Music Trade Review

Issue: 1941 Vol. 100 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW, APRIL, 19%1
11
the newspaper advertisement to go to &
certain retail store to buy it. Don't you
agree that the ideal piano advertisement
must do more than say: "Supremacy
Brand Piano—Console Model—$5 Down
Payment Delivers"?
Newspaper advertising is salesmanship
in print, and its job is to get people to
buy goods. If advertising is salesmanship,
advertising must do a selling job and
must be prepared along the lines that
best will cause a desire to purchase. It
is my understanding that Mr. Selz con-
ducted a survey for the National Piano
Manufacturers Association which revealed
that the 5 most important elements in
forth to create a demand for pianos—and sales appeal are: (1) Style, (2) Price, (3)
for individual makes of pianos—it may be Education Value, (4) Cultural Appeal and
that then the ideal piano advertisement (5) Social Status. If these 5 elements de-
will confine itself to selling the store as termine sales, should you—in your adver-
a place at which to buy the piano for tising—deal only with STYLE and PRICE,
which the demand has been created. But, and ignore the 3 other known elements?
certainly, right now the advertising should (In explaining his ideas regarding proper
do more.
presentation of piano advertisements
Piano Ads
That Sell
Must do Double Duty Says Vernon
A. Libby, of Los Angeles Examiner
DDRESSING the Retail
Piano Sales Clinic in
Los Angeles, Cal.,
Vernon A. Libby,
Sunday Advertising
Manager of the Los
Angeles Examiner
prefaced his remarks
with:
"It's the job of the manufacturer to
create a demand for his product. After
that demand is created, it's the job of the
retailer to bring people into his store to
buy that merchandise."
Gentlemen: is that YOUR viewpoint?
Much retail piano advertising seems to
agree. I've heard leading retail store ad-
vertising managers SAY it. Perhaps they
are right.
However, I submit that what you want
to do is SELL PIANOS. You can't do the
best kind of selling job if you wait for
someone else to do what you think it is
his business to do, in this case. If the
piano manufacturers should do a better
job of creating a demand for pianos in
the future, that's as it should be. I read
in one of your music trade papers the sug-
gestion of David Jacobs, a Philadelphia
piano dealer, to the effect that manufac-
turers and retailers should get together
and raise a fund for a promotional cam-
paign built around the theme: "A Piano
in Every Home". An excellent idea.
According to your industry's statistics,
some 136,000 pianos were produced in
the United States last year. Fine 1 . That
was 5 times as many as were sold by the
retail stores in 1932. However, 136,000 is
not nearly enough volume as we realize
when we consider that this is only 1 new
piano to every 300 homes. Why aren't
more pianos sold?
Mr. Jacobs of Philadelphia has pointed
out to us that every survey and all avail-
able statistics indicate that there are too
many % pianoless' homes and too many
unmusical, antiquated pianos in use or
disuse . . . and this in the face of a gen
erally accepted fact and conclusion that
our country has made and is now making
tremendous strides in musical training,
appreciation and education. Merchants
and manufacturers may well face the fact
Group of Piano Advertisements As Suggested by Vemon A. Libby
that the piano does not yet emjoy the
public acceptance to which it—as as a
Our viewpoint is that the ideal retail devoted to these five elements, Mr. Libby
basic musical instrument—is entitled.
piano advertisement of today must do a demonstrated with lantern slides of the
If—at some future time—there should DOUBLE job: (1) Create a demand for advertisements reproduced herewith.)
be tremendous promotional effort put a piano, and (2) Persuade the reader of
(Turn to Page 12, Col. 3)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
12
THE MUSIC TRADE REVIEW, APRIL, 19Ul
Philadelphia Piano Orchestra to Tour
West Playing 12 Baldwin Grands
The Philadelphia Piano Orchestra has
played a number of engagements in the
past year—one a concert for Dr. Eugene
Ormandy and the Philadelphia Orchestra
members and Officers of the Philadelphia
Unique Organization Composed of 22 Talented Girls Play Orchestra Association in the Grand Ball-
Symphonic Music Arranged by Conductor Knisley
room of the Bellevue-Stratford Hotel. The
orchestra was selected from four hundred
rpHE Philadelphia Piano Orchestra, the played the Concerto "B" Flat Minor by musical organizations to entertain the
X only organization of its kind in the Tschaikowsky for piano and orchestra. Philadelphia Orchestra, at a luncheon
world composed of 22 talented girls who She is one of a few women pianist who given in their honor by the One Hundred
Club of Philadelphia.
The orchestra played a Seven Concert
Series at Town Hall. It has also played a
concert at Strawbridge & Clothier's Ex-
hibition Salon to an overflow audience of
The
4000 people, turning away 6000 people at
the elevators.
Philadelphia
Piano
Orchestra
Playing
on
Twelve
Baldwin
Grand
Pianos
play on 12 Baldwin grand pianos will
start on a Western tour on May 16th
where they play at the Syra Mosque
Temple in Pittsburgh, Pa. Its last concert
in the east was at Town Hall, Philadelphia
on March 27th.
The orchestra is conducted by the
Australian conductor. Carle Knisley.
Evelyn White, soloist of the orchestra
play this exceedingly difficult Concerto.
Mr. Knisley achieves Symphonic effects
with his skilfully designed arrangements
for Piano Orchestra. The girl members of
the Orchestra are graduates of many of
the leading Conservatories of Music
throughout the United States. Paris Con-
servatoire and Berlin is represented by
Aida Simone.
Spinets
Grands
Uprights
Consoles
IVERS & POND
POOLE
Est. 1880
Est. 1893
Distinguished old New England names which
carry National Prestige. These franchises are
assets to many dealers and can be to you.
IVERS & POND PIANO C O .
POOLE PIANO C O .
Cambridge, (Greater Boston), Mass.
PIANO ADS
(Continued from Page 11)
STYLE AND PRICE ON TWO ELEMENTS
There is "no sale" until the piano you
offer looks more attractive to your pro-
spect than the PRICE of the piano—than
the money the customer must give you.
Your prospect can buy as smart-looking
a piece of furniture for less money by in-
vesting in a desk or table. In a piano,
style and price are only two of the con-
siderations.
You probably are familiar with the
automobile manufacturer's ad which starts
off with these words: "Make a Date With
a Miracle!" The illustration shows a
pretty girl at the wheel of a car. The
copy goes on to say: "Try Chrysler's
Fluid Driving For Yourself" . . . "The big-
gest thrill in motoring!" Let's consider
what this automotive advertiser accom-
plishes. He DRAMATIZES the USE of the
product he wants to sell, and encourages
you to TRY IT FOR YOURSELF, and EN-
JOY its use.
Should you not likewise DRAMATIZE
the PIANO . . . its use, pleasure-giving,
and benefits . . . in YOUR advertising?
There are children in most homes. Most
parents wa"nt for their children greater ad-
vantages than they have had for them-
selves. The cost of education is one of
our big tax items, but we pay the costs
of education willingly. The average par-
ent who is able to do so will pay the price
of the piano if sold the educational and
other values.
Not all men and women respond to the
cultural appeal, but there are few who are
totally disinterested. Even in this demo-
cratic land of ours, there are few who are
totally uninterested in maintaining some
kind of relative social position; the most
humble of laboring men is interested in
being looked up to by his own friends.
In a recent issue of one of your trade
magazines, the advertisement to the trade
by a leading piano manufacturer told the
story of "Four rooms, bath and a $625
piano" . . . indicating recognition of the
broad market for good pianos. To sell
more, let's recognize all the elements of
sales appeal, and prepare our advertising
according to the known formula."

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