Music Trade Review

Issue: 1945 Vol. 104 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NAMM
I Continued from page 27)
in asking for a more liberal interpre-
tation of the liirice 'squeeze' policy of
O1»A.
"Without question the most impor-
tant activity in the national field has
been the activity in securing relief
from the proposed full 13 per cent
absorption on new piano prices as an-
nounced by Ol'A last November. This
was discussed in some detail at the
mid-year meeting of the Board of
Control, although confirmation of the
full effect of the Association's activ-
ity was not made iffieial until sev-
eral weeks after.
The members of
the Association were promptly noti-
fied of the terms of the new order.
"Service of outstanding value has
been rendered in the issuance of in-
terpretive bulletins and particularly
in replying to direct inquiries from
members.
Recently there has been
considerable interest in the proposed
order setting uniform dollar-and-cent
ceiling prices on used pianos. Several
bulletins have been issued on this
subject.
A great many office con-
ferences on this problem have been
held with dealers on their visits to
('hicago."
Promotion Already Started
"In the months following' the mid-
year meeting of the Board, we have
attempted to implement the four-point
program adopted at that meeting-. This,
you will recall, included selling-, serv-
ice, store modernization, and music pro-
motion. We believe that we have made
definite progress in each of these fields.
We feel particularly that a very valu-
able educational program has been car-
ried on through the medium of the
regional
meetings and through the
trade press which has reprinted a num-
ber of the speeches delivered at the
regional meetings. These papers have
been presented by some of the foremost
authorities in their respective fields.
They constitute a valuable contribution
to the published literature of the Music
Industry.
"There have been two fields in which
we have been particularly active. The
first has been our attempt to emphasize
the importance of broadening the base
of interest in music. The second has
been in the field of store service. Time
does not permit a detailed discussion of
these activities nor have we had the
time available to check the files care-
fully to assure a complete listing of our
activity in this field. All we can hope
to do is to highlight the more important
activities which will serve as a basis
of indicating possible future activity
in these fields.
"As I indicated to you when I first
met with this group in January, one of
the fields in which there is an oppor-
tunity for constructive service is to
work with consumer magazines in an
effort to secure their cooperation in
highlighting music. We have made a
start and while I would have difficulty
in proving that we had anything to do
with it, it is a fact that both editorially
and in the display advertising, there is
a marked increase in the use of pianos,
THE MUSIC TRADE REVIEW, JULY, 1945
musical instruments, and musical sym-
bolisms. Some of these we can defin-
itely trace to the work of our Associa-
tion. We think that in the future you
will without question see a more gen-
eral acceptance of this idea. We have
dealt in some instances directly with
advertisers and in other instances with
advertising agencies, and in still others
with the publishers and editors of the
magazines. We have hardly scratched
the surface. There is much to be done
but we have gone far enough to know
that if we apply ourselves intelligently,
our suggestions will be well received
by all parties concerned.
"We planted a story with Mrs. Roose-
velt which she used in her "My Day"
column. We have talked with officials
of the American Legion and have laid
the groundwork for very close coop-
eration in the reactiviation of American
Legion drum corps and bands just as
soon as instruments are available. We
have talked with representatives of the
United States Junior Chamber of Com-
merce about emphasizing the use of
music in their youth welfare programs.
Through this group of young business-
men we have an opportunity to make
use of musically inclined young people
after they graduate from high school
and college and who ordinarily drop
their group musical activities. We have
established necessary liaison with rep-
resentatives of the Architects Associa-
tion and with publishers of architec-
tural magazines as the basis of a pro-
gram of education to provide necessary
wall space for pianos in the new homes
that are to be built postwar and to
emphasize the importance of the proper
methods for installing antenna for FM
radio and for television. We have taken
steps which we hope will lead to an
intensification of interest on the part
of local Kiwanis and Rotary Clubs in
music as part of their community serv-
ice programs.
"We have prmoted a more active par-
ticipation by music merchants in local
Music Week activities and through our
'Give Records as Gifts' promotion have
laid the groundwork to expand this
idea to 'give music as gifts' when musi-
cal instruments are again available.
"We have held a series of conferences
with retailers, wholesalers and manu-
facturers of phonograph records which
lead us to believe that there is a real
opportunity for increased sales and in-
creased profits through the promotion
of phonograph records as gifts for all
occasions."
Mr. Mills then referred to the work
being done by the By-Laws Committee
and the Advertising and Press Com-
mittee. He said that other committees
would be activated after the present
meetings.
"There has been considerable inter-
est in store modernization," he said.
"Sources of information have been de-
veloped.
Through these contacts we
have been able to answer all of the
inquiries we have received from inter-
ested merchants. Closely allied with
store modernization is the increasing
interest in percentage leases for music
stores. We have accumulated some in-
formation on the subject. We expect
to make additional studies and probably
issue a special bulletin devoted to cost
of building occupancy.
"Everybody wants to know "When are
we going to get merchandise?" and
"How much will it cost?' We are con-
stantly in touch with sources of supply
and with government agencies exercis-
ing regulatory control. We try to keep
abreast of current information.
What
we get is passed along to the entire
membership if it appears to be of gen-
eral interest.
.Summary
"1 have never experienced such en-
thusiasm as I have encountered in my
contacts with the music industry. To
indicate that I am 'satisfied' with ac-
compilshments to date would be far
from the truth. While we have achieved
a measure of success, we have not
reached many of the objectives I had
in mind six months ago. The unexpected
turn of the war following the German
'break through,' the subsequent diver-
sion of consumed goods has delayed the
availability of instruments and has
made inadvisable some of the promo-
tion plans we had in mind. The plan-
ning of and participation in regional
meetings took more time than was an-
ticipated but I'm sure was worth all
the time and effort required. The weeks
of comparative quiet T had anticipated
for opportunity to get acquainted with
the industry just did not exist. In-
stead I found myself catapulted into a
period of activity probably unequaled
in the Association's history.
"One of the greatest disappointments
was our inability to have a colorful
annual meeting and trade show at
which we had hoped to introduce our
program and through which we had
expected to launch our membership cam-
paign.
"While personally I am disappointed
in not being able to carry through some
of our original ideas, I certainly am
not apologizing for what has been done.
I'm confident that the Association has
excellent industry acceptance, that mer-
chants will support the program, that
we are building soundly and will short-
ly take our place alongside other great
national trade associations. What has
been done up to this time has been
possible through the cooperation of a
great many people.
Outstanding in
their cooperation have been the men of
the trade press. They have been good
counselors; they have eloquently told
the story of the month-to-month devel-
opment of the program; but more than
that
they have been
understanding-
friends. Much of what has been done
has been possible only through their
cooperation and because of the trade
acceptance they have developed in our
behalf. To all of them and to all others
in the industry, members and non-mem-
bers alike, who have aided during these
trying months, 1 am deeply grateful.
"While the past lias been productive,
the future is full of promise.
This
Hoard, your officers and staff have a
great obligation to provide the kind .
of leadership which will take full ad-
vantage of our almost unlimited poten-
tial. It calls for big plans for an in-
dustry with a great future."
Banquet
On Monday evening at 6:30 P.M. a
dinner was served at which as guests
were the presidents of practically all
music industry associations, as well as
many members of the piano, organ,
radio, musical merchandise trade and
the trade press.
(Torn fo page 30)
2?
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NAMM
I Continued from page 29}
President E. R. McDuff pointed out
how splendid the cooperation of vari-
ous branches of the industry has been
since the plan for reorganizing the
NAMM was presented last January
and thanked those who had so unstint-
ingly responded.
He then called on Secretary Mills
to outline his plans for the future.
He pointed to the program adopted
earlier in the day and stated that six
months of contact with the industry
had proved to him his first contention
that the hope of the industry lies in
broadening the base of interest in
music.
"The presence of these men of diverse
interest," he said, "is symbolic* of a new
spirit of unity within the industry, a
unity which must prevail if we are to
compete successfully with other indus-
tries for our share of the consumer's
dollar.
"While in the Association's long-range
program, emphasis must be upon pro-
motion, the actual development of such
a program must wait until there is an
adequate supply of instruments. In the
meantime we can and we will do the
necessary planning-—essential contacts
will be established and trade accept-
ances of the program will be sought.
Currently other problems claim our at-
tention. How soon can we get merchan-
dise? Will we be able to sell at a profit?
These continue to be the most frequent-
ly asked questions.
Mollification of War Controls
"Because of the general membership
interest we must devote a substantial
part of our effort at the Washington
level. We must cooperate with supplier
groups in seeking elimination or modi-
fication of war controls.
"Realistic pricing is an essential part
of the program of reconversion. While
we will cooperate in securing necessary
price adjustments to stimulate produc-
tion, we must protect the merchant
against burdensome absorption at the
retail level. The trend is in that direc-
tion.
"With war costs admittedly past their
peak, we should join with other busi-
ness groups in seeking tax relief as a
major factor in adjusting from war to
a peace economy. Such cooperation will
develop assistance in getting- early revo-
cation of the excise tax on musical in-
struments.
"In a survey of membership opinion
more people expressed themselves as
interested in improving trade practices
than in any other item of suggested
•activity. This presents both a challenge
and an opportunity. With so many peo-
ple concerned we must devote ourselves
to improving the situation and with so
many people interested we would seem
to have a large percentage of the traxle
willing to follow intelligent, informed
leadership.
Shocked nt Industry Pettiness
"Frankly I've been shocked more than
once with intra-industry pettiness. One
thing is certain we cannot clean up a
bad competitive situation by everybody
trying- to beat the 'chisler' at his own
game. I>ack of confidence between na-
tions leads to war. In the field of busi-
30
ness it leads to economic strife and
inevitable business failures. Perhaps
our inability in the past to pull together
is why the music industry continues to
be a 'small' Industry. It must be appar-
ent to anyone who studies the situation
that the most successful firms in the
business are those who play the game
clean. We cannot entirely eliminate but
I am sure we can substantially reduce
the number of sources of irritation.
"Before embarking on an extensive
program of promotion, we must develop
definite objectives and get assurances
from industry leaders that they intend
to 'see this one through.'
"This is our great opportunity. Be-
cause of the unifying influence of music
during the war—because of the in-
creased personal participation by men
in the armed forces in musical activi-
ties, we have a market potential un-
equalled in modern history. We can
translate this appetite for music into
over-the-counter sales if we act prompt-
ly and intelligently.
"The market potential exists but we
must realize we are entering a highly
competitive era when other industries
will be competing for the consumer's
dollar. To get our share we must be-
come smart merchandisers!
Some Example* of Promotion
"Here are some examples of music
promotion:
"Young men and women are return-
ing from the armed forces and war jobs
to their own profession of teaching-
music in the schools of America.
"Isn't this a good time to sit down
with our school music people—to ap-
praise the strength and weakness of
present programs and make plans for
more and better school music..
"Schools are prosperous now. With
intelligent cooperation they can be per-
suaded to expand their programs.
"What is the opportunity? In the past
200,000 wind instruments a year has
been a 'big' year for the band instru-
ment group. Is that a good showing
in the face of the millions of youngsters
who each year reach the age for band
training? Frankly now, is there any
reason why any school in America—
elementary, junior and senior high—
should not have a band?
"How many schools in America have
orchestras that compare favorably in
number and ability with existing school
bands? The industry would like to sell
the strings as well as the brasses. Why
not more orchestras?
"What about glee clubs, choirs and
choruses in our schools?
"Emphasis on adult education will
continue after the war. Can we find a
place for music in this program?
"The industry has' done a lot of talk-
ing about group piano instructions.
Isn't it time to evaluate the progress or
lack of it—find out what constitute the
obstacles and take steps to eliminate
them.
"The church has always had an im-
portant influence on music. In face of
the multiple uses of music in our mod-
ern society, religious music and music
used in connection with religious ac-
tivity is still a matter of major im-
portance.
"Personal participation in church ac-
tivity is the constant goal of religious
leaders. Properly programmed music
offers an opportunity for participation
to large numbers of people.
"With the wealth of musical talent
available in even the most remote com-
munities or smallest of congregations,
is ther any excuse for* 'quartets' as
substitutes for choirs?
"Opportunities for new musical ac-
tivities in the program of the church
are almost unlimited. Young peoples
choral groups, Sunday School orches-
tras, ensembles entertaining hospital
patients and other 'shut-ins,' a record
library and a good radio-phonograph in
the church recreation parlors. What an
outlook for interest developed in the
schools of America that at present finds
no organized outlet in post-school days,
dive young people an pportunity to
keep busy and they will keep out of
trouble—they love to make music; we
can help give them the chance.
"Industry's favorable war experience
with the use of music to relieve fatigue
monotony should result In almost uni-
versal use when wartime restrictions
have been lifted.
"Past experience has indicated that
participation in employee musical or-
ganizations has contributed to good
employee-employer relations. There is
no form of musical activity that does
not lend itself to exploitation and pro-
motion in the field of industrial music.
"Many years ago when the Music In-
dustries Chamber of Commerce was at
the peak of its effectiveness, one of its
chief beneficiaries was the Bureau for
the Advancement of Music. Much of
the present popularity of music is at-
tributable to the excellent work of Mr.
Tremaine and his associates. The pro-
gram was successful because of the
Bureau's ability to unite the commercial
and non-commercial music interests.
As the management of the Bureau's
program was farther removed from its
original sponsorship, when music mer-
chants particularly lost the sense of
responsibility for and participation in
the program, the Bureau lost its effec-
tiveness.
"Music Week is the sole remaining
function of the Bureau and is carried
on in a very limited way by the Na-
tional Recreation Association.
What Dealers Can Do Now
"Here are a number of things which
music merchants can do right now—
Plan for the maximum use of music in
the 'Welcome Home 1 celebrations sure
to be a part of every community's civic
planning. Most 'Welcome Home' cele-
brations will probably in connection
with the dedication of community war
memorials.
"Stress is being laid upon 'living me-
morials' with parks being favored. Fa-
cilities for open air concerts shffuld be
provided in every major recreational
area.
"Planning for community leisure time
recreational activities will be resumed
after the war. See that music has its
place in the recreation program.
"Take time to get acquainted with
the architects and others in the home
building industry in the community.
Stress the importance of piano wall
space, proper FM and television antenna
construction. A number of areas will
hold 'home building institutes.' Get
them to make music a part of their
planning-. Don't overlook extra antenna
outlets in the rumpus room.
"(let luncheon clubs to devote a pro-
gram to music. Tell them it will be
{Turn to page 32J
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