Music Trade Review

Issue: 1945 Vol. 104 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The
Established 1879
Vol. 104, No. 11
THE
PIONEER
REVIEW
PUBLICATION
OF T H E
2790th Issue
November, 1945
MUSIC
INDUSTRY
Refresher Courses Important
for Post War Merchandising
fey MORRIS BUTLER
D
URING the global war recently
terminated, the United States
surprised the world by putting
an army and navy totaling 12 million
men on the field of battle in a rela-
atively short time. In addition, Vic-
tory was won in a short time, too.
Most of these men had to undergo
technical training and came through
with flying colors. How was it done?
The army and navy used refresher
courses to a large extent to keep its
officers and men in a progressive
state of mind, so that what they learn-
ed would stick. A refresher course
in education sums up the high points,
helps the student organize his know-
ledge better.
In business, in the music merchant's
retail field, it pays to have refresher
courses now and then for the owner
and for his employes, so that they do
not forget effective merchandising
technique, so that they sharpen their
sales tools and thus earn more profit.
The army and navy discovered that
when men were given refresher courses
they quickly took on their old effi-
ciency with certain work, and then—
and then only—were ready to pro-
ceed to more detailed work in the
same field.
Refresher courses cover the funda-
mentals of certain trades, professions,
businesses, etc., in a much shorter
time than a beginning course for stu-
dents not familiar with the subject.
Because those who take refresher
courses remember something of the
subject, they can necessarily go faster
and assimilate more studies than can
beginners.
Because" of the transitional period
from war to peace will take a year or
more, numerous merchants and their
clerks are going to need refresher
courses in merchandising in all its
phases if they are to reach their for-
mer peacetime efficiency.
New Methods Since Before the War
Refresher courses bring you up to
date in your business. For example,
the writing of advertising copy has
changed considerably in the past 15
years. If a music merchant got his
ad writing knowledge from books
written in 1925 or thereabouts and
continues to write his ads along those
lines, he is missing many of the im-
provements in ad technique which
have been developed since 1925. A
refresher course in advertising would
help him write more effective ads.
Take the matter of salesmanship.
Advances in psychology since 1925
provided a much broader perspective
of the importance of psychology in
selling. The dealer who takes a re-
fresher course in salesmanship today
gets much more for his money than
in 1925 or 1930. This is also true
of 1935 and 1940.
Why Courses are Necessary
Just why are refresher courses
needed in the music merchant's field?
The following discussion will prob-
ably establish some of these reasons
in your mind.
1. Merchandising. To play well, a
football or baseball team must practice
daily. If a merchant wishes to sell
THE MUSIC TRADE REVIEW, NOVEMBER, 1945
well, he, too, must sell daily. We are
now entering a competitive stage in
business, after lush, easy wartime sel-
ling. To get back into top form in
merchandising, the dealer needs to be
reconditioned in this respect. He needs
to go over the vital steps in selling
one by one—and his employes need
to do likewise.
2. Credit selling. Wartime was cash
time. Collection problems were few.
During peacetime, competition will
force extension of credit in many
fields, as merchants compete for busi-
ness. Are you prepared to handle
credit properly? A leading co-opera-
tive organization figures it costs $4
to sell and handle $100 worth of
credit business. A co-op is allegedly
run for the benefit of its members. If
a co-op has to spend $4 out of every
$100 taken in to collect and handle
credit accounts, you, as an indepen-
dent merchant, need to make a charge
for credit, if you are to make a profit.
Don't extend credit to poor risks.
When you do extend credit, incor-
porate the credit handling charge in
your sales price, if possible. It's the
only safe way.
Business Now Through Courtesy
3. Wooing the customer. During
wartime the customer begged for mer-
chandise. In peacetime the merchant
literally begs for business through ad-
vertising and sales promotion. Such
a thing as courtesy has not been
practiced for a long time in many
retail stores.
Surely now is the time for a re-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
fresher course in courtesy, that golden
spirit which so brightens business re-
lationships. There are many people
who like to buy in stores where cour-
tesy and good manner* are displayed.
4. Cutting overhead. Have you
forgotten how to reduce overhead to
a desirable minimum compatible with
good service to your customers? If
not, you will profit from a refresher
course in cost-cutting. When you save
a dollar in trimming costs you can
use the dollar in a capital reserve or
to expand your stock and service. Use
the budget system and then you will
have effective aid in keeping costs
down.
Sales Promotion Important
5. Sales promotion. Perhaps you
haven't done much sales promotion
from 1941 to 1945. But intelligent,
well planned sales promotion is the
high test gasoline of your profit en-
gine in peacetime. The American
standard of living was built on pro-
ductive sales promotion. Take a re-
fresher course in sales promotion. You
will be amazed how such a course
will set your brain teeming with ideas.
You will perceive new yas to build
your business.
Every music merchant can profit-
ably undergo a refresher course in
merchandising at least once a year.
This holds true for his employes, too.
It is an investment of time which is
very inexpensive and which yields
highly profitable results.
Praises Gulbransen Pianos
Used in Germany and Pacific
In a recent letter to the Gulbransen
Co., Chicago, 111., William P. Payne,
W. 0. 86th Infantry Division Band
stated:
"We have had two Gulbransen pianos
for some time. It may be the only
two that have made music both in
Germany and in the Philippines.
Through all that rough travel and
climate, they have come through in
excellent shape.
"A piano maker must shudder if he
knew what his product was exposed to.
The heat and rain of this country comes
in n osmall measure—and often ade-
quate protection isn't available. We
have had other makes of pianos, but
they didn't hold up even in the States."
Says GI Joe
"When I come back
To The Music Store
I'D LIKE TO forget all about this army life and step right into my
job as if I'd just left it the night before and was coming to work on
the regular morning routine.
I'D LIKE TO believe that the sacrifice I've made has done some
good; that the productive period taken out of my life hasn't been
wasted.
I'D LIKE TO have a chance to "take it easy" and get acquainted
with my wife and family first before it is necessary for me to report
on the job.
I'D LIKE TO feel that I was really wanted in the music store; that
the job I've come back to is an important part and that I'm not being
welcomed back just because the GI Bill says I'm supposed to have
my old job back.
I'D LIKE TO have some brushing up on what has happened in the
music business while I've been gone, so that it won't be too difficult
for me to step right in and start "pitching".
I'D LIKE TO sort of have the "old gang" and "the boss" overlook
a thing or two for the first month or so until I can get myself fully
readjusted again; living army life for a long time when it has had to
be lived under conditions widely different than in civilian life makes
an impression a guy can't erase in just a day or two.
I'D LIKE TO know there's a future in my job again; that there's
a big chance for me to get places if I'm willing to work for it.
I'D LIKE TO have a chance to "brush up" on all phases of oper-
ation of the business before I settle down into the little 'niche' I'm
going to operate . . . a lot of things have changed since I went into
the service and I want to know what those changes have been.
I'D LIKE TO have some access to material enabling me to refresh
what I knew about the trade before I left; if it isn't available in
study courses or books I'd like to have the boss turn over a file of
trade journals for me to study . . . those that were issued, say, while
I was in the service.
I'D LIKE TO have the boss serve as a sort of godfather to me in
"brushing me up" on changes in the way of doing things in the music
business, in the life of our city, in the changes in living that have
taken place since I left so that I can readjust my family to ordinary
living speedily.
I'D LIKE TO step back into my job with no resentment by my fellow
workers that I was shoving someone else out of a place so that one
could be made for me.
I'D LIKE TO forget the army, the army life and step into my
place as if I had never left it and be able to do my job without
reference to any part of the war or service.
I'D LIKE TO find the basic principles of American business just as
they were when I left; I mean such things as honesty in business
deals, pride in our services, playing square with our customers, etc.
I'D LIKE TO have an opportunity to get some refresher schooling
on such important business relationship things as selling, handling
customers, advertising, etc.; if I can be refreshed on them quickly,
I'll be much more capable of doing a good job right from the start
I'D LIKE TO, most of all, come back to the music store and to
American business life to find that everyone is vitally interested in
preserving the American way of doing things . . . I've seen foreign
ways and I know how much better our methods are . . . I don't want to
have to spend a lot of time and argument convincing the folks back
home that our way is best and always will be.
Sgt. ERNEST W. FAIR
(written in Europe)
THE MUSIC TRADE REVIEW, NOVEMBER, 1945

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