Music Trade Review

Issue: 1946 Vol. 105 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
P
FIRST AID '"' I A N O REPAIRS
By ALEXANDER HART
Instructor in Piano Tuning,
Teachers College, Columbia University, New York
Kcjlistcrcd Member of the Xational
Association
of Piano
Tuners
Piano Tuners who would like to further
their training are at liberty to consult Mr. Hart, c/o
Music TRACE REVIEW, 1270 Sixth Ave., New York 20, N.
EDITOR'S NOTE:
Information About Pianos (continued
IT may be that a good piano tuner
wishes to know something about "ac-
tion setting"—a procedure that is
worthwhile watching.
The action finishing is a preparatory
step—to action regulating. Setting the
action properly is no great task, be-
cause this is all worked out for him
in advance.
The main thing is to be careful.
Distributed around the trade there
are finishers, regulators, and stringers,
who never thought of taking up the
tuning end of it; why this neglect, I
cannot answer.
nt
Watching a finisher prepare, or get
ready, is interesting.
Aside from general routine work, i.e.,
mounting the key frame, easing, keys,
adjust, dampers to the strings, and
so on.
Now, damper work is an art in it-
self, and requires a lot of practice; of
course, doing this kind of exercise every
day, one becomes experienced.
5 5 5
Bending of the damper wires to
proper alignment also belongs to the
skilled arts.
* it if
Then comes a delicate adjustment
of seating the damper felt, and regu-
lating the spoons —- that lift each and
every damper from the strings.
Good eyesight is very important
for one who is bending wires, and
seating dampers, then regulating their
required travel distance; furthermore,
the particular attention paid to this
branch of piano building is its ac-
curacy.
5 5 5
To watch a finisher work at the
bench affords an opportunity to learn
more about piano actions the tuner is
constantly called upon to adjust.
There is a moral attached to this.
5 S 5
It is so easy to tear things down,
i.e., trying to rectify the fine points
of action regulating, without knowing
what its all about.
* # ft
Fortunately for the honest, efficient,
repairman, some reliable piano trade
THE MUSIC TRADE REVIEW, APRIL, 1946
from
schools are getting into line and doing
a fine job.
5 5 5
Not far from the finisher is another
benchway—for the action regulator.
This kind of work is so easy to talk
and write about, is likewise very de-
ceiving, when one comes to try his
own hand it it.
There are a few points , if under-
stood and practiced, that can be of
great help to those who would like to
adjust a few details that often require
such service on a piano action—espe-
cially a grand action, for this is not a
menial piece of performance—but some-
thing that should be watched carefully
before attempting to touch any part
of the action's mechanism that would
tend to make them worse instead of
better.
It is not to be expected that fine
regulating can bo accomplished over-
night.
This art is, and does, belong to the
one who calls himself a piano tuner.
What Is Regulating?
First of all the action regulator
must possess a sensitive touch, so much
in fact, that when we come to examine
88 keys all to have the same depth of
touch.
5 5 5
The regulator's responsibility rests
on the following corrections, that is,
checking up what has gone before.
The regulator is responsible in a
measure for the finisher's task, who
goes over every detail once again, to
assure himself that when the instru-
ment reaches the fine tuner, it can
begin to pass along to the fine regu-
lator where there is another task
oftimes overlooken even with honest
intentions.
5 5 5
The fine regulator begins his final
check on the grand action, viz.,
1. Tightening all screws.
2. Spacing hammers to strings.
3. Verify the whippings under leath-
er knuckles.
4. To be sure the action is set to the
following measurements, i.e.,
a. The hammer blow is 1%" from
string.
b. The adjustment of regulating
rail screw so that all hammers
travel to the string—%" to be
released when jack comes in
contact with regulating button.
c. Adjustment of the hammer rail.
d. Regulating the jacks under
leather knuckles of butt.
e. Checking jack springs.
Checking up on the repetition lever.
The knuckle rests on the repetition
lever and not on end of jack, inasmuch
as this cannot be seen—but only regu-
lated through light contact with knuc-
kle, and controlled by a regulating
screw.
Standards of DieasureHients are left
to the judgment of those who woi'k on
actions, but as a rule:
If you will remove the action from
the case, there is a fine side view to
be gained by looking and observing
each end of the action.
Striking the key gently you can no-
tice the travel of hammer, and all the
points that make up a regulator's art.
t t t
Things to Remember
The key dip should be %".
The hammer travel 1%" on blow.
The "let-off"—%".
The repetition lever is stopped when
contacted with the butt stop screw,
then escapes from under knuckle on
to the repetition lever, near 1/16"
drop.
JOIN
THE
NATIONAL
ASSOCIATION
of
PIANO TUNERS
Organized To Maintain The Highest Tech-
nical And Professional Standards In The
Practice Of Pfano Service.
Originators of a Nation-Wide System of
Qualified Piano Service Identified by a
Membership Certificate of "REGISTERED
TUNER and REBIHLDER of Pianoi." This
certificate is issued each year for the pro-
tection of the Tuner and his Clientele.
Read the
TUNERS JOURNAL
For particulars address thm
NATIONAL ASSOCIATION OF
PIANO TUNERS
248 HOUSEMAN BUILDING
GRAND RAPIDS 2, MICH.
29
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
OBITUARIES
MORRISON SWANWICK
Morrison Swanwick, vice president
and a director of the Music Trades and
Musical America for thirteen years
until his retire-
ment in 1942,
died March 28th
in his home at
Southport, Conn,
after a long 1 ill-
ness.
Born in Spring-
field, 111., in 1865,
he became a com-
positor, and later
served as a re-
porter on several
newspapers. I n MORRISON SWANWICK
1902 he joined the staff of Music
Trades, and for many years was a
familiar figure throughout the New
York area, the territory to which he
MAN POWER
Superintendent Wanted
An Eastern piano manufacturer
has an opening for a Piano Su-
perintendent to take charge of
pianos from and including belly-
ing department to completion.
Write Box 23, Music Trade Re-
view, Room 510, 1270 Sixth Ave.,
New York 20, N. Y.
M U S I C
B O X E S
Bought — Repaired — Sold
CLARK MUSIC CO.
416 S. Salnia Street
Syracuse 2, N. Y.
PIANO TUNER
We can offer an attractive, permanent
position to an experienced man.
KITTS, 1330 G. STREET, N.W,
W A S H I N G T O N , D. C.
W A N T E D
Good, sober tuner and repair man. Good
salary, good working conditions in good
city.
R. C. BRISTOW & SON
Petersburg, Va.
30
was assigned. Familiarly known as
"Squire" he had made a host of friends
throughout the industry due to his
quiet gentlemanly demeanor. Up to
the time of his retirement he was the
dean of the music trade paper rep-
resentatives and served faithfully for
over 40 years.
He leaves a widow, Lila, three
daughters and eight grandchildren.
Funeral services were held at his home
in Southport, Conn., on Monday, April
1st.
LEWIS H. CLEMENT
Lewis H. Clement, long a leader in
musical circles in Toledo, died in Rob-
inwood Hospital March 28th after a
brief illness. He was 81.
Founder and conductor of the Toledo
Symphony Orchestra in the early 1920's
Mr. Clement also wrote considerable
music.
He is survived by daughters, Miss
Elsa Clement, Toledo soprano and
teacher of voice, and Mrs. A. J. Frank-
lin, New York City, and one grandson.
Born in Leonidas, Mich., Mr. Clem-
ent operated a piano store in Ann Ar-
bor, Mich., where he organized and
conducted an orchestra of University
of Michigan students.
He went to Toledo nearly 40 years
ago as president and manager of Whit-
ney & Currier Co., which later became
Grinnell Bros. Co. He went to New
York City for six years as manager of
Steinway & Son and then of Mason &
Hamlin, returning to Toledo in 1921.
While serving as president of the
National Association of Music Mer-
chants, Mr. Clement became known as
the father of the Better Business Bu-
reau because of his work against fraud-
ulent advertising.
As a handwriting expert, Mr. Clem-
ent was called upon for studies through-
out the nation. He frequently appeared
as a court witness to identifv signa-
tures, letters and other writings and
his opinion was accepted as authoritv.
Mr. Clement was past president of
the Toledo Advertising Club and was
active in Rotary.
_
CECIL JAMES GOULD
Cecil James Gould, well-known piano
dealer in Pasadena, Cal., passed awav
March 24th at Saint Lukes Hospital
after a short illness. Born in Pasa-
dena 62 years aeo he entered the music
business after he graduated from High
School.
After being employed in various cap-
acities with the Baldwin Piano Co.,
Kohler & Phase, Wiley B. Allen in San
Francisco and Bush & Lane in Port-
land, he opened his own store in Pasa-
dena 25 years ago.
He is survived by two brothers—
—The Hon. Thomas Charles Gould,
Superior Court Judge, Los Angeles.
and the retired principal of all public
schools in Los Angeles, Arthur Gould.
While he was of a retiring nature
his love of the outdoors, companion-
ship, music, flowers and children en-
dearing him to all his acquaintances.
His greatest pleaseure was helping the
needy.
Funeral Services were held in the
Chapel of the Good Shepherd, Thurs-
day, March 28th and attended by a
large delegation from the music indus-
try as well as a host of friends.
EDWARD A. GEISSLER
Edward A. Geissler, 79, pioneer Los
Angeles businessman, and former pres-
ident of the Merchants and Manufac-
turers Association of that city, passed
away on March 9, after a brief ill-
ness in St. Vincent's Hospital. The
funeral service was conducted at the
Scottish Rite Cathedral in Los Angeles
on March 12, 1946.
Mr. Geissler was born in Evansville,
Indiana, on September 27, 1866. He
moved to San Francisco, California, in
1KH3, and was in the employ of Sher-
man, Clay & Co. for many years. He
moved to Los Angeles, in 1901, and be-
came vice-president and general man-
ager of the George J. Birkel Co. later
known to the trade as Birkel Music
Co. and retired from active business
in 1935. He was very active in civic
affairs, and served on many com-
mittees of the Los Angeles Chamber
of Commerce.
Mr. Geissler was made a Mason in
San Francisco in 1889. His Masonic
activities earned for him the order's
highest degree, the Thirty-Third. He
was an active member of the Scottish
Rite Temple, Los Angeles; of the
Golden West Commandery No. 43; the
Los Angeles Council No. 10 of Royal
and Select Masters of California, and
held several important positions in these
organizations.
Mr. Geissler is survived by two
grandsons, Ted and John H. Geissler,
both of Los Angeles. He had a wide
circle of friends both within and with-
out the Music Trade, and the Masonic
fraternity, and he will be deeply missed
by all who had the privilege of know-
ing him well.
MRS. CLARENCE HAMMOND
Word has been received of the death
of Mrs. Clarence Hammond, widow of
the late Clarence Hammond who was
up to the time ef his sudden death
manager of the piano department of
Frederick Loeser & Co., Brooklyn, N.Y.
Mrs. Hammond passed away in
Florida, while visiting her sister-in-law.
Funeral services were held at Mount
Blanchard, Ohio, where she maintained
her home.
She is survived bv one son Major
Homer Hammond and two grandchild-
ren.
THE MUSIC TRADE REVIEW, APRIL, 1946

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