Music Trade Review

Issue: 1946 Vol. 105 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
L'avenir Case Assembly Held in
Place by Metal Pins and Dowels
Last month Pratt Read & Co., Ivory-
ton, Conn., announced several new
methods of construction pertaining to
pianos. Among them was what they
Method of Securing Top Panel
have called the L'avenir case assembly
with construction of the interior of the
piano first and the installing of the
case afterwards. This method makes it
well as the dowels. In one is shown the
method of securing the bottom strip,
another the top panel, and the third
shows the block which goes between the
keys and the cheek of the piano.
When the complete case is assembled
it is as rigid and strong as if it had
been glued. This is a method which
has resulted from many years of re-
search and test by Charles Frederick
Stein, technical adviser to the Pratt
Read & Co. and has been developed for
the purpose of aiding piano manufac-
turers to speed up production. It
eliminates many of the usual opera-
tions in the present day manufacturing
of pianos, saves shipping space as well.
Hubert S. Shearin, son of H. E.
Shearin, president of the Manual Arts
Furniture Co., Cincinnati, Ohio, was
Speakers for ASPTT
Convention Announced
Early indications are that a record-
shattering attendance will be on hand
June 17th, Hotel Sherman, Chicago,
when the American Society of Piano
Tuner-Technicians open their 5th An-
nual National Convention, reports
Henry Gearman, society president.
Piano servicemen from throughout
the country, as well as Canada and
Mexico will be present to hear tech-
nical experts from leading piano man-
ufacturing companies discuss all the
latest developments in the piano world.
Among the many who have commit-
ted themselves to attend are: C. D.
Bond, of the Weaver Piano Co., who
will talk on the subject "The Piano
Business of 1947"; G. A. McDermott,
of the Gulbransen Co.; Ralph W. E.
How Bottom Panel It Secured
Sperry, of the Rudolph Wurlitzer Co.;
possible to change the case on a piano Charles Frederick Stein, of Pratt Read
in practically fifteen minutes. As there & Co., and Helmer Johnson of Permat
is no side glueing, each part is held Products Inc., Rockford, 111.
in place by metal pins and dowels.
Highlight of the convention will be a
In the accompanying illustrations complete rebuilding and restyling job
of an old-time grand piano, all the
work being done right on the conven-
tion floor during the three-day session.
The finished grand will be sold and
proceeds will go towards the national
advertising fund of the American So-
ciety. Donations of parts for the re-
building job have been made as fol-
lows: new piano legs by W. W. Kim-
ball Co.; strings by Schaff Piano String
Corp.; hammers by Standard Hammer
Co.; shanks by Pratt Read & Co.; tun-
ing pins by Tonk Bros. Co., and felts by
Geo. W. Braunsdorf.
All piano tuner-technicians are wel-
come to attend this convention, whether
Setting Clock at Side of Keyboard
or not they are members of the Amer-
some of these metal pins are shown as ican Society, states Mr. Gearman.
THE MUSIC TRADE REVIEW, MAY, 1946
Hubert S. Shearin
Manual Arts Treas.
HUBERT S. SHEARIN
recently elected secretary-treasurer of
the company to succeed G. C. Blocher
who has retired.
Mr. Shearin, who spent the last
three years in the U. S. Army Signal
Corps, serving in both European and
Pacific Areas, has been sales manager
of the company for the past ten years.
The company is again getting into
its stride, manufacturing a complete
line of benches and chairs to match
post-war styles of all makes of pianos.


Rockwell Tuning School
Licensed by State
The Rockwell School of Tuning con-
ducted by C. A. Rockwell in Clearfield,
Pa., has now been licensed under the
Private Trade School Law of Penn-
sylvania by the State Board of Voca-
tional Education.
The school now occupies 12 rooms in
a modern fireproof building at 315
Market St. Among the students are
twelve veterans all of whom have been
sent to the school by music dealers.
The* school can now accommodate 80
students.
The course runs for 26
weeks and includes all phases of tun-
ing and repairing.
Clearfield is 26 miles from the main
line of the Baltimore & Ohio Railroad
at DuBois and 38 miles from the main
line of the Pennsylvania Railroad at
Tyrone.
It is easily reached by bus from
either of these terminals. Room and
board are available within walking
distance of the school for approxi-
mately $16 per week.
27
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
INFORMATION
The Geibs Were Early
Piano Makers
Mr. Carleton Chac e , Editor
Music Trade Review
510 R.K.O. Bldg.
New York City
Dear Mr. Chace:
I am looking for information on the
H & M Geib an old piano made per-
haps one or two hundred years or more
ago, at 25 Maiden Lane, the address
given on the piano. Piano No. 6189, and
want to know any history or informa-
tion about the old piano.
The fact is, I have one that is thor-
oughly restored, like new. It is very
old and tremendously interesting. It
has six legs beautifully carved and
scrolled. Piano is in almost perfect
condition, like new, and I am going to
exhibit it.
May I say that I certainly appreciate
the splendid work you are doing for
the music industry. Best wishes and
kind regards,
Faithfully yours,
Clark Music Co.
Melville Clark,
President.
The Geibs came from Germany and
40 years' experience
were first heard of in the United
States in 1802 as John Geib & Son.
organ builders at 55 Warren Street,
New York. There was also an Adam
Geib, a music teacher. In 1805 John
and Adam Geib are mentioned as piano
makers in Mount Vernon, N. Y., and
John Geib was the inventor of the
"grasshopper action" and the "buff
stop" for square pianos. He was the
father of John and Adam and listed
as one of the "12 apostles" who came
to England from Germany in 1760 and
founded the piano business there.
In 1807 John and Adam Geib were
located on Leonard Street near Broad-
way in New York. John Geib, Jr..
started in business in 1815 and in 1821
was at the Bowery near Bedford Street
while Adam Geib and William, another
of the former's nephews, located at 23
Maiden Lane where Geib and Walker
and subsequently William Geib carried
on alone for many years. William Geib
exhibited in the first exhibit held in
"Castle Garden" at the Battery in New
York and received "first premium for
a grand upright pianoforte."
Geib & Walker at 23 Maiden Lane
were William Geib and Daniel Walker
and were well known past 1830 as
piano manufacturers, music publishers
and importers of miscellaneous musical
instruments. They separated in 1841
and little was heard of the Geibs after-
ward, while Daniel Walker went into
business by himself at 411 Broadway.
T. Gilbert & Co. in Business
from 1829 to 1868
New Bedford, Mass.
Mr. Carleton Chace. Editor,
Music Trade Review,
New York, N. Y.
Dear Mr. Chace:
59 years next month, I tuned a Tim-
othy Gilbert square piano, which at
that time was 58 years old and worn
out—it disappeared about 2 years later.
I have just come in possession of its
exact duplicate so far as I can judge—
a T. Gilbert & Co. #1995—so I estimate
this to be about 117 years old. It is in
almost perfect condition, inside and
out, strings bright, tuning pins paint-
ed black and shine as does the plate—
pin block looks new. Not a sign of a
moth. All in good playing condition.
Outside — top of solid mahogany
with a 3" inlay of rosewood around
the edge. Varnish, beautiful polish,
and no checks. Most perfect workman-
ship. Do you suppose there is another
in existence as old and in such perfect
condition?
Who might know about Timothy
Gilbert and his output? I have seen
articles such as this in publication in
the past, but do not recall what ones.
Chickering started in 1823. This one
was built within a few years before
or after. Who might give me an esti-
mate of its value. This one was par-
ticularly interesting because of having
tuned its counterpart, so many years
ago. You may use any part of the
above, if you think it interesting
enough.
Very truly yours,
C. F. Spooner
Timothy Gilbert started making pi-
anos in Boston in 1829 and by 1840
T. Gilbert & Co. had become quite an
important factor in the piano business
and had many agencies all over the
country. They were granted many pat-
ents also. In 1848 they established an
agency in New York with Berry &
Waters and later Horace Waters took
the agency before he went into manu-
facturing himself. In 1849 Gilbert &
Co. produced an organ-piano according
to a design by Obea Coleman from
whom they purchased patents. It was
in 1868 that the Gilbert firm went out
of business.
in cooperating with
makers of fine pianos
to the end of
BETTER
. . .
TONE
STANDARD
Piano Hammer Co.
ROCKWELL SCHOOL OF TUNING
LICENSED UNDER THE PRIVATE TRADE SCHOOL LAW OF PENNSYLVANIA
A 26 WEEK COURSE IN TUNING, REPAIRING,
CASE WORK, RESURFACING AND VOICING
HAMMERS. ALL NECESSARY TOOLS AND TEXT
BOOKS USED DURING TRAINING PERIOD ARE
FURNISHED BY THE SCHOOL.
(Not inc.I
820 North Kedzie Ave.
CHICAGO 51, ILLINOIS
28
Write for Further Information
315 MARKET STREET
CLEARFIELD, PA.
THE MUSIC TRADE REVIEW, MAY, 1946

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