Music Trade Review

Issue: 1941 Vol. 100 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, JUNE, 19J>1
Leominster several case companies,
and most of the supply organiza-
tions now out. Some in this group
were: L. J . Mutty, Hubert Fox, Her-
bert W. Tower, Geo. Faxon, Cambridge
Action Co.
IANO men having trouble
enough on supplies, but not
as bad as radio (aluminum
and nickel). Wire and steel
the main obstacles. Contemplated tax
of 10% is disliked and associations
urging for no tax. Costs of labor up, as
well as supplies, all of which suggests
the wisdom of selling present stock of
pianos at replacement prices, for the
market fluctuation has been up, and is
going higher. We do not expect to see
a piano wholesaled for less than $175—
the cheapest—by the end of the year.
Altho trade-ins will be worth more,
there is no need to be bullish on these
—give the same allowances and put the
difference into promotion. As with
other products, pianos are on the price
upswing, and dealers need worry only
about the lack of inventory. Trying to
get "turnover" these days is danger-
ous, as would be a minimum of stock.
P
F there come a shortage of sup-
plies, we can see the "cheap"
pianos eliminated, for mfrs would
be negligent to use those sup-
plies except on styles that will return
the biggest sales volume. This means
a condensation of styes, but this is not
serious. The upward swing all along
the line of labor and supply costs, and
the uncertain deliveries, are such as to
justify a dealer's expected projection
of stock, by months, for the balance of
1941, and not later than the coming
convention at Hotel New Yorker, July
2 9 - 3 1 , insure himself of these pianos
by long range ordering. Dealers who
stall around the convention exhibits,
and follow the usual custom of so
many, that of returning home and buy-
ing kittinishly, will find their orders so
far down on the shipping lists that
they'll think their names begin with
"Z." Beg pardon, Mr. Zach.
I
ITUATION is such that those old
junk boxes, cluttering up the
cellar can be refinished, reno-
vated, or what it is that the boys
do to them, and sold. It is expected
that dealers will do an increased dollar
volume if they'll use just a fair degree
of intelligence. Increase not only can
come from pianos, but from the addi-
tion of such lines as the marimba and
the vibraharp, easily played by those
who can play the piano. Future looks
bright for piano dealers alert to the new
"times"—it is the mfrs who are doing
the planning and worrying about fur-
nishing dealers with the sinews of the
sale.
S
ITH trade-ins dropping
from about 50% of sales to
about 35%, or a second-
hand take and sale of about
50,000—if we hit 140,000 production
for 1941—it is proof that pianos are
too well built, even if nothing can be
done about it. 50,000 trade-ins out of
the admitted 5,000,000 "punk" pianos
in homes is but 1 % , altho it is 35% of
the new sales. Were but 3% to trade
in the old junk, the industry wouldn't
make enough pianos to take care of the
business. There were 6,000,000 radio
trade-ins last year on home ownership
of about 45,000,000 sets—roughly 14%,
with the industry making 10,500,000
sets to take care of the trade-in and
new sales. So on trade-ins, pianos are
but 7% of the radio trade-in volume.
However, the obselescence of old
pianos versus the new, at least visually,
is 5 times radio. Naturally a product
requiring stability to handle 40,000
pounds of string pressure, can't be
made of mousetrap texture, so an addi-
tional idea to last month's piano policy,
could be to go after old piano owners
and their indifference developed into a
pride of getting the latest. Many up-
right owners are grand potentials, too.
W
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, JUNE, 19U
HE thought expressed in the
slogan which is reproduced in
the center of this page "Music
Is Essential" should also be the cen-
ter of all promotion by music mer-
chants throughout the country just
at this time. It should be impressed
on the public in every way possible.
We are indebted to the Jenkins Mu-
sic Co., Kansas Cty, Mo., who has
sent us a sign from which the illus-
tration on this page has been repro-
duced. The original is 21 inches
Carleton Chace
wide and it is printed in three colors,
- red, white and blue. It is the sign
that the Jenkins Music Co. used to
remarkable advantage during the World War I and at the
present time is displaying it in its stores, display windows
and anywhere it may make an impression. So successful
has been the use of this sign that the Jenkins Music Co. has
made the offer to supply members of the industry with
them for the price of 10c each, this being but one penny
more that it costs them in lots of 200. Here is an oppor-
tunity for dealers to get to-gether in the city in which they
live and place a bulk order, each one taking an allotment
and spreading them around where they will make an im-
pression. The address of the Jenkins Music Co., is
1217 Walnut Street, Kansas City, Mo.
T
Why Music
is Essential
I
N pointing out that music and musical instruments are
not luxuries but vital necessities to a nation at peace or
at war Mr. Rolfing stated: "Music and musical instru-
ments do not represent the amusement of idle and wasteful
people; they do not constitute a habit which is merely com-
forting; a veneer upon life which those who can afford it
find pleasing. Music in all its forms and the playing of musi-
cal instruments are a part of the very lives of millions of
Americans and they are better for it. They are better soi-
diers, better workers, better citizens and better human be-
ings. The appeal of music is universal. It is not merely for
some people who can afford it or who have time for it or
who have special aptitude for it. In 1939 in the United
States a million and a half children and a million adults
were playing and learning to play, the violin; four million
children in schools throughout the country and nine mil-
lion children and adults outside schools were playing and
learning to play the piano.
"The large proportion of buyers of musical in-
struments come from the lower income groups.
Incalculable thousands of
them deny themselves com-
forts and even what we
might agree are necessities,
so that their children may have the educational
and cultural advantages of music. In doing so
they are not, and they do not regard themselves as indulg-
ing in a luxury. They are realizing one of the primary
necessities of life. To them a price increase of the kind
which would be inevitable as a result of the proposed tax
would be not merely serious; in many cases it would be pro-
hibitive. Should this deterrent be offered to them? If this
were done, you would not be doing this country a service
but a disservice. You would take a step backward in the
progress of human affairs in our country. You should be
undoing what thousands of responsible educators and en-
lightened citizens in our country have striven and are striv-
ing to do."
Back this up with YOUR protests — NOW.
MUSIC IS ESSENTIAL

HE National Piano Manufacturers Association
Tax Protests
and Hearings
T
interested in music to impress on the powers that be in
Washington the importance of keeping music and musical
instruments on the essential list. This was done during
World War I and can be done again.
lost no time in entering its protest against the
10% tax which the Treasury Department proposed to
levy on musical instruments. R. C. Rolfiing, president of
the association appeared before the Ways and Means Com-
mittee in Washington last month and pointed out the detri-
mental effect such a tax might have on the industry. More
important, however, was his plea that musical instruments
be kept on the "essential" list. Members of the National
Association of Music Merchants have also sent letters and
telegrams to their senators, congressmen and members of
the Ways and Means Committee protesting the tax. The
"essential" element, however, must not be overlooked. After
all music is such an essential that it is depended upon to
buoy up the morale of a people when in distress. What is
more inspiring than martial music to stir up partiotism,
what is more quieting in case of panic than music, what is
more consoling to those in trouble than music and after all
is said and done what kind of a world would it be anyway
without music And, music without a musical instrument
—well such a thing would be just a calamity. So we urge
merchants to also urge all those whom they know who are

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