Music Trade Review

Issue: 1946 Vol. 105 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
OPA Releases All Musical Instruments.
Records, Albums from Price Control
O better news has been forth-
coming since before World
War II than that which was
released on March 6th by the office of
Price Administration releasing from all
price controls all musical instruments
including pianos and organs, parts
and accessories, as well as records
and record albums. The release did
mot include, however, metallic covered
strings, leather and leather covered
instrument cases, piano benches and
chairs and music cabinets or radio
and phonographs.
The official document is Amend-
ment 19 ©f Supplementary OPA order
No. 126 which reads as follows:
Section 2 (e) is amended by adding
the following articles to the list con-
tained therein: musical instruments,
parts, and accessories but not includ-
ing metallic strings, leather and leather
covered
instrument
cases, piano
benches and chairs and music cabinets.
This amendment shall become effective
March 6, 1946.
Regarding the keeping of records
the decontrol order states:
Sec. 12, Article III Records. Ex-
emption or suspension from price con-
trol shall not affect the responsibility
of a person to prepare and preserve
records which prior to exemption or
suspension, were required to keep un-
der the provisions of the applicable
price regulation or regulations.
Records of individual transactions
after exemption or during the period
of suspension need not be retained.
However, persons manufacturing arti-
cles which, except for exemption or
suspension, are covered by Maximum
Price Regulation No. 188 are required
to continue to file copies of catalogues,
price Hsts, notifications to the trade and
changes thereof in accordance with the
provisions of 1499.159d of that regul-
ation.
N
Upon receiving the order William
A. Mills secretary of the National As-
sociation of Music Merchants issued
the following statement:
"More important than the text of the
order itself is the "Statement of Con-
siderations involved in the Issuance of
Amendment No. 19 to Supplementary
Order 126." Too long to reproduce
here, it gives the reasoning behind de-
control. Significantly it closely follows
the arguments advan^pd in our formal
decontrol petition filed en October 21),
1945, copies of which were, at the re-
quest of the committee chairman, filed
with the Senate Committee on Small
Business and the House Select Com-
mittee on Small Business.
"OPA's new policy has been in the
making for the past two months. Con-
fidential information obtained at the
time of our January 25 conferences in
Washington was hinted in our Febru-
ary 1 and March 1 monthly news let-
ters. When the order did not come
through as expected, we began a series
of tactful telegraphic inquiries about
ten days ago, but final definite confir-
mation did not come through until re-
cently. The news was communicated
to you on Monday.
"It is a great victory. Your hun-
dreds of letters, telegrams to and per-
sonal interviews with Congressmen and
Senators have paid off. To all of you
who cooperated the industry owes a
debt of gratitude. There should, how-
ever, be a special "orchid" for two men
who have been in the forefront of this
effort.
To President E. R. McDuff
who in his capacity as chairman of
the Music Industry's War Activities
Committee, laid the original ground-
work and whose leadership was accep-
ted by the entire industry and acknow-
ledged by government as the author-
ized spokesman for our group; and to
William G. Heller, chairman of OPA's
Piano Industry Advisory Committee,
whose calm counsel, yet firm pressure
have played a major part in OPA's
decision. It will be a fine gesture if
those of you who have been concerned
about this problem would write a brief
note of personal thanks to them. Their
contribution both in time and money
has been greater than most men could
afford to give.
What To Do With The Victory
"Decontrol presents us with a chal-
lenge and an opportunity. It probably
creates as many or more problems than
it solves. We have told OPA that com-
petition would police prices more tffec-
tively than rigid government control.
While we must expect a slight increase
at both wholesale and retail price lev-
els, these increases should be held to
the absolute minimum necessary to re-
cover our costs plus a reasonable profit.
The full burden of self-regulation rests
upon the music merchant. It is he
alone the public will hold responsible if
prices get out of line. We cannot af-
ford to be labeled as "profiteers" nor
assume responsibility for a "buyers'
justified price increases.
strike" which will surely follow un-
"Policing must not rest aloii^. with
the retail branch of our industry no' 1
should necessary price increases at the
producers' level be passed along to
dealers in the form of reduced mar-
gins. We can no more afford profit
control through that source than
through OPA. Arbitrarily imposed re-
duced margins are likely to be a per-
manent type of control which the in-
dustry can ill afford. We must look
forward to the time when promotional
activities, so necessary in the sale of
instruments, will again become an im-
portant item of expense in store oper-
ation.
"With Congress now considering
OPA extension, what we do with our
new freedom will be closely observed.
How well we police our prices is
bound to have an important effect »n
every other branch of industry. It
calls for business statesmanship of the
highest order.
"Decontrol is absolute except for the
tiems specifically mentioned in the or-
der itself. There may be, however,
several borderline cases requiring fur-
ther clarification. We are already rais-
ing several questions with OPA. As
problems arise in your own stores,
please keep up advised."
Manufacturers Association
Meets in New York
Following the OPA order releasing
all musical instruments from price
ceilings The National Piano Manufac-
turers Association held a meeting at
the Hotel Pennsylvania, New York, on
March 8th. A closed meeting was
held in the morning and a luncheon
at noontime. It was the concensus or
those present that it is highly impor-
. tant at this time to hold prices as near
to the present line as possible and that
dealers throughout the country should
do so also. The association received
the decontrol order with a great deal
of enthusiasm and felt that a great
victory for the industry had been won.
A vote of thanks was extended to Wil-
liam G. Heller, President of Winter &
Co. and Robert A. Hill, Aeolian-Amer-
ican Corp., who acted as the Co-
ordinating Committee of the piano in-
dustry.
ITurn to Page 121
THE MUSIC TRADE REVIEW, MARCH, 1946
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The
to UJour
Trade-in
Problem
Trade-ins will soon present a problem
again. But—whereas in the past a dealer
was sometimes faced with a loss, today he
can restyle them into MirrApianos and
make them profitable.
The sale of thousands of MirrApianos dur-
ing the emergency has made the public
MirrApiano conscious. So much so, that
new MirrApianos are in demand. There-
fore, trade-ins restyled as MirrApianos be-
come valuable assets.
Gel a MirrApiano License NOW and be Prepared
MirrApiano Licensees, Wholesale and Retail
WHOLESALERS
Atlas Piano Co., Chicago
Brodwin Sales Co., New York
Dochtermann Sales Corp.. New
York City
Hickory Piano Reminders,
Hickory, N. C.
Janssen Piano Co., New York
Klein Piano Co., New York City
Manhattan Piano Service,
New York City
Modern Art Piano Co., New York
National Piano Corp., New Y'ork
D. B. Neal. Detroit, Mich.
Perfection Piano Co., Chicago
Simonson Piano Co., Chicago
Six Brothers l l a n o Co., Chicago
Weser Piano Co., New York
Wilking Music Co.,
Indianapolis, Ind.
RETAILERS
K. K. Forbes & Sons Piano Co..
Inc..
Birmingham
ARIZONA
IrunR Hoircwe, Phoenix
Music
Co.. Little
IDAHO
Newell Hart Piano Co., Preston
Music Center, Boise
ILLINOIS
The Bruce Co.. Sprincfleld
North West Piano Shop., Chicago
INDIANA
C. G. Stillhainmcr, .Madison
IOWA
Critchett Piano Co., Des Moines
Frederick Piano Shop, Ollie
Walter J. Massey Piano Co.,
Des Moines
Ellis Newton, Ottumwa
Selzer*s Furniture, Waterloo
KANSAS
David Pohlhanimer, Salina
Wiley Dry Goods Co..
Hutcliinsnn
LOUISIANA
M. A. Hanlcy. New Orleans
P. ('. Dismiikes, Shrevepoit
MARYLAND
Kunkel Piano Co.. Baltimore
Charles M. Stieff. Inc.,
Baltimore
ARKANSAS
Kc.'rt
FLORIDA
Brubaker Music Co., West
Palm Beach
Josef C. Zukor, Tampa
Jtock
CALIFORNIA
Coast Music Co.. Los Aniifli-.s
Danz-Schmidt Piano Co..
Santa Ana
Kast Bay Piano Co., Oakland
Hoekett-Cowan Music Co.,
Fresno
Sherman Clay & Son.,
San Francisco
CONNECTICUT
New Haven Piano Co.,
New Haven
Whiting's Radio Service,
Bridgeport
DISTRICT OF COLUMBIA
Colonial l*iano Co., Washington
MASSACHUSETTS
MICHIGAN
Kline Piano Shop.. Lansing
Meyer Music Store, Kalainazoo
iltevens Piano & Music Co.,
Grand Rapids
G. A. Swanson, Ironwooil
Ypsilanii I'iano Co.. Vpsilanti
MINNESOTA
G. H. Henninss Piano Co..
Duluth
Mayer Piano Co., Minneapolis
Oslund Piano Shop, Minneapolis
MISSOURI
Walter Anderson, Poplar Bluff
Garner's Music Shop. Maplewood
Schindler's Piano Shop, St. Louis
NEW JERSEY
diaries L. Bowen & Co.. Camden
Campbell-Temlett Piano Co.,
Paterson
Robt. J. Kauiholz, Itiverside
Mifflin Pianos. Trenton
Redmond I'iano Co., Oradell
RHODE ISLAND
Fishman Piano Co., Providence
Providence Piano Repair Co.,
Providence
NEW YORK
The Aeolian Co., New York City
American Piano Corp., New York
T. F. Cabasino Piano Co..
Liberty
Grand Piano Service, Brooklyn
Wm. J. Gibbs. Amsterdam
Krakauer Bros., New York City
Wissner Pianos Inc., New York
Rudolph Wurlitzer Co., New
York City and all stores
SOUTH CAROLINA
Piek:'lle's Piano House, Osborn
NORTH CAROLINA
Garner Piano Co., Garner
E. M. Rose Piano Co.,
SniiMinekl
NORTH DAKOTA
J. M. Wylii, FarKo
OHIO
.1. M. Barbt, Warren
Blaine, Wlldennuth, Inc.,
Toledo
Cloyd Cook, Columbus
Gade Piano Warerooms, Toledo
The Halle Bros. V,:.. Cleveland
Hyde Music Co.. Cleveland
IJ. F. Kehicr Piano Co.
Cleveland
S. A. lleardin, Columbus 2
John S'one Piano Co., Columbus
F.ldon W. Ward. Columbus
Woodman Piano Co.. Lnkewnod
OREGON
Day Mush- Co.. Portland
I'niteil I'iano Co.. Portland
.
PENNSYLVANIA
Cooper Bros., New Kensington
Froess Bros.. Krie
Gi'imm Bros.. Hainhmn
Ilartman's Music Shop,
Alb'iitown
Kramer's. Music House. Allf ntown
John M. Miller, Pittsburgh
Spangler's Music House,
IlarrisburR
Temple of Music. Blooinsburs
J. II. Troup Music House,
HarrisburK
TENNESSEE
Cox Piano Tuning and Service
Co..
Knoxville
William F. Myers Piano Sen-Ice,
Memphis
TEXAS
Alamo Piano Co., San Antonio
Beasley Music Co., Texarkana
Brook Mays & Co.. Dallas
Kmbty & Young, Dallas
Goodman Piano Co., Dallas
Houston Piano Co., Houston
(J. II. Jackson, Dallas
('. B. Lively Piano Stor«; ,
I.nbbock
. . . .
Bichard Bros.. Waco
Tyson I'iano Co., Dallas
K. Van Deventer, Wichita Falls
Webb Piano Service, Greenville
Wellborn's Piano Mart,
iinrlinKcn
UTAH
.lenninKs-Pearre Co.. Salt Lake
City
SuRarhouae Music Co., Salt
Lake
City
VIRGINIA
New ton Piano <'o.. Norfolk
Thiimuiii & Boone. Roanoke
WASHINGTON
Hoy (Jo Paul's Piano Shop. Spokane
Powers Piano Co.. Veradale
Silvers Piano Co., Taccma ,
WEST
VIRGINIA
Galpeiin .Music Co.. Charleston
Kenny Music Co.. Ihintinuton
C. W. Kiefei'd. Parkersburn
WISCONSIN
Huston Baldwin Piano Stores,
Milwaukee
James A. Terry. La Crosse
CANADA
Ahhot & Sons, Winnipeg,
Manitoba
Minnes iV Ilobson, Hamilton.
Ontario
CUBA
John L. Stowers. Havana
LOUIS BROMBERG. PATENTEE, 19 FLATBUSH AVENUE, BROOKLYN 17, N. Y.
THE MUSIC TRADE REVIEW, MARCH, 1946

Download Page 8: PDF File | Image

Download Page 9 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.