Music Trade Review

Issue: 1945 Vol. 104 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
TRAINING SALESMEN
(Continued
from Page 27J
productive immediately, and they
more fully realize the value of good
suggestions and they are, not only a
stabilizing influence on the younger
salesmen, but can themselves contri-
bute valuable help in promotion, dis-
play and selling. Then, too, older men
have to eat.
Average Salesman's Quota
It has never been my good fortune
to see 100 $1,000 bills in my hand
but I would have, I know, a great re-
spect for such an amount. It has been
my good fortune, however, to view a
potential $1,000,000, and I am speak-
ing of a producing sales person. The
average good piano man should aver-
age $3,000 to $5,000 per month. So,
in one year's time, he should sell
about $50,000. Yes, that to me is a
very good reason why I am not only
willing but eager to take my time to
train these embryonics. If I do it well
enough, I do not think I have exag-
gerated in stating that I have a poten-
tial $100,000 in any one of them. In
the past, I have made many errors
and one of them has been to permit
men to contact customers without
sufficient sales training. This was ex-
tremely costly to my firm and when
these salesmen made errors I often
poured maledictions on them, at least
to myself. This was entirely wrong
because I was to blame. It is not
going to happen any more. It is my
feeling today, that it is much better
for customers to leave our store with-
out being waited upon, rather than
have an untrained salesperson contact
them.
Not every fine salesperson can train
beginners. It requires savoir jaire of
the /ith degree type. If I attempt to
help any person I must not arouse his
antagonism. If I do—I am sunk. It
is not my wish to destroy the embry-
onic's age. This can be easily done
if my demeanor shows that I think he
is a halfwit. On the contrary, there
should be developed in this man a
quiet confidence that he can do the
job and do it well.
To you and to me the present situ-
ewis Viano Exchange
A. L. SPELLMAN, Representative
WAyerly 6-0993
190 CUSTER AVENUE
llewark 8, Uew Jersey
Warehouses: 921 BERGEN STREET
157 RIDGEWOOD AVENUE
HUmboldt 3-2000
i G S , we have Pianos. . .
We have small ones, large ones, plain fronts,
fancy fronts, round fronts, square fronts - players
and uprights — including many name pianos.
These instruments are intact and in excellent
condition, requiring only minor repairs. Can furnish
one or a carload at prices that will interest you.
We've been supplying some of the largest users
in the South.
Can you use this type of merchandise?
Your inquiry is invited.
Cordially,
LEWIS PIANO EXCHANGE
/
ation is intriguing and interesting. It
is quite a definite challenge. I state,
without reservation, that men through-
out the country who are engaged in
musical instrument merchandising are
better retailers than the average retail
merchant. I have few virtues and one
of them is—I do not flatter. I make
the preceding sincerely, after being
around and among you for 26 years,
so I know the music industry will
keep up its end in this most vital
program.
In conclusion, I will readily admit
that I have not offered, for your con-
sideration, anything probably that
you had not formerly known. If I
have been as original as the per cent
of impurities in Ivory Coap, 56/100
per cent, I will be delighted.
ADVERTISING
/Continued from Page 23)
by a lot of people. Many stores report
good results from this method.
Some music men have questioned
whether it is wise to let the general
public know you need more help.
Under ordinary circumstances the an-
swer would be ,,"/Vo" but everyone
now knows of the help shortage and
help-wanted advertising which the
public sees can do no harm. In fact,
might it not help explain delays or
errors?
Ads in out-of-town newspapers are
often effective. Many studios report
that they have obtained good results
by this method.
Lloyd S. Reynolds, manager of
Baldwin Piano Co., St. Louis, says
that he has obtained excellent results
by canvassing his employees, especial-
ly technicians, to contact other me-
chanical friends who might be inter-
ested in a position. Mr. Reynolds
also says that he has been substituting
women and handicapped people for
his men gone off to war. He has em-
ployed blind piano tuners and women
servicers. "Women are equally adept
to men in technical radio jobs," said
Mr. Reynolds," and furthermore I'd
like to see 'em keep on these jobs
after the war."
Radio is good if you want to em-
ploy a large number of new people.
THE MUSIC TRADE REVIEW. APRIL, 1945
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FIRST AID IN PIANO REPAIRS
By ALEXANDER HART
Instructor in Piano Tuning,
Teachers College, Columbia University, New York
EDITOR'S NOTE : Dealers and tuners who have a fair work-
ing knowledge of this art, can pick up some extra practical
training by Mr. Hart, c/o Music TRADE REVIEW, 1270 Sixth
Avenue, New York 20, N. Y.
The Elementary Phases
Of Piano Tuning
(Continued
REPAIRING ACTION PARTS
The Flange
Look at the illustration. It is a re-
production of the flange that holds the
hammer butt in its place. How easy
it is for anyone to push the pin back
in place.
This surely will serve its purpose
1 I
|_i
O
temporarily; but it is not a practical
way, nor is it professional, as we
would expect when a competent serv-
ice man is called in to repair the piano.
How impractical, and what extra
time it takes to rebush a flange, when
so damaged there is little to be done,
except replace it with a new one.
This may seem a small item to talk
about, yet it is important—so much
so, in fact that the hammer cannot
function properly unless the flange that
holds the butt is also functioning and
all three work together, contributing
what is termed regulation.
If a service man understands the
working elements of the action, the
whys and wherefores—very
often
knowing how to analyze first, before
you begin to work, is one of the serv-
ice man's best assets.
When in doubt, always spend a few
extra moments and remove the action
part to be fixed up; and remember—
a flange pin must be tight in the wood;
otherwise, it will work loose again'.
There are a number of things that
happen to cause the piano keys not to
function. There is, however, a very
disagreeable feeling for any one prac-
ticing piano lessons when hammers
block, i.e., when they don't respond at
once, stay against the strings or hit
the wrong string, which brings us back
THE MUSIC TRADE REVIEW, APRIL, 1945
from
March)
One reason for suggesting not to re-
move the action unless it is absolutely
necessary—many times one is called
upon to repair just one or two items,
a jack, and broken hammer shank,
therefore it is a time saver.
When the hammer and butt is re-
and bridle hooked up to its wire, be
placed and spring placed in groove,
sure the hammer is resting on the
rail. If the jack flange is not seated—
it will be noticed when the hammer is
quite a distance from the rail. In case
this happens, it can be corrected by
turning the capstan screw down.
to the flange and its pin.
A few hints here and there:
A. Don't start out without checking
up on materials you need in your kit.
B. In case the job is a spinet type,
do your best and try to leave the cus-
tomer satisfied.
C. When taking an action out of a
spinet bothers you, don't fuss too much
—just make an excuse to return. In
the meantime, go to a wareroom and
I am sure the foreman or head tuner
will show you and explain fully how
to take it out and replace it.
In the last issue we spoke about re-
moving the hammer and butt for clear-
ance—especially when about to reglue
a loose jack.
You can see for yourself by illustra-
tion.
Note—The spring is hooked to the
No. 2—Photo shows movement at rest, with
lack and flange in correct position.
This lowers the hammer and brings
it back to normal on the cushion or
rail. There must be no lost motion.
Can Request Price Increase
For Porable Reed Organs
Applications for individual price in-
creases on additional items of con-
sumers' goods may now be made by
manufacturers under an amendment
effective March 19, 1945, the Office of
Price Administration announced re-
cently. Portable reed organs were in-
cluded in this list for which increases
in prices might be asked for.
School of Pianoforte Technology
Moves to Larger Quarters
No. 7—Photo shows jack and flange ready
to be glued in place.
back check. This stops the jack from
returning to place—and upsetting the
glue joint before it is properly set.
On and after April 16, 1945, The
School of Pianoforte Technology, con-
ducted by Dr. William Braid White,
will occupy new and enlarged quarters
in the Chicago Musical College BuiW-
ing, 64 East Van Buren Street, Chi-
cago 5, 111. The telephone nnmber is
HARrison 6830.

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