away on Sep-
tember 9. 1950.
The music company operates stores in
San Antonio, Corpus Christi, Austin,
and Harlingen, Texas; and the furniture
company operates stores in San Antonio
and Austin. Texas.
THE MUSIC TRADE REVIEW. SEPTEMBER, 1950

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